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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #64E439 it is the complementary color #9B1BC6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #64E439. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #64E439 shade: #69E434, #7AF647, #8BFF5A, #9CFF6D and #ADFF80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #64E439. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #64E439 shade: #64E439, #53D226, #42C013, #31AE00 and #209C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #64E439 shade: #64E43A, #92E43A, #C0E43A, #E4DA3A and #E4AC3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #64E439 shade: #64E43A, #3AE43D, #3AE46B, #3AE499 and #3AE4C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #64E439 shade matches the following richer shades: #64E43A and #5BF627

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #64E439 shade: #64E43A, #6DD24C, #76C05E, #7FAE70 and #899B82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #64E439 shade: #C2E43A, #94E43A, #67E43A, #3AE43A and #3AE467

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #64E439 shade: #3FB318, #4CD71D, #64E43A, #81E95E and #9DEE82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #64E439 shade: #64E439, #3AE4D9 and #E43AAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #64E439 shade: #64E439, #3A67E4 and #E43A67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #64E439 shade: #64E439, #3AE4D9, #B73AE4 and #E43A45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #64E439 shade: #64E439, #3ABCE4, #B73AE4 and #E4613A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 75 / 11

HEX #64E439

RGB 100 228 57

HSL 104.91, 0.76%, 0.56%

LAB 81.01, -64.13, 67.82

 

Complementary color

CMYK 22 / 86 / 0 / 22

HEX #9B1BC6

RGB 155 27 198

HSL 284.91, 0.76%, 0.44%

LAB 40.94, 71.03, -60.56

 

CMYK 54 / 0 / 77 / 11

HEX #69E434

RGB 105 228 52

HSL 101.93, 0.77%, 0.55%

LAB 81.15, -63.15, 69.56

 

CMYK 50 / 0 / 71 / 4

HEX #7AF647

RGB 122 246 71

HSL 102.51, 0.91%, 0.62%

LAB 87.24, -63.82, 69.58

 

CMYK 45 / 0 / 65 / 0

HEX #8BFF5A

RGB 139 255 90

HSL 102.18, 1%, 0.68%

LAB 90.66, -60.89, 66.3

 

CMYK 39 / 0 / 57 / 0

HEX #9CFF6D

RGB 156 255 109

HSL 100.68, 1%, 0.71%

LAB 91.55, -54.02, 59.62

 

CMYK 32 / 0 / 50 / 0

HEX #ADFF80

RGB 173 255 128

HSL 98.74, 1%, 0.75%

LAB 92.56, -46.55, 52.5

 

CMYK 56 / 0 / 75 / 11

HEX #64E439

RGB 100 228 57

HSL 104.91, 0.76%, 0.56%

LAB 81.01, -64.13, 67.82

 

CMYK 60 / 0 / 82 / 18

HEX #53D226

RGB 83 210 38

HSL 104.3, 0.69%, 0.49%

LAB 74.87, -63.15, 67.38

 

CMYK 66 / 0 / 90 / 25

HEX #42C013

RGB 66 192 19

HSL 103.7, 0.82%, 0.41%

LAB 68.68, -61.71, 65.86

 

CMYK 72 / 0 / 100 / 32

HEX #31AE00

RGB 49 174 0

HSL 103.1, 1%, 0.34%

LAB 62.44, -59.75, 63.13

 

CMYK 79 / 0 / 100 / 39

HEX #209C00

RGB 32 156 0

HSL 107.69, 1%, 0.31%

LAB 56.17, -56.92, 58

 

CMYK 56 / 0 / 75 / 11

HEX #64E43A

RGB 100 228 58

HSL 105.18, 0.76%, 0.56%

LAB 81.02, -64.07, 67.5

 

CMYK 36 / 0 / 75 / 11

HEX #92E43A

RGB 146 228 58

HSL 88.94, 0.76%, 0.56%

LAB 82.86, -50.31, 69.93

 

CMYK 16 / 0 / 75 / 11

HEX #C0E43A

RGB 192 228 58

HSL 72.71, 0.76%, 0.56%

LAB 85.5, -33.23, 73.38

 

CMYK 0 / 4 / 75 / 11

HEX #E4DA3A

RGB 228 218 58

HSL 56.47, 0.76%, 0.56%

LAB 85.47, -13.71, 74.31

 

CMYK 0 / 25 / 75 / 11

HEX #E4AC3A

RGB 228 172 58

HSL 40.24, 0.76%, 0.56%

LAB 73.74, 9.99, 63.2

 

CMYK 56 / 0 / 75 / 11

HEX #64E43A

RGB 100 228 58

HSL 105.18, 0.76%, 0.56%

LAB 81.02, -64.07, 67.5

 

CMYK 75 / 0 / 73 / 11

HEX #3AE43D

RGB 58 228 61

HSL 121.06, 0.76%, 0.56%

LAB 80.02, -72.22, 65.18

 

CMYK 75 / 0 / 53 / 11

HEX #3AE46B

RGB 58 228 107

HSL 137.29, 0.76%, 0.56%

LAB 80.43, -67.3, 46.63

 

CMYK 75 / 0 / 33 / 11

HEX #3AE499

RGB 58 228 153

HSL 153.53, 0.76%, 0.56%

LAB 81.12, -59.42, 24.68

 

CMYK 75 / 0 / 13 / 11

HEX #3AE4C7

RGB 58 228 199

HSL 169.76, 0.76%, 0.56%

LAB 82.11, -48.85, 1.97

 

CMYK 56 / 0 / 75 / 11

HEX #64E43A

RGB 100 228 58

HSL 105.18, 0.76%, 0.56%

LAB 81.02, -64.07, 67.5

 

CMYK 63 / 0 / 84 / 4

HEX #5BF627

RGB 91 246 39

HSL 104.93, 0.92%, 0.56%

LAB 86.15, -73.13, 77.34

 

CMYK 56 / 0 / 75 / 11

HEX #64E43A

RGB 100 228 58

HSL 105.18, 0.76%, 0.56%

LAB 81.02, -64.07, 67.5

 

CMYK 48 / 0 / 64 / 18

HEX #6DD24C

RGB 109 210 76

HSL 105.22, 0.6%, 0.56%

LAB 75.99, -53.59, 55.66

 

CMYK 39 / 0 / 51 / 25

HEX #76C05E

RGB 118 192 94

HSL 105.31, 0.44%, 0.56%

LAB 71.12, -41.47, 41.94

 

CMYK 27 / 0 / 36 / 32

HEX #7FAE70

RGB 127 174 112

HSL 105.48, 0.28%, 0.56%

LAB 66.48, -27.61, 26.93

 

CMYK 12 / 0 / 16 / 39

HEX #899B82

RGB 137 155 130

HSL 103.2, 0.11%, 0.56%

LAB 61.97, -11.24, 10.99

 

CMYK 15 / 0 / 75 / 11

HEX #C2E43A

RGB 194 228 58

HSL 72, 0.76%, 0.56%

LAB 85.64, -32.44, 73.55

 

CMYK 35 / 0 / 75 / 11

HEX #94E43A

RGB 148 228 58

HSL 88.24, 0.76%, 0.56%

LAB 82.96, -49.62, 70.06

 

CMYK 55 / 0 / 75 / 11

HEX #67E43A

RGB 103 228 58

HSL 104.12, 0.76%, 0.56%

LAB 81.11, -63.3, 67.63

 

CMYK 75 / 0 / 75 / 11

HEX #3AE43A

RGB 58 228 58

HSL 120, 0.76%, 0.56%

LAB 80.01, -72.44, 66.17

 

CMYK 75 / 0 / 55 / 11

HEX #3AE467

RGB 58 228 103

HSL 135.88, 0.76%, 0.56%

LAB 80.38, -67.85, 48.43

 

CMYK 65 / 0 / 87 / 30

HEX #3FB318

RGB 63 179 24

HSL 104.9, 0.76%, 0.4%

LAB 64.45, -57.88, 61.2

 

CMYK 65 / 0 / 87 / 16

HEX #4CD71D

RGB 76 215 29

HSL 104.84, 0.76%, 0.48%

LAB 76.21, -66.74, 70.56

 

CMYK 56 / 0 / 75 / 11

HEX #64E43A

RGB 100 228 58

HSL 105.18, 0.76%, 0.56%

LAB 81.02, -64.07, 67.5

 

CMYK 45 / 0 / 60 / 9

HEX #81E95E

RGB 129 233 94

HSL 104.89, 0.76%, 0.64%

LAB 83.84, -54.98, 56.99

 

CMYK 34 / 0 / 45 / 7

HEX #9DEE82

RGB 157 238 130

HSL 105, 0.76%, 0.72%

LAB 86.96, -44.23, 44.47

 

CMYK 56 / 0 / 75 / 11

HEX #64E439

RGB 100 228 57

HSL 104.91, 0.76%, 0.56%

LAB 81.01, -64.13, 67.82

 

CMYK 75 / 0 / 5 / 11

HEX #3AE4D9

RGB 58 228 217

HSL 176.12, 0.76%, 0.56%

LAB 82.59, -44.09, -6.87

 

CMYK 0 / 75 / 25 / 11

HEX #E43AAB

RGB 228 58 171

HSL 320.12, 0.76%, 0.56%

LAB 54.51, 73.43, -22.51

 

CMYK 56 / 0 / 75 / 11

HEX #64E439

RGB 100 228 57

HSL 104.91, 0.76%, 0.56%

LAB 81.01, -64.13, 67.82

 

CMYK 75 / 55 / 0 / 11

HEX #3A67E4

RGB 58 103 228

HSL 224.12, 0.76%, 0.56%

LAB 47.24, 27.76, -67.94

 

CMYK 0 / 75 / 55 / 11

HEX #E43A67

RGB 228 58 103

HSL 344.12, 0.76%, 0.56%

LAB 52.4, 66.8, 14.88

 

CMYK 56 / 0 / 75 / 11

HEX #64E439

RGB 100 228 57

HSL 104.91, 0.76%, 0.56%

LAB 81.01, -64.13, 67.82

 

CMYK 75 / 0 / 5 / 11

HEX #3AE4D9

RGB 58 228 217

HSL 176.12, 0.76%, 0.56%

LAB 82.59, -44.09, -6.87

 

CMYK 20 / 75 / 0 / 11

HEX #B73AE4

RGB 183 58 228

HSL 284.12, 0.76%, 0.56%

LAB 50.33, 72.64, -62.4

 

CMYK 0 / 75 / 70 / 11

HEX #E43A45

RGB 228 58 69

HSL 356.12, 0.76%, 0.56%

LAB 51.78, 64.79, 34.31

 

CMYK 56 / 0 / 75 / 11

HEX #64E439

RGB 100 228 57

HSL 104.91, 0.76%, 0.56%

LAB 81.01, -64.13, 67.82

 

CMYK 75 / 18 / 0 / 11

HEX #3ABCE4

RGB 58 188 228

HSL 194.12, 0.76%, 0.56%

LAB 71.19, -21.83, -30

 

CMYK 20 / 75 / 0 / 11

HEX #B73AE4

RGB 183 58 228

HSL 284.12, 0.76%, 0.56%

LAB 50.33, 72.64, -62.4

 

CMYK 0 / 57 / 75 / 11

HEX #E4613A

RGB 228 97 58

HSL 13.76, 0.76%, 0.56%

LAB 57.41, 48.75, 46.67

 

Description

Color code: HEX #64E439 | qconv.com Color code: HEX #64E439 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 228 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 228 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 75 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 75% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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