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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #64FFD6 it is the complementary color #9B0029. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #64FFD6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #64FFD6 shade: #69FFD1, #7AFFE4, #8BFFF7, #9CFFFF and #ADFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #64FFD6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #64FFD6 shade: #64FFD6, #53EDC3, #42DBB0, #31C99D and #20B78A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #64FFD6 shade: #66FFD7, #66FFAD, #66FF84, #71FF66 and #9BFF66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #64FFD6 shade: #66FFD7, #66FEFF, #66D5FF, #66ACFF and #6682FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #64FFD6 shade matches the following richer shades: #66FFD7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #64FFD6 shade: #66FFD7, #72F3D1, #7FE6CB, #8BDAC5 and #98CDBF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #64FFD6 shade: #66FF85, #66FFAD, #66FFD6, #66FFFF and #66D6FF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #64FFD6 shade: #13FFC1, #3DFFCC, #66FFD7, #8FFFE1 and #B9FFEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #64FFD6 shade: #64FFD6, #6670FF and #FF9966

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #64FFD6 shade: #64FFD6, #D666FF and #FFD666

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #64FFD6 shade: #64FFD6, #6670FF, #FF668F and #FFF566

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #64FFD6 shade: #64FFD6, #8A66FF, #FF668F and #DBFF66

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 16 / 0

HEX #64FFD6

RGB 100 255 214

HSL 164.13, 1%, 0.7%

LAB 91.27, -50.44, 7.48

 

Complementary color

CMYK 0 / 100 / 74 / 39

HEX #9B0029

RGB 155 0 41

HSL 344.13, 1%, 0.3%

LAB 32.1, 56.22, 24.32

 

CMYK 59 / 0 / 18 / 0

HEX #69FFD1

RGB 105 255 209

HSL 161.6, 1%, 0.71%

LAB 91.29, -50.68, 10.1

 

CMYK 52 / 0 / 11 / 0

HEX #7AFFE4

RGB 122 255 228

HSL 167.82, 1%, 0.74%

LAB 92.25, -43, 1.73

 

CMYK 45 / 0 / 3 / 0

HEX #8BFFF7

RGB 139 255 247

HSL 175.86, 1%, 0.77%

LAB 93.33, -34.85, -6.44

 

CMYK 39 / 0 / 0 / 0

HEX #9CFFFF

RGB 156 255 255

HSL 180, 1%, 0.81%

LAB 94.23, -28.99, -9.17

 

CMYK 32 / 0 / 0 / 0

HEX #ADFFFF

RGB 173 255 255

HSL 180, 1%, 0.84%

LAB 95, -24.69, -7.94

 

CMYK 61 / 0 / 16 / 0

HEX #64FFD6

RGB 100 255 214

HSL 164.13, 1%, 0.7%

LAB 91.27, -50.44, 7.48

 

CMYK 65 / 0 / 18 / 7

HEX #53EDC3

RGB 83 237 195

HSL 163.64, 0.81%, 0.63%

LAB 85.17, -50.18, 8.55

 

CMYK 70 / 0 / 20 / 14

HEX #42DBB0

RGB 66 219 176

HSL 163.14, 0.68%, 0.56%

LAB 79.02, -49.76, 9.71

 

CMYK 76 / 0 / 22 / 21

HEX #31C99D

RGB 49 201 157

HSL 162.63, 0.61%, 0.49%

LAB 72.8, -49.12, 10.98

 

CMYK 83 / 0 / 25 / 28

HEX #20B78A

RGB 32 183 138

HSL 162.12, 0.7%, 0.42%

LAB 66.53, -48.18, 12.39

 

CMYK 60 / 0 / 16 / 0

HEX #66FFD7

RGB 102 255 215

HSL 164.31, 1%, 0.7%

LAB 91.35, -49.86, 7.08

 

CMYK 60 / 0 / 32 / 0

HEX #66FFAD

RGB 102 255 173

HSL 147.84, 1%, 0.7%

LAB 90.49, -58.68, 27.37

 

CMYK 60 / 0 / 48 / 0

HEX #66FF84

RGB 102 255 132

HSL 131.76, 1%, 0.7%

LAB 89.86, -65.45, 46.69

 

CMYK 56 / 0 / 60 / 0

HEX #71FF66

RGB 113 255 102

HSL 115.69, 1%, 0.7%

LAB 89.85, -66.66, 60.26

 

CMYK 39 / 0 / 60 / 0

HEX #9BFF66

RGB 155 255 102

HSL 99.22, 1%, 0.7%

LAB 91.44, -55, 62.47

 

CMYK 60 / 0 / 16 / 0

HEX #66FFD7

RGB 102 255 215

HSL 164.31, 1%, 0.7%

LAB 91.35, -49.86, 7.08

 

CMYK 60 / 0 / 0 / 0

HEX #66FEFF

RGB 102 254 255

HSL 180.39, 1%, 0.7%

LAB 92.1, -39.49, -12.54

 

CMYK 60 / 16 / 0 / 0

HEX #66D5FF

RGB 102 213 255

HSL 196.47, 1%, 0.7%

LAB 80.53, -19.8, -30.04

 

CMYK 60 / 33 / 0 / 0

HEX #66ACFF

RGB 102 172 255

HSL 212.55, 1%, 0.7%

LAB 69.15, 2.24, -47.74

 

CMYK 60 / 49 / 0 / 0

HEX #6682FF

RGB 102 130 255

HSL 229.02, 1%, 0.7%

LAB 58.05, 26.89, -65.41

 

CMYK 60 / 0 / 16 / 0

HEX #66FFD7

RGB 102 255 215

HSL 164.31, 1%, 0.7%

LAB 91.35, -49.86, 7.08

 

CMYK 60 / 0 / 16 / 0

HEX #66FFD7

RGB 102 255 215

HSL 164.31, 1%, 0.7%

LAB 91.35, -49.86, 7.08

 

CMYK 53 / 0 / 14 / 5

HEX #72F3D1

RGB 114 243 209

HSL 164.19, 0.84%, 0.7%

LAB 88.1, -43.76, 5.56

 

CMYK 45 / 0 / 12 / 10

HEX #7FE6CB

RGB 127 230 203

HSL 164.27, 0.67%, 0.7%

LAB 84.7, -36.35, 3.84

 

CMYK 36 / 0 / 10 / 15

HEX #8BDAC5

RGB 139 218 197

HSL 164.05, 0.52%, 0.7%

LAB 81.65, -28.94, 2.67

 

CMYK 26 / 0 / 7 / 20

HEX #98CDBF

RGB 152 205 191

HSL 164.15, 0.35%, 0.7%

LAB 78.52, -20.08, 1.4

 

CMYK 60 / 0 / 48 / 0

HEX #66FF85

RGB 102 255 133

HSL 132.16, 1%, 0.7%

LAB 89.88, -65.31, 46.24

 

CMYK 60 / 0 / 32 / 0

HEX #66FFAD

RGB 102 255 173

HSL 147.84, 1%, 0.7%

LAB 90.49, -58.68, 27.37

 

CMYK 60 / 0 / 16 / 0

HEX #66FFD6

RGB 102 255 214

HSL 163.92, 1%, 0.7%

LAB 91.32, -50.09, 7.56

 

CMYK 60 / 0 / 0 / 0

HEX #66FFFF

RGB 102 255 255

HSL 180, 1%, 0.7%

LAB 92.38, -39.95, -12.11

 

CMYK 60 / 16 / 0 / 0

HEX #66D6FF

RGB 102 214 255

HSL 196.08, 1%, 0.7%

LAB 80.82, -20.31, -29.61

 

CMYK 93 / 0 / 24 / 0

HEX #13FFC1

RGB 19 255 193

HSL 164.24, 1%, 0.54%

LAB 89.63, -63.73, 15.8

 

CMYK 76 / 0 / 20 / 0

HEX #3DFFCC

RGB 61 255 204

HSL 164.23, 1%, 0.62%

LAB 90.26, -58.25, 11.09

 

CMYK 60 / 0 / 16 / 0

HEX #66FFD7

RGB 102 255 215

HSL 164.31, 1%, 0.7%

LAB 91.35, -49.86, 7.08

 

CMYK 44 / 0 / 12 / 0

HEX #8FFFE1

RGB 143 255 225

HSL 163.93, 1%, 0.78%

LAB 92.93, -38.98, 4.36

 

CMYK 27 / 0 / 7 / 0

HEX #B9FFEC

RGB 185 255 236

HSL 163.71, 1%, 0.86%

LAB 95.11, -25.47, 2.1

 

CMYK 61 / 0 / 16 / 0

HEX #64FFD6

RGB 100 255 214

HSL 164.13, 1%, 0.7%

LAB 91.27, -50.44, 7.48

 

CMYK 60 / 56 / 0 / 0

HEX #6670FF

RGB 102 112 255

HSL 236.08, 1%, 0.7%

LAB 53.64, 37.7, -72.54

 

CMYK 0 / 40 / 60 / 0

HEX #FF9966

RGB 255 153 102

HSL 20, 1%, 0.7%

LAB 72.89, 33.57, 42.78

 

CMYK 61 / 0 / 16 / 0

HEX #64FFD6

RGB 100 255 214

HSL 164.13, 1%, 0.7%

LAB 91.27, -50.44, 7.48

 

CMYK 16 / 60 / 0 / 0

HEX #D666FF

RGB 214 102 255

HSL 283.92, 1%, 0.7%

LAB 62.52, 66.59, -57.67

 

CMYK 0 / 16 / 60 / 0

HEX #FFD666

RGB 255 214 102

HSL 43.92, 1%, 0.7%

LAB 87.15, 1.89, 59.47

 

CMYK 61 / 0 / 16 / 0

HEX #64FFD6

RGB 100 255 214

HSL 164.13, 1%, 0.7%

LAB 91.27, -50.44, 7.48

 

CMYK 60 / 56 / 0 / 0

HEX #6670FF

RGB 102 112 255

HSL 236.08, 1%, 0.7%

LAB 53.64, 37.7, -72.54

 

CMYK 0 / 60 / 44 / 0

HEX #FF668F

RGB 255 102 143

HSL 343.92, 1%, 0.7%

LAB 63.95, 61.53, 8.26

 

CMYK 0 / 4 / 60 / 0

HEX #FFF566

RGB 255 245 102

HSL 56.08, 1%, 0.7%

LAB 94.96, -13.6, 68.12

 

CMYK 61 / 0 / 16 / 0

HEX #64FFD6

RGB 100 255 214

HSL 164.13, 1%, 0.7%

LAB 91.27, -50.44, 7.48

 

CMYK 46 / 60 / 0 / 0

HEX #8A66FF

RGB 138 102 255

HSL 254.12, 1%, 0.7%

LAB 54.16, 50.01, -71.56

 

CMYK 0 / 60 / 44 / 0

HEX #FF668F

RGB 255 102 143

HSL 343.92, 1%, 0.7%

LAB 63.95, 61.53, 8.26

 

CMYK 14 / 0 / 60 / 0

HEX #DBFF66

RGB 219 255 102

HSL 74.12, 1%, 0.7%

LAB 94.97, -32.49, 67.38

 

Description

Color code: HEX #64FFD6 | qconv.com Color code: HEX #64FFD6 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 255 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 255 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 16 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 16% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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