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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #64EF70 it is the complementary color #9B108F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #64EF70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #64EF70 shade: #69EF6B, #7AFF7E, #8BFF91, #9CFFA4 and #ADFFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #64EF70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #64EF70 shade: #64EF70, #53DD5D, #42CB4A, #31B937 and #20A724

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #64EF70 shade: #62EF6E, #7CEF62, #A2EF62, #C8EF62 and #EDEF62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #64EF70 shade: #62EF6E, #62EF94, #62EFBA, #62EFE0 and #62D7EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #64EF70 shade matches the following richer shades: #62EF6E and #54FD63

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #64EF70 shade: #62EF6E, #70E07A, #7ED285, #8CC491 and #9AB69D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #64EF70 shade: #A1EF62, #7CEF62, #62EF6E, #62EF93 and #62EFB9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #64EF70 shade: #18E62A, #3DEB4C, #62EF6E, #87F291 and #ADF6B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #64EF70 shade: #64EF70, #62C7EF and #EF628F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #64EF70 shade: #64EF70, #6E62EF and #EF6E62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #64EF70 shade: #64EF70, #62C7EF, #EF62E3 and #EF8A62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #64EF70 shade: #64EF70, #629DEF, #EF62E3 and #EFB462

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 53 / 6

HEX #64EF70

RGB 100 239 112

HSL 125.18, 0.81%, 0.66%

LAB 84.8, -62.78, 49.81

 

Complementary color

CMYK 0 / 90 / 8 / 39

HEX #9B108F

RGB 155 16 143

HSL 305.18, 0.81%, 0.34%

LAB 36.6, 63.89, -34.66

 

CMYK 56 / 0 / 55 / 6

HEX #69EF6B

RGB 105 239 107

HSL 120.9, 0.81%, 0.67%

LAB 84.89, -62.24, 52.25

 

CMYK 52 / 0 / 51 / 0

HEX #7AFF7E

RGB 122 255 126

HSL 121.8, 1%, 0.74%

LAB 90.4, -61.68, 50.3

 

CMYK 45 / 0 / 43 / 0

HEX #8BFF91

RGB 139 255 145

HSL 123.1, 1%, 0.77%

LAB 91.26, -54.65, 42.49

 

CMYK 39 / 0 / 36 / 0

HEX #9CFFA4

RGB 156 255 164

HSL 124.85, 1%, 0.81%

LAB 92.25, -47.01, 34.59

 

CMYK 32 / 0 / 28 / 0

HEX #ADFFB7

RGB 173 255 183

HSL 127.32, 1%, 0.84%

LAB 93.37, -38.88, 26.7

 

CMYK 58 / 0 / 53 / 6

HEX #64EF70

RGB 100 239 112

HSL 125.18, 0.81%, 0.66%

LAB 84.8, -62.78, 49.81

 

CMYK 62 / 0 / 58 / 13

HEX #53DD5D

RGB 83 221 93

HSL 124.35, 0.67%, 0.6%

LAB 78.66, -62.37, 51.07

 

CMYK 67 / 0 / 64 / 20

HEX #42CB4A

RGB 66 203 74

HSL 123.5, 0.57%, 0.53%

LAB 72.47, -61.67, 52.24

 

CMYK 74 / 0 / 70 / 27

HEX #31B937

RGB 49 185 55

HSL 122.65, 0.58%, 0.46%

LAB 66.23, -60.55, 53.16

 

CMYK 81 / 0 / 78 / 35

HEX #20A724

RGB 32 167 36

HSL 121.78, 0.68%, 0.39%

LAB 59.95, -58.8, 53.55

 

CMYK 59 / 0 / 54 / 6

HEX #62EF6E

RGB 98 239 110

HSL 125.11, 0.82%, 0.66%

LAB 84.72, -63.48, 50.62

 

CMYK 48 / 0 / 59 / 6

HEX #7CEF62

RGB 124 239 98

HSL 108.94, 0.82%, 0.66%

LAB 85.45, -58.33, 57.05

 

CMYK 32 / 0 / 59 / 6

HEX #A2EF62

RGB 162 239 98

HSL 92.77, 0.82%, 0.66%

LAB 87.14, -46.48, 59.42

 

CMYK 16 / 0 / 59 / 6

HEX #C8EF62

RGB 200 239 98

HSL 76.6, 0.82%, 0.66%

LAB 89.34, -32.69, 62.49

 

CMYK 1 / 0 / 59 / 6

HEX #EDEF62

RGB 237 239 98

HSL 60.85, 0.82%, 0.66%

LAB 91.96, -18.17, 66.12

 

CMYK 59 / 0 / 54 / 6

HEX #62EF6E

RGB 98 239 110

HSL 125.11, 0.82%, 0.66%

LAB 84.72, -63.48, 50.62

 

CMYK 59 / 0 / 38 / 6

HEX #62EF94

RGB 98 239 148

HSL 141.28, 0.82%, 0.66%

LAB 85.23, -57.8, 32.9

 

CMYK 59 / 0 / 22 / 6

HEX #62EFBA

RGB 98 239 186

HSL 157.45, 0.82%, 0.66%

LAB 85.94, -50.39, 14.39

 

CMYK 59 / 0 / 6 / 6

HEX #62EFE0

RGB 98 239 224

HSL 173.62, 0.82%, 0.66%

LAB 86.86, -41.45, -4.16

 

CMYK 59 / 10 / 0 / 6

HEX #62D7EF

RGB 98 215 239

HSL 190.21, 0.82%, 0.66%

LAB 80.42, -26.15, -21.72

 

CMYK 59 / 0 / 54 / 6

HEX #62EF6E

RGB 98 239 110

HSL 125.11, 0.82%, 0.66%

LAB 84.72, -63.48, 50.62

 

CMYK 67 / 0 / 61 / 1

HEX #54FD63

RGB 84 253 99

HSL 125.33, 0.98%, 0.66%

LAB 88.46, -72.39, 59.74

 

CMYK 59 / 0 / 54 / 6

HEX #62EF6E

RGB 98 239 110

HSL 125.11, 0.82%, 0.66%

LAB 84.72, -63.48, 50.62

 

CMYK 50 / 0 / 46 / 12

HEX #70E07A

RGB 112 224 122

HSL 125.36, 0.64%, 0.66%

LAB 80.83, -52.77, 40.22

 

CMYK 40 / 0 / 37 / 18

HEX #7ED285

RGB 126 210 133

HSL 125, 0.48%, 0.66%

LAB 77.41, -41.27, 30.37

 

CMYK 29 / 0 / 26 / 23

HEX #8CC491

RGB 140 196 145

HSL 125.36, 0.32%, 0.66%

LAB 74.25, -28.38, 19.92

 

CMYK 15 / 0 / 14 / 29

HEX #9AB69D

RGB 154 182 157

HSL 126.43, 0.16%, 0.66%

LAB 71.39, -14.46, 9.56

 

CMYK 33 / 0 / 59 / 6

HEX #A1EF62

RGB 161 239 98

HSL 93.19, 0.82%, 0.66%

LAB 87.09, -46.82, 59.35

 

CMYK 48 / 0 / 59 / 6

HEX #7CEF62

RGB 124 239 98

HSL 108.94, 0.82%, 0.66%

LAB 85.45, -58.33, 57.05

 

CMYK 59 / 0 / 54 / 6

HEX #62EF6E

RGB 98 239 110

HSL 125.11, 0.82%, 0.66%

LAB 84.72, -63.48, 50.62

 

CMYK 59 / 0 / 38 / 6

HEX #62EF93

RGB 98 239 147

HSL 140.85, 0.82%, 0.66%

LAB 85.22, -57.97, 33.39

 

CMYK 59 / 0 / 23 / 6

HEX #62EFB9

RGB 98 239 185

HSL 157.02, 0.82%, 0.66%

LAB 85.92, -50.61, 14.88

 

CMYK 90 / 0 / 82 / 10

HEX #18E62A

RGB 24 230 42

HSL 125.24, 0.81%, 0.5%

LAB 80.15, -77.5, 70.83

 

CMYK 74 / 0 / 68 / 8

HEX #3DEB4C

RGB 61 235 76

HSL 125.17, 0.81%, 0.58%

LAB 82.34, -72.69, 62.15

 

CMYK 59 / 0 / 54 / 6

HEX #62EF6E

RGB 98 239 110

HSL 125.11, 0.82%, 0.66%

LAB 84.72, -63.48, 50.62

 

CMYK 44 / 0 / 40 / 5

HEX #87F291

RGB 135 242 145

HSL 125.61, 0.8%, 0.74%

LAB 87.34, -50.45, 37.4

 

CMYK 30 / 0 / 27 / 4

HEX #ADF6B3

RGB 173 246 179

HSL 124.93, 0.8%, 0.82%

LAB 90.8, -35.47, 25.21

 

CMYK 58 / 0 / 53 / 6

HEX #64EF70

RGB 100 239 112

HSL 125.18, 0.81%, 0.66%

LAB 84.8, -62.78, 49.81

 

CMYK 59 / 17 / 0 / 6

HEX #62C7EF

RGB 98 199 239

HSL 197.02, 0.82%, 0.66%

LAB 75.87, -18.07, -28.66

 

CMYK 0 / 59 / 40 / 6

HEX #EF628F

RGB 239 98 143

HSL 340.85, 0.82%, 0.66%

LAB 60.84, 58.25, 3.47

 

CMYK 58 / 0 / 53 / 6

HEX #64EF70

RGB 100 239 112

HSL 125.18, 0.81%, 0.66%

LAB 84.8, -62.78, 49.81

 

CMYK 54 / 59 / 0 / 6

HEX #6E62EF

RGB 110 98 239

HSL 245.11, 0.82%, 0.66%

LAB 49.84, 42.36, -69.77

 

CMYK 0 / 54 / 59 / 6

HEX #EF6E62

RGB 239 110 98

HSL 5.11, 0.82%, 0.66%

LAB 61.98, 48.82, 30.86

 

CMYK 58 / 0 / 53 / 6

HEX #64EF70

RGB 100 239 112

HSL 125.18, 0.81%, 0.66%

LAB 84.8, -62.78, 49.81

 

CMYK 59 / 17 / 0 / 6

HEX #62C7EF

RGB 98 199 239

HSL 197.02, 0.82%, 0.66%

LAB 75.87, -18.07, -28.66

 

CMYK 0 / 59 / 5 / 6

HEX #EF62E3

RGB 239 98 227

HSL 305.11, 0.82%, 0.66%

LAB 63.86, 69.45, -39.82

 

CMYK 0 / 42 / 59 / 6

HEX #EF8A62

RGB 239 138 98

HSL 17.02, 0.82%, 0.66%

LAB 67.58, 34.81, 37.9

 

CMYK 58 / 0 / 53 / 6

HEX #64EF70

RGB 100 239 112

HSL 125.18, 0.81%, 0.66%

LAB 84.8, -62.78, 49.81

 

CMYK 59 / 34 / 0 / 6

HEX #629DEF

RGB 98 157 239

HSL 214.89, 0.82%, 0.66%

LAB 64.11, 4.94, -46.96

 

CMYK 0 / 59 / 5 / 6

HEX #EF62E3

RGB 239 98 227

HSL 305.11, 0.82%, 0.66%

LAB 63.86, 69.45, -39.82

 

CMYK 0 / 25 / 59 / 6

HEX #EFB462

RGB 239 180 98

HSL 34.89, 0.82%, 0.66%

LAB 77.21, 12.68, 49.5

 

Description

Color code: HEX #64EF70 | qconv.com Color code: HEX #64EF70 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 239 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 239 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 53 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 53% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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