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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #64E9B0 it is the complementary color #9B164F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #64E9B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #64E9B0 shade: #69E9AB, #7AFBBE, #8BFFD1, #9CFFE4 and #ADFFF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #64E9B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #64E9B0 shade: #64E9B0, #53D79D, #42C58A, #31B377 and #20A164

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #64E9B0 shade: #63E9AF, #63E98B, #63E967, #83E963 and #A7E963

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #64E9B0 shade: #63E9AF, #63E9D3, #63DAE9, #63B6E9 and #6392E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #64E9B0 shade matches the following richer shades: #63E9AF and #54F7B1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #64E9B0 shade: #63E9AF, #71DAAD, #80CCAB, #8EBDA9 and #9DAFA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #64E9B0 shade: #63E967, #63E98B, #63E9AF, #63E9D2 and #63DBE9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #64E9B0 shade: #1FDA8A, #3FE49D, #63E9AF, #87EEC2 and #ABF3D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #64E9B0 shade: #64E9B0, #6382E9 and #E97963

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #64E9B0 shade: #64E9B0, #AF63E9 and #E9AF63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #64E9B0 shade: #64E9B0, #6382E9, #E9639D and #E9C963

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #64E9B0 shade: #64E9B0, #6C63E9, #E9639D and #E0E963

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 24 / 9

HEX #64E9B0

RGB 100 233 176

HSL 154.29, 0.75%, 0.65%

LAB 84.03, -49.63, 16.91

 

Complementary color

CMYK 0 / 86 / 49 / 39

HEX #9B164F

RGB 155 22 79

HSL 334.29, 0.75%, 0.35%

LAB 34.2, 55.09, 2.24

 

CMYK 55 / 0 / 27 / 9

HEX #69E9AB

RGB 105 233 171

HSL 150.94, 0.74%, 0.66%

LAB 84.08, -49.59, 19.61

 

CMYK 51 / 0 / 24 / 2

HEX #7AFBBE

RGB 122 251 190

HSL 151.63, 0.94%, 0.73%

LAB 90.25, -49.52, 18.48

 

CMYK 45 / 0 / 18 / 0

HEX #8BFFD1

RGB 139 255 209

HSL 156.21, 1%, 0.77%

LAB 92.4, -43.36, 11.84

 

CMYK 39 / 0 / 11 / 0

HEX #9CFFE4

RGB 156 255 228

HSL 163.64, 1%, 0.81%

LAB 93.53, -35.08, 3.76

 

CMYK 32 / 0 / 3 / 0

HEX #ADFFF7

RGB 173 255 247

HSL 174.15, 1%, 0.84%

LAB 94.79, -26.47, -4.12

 

CMYK 57 / 0 / 24 / 9

HEX #64E9B0

RGB 100 233 176

HSL 154.29, 0.75%, 0.65%

LAB 84.03, -49.63, 16.91

 

CMYK 61 / 0 / 27 / 16

HEX #53D79D

RGB 83 215 157

HSL 153.64, 0.62%, 0.58%

LAB 77.8, -49.54, 18.11

 

CMYK 66 / 0 / 30 / 23

HEX #42C58A

RGB 66 197 138

HSL 152.98, 0.53%, 0.52%

LAB 71.5, -49.3, 19.41

 

CMYK 73 / 0 / 34 / 30

HEX #31B377

RGB 49 179 119

HSL 152.31, 0.57%, 0.45%

LAB 65.14, -48.84, 20.84

 

CMYK 80 / 0 / 38 / 37

HEX #20A164

RGB 32 161 100

HSL 151.63, 0.67%, 0.38%

LAB 58.71, -48.04, 22.42

 

CMYK 58 / 0 / 25 / 9

HEX #63E9AF

RGB 99 233 175

HSL 154.03, 0.75%, 0.65%

LAB 83.98, -50.04, 17.36

 

CMYK 58 / 0 / 40 / 9

HEX #63E98B

RGB 99 233 139

HSL 137.91, 0.75%, 0.65%

LAB 83.33, -56.79, 34.93

 

CMYK 58 / 0 / 56 / 9

HEX #63E967

RGB 99 233 103

HSL 121.79, 0.75%, 0.65%

LAB 82.87, -61.94, 51.61

 

CMYK 44 / 0 / 58 / 9

HEX #83E963

RGB 131 233 99

HSL 105.67, 0.75%, 0.65%

LAB 83.97, -53.87, 54.98

 

CMYK 28 / 0 / 58 / 9

HEX #A7E963

RGB 167 233 99

HSL 89.55, 0.75%, 0.65%

LAB 85.7, -42.07, 57.43

 

CMYK 58 / 0 / 25 / 9

HEX #63E9AF

RGB 99 233 175

HSL 154.03, 0.75%, 0.65%

LAB 83.98, -50.04, 17.36

 

CMYK 58 / 0 / 9 / 9

HEX #63E9D3

RGB 99 233 211

HSL 170.15, 0.75%, 0.65%

LAB 84.81, -41.84, -0.33

 

CMYK 58 / 6 / 0 / 9

HEX #63DAE9

RGB 99 218 233

HSL 186.72, 0.75%, 0.65%

LAB 81.11, -29.12, -17.47

 

CMYK 58 / 22 / 0 / 9

HEX #63B6E9

RGB 99 182 233

HSL 202.84, 0.75%, 0.65%

LAB 70.87, -10.72, -33.13

 

CMYK 58 / 37 / 0 / 9

HEX #6392E9

RGB 99 146 233

HSL 218.96, 0.75%, 0.65%

LAB 60.86, 9.62, -48.78

 

CMYK 58 / 0 / 25 / 9

HEX #63E9AF

RGB 99 233 175

HSL 154.03, 0.75%, 0.65%

LAB 83.98, -50.04, 17.36

 

CMYK 66 / 0 / 28 / 3

HEX #54F7B1

RGB 84 247 177

HSL 154.23, 0.91%, 0.65%

LAB 87.77, -58, 21.53

 

CMYK 58 / 0 / 25 / 9

HEX #63E9AF

RGB 99 233 175

HSL 154.03, 0.75%, 0.65%

LAB 83.98, -50.04, 17.36

 

CMYK 48 / 0 / 21 / 15

HEX #71DAAD

RGB 113 218 173

HSL 154.29, 0.59%, 0.65%

LAB 79.99, -40.88, 12.87

 

CMYK 37 / 0 / 16 / 20

HEX #80CCAB

RGB 128 204 171

HSL 153.95, 0.43%, 0.65%

LAB 76.51, -30.89, 9.07

 

CMYK 25 / 0 / 11 / 26

HEX #8EBDA9

RGB 142 189 169

HSL 154.47, 0.26%, 0.65%

LAB 72.9, -19.71, 5.08

 

CMYK 10 / 0 / 5 / 31

HEX #9DAFA7

RGB 157 175 167

HSL 153.33, 0.1%, 0.65%

LAB 69.91, -7.83, 1.96

 

CMYK 58 / 0 / 56 / 9

HEX #63E967

RGB 99 233 103

HSL 121.79, 0.75%, 0.65%

LAB 82.87, -61.94, 51.61

 

CMYK 58 / 0 / 40 / 9

HEX #63E98B

RGB 99 233 139

HSL 137.91, 0.75%, 0.65%

LAB 83.33, -56.79, 34.93

 

CMYK 58 / 0 / 25 / 9

HEX #63E9AF

RGB 99 233 175

HSL 154.03, 0.75%, 0.65%

LAB 83.98, -50.04, 17.36

 

CMYK 58 / 0 / 10 / 9

HEX #63E9D2

RGB 99 233 210

HSL 169.7, 0.75%, 0.65%

LAB 84.78, -42.08, 0.16

 

CMYK 58 / 6 / 0 / 9

HEX #63DBE9

RGB 99 219 233

HSL 186.27, 0.75%, 0.65%

LAB 81.4, -29.6, -17.04

 

CMYK 86 / 0 / 37 / 15

HEX #1FDA8A

RGB 31 218 138

HSL 154.33, 0.75%, 0.49%

LAB 77.44, -61.49, 27.39

 

CMYK 72 / 0 / 31 / 11

HEX #3FE49D

RGB 63 228 157

HSL 154.18, 0.75%, 0.57%

LAB 81.28, -57.95, 22.84

 

CMYK 58 / 0 / 25 / 9

HEX #63E9AF

RGB 99 233 175

HSL 154.03, 0.75%, 0.65%

LAB 83.98, -50.04, 17.36

 

CMYK 43 / 0 / 18 / 7

HEX #87EEC2

RGB 135 238 194

HSL 154.37, 0.75%, 0.73%

LAB 87.09, -39.92, 12.03

 

CMYK 30 / 0 / 13 / 5

HEX #ABF3D4

RGB 171 243 212

HSL 154.17, 0.75%, 0.81%

LAB 90.56, -28.65, 7.84

 

CMYK 57 / 0 / 24 / 9

HEX #64E9B0

RGB 100 233 176

HSL 154.29, 0.75%, 0.65%

LAB 84.03, -49.63, 16.91

 

CMYK 58 / 44 / 0 / 9

HEX #6382E9

RGB 99 130 233

HSL 226.12, 0.75%, 0.65%

LAB 56.59, 19.17, -55.59

 

CMYK 0 / 48 / 58 / 9

HEX #E97963

RGB 233 121 99

HSL 9.85, 0.75%, 0.65%

LAB 63.26, 41.29, 31.75

 

CMYK 57 / 0 / 24 / 9

HEX #64E9B0

RGB 100 233 176

HSL 154.29, 0.75%, 0.65%

LAB 84.03, -49.63, 16.91

 

CMYK 25 / 58 / 0 / 9

HEX #AF63E9

RGB 175 99 233

HSL 274.03, 0.75%, 0.65%

LAB 56.01, 54.2, -56.14

 

CMYK 0 / 25 / 58 / 9

HEX #E9AF63

RGB 233 175 99

HSL 34.03, 0.75%, 0.65%

LAB 75.38, 12.92, 46.69

 

CMYK 57 / 0 / 24 / 9

HEX #64E9B0

RGB 100 233 176

HSL 154.29, 0.75%, 0.65%

LAB 84.03, -49.63, 16.91

 

CMYK 58 / 44 / 0 / 9

HEX #6382E9

RGB 99 130 233

HSL 226.12, 0.75%, 0.65%

LAB 56.59, 19.17, -55.59

 

CMYK 0 / 58 / 33 / 9

HEX #E9639D

RGB 233 99 157

HSL 334.03, 0.75%, 0.65%

LAB 60.5, 57.49, -5.25

 

CMYK 0 / 14 / 58 / 9

HEX #E9C963

RGB 233 201 99

HSL 45.67, 0.75%, 0.65%

LAB 81.84, -0.7, 54.25

 

CMYK 57 / 0 / 24 / 9

HEX #64E9B0

RGB 100 233 176

HSL 154.29, 0.75%, 0.65%

LAB 84.03, -49.63, 16.91

 

CMYK 54 / 58 / 0 / 9

HEX #6C63E9

RGB 108 99 233

HSL 244.03, 0.75%, 0.65%

LAB 49.49, 39.58, -66.97

 

CMYK 0 / 58 / 33 / 9

HEX #E9639D

RGB 233 99 157

HSL 334.03, 0.75%, 0.65%

LAB 60.5, 57.49, -5.25

 

CMYK 4 / 0 / 58 / 9

HEX #E0E963

RGB 224 233 99

HSL 64.03, 0.75%, 0.65%

LAB 89.41, -20.39, 62.6

 

Description

Color code: HEX #64E9B0 | qconv.com Color code: HEX #64E9B0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 233 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 233 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 24 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 24% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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