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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #64FD8F it is the complementary color #9B0270. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #64FD8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #64FD8F shade: #69FD8A, #7AFF9D, #8BFFB0, #9CFFC3 and #ADFFD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #64FD8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #64FD8F shade: #64FD8F, #53EB7C, #42D969, #31C756 and #20B543

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #64FD8F shade: #63FD8E, #63FD65, #8BFD63, #B4FD63 and #DEFD63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #64FD8F shade: #63FD8E, #63FDB8, #63FDE1, #63EFFD and #63C5FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #64FD8F shade matches the following richer shades: #63FD8E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #64FD8F shade: #63FD8E, #70F094, #7DE39A, #8AD69F and #96C9A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #64FD8F shade: #8CFD63, #63FD63, #63FD8C, #63FDB5 and #63FDDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #64FD8F shade: #12FB54, #3BFC71, #63FD8E, #8CFDAC and #B5FEC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #64FD8F shade: #64FD8F, #63B5FD and #FD6378

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #64FD8F shade: #64FD8F, #8C63FD and #FD8C63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #64FD8F shade: #64FD8F, #63B5FD, #FD63D4 and #FDAB63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #64FD8F shade: #64FD8F, #6387FD, #FD63D4 and #FDD963

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 43 / 1

HEX #64FD8F

RGB 100 253 143

HSL 136.86, 0.97%, 0.69%

LAB 89.37, -63.49, 40.78

 

Complementary color

CMYK 0 / 99 / 28 / 39

HEX #9B0270

RGB 155 2 112

HSL 316.86, 0.97%, 0.31%

LAB 34.36, 61.66, -18.8

 

CMYK 58 / 0 / 45 / 1

HEX #69FD8A

RGB 105 253 138

HSL 133.38, 0.97%, 0.7%

LAB 89.43, -63.21, 43.31

 

CMYK 52 / 0 / 38 / 0

HEX #7AFF9D

RGB 122 255 157

HSL 135.79, 1%, 0.74%

LAB 90.82, -57.16, 35.93

 

CMYK 45 / 0 / 31 / 0

HEX #8BFFB0

RGB 139 255 176

HSL 139.14, 1%, 0.77%

LAB 91.75, -49.7, 27.77

 

CMYK 39 / 0 / 24 / 0

HEX #9CFFC3

RGB 156 255 195

HSL 143.64, 1%, 0.81%

LAB 92.81, -41.7, 19.69

 

CMYK 32 / 0 / 16 / 0

HEX #ADFFD6

RGB 173 255 214

HSL 150, 1%, 0.84%

LAB 93.99, -33.3, 11.74

 

CMYK 60 / 0 / 43 / 1

HEX #64FD8F

RGB 100 253 143

HSL 136.86, 0.97%, 0.69%

LAB 89.37, -63.49, 40.78

 

CMYK 65 / 0 / 47 / 8

HEX #53EB7C

RGB 83 235 124

HSL 136.18, 0.79%, 0.62%

LAB 83.29, -63.18, 42.17

 

CMYK 70 / 0 / 52 / 15

HEX #42D969

RGB 66 217 105

HSL 135.5, 0.67%, 0.55%

LAB 77.16, -62.62, 43.62

 

CMYK 75 / 0 / 57 / 22

HEX #31C756

RGB 49 199 86

HSL 134.8, 0.6%, 0.49%

LAB 70.99, -61.71, 45.08

 

CMYK 82 / 0 / 63 / 29

HEX #20B543

RGB 32 181 67

HSL 134.09, 0.7%, 0.42%

LAB 64.77, -60.32, 46.48

 

CMYK 61 / 0 / 44 / 1

HEX #63FD8E

RGB 99 253 142

HSL 136.75, 0.97%, 0.69%

LAB 89.33, -63.85, 41.21

 

CMYK 61 / 0 / 60 / 1

HEX #63FD65

RGB 99 253 101

HSL 120.78, 0.97%, 0.69%

LAB 88.85, -69.23, 59.43

 

CMYK 45 / 0 / 61 / 1

HEX #8BFD63

RGB 139 253 99

HSL 104.42, 0.97%, 0.69%

LAB 90.16, -59.33, 62.1

 

CMYK 29 / 0 / 61 / 1

HEX #B4FD63

RGB 180 253 99

HSL 88.44, 0.97%, 0.69%

LAB 92.07, -46.14, 64.76

 

CMYK 12 / 0 / 61 / 1

HEX #DEFD63

RGB 222 253 99

HSL 72.08, 0.97%, 0.69%

LAB 94.6, -30.64, 68.26

 

CMYK 61 / 0 / 44 / 1

HEX #63FD8E

RGB 99 253 142

HSL 136.75, 0.97%, 0.69%

LAB 89.33, -63.85, 41.21

 

CMYK 61 / 0 / 27 / 1

HEX #63FDB8

RGB 99 253 184

HSL 153.12, 0.97%, 0.69%

LAB 90.03, -56.31, 21.14

 

CMYK 61 / 0 / 11 / 1

HEX #63FDE1

RGB 99 253 225

HSL 169.09, 0.97%, 0.69%

LAB 90.93, -47.16, 1.29

 

CMYK 61 / 6 / 0 / 1

HEX #63EFFD

RGB 99 239 253

HSL 185.45, 0.97%, 0.69%

LAB 87.72, -33.6, -18.08

 

CMYK 61 / 22 / 0 / 1

HEX #63C5FD

RGB 99 197 253

HSL 201.82, 0.97%, 0.69%

LAB 75.87, -12.63, -36.18

 

CMYK 61 / 0 / 44 / 1

HEX #63FD8E

RGB 99 253 142

HSL 136.75, 0.97%, 0.69%

LAB 89.33, -63.85, 41.21

 

CMYK 61 / 0 / 44 / 1

HEX #63FD8E

RGB 99 253 142

HSL 136.75, 0.97%, 0.69%

LAB 89.33, -63.85, 41.21

 

CMYK 53 / 0 / 38 / 6

HEX #70F094

RGB 112 240 148

HSL 136.88, 0.81%, 0.69%

LAB 85.96, -55.08, 33.94

 

CMYK 45 / 0 / 32 / 11

HEX #7DE39A

RGB 125 227 154

HSL 137.06, 0.65%, 0.69%

LAB 82.72, -45.39, 26.64

 

CMYK 36 / 0 / 26 / 16

HEX #8AD69F

RGB 138 214 159

HSL 136.58, 0.48%, 0.69%

LAB 79.61, -35, 19.89

 

CMYK 25 / 0 / 18 / 21

HEX #96C9A5

RGB 150 201 165

HSL 137.65, 0.32%, 0.69%

LAB 76.66, -23.92, 12.67

 

CMYK 45 / 0 / 61 / 1

HEX #8CFD63

RGB 140 253 99

HSL 104.03, 0.97%, 0.69%

LAB 90.2, -59.04, 62.16

 

CMYK 61 / 0 / 61 / 1

HEX #63FD63

RGB 99 253 99

HSL 120, 0.97%, 0.69%

LAB 88.83, -69.44, 60.25

 

CMYK 61 / 0 / 45 / 1

HEX #63FD8C

RGB 99 253 140

HSL 135.97, 0.97%, 0.69%

LAB 89.3, -64.16, 42.14

 

CMYK 61 / 0 / 28 / 1

HEX #63FDB5

RGB 99 253 181

HSL 151.95, 0.97%, 0.69%

LAB 89.97, -56.91, 22.59

 

CMYK 61 / 0 / 12 / 1

HEX #63FDDE

RGB 99 253 222

HSL 167.92, 0.97%, 0.69%

LAB 90.86, -47.89, 2.74

 

CMYK 93 / 0 / 67 / 2

HEX #12FB54

RGB 18 251 84

HSL 137, 0.97%, 0.53%

LAB 86.88, -80.53, 63.81

 

CMYK 77 / 0 / 55 / 1

HEX #3BFC71

RGB 59 252 113

HSL 136.79, 0.97%, 0.61%

LAB 87.84, -74.18, 52.8

 

CMYK 61 / 0 / 44 / 1

HEX #63FD8E

RGB 99 253 142

HSL 136.75, 0.97%, 0.69%

LAB 89.33, -63.85, 41.21

 

CMYK 45 / 0 / 32 / 1

HEX #8CFDAC

RGB 140 253 172

HSL 136.99, 0.97%, 0.77%

LAB 91.15, -49.29, 28.98

 

CMYK 29 / 0 / 21 / 0

HEX #B5FEC9

RGB 181 254 201

HSL 136.44, 0.97%, 0.85%

LAB 93.85, -32.89, 18.26

 

CMYK 60 / 0 / 43 / 1

HEX #64FD8F

RGB 100 253 143

HSL 136.86, 0.97%, 0.69%

LAB 89.37, -63.49, 40.78

 

CMYK 61 / 28 / 0 / 1

HEX #63B5FD

RGB 99 181 253

HSL 208.05, 0.97%, 0.69%

LAB 71.41, -3.97, -43.12

 

CMYK 0 / 61 / 53 / 1

HEX #FD6378

RGB 253 99 120

HSL 351.82, 0.97%, 0.69%

LAB 62.64, 60.18, 19.61

 

CMYK 60 / 0 / 43 / 1

HEX #64FD8F

RGB 100 253 143

HSL 136.86, 0.97%, 0.69%

LAB 89.37, -63.49, 40.78

 

CMYK 45 / 61 / 0 / 1

HEX #8C63FD

RGB 140 99 253

HSL 255.97, 0.97%, 0.69%

LAB 53.59, 51.49, -71.37

 

CMYK 0 / 45 / 61 / 1

HEX #FD8C63

RGB 253 140 99

HSL 15.97, 0.97%, 0.69%

LAB 69.85, 39.25, 40.58

 

CMYK 60 / 0 / 43 / 1

HEX #64FD8F

RGB 100 253 143

HSL 136.86, 0.97%, 0.69%

LAB 89.37, -63.49, 40.78

 

CMYK 61 / 28 / 0 / 1

HEX #63B5FD

RGB 99 181 253

HSL 208.05, 0.97%, 0.69%

LAB 71.41, -3.97, -43.12

 

CMYK 0 / 61 / 16 / 1

HEX #FD63D4

RGB 253 99 212

HSL 315.97, 0.97%, 0.69%

LAB 65.4, 70.4, -28.88

 

CMYK 0 / 32 / 61 / 1

HEX #FDAB63

RGB 253 171 99

HSL 28.05, 0.97%, 0.69%

LAB 76.62, 23.2, 48.71

 

CMYK 60 / 0 / 43 / 1

HEX #64FD8F

RGB 100 253 143

HSL 136.86, 0.97%, 0.69%

LAB 89.37, -63.49, 40.78

 

CMYK 61 / 47 / 0 / 1

HEX #6387FD

RGB 99 135 253

HSL 225.97, 0.97%, 0.69%

LAB 59.04, 22.7, -62.72

 

CMYK 0 / 61 / 16 / 1

HEX #FD63D4

RGB 253 99 212

HSL 315.97, 0.97%, 0.69%

LAB 65.4, 70.4, -28.88

 

CMYK 0 / 14 / 61 / 1

HEX #FDD963

RGB 253 217 99

HSL 45.97, 0.97%, 0.69%

LAB 87.68, -0.66, 61.36

 

Description

Color code: HEX #64FD8F | qconv.com Color code: HEX #64FD8F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 253 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 253 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 43 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 43% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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