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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6518AA it is the complementary color #9AE755. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6518AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6518AA shade: #6A18A5, #7B2AB8, #8C3CCB, #9D4EDE and #AE60F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6518AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6518AA shade: #6518AA, #540697, #430084, #320071 and #21005E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6518AA shade: #6518AA, #8C18AA, #AA18A0, #AA1879 and #AA1851

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6518AA shade: #6518AA, #3E18AA and #1818AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6518AA shade matches the following richer shades: #6518AA and #6609B9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6518AA shade: #6518AA, #64289A, #63388A, #62477B and #61576B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6518AA shade: #181BAA, #3D18AA, #6318AA, #8A18AA and #AA18A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6518AA shade: #3A0E61, #4F1385, #6518AA, #7A1DCE and #8F33E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6518AA shade: #6518AA, #AA1841 and #18AA29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6518AA shade: #6518AA, #AA6318 and #18AA63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6518AA shade: #6518AA, #AA1841, #5EAA18 and #18AA80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6518AA shade: #6518AA, #AA1B18, #5EAA18 and #18A7AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 86 / 0 / 33

HEX #6518AA

RGB 101 24 170

HSL 271.64, 0.75%, 0.38%

LAB 30.21, 58.09, -61.83

 

Complementary color

CMYK 33 / 0 / 63 / 9

HEX #9AE755

RGB 154 231 85

HSL 91.64, 0.75%, 0.62%

LAB 84.32, -46.96, 61.63

 

CMYK 36 / 85 / 0 / 35

HEX #6A18A5

RGB 106 24 165

HSL 274.89, 0.75%, 0.37%

LAB 30.48, 57.67, -58.35

 

CMYK 33 / 77 / 0 / 28

HEX #7B2AB8

RGB 123 42 184

HSL 274.23, 0.63%, 0.44%

LAB 36.61, 58.49, -59.6

 

CMYK 31 / 70 / 0 / 20

HEX #8C3CCB

RGB 140 60 203

HSL 273.57, 0.58%, 0.52%

LAB 42.94, 58.47, -60.32

 

CMYK 29 / 65 / 0 / 13

HEX #9D4EDE

RGB 157 78 222

HSL 272.92, 0.69%, 0.59%

LAB 49.36, 57.99, -60.73

 

CMYK 28 / 60 / 0 / 5

HEX #AE60F1

RGB 174 96 241

HSL 272.28, 0.84%, 0.66%

LAB 55.8, 57.28, -60.95

 

CMYK 41 / 86 / 0 / 33

HEX #6518AA

RGB 101 24 170

HSL 271.64, 0.75%, 0.38%

LAB 30.21, 58.09, -61.83

 

CMYK 44 / 96 / 0 / 41

HEX #540697

RGB 84 6 151

HSL 272.28, 0.92%, 0.31%

LAB 24.48, 55.98, -59.78

 

CMYK 49 / 100 / 0 / 48

HEX #430084

RGB 67 0 132

HSL 270.45, 1%, 0.26%

LAB 19.47, 51.36, -56.27

 

CMYK 56 / 100 / 0 / 56

HEX #320071

RGB 50 0 113

HSL 266.55, 1%, 0.22%

LAB 14.79, 45.38, -51.91

 

CMYK 65 / 100 / 0 / 63

HEX #21005E

RGB 33 0 94

HSL 261.06, 1%, 0.18%

LAB 10.04, 39.32, -47.3

 

CMYK 41 / 86 / 0 / 33

HEX #6518AA

RGB 101 24 170

HSL 271.64, 0.75%, 0.38%

LAB 30.21, 58.09, -61.83

 

CMYK 18 / 86 / 0 / 33

HEX #8C18AA

RGB 140 24 170

HSL 287.67, 0.75%, 0.38%

LAB 36.24, 64.08, -51.76

 

CMYK 0 / 86 / 6 / 33

HEX #AA18A0

RGB 170 24 160

HSL 304.11, 0.75%, 0.38%

LAB 40.8, 67.89, -38.16

 

CMYK 0 / 86 / 29 / 33

HEX #AA1879

RGB 170 24 121

HSL 320.14, 0.75%, 0.38%

LAB 38.86, 62.67, -17.28

 

CMYK 0 / 86 / 52 / 33

HEX #AA1851

RGB 170 24 81

HSL 336.58, 0.75%, 0.38%

LAB 37.47, 58.72, 6.03

 

CMYK 41 / 86 / 0 / 33

HEX #6518AA

RGB 101 24 170

HSL 271.64, 0.75%, 0.38%

LAB 30.21, 58.09, -61.83

 

CMYK 64 / 86 / 0 / 33

HEX #3E18AA

RGB 62 24 170

HSL 255.62, 0.75%, 0.38%

LAB 25.5, 53.71, -69.76

 

CMYK 86 / 86 / 0 / 33

HEX #1818AA

RGB 24 24 170

HSL 240, 0.75%, 0.38%

LAB 22.83, 51.39, -74.28

 

CMYK 41 / 86 / 0 / 33

HEX #6518AA

RGB 101 24 170

HSL 271.64, 0.75%, 0.38%

LAB 30.21, 58.09, -61.83

 

CMYK 45 / 95 / 0 / 27

HEX #6609B9

RGB 102 9 185

HSL 271.7, 0.91%, 0.38%

LAB 30.7, 64.87, -70

 

CMYK 41 / 86 / 0 / 33

HEX #6518AA

RGB 101 24 170

HSL 271.64, 0.75%, 0.38%

LAB 30.21, 58.09, -61.83

 

CMYK 35 / 74 / 0 / 40

HEX #64289A

RGB 100 40 154

HSL 271.58, 0.59%, 0.38%

LAB 30.78, 48.11, -51.21

 

CMYK 28 / 59 / 0 / 46

HEX #63388A

RGB 99 56 138

HSL 271.46, 0.42%, 0.38%

LAB 32.52, 35.63, -38.61

 

CMYK 20 / 42 / 0 / 52

HEX #62477B

RGB 98 71 123

HSL 271.15, 0.27%, 0.38%

LAB 35.07, 22.54, -25.28

 

CMYK 9 / 19 / 0 / 58

HEX #61576B

RGB 97 87 107

HSL 270, 0.1%, 0.38%

LAB 38.58, 8.32, -9.96

 

CMYK 86 / 84 / 0 / 33

HEX #181BAA

RGB 24 27 170

HSL 238.77, 0.75%, 0.38%

LAB 23.27, 50.07, -73.54

 

CMYK 64 / 86 / 0 / 33

HEX #3D18AA

RGB 61 24 170

HSL 255.21, 0.75%, 0.38%

LAB 25.41, 53.63, -69.92

 

CMYK 42 / 86 / 0 / 33

HEX #6318AA

RGB 99 24 170

HSL 270.82, 0.75%, 0.38%

LAB 29.93, 57.82, -62.3

 

CMYK 19 / 86 / 0 / 33

HEX #8A18AA

RGB 138 24 170

HSL 286.85, 0.75%, 0.38%

LAB 35.9, 63.74, -52.31

 

CMYK 0 / 86 / 5 / 33

HEX #AA18A2

RGB 170 24 162

HSL 303.29, 0.75%, 0.38%

LAB 40.91, 68.19, -39.18

 

CMYK 40 / 86 / 0 / 62

HEX #3A0E61

RGB 58 14 97

HSL 271.81, 0.75%, 0.22%

LAB 15.88, 37.34, -39.55

 

CMYK 41 / 86 / 0 / 48

HEX #4F1385

RGB 79 19 133

HSL 271.58, 0.75%, 0.3%

LAB 23.07, 47.85, -50.92

 

CMYK 41 / 86 / 0 / 33

HEX #6518AA

RGB 101 24 170

HSL 271.64, 0.75%, 0.38%

LAB 30.21, 58.09, -61.83

 

CMYK 41 / 86 / 0 / 19

HEX #7A1DCE

RGB 122 29 206

HSL 271.53, 0.75%, 0.46%

LAB 36.88, 67.5, -72.06

 

CMYK 37 / 77 / 0 / 11

HEX #8F33E2

RGB 143 51 226

HSL 271.54, 0.75%, 0.54%

LAB 43.8, 67.82, -72.12

 

CMYK 41 / 86 / 0 / 33

HEX #6518AA

RGB 101 24 170

HSL 271.64, 0.75%, 0.38%

LAB 30.21, 58.09, -61.83

 

CMYK 0 / 86 / 62 / 33

HEX #AA1841

RGB 170 24 65

HSL 343.15, 0.75%, 0.38%

LAB 37.08, 57.59, 15.8

 

CMYK 86 / 0 / 76 / 33

HEX #18AA29

RGB 24 170 41

HSL 126.99, 0.75%, 0.38%

LAB 60.87, -60.24, 52.74

 

CMYK 41 / 86 / 0 / 33

HEX #6518AA

RGB 101 24 170

HSL 271.64, 0.75%, 0.38%

LAB 30.21, 58.09, -61.83

 

CMYK 0 / 42 / 86 / 33

HEX #AA6318

RGB 170 99 24

HSL 30.82, 0.75%, 0.38%

LAB 48.93, 23.39, 50.67

 

CMYK 86 / 0 / 42 / 33

HEX #18AA63

RGB 24 170 99

HSL 150.82, 0.75%, 0.38%

LAB 61.52, -52.4, 26.66

 

CMYK 41 / 86 / 0 / 33

HEX #6518AA

RGB 101 24 170

HSL 271.64, 0.75%, 0.38%

LAB 30.21, 58.09, -61.83

 

CMYK 0 / 86 / 62 / 33

HEX #AA1841

RGB 170 24 65

HSL 343.15, 0.75%, 0.38%

LAB 37.08, 57.59, 15.8

 

CMYK 45 / 0 / 86 / 33

HEX #5EAA18

RGB 94 170 24

HSL 91.23, 0.75%, 0.38%

LAB 62.67, -45.95, 60.06

 

CMYK 86 / 0 / 25 / 33

HEX #18AA80

RGB 24 170 128

HSL 162.74, 0.75%, 0.38%

LAB 62.09, -46.04, 11.63

 

CMYK 41 / 86 / 0 / 33

HEX #6518AA

RGB 101 24 170

HSL 271.64, 0.75%, 0.38%

LAB 30.21, 58.09, -61.83

 

CMYK 0 / 84 / 86 / 33

HEX #AA1B18

RGB 170 27 24

HSL 1.23, 0.75%, 0.38%

LAB 36.74, 55.14, 40.21

 

CMYK 45 / 0 / 86 / 33

HEX #5EAA18

RGB 94 170 24

HSL 91.23, 0.75%, 0.38%

LAB 62.67, -45.95, 60.06

 

CMYK 86 / 2 / 0 / 33

HEX #18A7AA

RGB 24 167 170

HSL 181.23, 0.75%, 0.38%

LAB 62.28, -33, -11.57

 

Description

Color code: HEX #6518AA | qconv.com Color code: HEX #6518AA | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 24 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 24 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 86 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 86% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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