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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #64F830 it is the complementary color #9B07CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #64F830. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #64F830 shade: #69F82B, #7AFF3E, #8BFF51, #9CFF64 and #ADFF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #64F830. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #64F830 shade: #64F830, #53E61D, #42D40A, #31C200 and #20B000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #64F830 shade: #64F830, #9AF830, #D0F830, #F8EA30 and #F8B430

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #64F830 shade: #64F830, #30F832, #30F868, #30F89E and #30F8D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #64F830 shade matches the following richer shades: #64F830

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #64F830 shade: #64F830, #6CE642, #75D553, #7DC464 and #85B276

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #64F830 shade: #D0F830, #9BF830, #65F830, #30F830 and #30F865

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #64F830 shade: #3BCE07, #46F609, #64F830, #82F958 and #A0FA80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #64F830 shade: #64F830, #30F8EA and #F830B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #64F830 shade: #64F830, #3065F8 and #F83065

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #64F830 shade: #64F830, #30F8EA, #C230F8 and #F8303E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #64F830 shade: #64F830, #30C9F8, #C230F8 and #F85F30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 81 / 3

HEX #64F830

RGB 100 248 48

HSL 104.4, 0.93%, 0.58%

LAB 87.03, -71.4, 76.1

 

Complementary color

CMYK 25 / 97 / 0 / 19

HEX #9B07CF

RGB 155 7 207

HSL 284.4, 0.93%, 0.42%

LAB 40.61, 75.71, -66.33

 

CMYK 58 / 0 / 83 / 3

HEX #69F82B

RGB 105 248 43

HSL 101.85, 0.94%, 0.57%

LAB 87.15, -70.45, 77.48

 

CMYK 52 / 0 / 76 / 0

HEX #7AFF3E

RGB 122 255 62

HSL 101.35, 1%, 0.62%

LAB 89.86, -67.6, 75.09

 

CMYK 45 / 0 / 68 / 0

HEX #8BFF51

RGB 139 255 81

HSL 100, 1%, 0.66%

LAB 90.6, -61.6, 69.65

 

CMYK 39 / 0 / 61 / 0

HEX #9CFF64

RGB 156 255 100

HSL 98.32, 1%, 0.7%

LAB 91.46, -54.87, 63.35

 

CMYK 32 / 0 / 53 / 0

HEX #ADFF77

RGB 173 255 119

HSL 96.18, 1%, 0.73%

LAB 92.46, -47.52, 56.48

 

CMYK 60 / 0 / 81 / 3

HEX #64F830

RGB 100 248 48

HSL 104.4, 0.93%, 0.58%

LAB 87.03, -71.4, 76.1

 

CMYK 64 / 0 / 87 / 10

HEX #53E61D

RGB 83 230 29

HSL 103.88, 0.8%, 0.51%

LAB 81.03, -70.08, 74.8

 

CMYK 69 / 0 / 95 / 17

HEX #42D40A

RGB 66 212 10

HSL 103.37, 0.91%, 0.44%

LAB 74.99, -68.28, 72.28

 

CMYK 75 / 0 / 100 / 24

HEX #31C200

RGB 49 194 0

HSL 104.85, 1%, 0.38%

LAB 68.92, -65.91, 68.29

 

CMYK 82 / 0 / 100 / 31

HEX #20B000

RGB 32 176 0

HSL 109.09, 1%, 0.35%

LAB 62.81, -62.92, 63.3

 

CMYK 60 / 0 / 81 / 3

HEX #64F830

RGB 100 248 48

HSL 104.4, 0.93%, 0.58%

LAB 87.03, -71.4, 76.1

 

CMYK 38 / 0 / 81 / 3

HEX #9AF830

RGB 154 248 48

HSL 88.2, 0.93%, 0.58%

LAB 89.03, -56.11, 78.66

 

CMYK 16 / 0 / 81 / 3

HEX #D0F830

RGB 208 248 48

HSL 72, 0.93%, 0.58%

LAB 92.02, -36.43, 82.46

 

CMYK 0 / 6 / 81 / 3

HEX #F8EA30

RGB 248 234 48

HSL 55.8, 0.93%, 0.58%

LAB 91.24, -13.6, 82.93

 

CMYK 0 / 27 / 81 / 3

HEX #F8B430

RGB 248 180 48

HSL 39.6, 0.93%, 0.58%

LAB 77.76, 13.93, 71.24

 

CMYK 60 / 0 / 81 / 3

HEX #64F830

RGB 100 248 48

HSL 104.4, 0.93%, 0.58%

LAB 87.03, -71.4, 76.1

 

CMYK 81 / 0 / 80 / 3

HEX #30F832

RGB 48 248 50

HSL 120.6, 0.93%, 0.58%

LAB 86, -80.06, 74.26

 

CMYK 81 / 0 / 58 / 3

HEX #30F868

RGB 48 248 104

HSL 136.8, 0.93%, 0.58%

LAB 86.39, -75.3, 55.04

 

CMYK 81 / 0 / 36 / 3

HEX #30F89E

RGB 48 248 158

HSL 153, 0.93%, 0.58%

LAB 87.11, -66.78, 30.2

 

CMYK 81 / 0 / 15 / 3

HEX #30F8D3

RGB 48 248 211

HSL 168.9, 0.93%, 0.58%

LAB 88.19, -55, 4.47

 

CMYK 60 / 0 / 81 / 3

HEX #64F830

RGB 100 248 48

HSL 104.4, 0.93%, 0.58%

LAB 87.03, -71.4, 76.1

 

CMYK 60 / 0 / 81 / 3

HEX #64F830

RGB 100 248 48

HSL 104.4, 0.93%, 0.58%

LAB 87.03, -71.4, 76.1

 

CMYK 53 / 0 / 71 / 10

HEX #6CE642

RGB 108 230 66

HSL 104.63, 0.77%, 0.58%

LAB 81.93, -62.17, 65.79

 

CMYK 45 / 0 / 61 / 16

HEX #75D553

RGB 117 213 83

HSL 104.31, 0.61%, 0.58%

LAB 77.28, -51.74, 54.2

 

CMYK 36 / 0 / 49 / 23

HEX #7DC464

RGB 125 196 100

HSL 104.38, 0.45%, 0.58%

LAB 72.73, -40.17, 41.05

 

CMYK 25 / 0 / 34 / 30

HEX #85B276

RGB 133 178 118

HSL 105, 0.28%, 0.58%

LAB 68.12, -26.51, 25.96

 

CMYK 16 / 0 / 81 / 3

HEX #D0F830

RGB 208 248 48

HSL 72, 0.93%, 0.58%

LAB 92.02, -36.43, 82.46

 

CMYK 38 / 0 / 81 / 3

HEX #9BF830

RGB 155 248 48

HSL 87.9, 0.93%, 0.58%

LAB 89.07, -55.78, 78.72

 

CMYK 59 / 0 / 81 / 3

HEX #65F830

RGB 101 248 48

HSL 104.1, 0.93%, 0.58%

LAB 87.05, -71.17, 76.14

 

CMYK 81 / 0 / 81 / 3

HEX #30F830

RGB 48 248 48

HSL 120, 0.93%, 0.58%

LAB 85.99, -80.16, 74.77

 

CMYK 81 / 0 / 59 / 3

HEX #30F865

RGB 48 248 101

HSL 135.9, 0.93%, 0.58%

LAB 86.36, -75.67, 56.31

 

CMYK 71 / 0 / 97 / 19

HEX #3BCE07

RGB 59 206 7

HSL 104.32, 0.93%, 0.42%

LAB 72.95, -67.76, 70.86

 

CMYK 72 / 0 / 96 / 4

HEX #46F609

RGB 70 246 9

HSL 104.56, 0.93%, 0.5%

LAB 85.62, -77.84, 81.05

 

CMYK 60 / 0 / 81 / 3

HEX #64F830

RGB 100 248 48

HSL 104.4, 0.93%, 0.58%

LAB 87.03, -71.4, 76.1

 

CMYK 48 / 0 / 65 / 2

HEX #82F958

RGB 130 249 88

HSL 104.35, 0.93%, 0.66%

LAB 88.54, -61.38, 64.7

 

CMYK 36 / 0 / 49 / 2

HEX #A0FA80

RGB 160 250 128

HSL 104.26, 0.92%, 0.74%

LAB 90.51, -48.63, 49.85

 

CMYK 60 / 0 / 81 / 3

HEX #64F830

RGB 100 248 48

HSL 104.4, 0.93%, 0.58%

LAB 87.03, -71.4, 76.1

 

CMYK 81 / 0 / 6 / 3

HEX #30F8EA

RGB 48 248 234

HSL 175.8, 0.93%, 0.58%

LAB 88.78, -49, -6.66

 

CMYK 0 / 81 / 27 / 3

HEX #F830B5

RGB 248 48 181

HSL 320.1, 0.93%, 0.58%

LAB 57.47, 81.79, -23.49

 

CMYK 60 / 0 / 81 / 3

HEX #64F830

RGB 100 248 48

HSL 104.4, 0.93%, 0.58%

LAB 87.03, -71.4, 76.1

 

CMYK 81 / 59 / 0 / 3

HEX #3065F8

RGB 48 101 248

HSL 224.1, 0.93%, 0.58%

LAB 47.9, 35.33, -78.11

 

CMYK 0 / 81 / 59 / 3

HEX #F83065

RGB 248 48 101

HSL 344.1, 0.93%, 0.58%

LAB 55.08, 74.8, 20.34

 

CMYK 60 / 0 / 81 / 3

HEX #64F830

RGB 100 248 48

HSL 104.4, 0.93%, 0.58%

LAB 87.03, -71.4, 76.1

 

CMYK 81 / 0 / 6 / 3

HEX #30F8EA

RGB 48 248 234

HSL 175.8, 0.93%, 0.58%

LAB 88.78, -49, -6.66

 

CMYK 22 / 81 / 0 / 3

HEX #C230F8

RGB 194 48 248

HSL 283.8, 0.93%, 0.58%

LAB 52.24, 81.32, -70.46

 

CMYK 0 / 81 / 75 / 3

HEX #F8303E

RGB 248 48 62

HSL 355.8, 0.93%, 0.58%

LAB 54.47, 72.93, 42.37

 

CMYK 60 / 0 / 81 / 3

HEX #64F830

RGB 100 248 48

HSL 104.4, 0.93%, 0.58%

LAB 87.03, -71.4, 76.1

 

CMYK 81 / 19 / 0 / 3

HEX #30C9F8

RGB 48 201 248

HSL 194.1, 0.93%, 0.58%

LAB 75.56, -22.97, -34.07

 

CMYK 22 / 81 / 0 / 3

HEX #C230F8

RGB 194 48 248

HSL 283.8, 0.93%, 0.58%

LAB 52.24, 81.32, -70.46

 

CMYK 0 / 62 / 81 / 3

HEX #F85F30

RGB 248 95 48

HSL 14.1, 0.93%, 0.58%

LAB 60.21, 56.36, 55.35

 

Description

Color code: HEX #64F830 | qconv.com Color code: HEX #64F830 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 248 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 248 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 81 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 81% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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