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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #64EF8B it is the complementary color #9B1074. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #64EF8B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #64EF8B shade: #69EF86, #7AFF99, #8BFFAC, #9CFFBF and #ADFFD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #64EF8B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #64EF8B shade: #64EF8B, #53DD78, #42CB65, #31B952 and #20A73F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #64EF8B shade: #62EF89, #62EF64, #86EF62, #ACEF62 and #D2EF62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #64EF8B shade: #62EF89, #62EFAF, #62EFD5, #62E2EF and #62BCEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #64EF8B shade matches the following richer shades: #62EF89 and #54FD83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #64EF8B shade: #62EF89, #70E090, #7ED296, #8CC49C and #9AB6A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #64EF8B shade: #88EF62, #62EF62, #62EF88, #62EFAD and #62EFD2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #64EF8B shade: #18E652, #3DEB6E, #62EF89, #87F2A5 and #ADF6C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #64EF8B shade: #64EF8B, #62ADEF and #EF6275

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #64EF8B shade: #64EF8B, #8862EF and #EF8862

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #64EF8B shade: #64EF8B, #62ADEF, #EF62C9 and #EFA462

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #64EF8B shade: #64EF8B, #6283EF, #EF62C9 and #EFCE62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 42 / 6

HEX #64EF8B

RGB 100 239 139

HSL 136.83, 0.81%, 0.66%

LAB 85.15, -58.88, 37.3

 

Complementary color

CMYK 0 / 90 / 25 / 39

HEX #9B1074

RGB 155 16 116

HSL 316.83, 0.81%, 0.34%

LAB 35.2, 60.21, -20.03

 

CMYK 56 / 0 / 44 / 6

HEX #69EF86

RGB 105 239 134

HSL 132.99, 0.81%, 0.67%

LAB 85.23, -58.56, 39.89

 

CMYK 52 / 0 / 40 / 0

HEX #7AFF99

RGB 122 255 153

HSL 133.98, 1%, 0.74%

LAB 90.76, -57.8, 37.82

 

CMYK 45 / 0 / 33 / 0

HEX #8BFFAC

RGB 139 255 172

HSL 137.07, 1%, 0.77%

LAB 91.68, -50.39, 29.69

 

CMYK 39 / 0 / 25 / 0

HEX #9CFFBF

RGB 156 255 191

HSL 141.21, 1%, 0.81%

LAB 92.73, -42.44, 21.62

 

CMYK 32 / 0 / 18 / 0

HEX #ADFFD2

RGB 173 255 210

HSL 147.07, 1%, 0.84%

LAB 93.91, -34.07, 13.67

 

CMYK 58 / 0 / 42 / 6

HEX #64EF8B

RGB 100 239 139

HSL 136.83, 0.81%, 0.66%

LAB 85.15, -58.88, 37.3

 

CMYK 62 / 0 / 46 / 13

HEX #53DD78

RGB 83 221 120

HSL 136.09, 0.67%, 0.6%

LAB 78.99, -58.67, 38.69

 

CMYK 67 / 0 / 50 / 20

HEX #42CB65

RGB 66 203 101

HSL 135.33, 0.57%, 0.53%

LAB 72.77, -58.24, 40.13

 

CMYK 74 / 0 / 56 / 27

HEX #31B952

RGB 49 185 82

HSL 134.56, 0.58%, 0.46%

LAB 66.49, -57.48, 41.61

 

CMYK 81 / 0 / 62 / 35

HEX #20A73F

RGB 32 167 63

HSL 133.78, 0.68%, 0.39%

LAB 60.16, -56.22, 43.05

 

CMYK 59 / 0 / 43 / 6

HEX #62EF89

RGB 98 239 137

HSL 136.6, 0.82%, 0.66%

LAB 85.07, -59.63, 38.16

 

CMYK 59 / 0 / 58 / 6

HEX #62EF64

RGB 98 239 100

HSL 120.85, 0.82%, 0.66%

LAB 84.61, -64.67, 54.99

 

CMYK 44 / 0 / 59 / 6

HEX #86EF62

RGB 134 239 98

HSL 104.68, 0.82%, 0.66%

LAB 85.85, -55.45, 57.61

 

CMYK 28 / 0 / 59 / 6

HEX #ACEF62

RGB 172 239 98

HSL 88.51, 0.82%, 0.66%

LAB 87.67, -43.01, 60.16

 

CMYK 12 / 0 / 59 / 6

HEX #D2EF62

RGB 210 239 98

HSL 72.34, 0.82%, 0.66%

LAB 90.01, -28.84, 63.41

 

CMYK 59 / 0 / 43 / 6

HEX #62EF89

RGB 98 239 137

HSL 136.6, 0.82%, 0.66%

LAB 85.07, -59.63, 38.16

 

CMYK 59 / 0 / 27 / 6

HEX #62EFAF

RGB 98 239 175

HSL 152.77, 0.82%, 0.66%

LAB 85.72, -52.7, 19.78

 

CMYK 59 / 0 / 11 / 6

HEX #62EFD5

RGB 98 239 213

HSL 168.94, 0.82%, 0.66%

LAB 86.57, -44.18, 1.19

 

CMYK 59 / 5 / 0 / 6

HEX #62E2EF

RGB 98 226 239

HSL 185.53, 0.82%, 0.66%

LAB 83.56, -31.48, -16.97

 

CMYK 59 / 21 / 0 / 6

HEX #62BCEF

RGB 98 188 239

HSL 201.7, 0.82%, 0.66%

LAB 72.76, -12.3, -33.46

 

CMYK 59 / 0 / 43 / 6

HEX #62EF89

RGB 98 239 137

HSL 136.6, 0.82%, 0.66%

LAB 85.07, -59.63, 38.16

 

CMYK 67 / 0 / 48 / 1

HEX #54FD83

RGB 84 253 131

HSL 136.69, 0.98%, 0.66%

LAB 88.82, -68.32, 45.76

 

CMYK 59 / 0 / 43 / 6

HEX #62EF89

RGB 98 239 137

HSL 136.6, 0.82%, 0.66%

LAB 85.07, -59.63, 38.16

 

CMYK 50 / 0 / 36 / 12

HEX #70E090

RGB 112 224 144

HSL 137.14, 0.64%, 0.66%

LAB 81.16, -49.27, 29.61

 

CMYK 40 / 0 / 29 / 18

HEX #7ED296

RGB 126 210 150

HSL 137.14, 0.48%, 0.66%

LAB 77.72, -38.35, 21.92

 

CMYK 29 / 0 / 20 / 23

HEX #8CC49C

RGB 140 196 156

HSL 137.14, 0.32%, 0.66%

LAB 74.48, -26.39, 14.35

 

CMYK 15 / 0 / 11 / 29

HEX #9AB6A2

RGB 154 182 162

HSL 137.14, 0.16%, 0.66%

LAB 71.51, -13.52, 7

 

CMYK 43 / 0 / 59 / 6

HEX #88EF62

RGB 136 239 98

HSL 103.83, 0.82%, 0.66%

LAB 85.93, -54.85, 57.72

 

CMYK 59 / 0 / 59 / 6

HEX #62EF62

RGB 98 239 98

HSL 120, 0.82%, 0.66%

LAB 84.59, -64.9, 55.84

 

CMYK 59 / 0 / 43 / 6

HEX #62EF88

RGB 98 239 136

HSL 136.17, 0.82%, 0.66%

LAB 85.05, -59.79, 38.64

 

CMYK 59 / 0 / 28 / 6

HEX #62EFAD

RGB 98 239 173

HSL 151.91, 0.82%, 0.66%

LAB 85.68, -53.11, 20.76

 

CMYK 59 / 0 / 12 / 6

HEX #62EFD2

RGB 98 239 210

HSL 167.66, 0.82%, 0.66%

LAB 86.5, -44.91, 2.65

 

CMYK 90 / 0 / 64 / 10

HEX #18E652

RGB 24 230 82

HSL 136.89, 0.81%, 0.5%

LAB 80.4, -74.35, 57.53

 

CMYK 74 / 0 / 53 / 8

HEX #3DEB6E

RGB 61 235 110

HSL 136.9, 0.81%, 0.58%

LAB 82.67, -68.8, 47.95

 

CMYK 59 / 0 / 43 / 6

HEX #62EF89

RGB 98 239 137

HSL 136.6, 0.82%, 0.66%

LAB 85.07, -59.63, 38.16

 

CMYK 44 / 0 / 32 / 5

HEX #87F2A5

RGB 135 242 165

HSL 136.82, 0.8%, 0.74%

LAB 87.67, -47.19, 27.78

 

CMYK 30 / 0 / 22 / 4

HEX #ADF6C1

RGB 173 246 193

HSL 136.44, 0.8%, 0.82%

LAB 91.07, -33.05, 18.41

 

CMYK 58 / 0 / 42 / 6

HEX #64EF8B

RGB 100 239 139

HSL 136.83, 0.81%, 0.66%

LAB 85.15, -58.88, 37.3

 

CMYK 59 / 28 / 0 / 6

HEX #62ADEF

RGB 98 173 239

HSL 208.09, 0.82%, 0.66%

LAB 68.54, -4.13, -40.01

 

CMYK 0 / 59 / 51 / 6

HEX #EF6275

RGB 239 98 117

HSL 351.91, 0.82%, 0.66%

LAB 60.22, 55.81, 17.67

 

CMYK 58 / 0 / 42 / 6

HEX #64EF8B

RGB 100 239 139

HSL 136.83, 0.81%, 0.66%

LAB 85.15, -58.88, 37.3

 

CMYK 43 / 59 / 0 / 6

HEX #8862EF

RGB 136 98 239

HSL 256.17, 0.82%, 0.66%

LAB 52.06, 47.43, -66.06

 

CMYK 0 / 43 / 59 / 6

HEX #EF8862

RGB 239 136 98

HSL 16.17, 0.82%, 0.66%

LAB 67.16, 35.84, 37.38

 

CMYK 58 / 0 / 42 / 6

HEX #64EF8B

RGB 100 239 139

HSL 136.83, 0.81%, 0.66%

LAB 85.15, -58.88, 37.3

 

CMYK 59 / 28 / 0 / 6

HEX #62ADEF

RGB 98 173 239

HSL 208.09, 0.82%, 0.66%

LAB 68.54, -4.13, -40.01

 

CMYK 0 / 59 / 16 / 6

HEX #EF62C9

RGB 239 98 201

HSL 316.17, 0.82%, 0.66%

LAB 62.76, 65.49, -26.92

 

CMYK 0 / 31 / 59 / 6

HEX #EFA462

RGB 239 164 98

HSL 28.09, 0.82%, 0.66%

LAB 73.4, 21.14, 44.99

 

CMYK 58 / 0 / 42 / 6

HEX #64EF8B

RGB 100 239 139

HSL 136.83, 0.81%, 0.66%

LAB 85.15, -58.88, 37.3

 

CMYK 59 / 45 / 0 / 6

HEX #6283EF

RGB 98 131 239

HSL 225.96, 0.82%, 0.66%

LAB 57.14, 20.33, -58.05

 

CMYK 0 / 59 / 16 / 6

HEX #EF62C9

RGB 239 98 201

HSL 316.17, 0.82%, 0.66%

LAB 62.76, 65.49, -26.92

 

CMYK 0 / 14 / 59 / 6

HEX #EFCE62

RGB 239 206 98

HSL 45.96, 0.82%, 0.66%

LAB 83.64, -0.87, 56.92

 

Description

Color code: HEX #64EF8B | qconv.com Color code: HEX #64EF8B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 239 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 239 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 42 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 42% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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