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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #650695 it is the complementary color #9AF96A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #650695. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #650695 shade: #6A0690, #7B18A3, #8C2AB6, #9D3CC9 and #AE4EDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #650695. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #650695 shade: #650695, #540082, #43006F, #32005C and #210049

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #650695 shade: #640693, #8A0693, #930676, #930650 and #93062A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #650695 shade: #640693, #3E0693, #180693 and #060693

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #650695 shade matches the following richer shades: #640693

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #650695 shade: #640693, #601287, #5B1F7A, #572B6E and #533861

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #650695 shade: #170693, #3C0693, #620693, #870693 and #930679

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #650695 shade: #2E0344, #49046B, #640693, #7E08BA and #9909E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #650695 shade: #650695, #93061B and #069329

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #650695 shade: #650695, #936206 and #069362

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #650695 shade: #650695, #93061B, #379306 and #06937E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #650695 shade: #650695, #931B06, #379306 and #067E93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 96 / 0 / 42

HEX #650695

RGB 101 6 149

HSL 279.86, 0.92%, 0.3%

LAB 26.92, 57.58, -54.43

 

Complementary color

CMYK 38 / 0 / 57 / 2

HEX #9AF96A

RGB 154 249 106

HSL 99.86, 0.92%, 0.7%

LAB 89.7, -52.51, 58.78

 

CMYK 26 / 96 / 0 / 44

HEX #6A0690

RGB 106 6 144

HSL 283.48, 0.92%, 0.29%

LAB 27.32, 57.26, -50.66

 

CMYK 25 / 85 / 0 / 36

HEX #7B18A3

RGB 123 24 163

HSL 282.73, 0.74%, 0.37%

LAB 32.94, 59.9, -53.02

 

CMYK 23 / 77 / 0 / 29

HEX #8C2AB6

RGB 140 42 182

HSL 282, 0.63%, 0.44%

LAB 38.91, 61.13, -54.57

 

CMYK 22 / 70 / 0 / 21

HEX #9D3CC9

RGB 157 60 201

HSL 281.28, 0.57%, 0.51%

LAB 45.1, 61.45, -55.56

 

CMYK 21 / 65 / 0 / 14

HEX #AE4EDC

RGB 174 78 220

HSL 280.56, 0.67%, 0.58%

LAB 51.4, 61.26, -56.2

 

CMYK 32 / 96 / 0 / 42

HEX #650695

RGB 101 6 149

HSL 279.86, 0.92%, 0.3%

LAB 26.92, 57.58, -54.43

 

CMYK 35 / 100 / 0 / 49

HEX #540082

RGB 84 0 130

HSL 278.77, 1%, 0.25%

LAB 21.93, 52.71, -50.86

 

CMYK 40 / 100 / 0 / 56

HEX #43006F

RGB 67 0 111

HSL 276.22, 1%, 0.22%

LAB 17.18, 46.58, -46.58

 

CMYK 46 / 100 / 0 / 64

HEX #32005C

RGB 50 0 92

HSL 272.61, 1%, 0.18%

LAB 12.29, 40.29, -42.15

 

CMYK 55 / 100 / 0 / 71

HEX #210049

RGB 33 0 73

HSL 267.12, 1%, 0.14%

LAB 7.27, 33.72, -37.5

 

CMYK 32 / 96 / 0 / 42

HEX #640693

RGB 100 6 147

HSL 280, 0.92%, 0.3%

LAB 26.58, 57.04, -53.77

 

CMYK 6 / 96 / 0 / 42

HEX #8A0693

RGB 138 6 147

HSL 296.17, 0.92%, 0.3%

LAB 33.22, 62.83, -42.69

 

CMYK 0 / 96 / 20 / 42

HEX #930676

RGB 147 6 118

HSL 312.34, 0.92%, 0.3%

LAB 33.22, 60.22, -24.5

 

CMYK 0 / 96 / 46 / 42

HEX #930650

RGB 147 6 80

HSL 328.51, 0.92%, 0.3%

LAB 31.61, 55.97, -2.41

 

CMYK 0 / 96 / 71 / 42

HEX #93062A

RGB 147 6 42

HSL 344.68, 0.92%, 0.3%

LAB 30.64, 53.33, 21.48

 

CMYK 32 / 96 / 0 / 42

HEX #640693

RGB 100 6 147

HSL 280, 0.92%, 0.3%

LAB 26.58, 57.04, -53.77

 

CMYK 58 / 96 / 0 / 42

HEX #3E0693

RGB 62 6 147

HSL 263.83, 0.92%, 0.3%

LAB 21.06, 52.97, -63.05

 

CMYK 84 / 96 / 0 / 42

HEX #180693

RGB 24 6 147

HSL 247.66, 0.92%, 0.3%

LAB 17.6, 50.96, -68.9

 

CMYK 96 / 96 / 0 / 42

HEX #060693

RGB 6 6 147

HSL 240, 0.92%, 0.3%

LAB 16.87, 50.61, -70.14

 

CMYK 32 / 96 / 0 / 42

HEX #640693

RGB 100 6 147

HSL 280, 0.92%, 0.3%

LAB 26.58, 57.04, -53.77

 

CMYK 32 / 96 / 0 / 42

HEX #640693

RGB 100 6 147

HSL 280, 0.92%, 0.3%

LAB 26.58, 57.04, -53.77

 

CMYK 29 / 87 / 0 / 47

HEX #601287

RGB 96 18 135

HSL 280, 0.76%, 0.3%

LAB 25.77, 51.29, -47.66

 

CMYK 25 / 75 / 0 / 52

HEX #5B1F7A

RGB 91 31 122

HSL 279.56, 0.59%, 0.3%

LAB 25.59, 42.71, -39.79

 

CMYK 21 / 61 / 0 / 57

HEX #572B6E

RGB 87 43 110

HSL 279.4, 0.44%, 0.3%

LAB 26.39, 32.78, -30.88

 

CMYK 14 / 42 / 0 / 62

HEX #533861

RGB 83 56 97

HSL 279.51, 0.27%, 0.3%

LAB 28.2, 20.47, -19.69

 

CMYK 84 / 96 / 0 / 42

HEX #170693

RGB 23 6 147

HSL 247.23, 0.92%, 0.3%

LAB 17.55, 50.93, -68.99

 

CMYK 59 / 96 / 0 / 42

HEX #3C0693

RGB 60 6 147

HSL 262.98, 0.92%, 0.3%

LAB 20.82, 52.81, -63.46

 

CMYK 33 / 96 / 0 / 42

HEX #620693

RGB 98 6 147

HSL 279.15, 0.92%, 0.3%

LAB 26.26, 56.77, -54.31

 

CMYK 8 / 96 / 0 / 42

HEX #870693

RGB 135 6 147

HSL 294.89, 0.92%, 0.3%

LAB 32.67, 62.33, -43.6

 

CMYK 0 / 96 / 18 / 42

HEX #930679

RGB 147 6 121

HSL 311.06, 0.92%, 0.3%

LAB 33.38, 60.62, -26.15

 

CMYK 32 / 96 / 0 / 73

HEX #2E0344

RGB 46 3 68

HSL 279.69, 0.92%, 0.14%

LAB 9.51, 32.6, -30.21

 

CMYK 32 / 96 / 0 / 58

HEX #49046B

RGB 73 4 107

HSL 280.19, 0.93%, 0.22%

LAB 18.21, 45.29, -42.25

 

CMYK 32 / 96 / 0 / 42

HEX #640693

RGB 100 6 147

HSL 280, 0.92%, 0.3%

LAB 26.58, 57.04, -53.77

 

CMYK 32 / 96 / 0 / 27

HEX #7E08BA

RGB 126 8 186

HSL 279.78, 0.92%, 0.38%

LAB 34.3, 67.92, -64.53

 

CMYK 32 / 96 / 0 / 11

HEX #9909E2

RGB 153 9 226

HSL 279.82, 0.92%, 0.46%

LAB 41.94, 78.81, -75.1

 

CMYK 32 / 96 / 0 / 42

HEX #650695

RGB 101 6 149

HSL 279.86, 0.92%, 0.3%

LAB 26.92, 57.58, -54.43

 

CMYK 0 / 96 / 82 / 42

HEX #93061B

RGB 147 6 27

HSL 351.06, 0.92%, 0.3%

LAB 30.43, 52.75, 30.79

 

CMYK 96 / 0 / 72 / 42

HEX #069329

RGB 6 147 41

HSL 134.89, 0.92%, 0.3%

LAB 53.02, -54.52, 44.67

 

CMYK 32 / 96 / 0 / 42

HEX #650695

RGB 101 6 149

HSL 279.86, 0.92%, 0.3%

LAB 26.92, 57.58, -54.43

 

CMYK 0 / 33 / 96 / 42

HEX #936206

RGB 147 98 6

HSL 39.15, 0.92%, 0.3%

LAB 45.57, 13.17, 51.74

 

CMYK 96 / 0 / 33 / 42

HEX #069362

RGB 6 147 98

HSL 159.15, 0.92%, 0.3%

LAB 53.8, -45.16, 16.85

 

CMYK 32 / 96 / 0 / 42

HEX #650695

RGB 101 6 149

HSL 279.86, 0.92%, 0.3%

LAB 26.92, 57.58, -54.43

 

CMYK 0 / 96 / 82 / 42

HEX #93061B

RGB 147 6 27

HSL 351.06, 0.92%, 0.3%

LAB 30.43, 52.75, 30.79

 

CMYK 63 / 0 / 96 / 42

HEX #379306

RGB 55 147 6

HSL 99.15, 0.92%, 0.3%

LAB 53.7, -49.3, 55.25

 

CMYK 96 / 0 / 14 / 42

HEX #06937E

RGB 6 147 126

HSL 171.06, 0.92%, 0.3%

LAB 54.46, -37.94, 1.84

 

CMYK 32 / 96 / 0 / 42

HEX #650695

RGB 101 6 149

HSL 279.86, 0.92%, 0.3%

LAB 26.92, 57.58, -54.43

 

CMYK 0 / 82 / 96 / 42

HEX #931B06

RGB 147 27 6

HSL 8.94, 0.92%, 0.3%

LAB 31.81, 47.92, 42.44

 

CMYK 63 / 0 / 96 / 42

HEX #379306

RGB 55 147 6

HSL 99.15, 0.92%, 0.3%

LAB 53.7, -49.3, 55.25

 

CMYK 96 / 14 / 0 / 42

HEX #067E93

RGB 6 126 147

HSL 188.94, 0.92%, 0.3%

LAB 48.34, -21.04, -19.53

 

Description

Color code: HEX #650695 | qconv.com Color code: HEX #650695 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 6 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 6 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 96 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 96% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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