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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #64F5AA it is the complementary color #9B0A55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #64F5AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #64F5AA shade: #69F5A5, #7AFFB8, #8BFFCB, #9CFFDE and #ADFFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #64F5AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #64F5AA shade: #64F5AA, #53E397, #42D184, #31BF71 and #20AD5E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #64F5AA shade: #66F5AB, #66F584, #6EF566, #94F566 and #BBF566

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #64F5AA shade: #66F5AB, #66F5D2, #66F2F5, #66CBF5 and #66A5F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #64F5AA shade matches the following richer shades: #66F5AB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #64F5AA shade: #66F5AB, #73E8AB, #80DBAC, #8DCEAC and #9AC0AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #64F5AA shade: #6FF566, #66F582, #66F5A9, #66F5CF and #66F5F5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #64F5AA shade: #18F080, #3FF396, #66F5AB, #8CF8C0 and #B3FAD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #64F5AA shade: #64F5AA, #6695F5 and #F56F66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #64F5AA shade: #64F5AA, #A966F5 and #F5A966

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #64F5AA shade: #64F5AA, #6695F5, #F566B2 and #F5C566

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #64F5AA shade: #64F5AA, #666AF5, #F566B2 and #F5F066

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 31 / 4

HEX #64F5AA

RGB 100 245 170

HSL 148.97, 0.88%, 0.68%

LAB 87.44, -55.71, 24.74

 

Complementary color

CMYK 0 / 94 / 45 / 39

HEX #9B0A55

RGB 155 10 85

HSL 328.97, 0.88%, 0.32%

LAB 33.65, 57.78, -2.48

 

CMYK 57 / 0 / 33 / 4

HEX #69F5A5

RGB 105 245 165

HSL 145.71, 0.88%, 0.69%

LAB 87.5, -55.63, 27.38

 

CMYK 52 / 0 / 28 / 0

HEX #7AFFB8

RGB 122 255 184

HSL 147.97, 1%, 0.74%

LAB 91.29, -52.36, 22.99

 

CMYK 45 / 0 / 20 / 0

HEX #8BFFCB

RGB 139 255 203

HSL 153.1, 1%, 0.77%

LAB 92.27, -44.59, 14.74

 

CMYK 39 / 0 / 13 / 0

HEX #9CFFDE

RGB 156 255 222

HSL 160, 1%, 0.81%

LAB 93.39, -36.36, 6.65

 

CMYK 32 / 0 / 5 / 0

HEX #ADFFF1

RGB 173 255 241

HSL 169.76, 1%, 0.84%

LAB 94.63, -27.78, -1.25

 

CMYK 59 / 0 / 31 / 4

HEX #64F5AA

RGB 100 245 170

HSL 148.97, 0.88%, 0.68%

LAB 87.44, -55.71, 24.74

 

CMYK 63 / 0 / 33 / 11

HEX #53E397

RGB 83 227 151

HSL 148.33, 0.72%, 0.61%

LAB 81.3, -55.55, 26.04

 

CMYK 68 / 0 / 37 / 18

HEX #42D184

RGB 66 209 132

HSL 147.69, 0.61%, 0.54%

LAB 75.09, -55.21, 27.44

 

CMYK 74 / 0 / 41 / 25

HEX #31BF71

RGB 49 191 113

HSL 147.04, 0.59%, 0.47%

LAB 68.83, -54.61, 28.96

 

CMYK 82 / 0 / 46 / 32

HEX #20AD5E

RGB 32 173 94

HSL 146.38, 0.69%, 0.4%

LAB 62.51, -53.63, 30.6

 

CMYK 58 / 0 / 30 / 4

HEX #66F5AB

RGB 102 245 171

HSL 148.95, 0.88%, 0.68%

LAB 87.52, -55.12, 24.34

 

CMYK 58 / 0 / 46 / 4

HEX #66F584

RGB 102 245 132

HSL 132.59, 0.88%, 0.68%

LAB 86.9, -61.79, 42.97

 

CMYK 55 / 0 / 58 / 4

HEX #6EF566

RGB 110 245 102

HSL 116.64, 0.88%, 0.68%

LAB 86.79, -63.8, 56.72

 

CMYK 40 / 0 / 58 / 4

HEX #94F566

RGB 148 245 102

HSL 100.7, 0.88%, 0.68%

LAB 88.24, -53.17, 58.76

 

CMYK 24 / 0 / 58 / 4

HEX #BBF566

RGB 187 245 102

HSL 84.34, 0.88%, 0.68%

LAB 90.24, -39.92, 61.58

 

CMYK 58 / 0 / 30 / 4

HEX #66F5AB

RGB 102 245 171

HSL 148.95, 0.88%, 0.68%

LAB 87.52, -55.12, 24.34

 

CMYK 58 / 0 / 14 / 4

HEX #66F5D2

RGB 102 245 210

HSL 165.31, 0.88%, 0.68%

LAB 88.34, -46.77, 5.34

 

CMYK 58 / 1 / 0 / 4

HEX #66F2F5

RGB 102 242 245

HSL 181.26, 0.88%, 0.68%

LAB 88.41, -36.66, -12.84

 

CMYK 58 / 17 / 0 / 4

HEX #66CBF5

RGB 102 203 245

HSL 197.62, 0.88%, 0.68%

LAB 77.36, -17.63, -29.59

 

CMYK 58 / 33 / 0 / 4

HEX #66A5F5

RGB 102 165 245

HSL 213.57, 0.88%, 0.68%

LAB 66.77, 3.03, -46.05

 

CMYK 58 / 0 / 30 / 4

HEX #66F5AB

RGB 102 245 171

HSL 148.95, 0.88%, 0.68%

LAB 87.52, -55.12, 24.34

 

CMYK 58 / 0 / 30 / 4

HEX #66F5AB

RGB 102 245 171

HSL 148.95, 0.88%, 0.68%

LAB 87.52, -55.12, 24.34

 

CMYK 50 / 0 / 26 / 9

HEX #73E8AB

RGB 115 232 171

HSL 148.72, 0.72%, 0.68%

LAB 84.12, -46.89, 19.71

 

CMYK 42 / 0 / 21 / 14

HEX #80DBAC

RGB 128 219 172

HSL 149.01, 0.56%, 0.68%

LAB 80.87, -37.66, 14.72

 

CMYK 32 / 0 / 17 / 19

HEX #8DCEAC

RGB 141 206 172

HSL 148.62, 0.4%, 0.68%

LAB 77.75, -27.83, 10.39

 

CMYK 20 / 0 / 10 / 25

HEX #9AC0AD

RGB 154 192 173

HSL 150, 0.23%, 0.68%

LAB 74.56, -16.54, 5.39

 

CMYK 55 / 0 / 58 / 4

HEX #6FF566

RGB 111 245 102

HSL 116.22, 0.88%, 0.68%

LAB 86.82, -63.55, 56.77

 

CMYK 58 / 0 / 47 / 4

HEX #66F582

RGB 102 245 130

HSL 131.75, 0.88%, 0.68%

LAB 86.87, -62.08, 43.9

 

CMYK 58 / 0 / 31 / 4

HEX #66F5A9

RGB 102 245 169

HSL 148.11, 0.88%, 0.68%

LAB 87.48, -55.5, 25.31

 

CMYK 58 / 0 / 16 / 4

HEX #66F5CF

RGB 102 245 207

HSL 164.06, 0.88%, 0.68%

LAB 88.27, -47.46, 6.8

 

CMYK 58 / 0 / 0 / 4

HEX #66F5F5

RGB 102 245 245

HSL 180, 0.88%, 0.68%

LAB 89.26, -38.04, -11.57

 

CMYK 90 / 0 / 47 / 6

HEX #18F080

RGB 24 240 128

HSL 148.89, 0.88%, 0.52%

LAB 84, -71.2, 40.96

 

CMYK 74 / 0 / 38 / 5

HEX #3FF396

RGB 63 243 150

HSL 149, 0.88%, 0.6%

LAB 85.69, -64.84, 32.36

 

CMYK 58 / 0 / 30 / 4

HEX #66F5AB

RGB 102 245 171

HSL 148.95, 0.88%, 0.68%

LAB 87.52, -55.12, 24.34

 

CMYK 44 / 0 / 23 / 3

HEX #8CF8C0

RGB 140 248 192

HSL 148.89, 0.89%, 0.76%

LAB 90.1, -43.47, 17.34

 

CMYK 28 / 0 / 15 / 2

HEX #B3FAD5

RGB 179 250 213

HSL 148.73, 0.88%, 0.84%

LAB 92.91, -29.4, 10.74

 

CMYK 59 / 0 / 31 / 4

HEX #64F5AA

RGB 100 245 170

HSL 148.97, 0.88%, 0.68%

LAB 87.44, -55.71, 24.74

 

CMYK 58 / 39 / 0 / 4

HEX #6695F5

RGB 102 149 245

HSL 220.28, 0.88%, 0.68%

LAB 62.43, 12.31, -52.9

 

CMYK 0 / 55 / 58 / 4

HEX #F56F66

RGB 245 111 102

HSL 3.78, 0.88%, 0.68%

LAB 63.13, 50.75, 30.26

 

CMYK 59 / 0 / 31 / 4

HEX #64F5AA

RGB 100 245 170

HSL 148.97, 0.88%, 0.68%

LAB 87.44, -55.71, 24.74

 

CMYK 31 / 58 / 0 / 4

HEX #A966F5

RGB 169 102 245

HSL 268.11, 0.88%, 0.68%

LAB 56.61, 54.03, -61.9

 

CMYK 0 / 31 / 58 / 4

HEX #F5A966

RGB 245 169 102

HSL 28.11, 0.88%, 0.68%

LAB 75.29, 21.23, 45.41

 

CMYK 59 / 0 / 31 / 4

HEX #64F5AA

RGB 100 245 170

HSL 148.97, 0.88%, 0.68%

LAB 87.44, -55.71, 24.74

 

CMYK 58 / 39 / 0 / 4

HEX #6695F5

RGB 102 149 245

HSL 220.28, 0.88%, 0.68%

LAB 62.43, 12.31, -52.9

 

CMYK 0 / 58 / 27 / 4

HEX #F566B2

RGB 245 102 178

HSL 328.11, 0.88%, 0.68%

LAB 63.45, 62.36, -12.72

 

CMYK 0 / 20 / 58 / 4

HEX #F5C566

RGB 245 197 102

HSL 39.86, 0.88%, 0.68%

LAB 82, 6.54, 53.33

 

CMYK 59 / 0 / 31 / 4

HEX #64F5AA

RGB 100 245 170

HSL 148.97, 0.88%, 0.68%

LAB 87.44, -55.71, 24.74

 

CMYK 58 / 57 / 0 / 4

HEX #666AF5

RGB 102 106 245

HSL 238.32, 0.88%, 0.68%

LAB 51.53, 38.09, -70.41

 

CMYK 0 / 58 / 27 / 4

HEX #F566B2

RGB 245 102 178

HSL 328.11, 0.88%, 0.68%

LAB 63.45, 62.36, -12.72

 

CMYK 0 / 2 / 58 / 4

HEX #F5F066

RGB 245 240 102

HSL 57.9, 0.88%, 0.68%

LAB 92.88, -15.18, 65.62

 

Description

Color code: HEX #64F5AA | qconv.com Color code: HEX #64F5AA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 245 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 245 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 31 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 31% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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