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Color name
HEX #64E619

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #64E619 it is the complementary color #9B19E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #64E619. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #64E619 shade: #69E614, #7AF827, #8BFF3A, #9CFF4D and #ADFF60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #64E619. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #64E619 shade: #64E619, #53D406, #42C200, #31B000 and #209E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #64E619 shade: #64E61A, #9BE61A, #D2E61A, #E6C21A and #E68B1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #64E619 shade: #64E61A, #2DE61A, #1AE63D, #1AE674 and #1AE6AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #64E619 shade matches the following richer shades: #64E61A and #5FFA05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #64E619 shade: #64E61A, #6AD12E, #6FBC43, #75A857 and #7A936C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #64E619 shade: #D1E61A, #9BE61A, #64E61A, #2EE61A and #1AE63C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #64E619 shade: #449B11, #54C015, #64E61A, #7DEA3F and #96EE64

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #64E619 shade: #64E619, #1AE6C4 and #E61AB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #64E619 shade: #64E619, #1A64E6 and #E61A64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #64E619 shade: #64E619, #1AE6C4, #9B1AE6 and #E61A3C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #64E619 shade: #64E619, #1ACAE6, #9B1AE6 and #E6351A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 89 / 10

HEX #64E619

RGB 100 230 25

HSL 98.05, 0.8%, 0.5%

LAB 81.5, -66.26, 76.09

 

Complementary color

CMYK 33 / 89 / 0 / 10

HEX #9B19E6

RGB 155 25 230

HSL 278.05, 0.8%, 0.5%

LAB 43.33, 77.56, -75.1

 

CMYK 54 / 0 / 91 / 10

HEX #69E614

RGB 105 230 20

HSL 95.71, 0.84%, 0.49%

LAB 81.65, -65.09, 77.02

 

CMYK 51 / 0 / 84 / 3

HEX #7AF827

RGB 122 248 39

HSL 96.17, 0.94%, 0.56%

LAB 87.69, -66.22, 79.06

 

CMYK 45 / 0 / 77 / 0

HEX #8BFF3A

RGB 139 255 58

HSL 95.33, 1%, 0.61%

LAB 90.47, -63.04, 77.06

 

CMYK 39 / 0 / 70 / 0

HEX #9CFF4D

RGB 156 255 77

HSL 93.37, 1%, 0.65%

LAB 91.29, -56.66, 72.03

 

CMYK 32 / 0 / 62 / 0

HEX #ADFF60

RGB 173 255 96

HSL 90.94, 1%, 0.69%

LAB 92.24, -49.64, 66.07

 

CMYK 57 / 0 / 89 / 10

HEX #64E619

RGB 100 230 25

HSL 98.05, 0.8%, 0.5%

LAB 81.5, -66.26, 76.09

 

CMYK 61 / 0 / 97 / 17

HEX #53D406

RGB 83 212 6

HSL 97.57, 0.94%, 0.43%

LAB 75.41, -64.76, 73.19

 

CMYK 66 / 0 / 100 / 24

HEX #42C200

RGB 66 194 0

HSL 99.59, 1%, 0.38%

LAB 69.29, -62.78, 68.74

 

CMYK 72 / 0 / 100 / 31

HEX #31B000

RGB 49 176 0

HSL 103.3, 1%, 0.35%

LAB 63.1, -60.38, 63.65

 

CMYK 80 / 0 / 100 / 38

HEX #209E00

RGB 32 158 0

HSL 107.85, 1%, 0.31%

LAB 56.84, -57.53, 58.53

 

CMYK 57 / 0 / 89 / 10

HEX #64E61A

RGB 100 230 26

HSL 98.24, 0.8%, 0.5%

LAB 81.5, -66.23, 75.92

 

CMYK 33 / 0 / 89 / 10

HEX #9BE61A

RGB 155 230 26

HSL 82.06, 0.8%, 0.5%

LAB 83.78, -49.23, 78.75

 

CMYK 9 / 0 / 89 / 10

HEX #D2E61A

RGB 210 230 26

HSL 65.88, 0.8%, 0.5%

LAB 87.18, -27.92, 82.92

 

CMYK 0 / 16 / 89 / 10

HEX #E6C21A

RGB 230 194 26

HSL 49.41, 0.8%, 0.5%

LAB 79.32, -1.62, 77.41

 

CMYK 0 / 40 / 89 / 10

HEX #E68B1A

RGB 230 139 26

HSL 33.24, 0.8%, 0.5%

LAB 66.03, 27.42, 67.11

 

CMYK 57 / 0 / 89 / 10

HEX #64E61A

RGB 100 230 26

HSL 98.24, 0.8%, 0.5%

LAB 81.5, -66.23, 75.92

 

CMYK 80 / 0 / 89 / 10

HEX #2DE61A

RGB 45 230 26

HSL 114.41, 0.8%, 0.5%

LAB 80.31, -76.33, 74.43

 

CMYK 89 / 0 / 73 / 10

HEX #1AE63D

RGB 26 230 61

HSL 130.29, 0.8%, 0.5%

LAB 80.26, -76.15, 65.3

 

CMYK 89 / 0 / 50 / 10

HEX #1AE674

RGB 26 230 116

HSL 146.47, 0.8%, 0.5%

LAB 80.78, -69.77, 42.7

 

CMYK 89 / 0 / 26 / 10

HEX #1AE6AB

RGB 26 230 171

HSL 162.65, 0.8%, 0.5%

LAB 81.7, -59.13, 16.07

 

CMYK 57 / 0 / 89 / 10

HEX #64E61A

RGB 100 230 26

HSL 98.24, 0.8%, 0.5%

LAB 81.5, -66.23, 75.92

 

CMYK 62 / 0 / 98 / 2

HEX #5FFA05

RGB 95 250 5

HSL 97.96, 0.96%, 0.5%

LAB 87.4, -74.34, 83.02

 

CMYK 57 / 0 / 89 / 10

HEX #64E61A

RGB 100 230 26

HSL 98.24, 0.8%, 0.5%

LAB 81.5, -66.23, 75.92

 

CMYK 49 / 0 / 78 / 18

HEX #6AD12E

RGB 106 209 46

HSL 97.91, 0.64%, 0.5%

LAB 75.37, -56.29, 65.88

 

CMYK 41 / 0 / 64 / 26

HEX #6FBC43

RGB 111 188 67

HSL 98.18, 0.47%, 0.5%

LAB 69.29, -44.94, 52.14

 

CMYK 30 / 0 / 48 / 34

HEX #75A857

RGB 117 168 87

HSL 97.78, 0.32%, 0.5%

LAB 63.73, -31.84, 36.36

 

CMYK 17 / 0 / 27 / 42

HEX #7A936C

RGB 122 147 108

HSL 98.46, 0.15%, 0.5%

LAB 58.12, -16.42, 17.81

 

CMYK 9 / 0 / 89 / 10

HEX #D1E61A

RGB 209 230 26

HSL 66.18, 0.8%, 0.5%

LAB 87.11, -28.33, 82.84

 

CMYK 33 / 0 / 89 / 10

HEX #9BE61A

RGB 155 230 26

HSL 82.06, 0.8%, 0.5%

LAB 83.78, -49.23, 78.75

 

CMYK 57 / 0 / 89 / 10

HEX #64E61A

RGB 100 230 26

HSL 98.24, 0.8%, 0.5%

LAB 81.5, -66.23, 75.92

 

CMYK 80 / 0 / 89 / 10

HEX #2EE61A

RGB 46 230 26

HSL 114.12, 0.8%, 0.5%

LAB 80.32, -76.22, 74.45

 

CMYK 89 / 0 / 74 / 10

HEX #1AE63C

RGB 26 230 60

HSL 130, 0.8%, 0.5%

LAB 80.26, -76.23, 65.63

 

CMYK 56 / 0 / 89 / 39

HEX #449B11

RGB 68 155 17

HSL 97.83, 0.8%, 0.34%

LAB 56.79, -48.42, 56.1

 

CMYK 56 / 0 / 89 / 25

HEX #54C015

RGB 84 192 21

HSL 97.89, 0.8%, 0.42%

LAB 69.21, -57.34, 66.16

 

CMYK 57 / 0 / 89 / 10

HEX #64E61A

RGB 100 230 26

HSL 98.24, 0.8%, 0.5%

LAB 81.5, -66.23, 75.92

 

CMYK 47 / 0 / 73 / 8

HEX #7DEA3F

RGB 125 234 63

HSL 98.25, 0.8%, 0.58%

LAB 83.74, -59.07, 68.83

 

CMYK 37 / 0 / 58 / 7

HEX #96EE64

RGB 150 238 100

HSL 98.26, 0.8%, 0.66%

LAB 86.28, -49.87, 57.42

 

CMYK 57 / 0 / 89 / 10

HEX #64E619

RGB 100 230 25

HSL 98.05, 0.8%, 0.5%

LAB 81.5, -66.26, 76.09

 

CMYK 89 / 0 / 15 / 10

HEX #1AE6C4

RGB 26 230 196

HSL 170, 0.8%, 0.5%

LAB 82.27, -53.03, 3.73

 

CMYK 0 / 89 / 21 / 10

HEX #E61AB6

RGB 230 26 182

HSL 314.12, 0.8%, 0.5%

LAB 52.88, 82.25, -31.43

 

CMYK 57 / 0 / 89 / 10

HEX #64E619

RGB 100 230 25

HSL 98.05, 0.8%, 0.5%

LAB 81.5, -66.26, 76.09

 

CMYK 89 / 57 / 0 / 10

HEX #1A64E6

RGB 26 100 230

HSL 218.24, 0.8%, 0.5%

LAB 45.7, 27.77, -71.62

 

CMYK 0 / 89 / 57 / 10

HEX #E61A64

RGB 230 26 100

HSL 338.24, 0.8%, 0.5%

LAB 50.08, 74.6, 13.55

 

CMYK 57 / 0 / 89 / 10

HEX #64E619

RGB 100 230 25

HSL 98.05, 0.8%, 0.5%

LAB 81.5, -66.26, 76.09

 

CMYK 89 / 0 / 15 / 10

HEX #1AE6C4

RGB 26 230 196

HSL 170, 0.8%, 0.5%

LAB 82.27, -53.03, 3.73

 

CMYK 33 / 89 / 0 / 10

HEX #9B1AE6

RGB 155 26 230

HSL 277.94, 0.8%, 0.5%

LAB 43.39, 77.37, -74.99

 

CMYK 0 / 89 / 74 / 10

HEX #E61A3C

RGB 230 26 60

HSL 350, 0.8%, 0.5%

LAB 49.36, 72.58, 36.81

 

CMYK 57 / 0 / 89 / 10

HEX #64E619

RGB 100 230 25

HSL 98.05, 0.8%, 0.5%

LAB 81.5, -66.26, 76.09

 

CMYK 89 / 12 / 0 / 10

HEX #1ACAE6

RGB 26 202 230

HSL 188.24, 0.8%, 0.5%

LAB 74.93, -30.77, -25.38

 

CMYK 33 / 89 / 0 / 10

HEX #9B1AE6

RGB 155 26 230

HSL 277.94, 0.8%, 0.5%

LAB 43.39, 77.37, -74.99

 

CMYK 0 / 77 / 89 / 10

HEX #E6351A

RGB 230 53 26

HSL 7.94, 0.8%, 0.5%

LAB 51.2, 65.59, 55.91

 

Description

Color code: HEX #64E619 | qconv.com Color code: HEX #64E619 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 230 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 230 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 89 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 89% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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