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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #64DF62 it is the complementary color #9B209D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #64DF62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #64DF62 shade: #69DF5D, #7AF170, #8BFF83, #9CFF96 and #ADFFA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #64DF62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #64DF62 shade: #64DF62, #53CD4F, #42BB3C, #31A929 and #209716

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #64DF62 shade: #64DF62, #86DF62, #A8DF62, #C9DF62 and #DFD362

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #64DF62 shade: #64DF62, #62DF82, #62DFA4, #62DFC5 and #62D7DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #64DF62 shade matches the following richer shades: #64DF62, #56EE53 and #47FD44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #64DF62 shade: #64DF62, #73D072, #82C081, #91B190 and #9FA29F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #64DF62 shade: #A7DF62, #86DF62, #64DF62, #62DF82 and #62DFA3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #64DF62 shade: #2BC629, #43D840, #64DF62, #86E685 and #A8EDA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #64DF62 shade: #64DF62, #62C8DF and #DF6296

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #64DF62 shade: #64DF62, #6264DF and #DF6264

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #64DF62 shade: #64DF62, #62C8DF, #DD62DF and #DF7962

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #64DF62 shade: #64DF62, #62A3DF, #DD62DF and #DF9F62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 56 / 13

HEX #64DF62

RGB 100 223 98

HSL 119.04, 0.66%, 0.63%

LAB 79.82, -58.62, 50.3

 

Complementary color

CMYK 1 / 80 / 0 / 38

HEX #9B209D

RGB 155 32 157

HSL 299.04, 0.66%, 0.37%

LAB 38.61, 62.58, -39.98

 

CMYK 53 / 0 / 58 / 13

HEX #69DF5D

RGB 105 223 93

HSL 114.46, 0.67%, 0.62%

LAB 79.94, -57.93, 52.73

 

CMYK 49 / 0 / 54 / 5

HEX #7AF170

RGB 122 241 112

HSL 115.35, 0.82%, 0.69%

LAB 86.12, -58.09, 51.57

 

CMYK 45 / 0 / 49 / 0

HEX #8BFF83

RGB 139 255 131

HSL 116.13, 1%, 0.76%

LAB 91.07, -56.55, 48.94

 

CMYK 39 / 0 / 41 / 0

HEX #9CFF96

RGB 156 255 150

HSL 116.57, 1%, 0.79%

LAB 92.04, -49.09, 41.21

 

CMYK 32 / 0 / 34 / 0

HEX #ADFFA9

RGB 173 255 169

HSL 117.21, 1%, 0.83%

LAB 93.13, -41.11, 33.41

 

CMYK 55 / 0 / 56 / 13

HEX #64DF62

RGB 100 223 98

HSL 119.04, 0.66%, 0.63%

LAB 79.82, -58.62, 50.3

 

CMYK 60 / 0 / 61 / 20

HEX #53CD4F

RGB 83 205 79

HSL 118.1, 0.56%, 0.56%

LAB 73.59, -58.25, 51.46

 

CMYK 65 / 0 / 68 / 27

HEX #42BB3C

RGB 66 187 60

HSL 117.17, 0.51%, 0.48%

LAB 67.3, -57.57, 52.42

 

CMYK 71 / 0 / 76 / 34

HEX #31A929

RGB 49 169 41

HSL 116.25, 0.61%, 0.41%

LAB 60.95, -56.43, 52.95

 

CMYK 79 / 0 / 85 / 41

HEX #209716

RGB 32 151 22

HSL 115.35, 0.75%, 0.34%

LAB 54.55, -54.62, 52.6

 

CMYK 55 / 0 / 56 / 13

HEX #64DF62

RGB 100 223 98

HSL 119.04, 0.66%, 0.63%

LAB 79.82, -58.62, 50.3

 

CMYK 40 / 0 / 56 / 13

HEX #86DF62

RGB 134 223 98

HSL 102.72, 0.66%, 0.63%

LAB 81.14, -49, 52.18

 

CMYK 25 / 0 / 56 / 13

HEX #A8DF62

RGB 168 223 98

HSL 86.4, 0.66%, 0.63%

LAB 82.9, -37.36, 54.68

 

CMYK 10 / 0 / 56 / 13

HEX #C9DF62

RGB 201 223 98

HSL 70.56, 0.66%, 0.63%

LAB 85.03, -24.78, 57.68

 

CMYK 0 / 5 / 56 / 13

HEX #DFD362

RGB 223 211 98

HSL 54.24, 0.66%, 0.63%

LAB 83.53, -10, 56.41

 

CMYK 55 / 0 / 56 / 13

HEX #64DF62

RGB 100 223 98

HSL 119.04, 0.66%, 0.63%

LAB 79.82, -58.62, 50.3

 

CMYK 56 / 0 / 42 / 13

HEX #62DF82

RGB 98 223 130

HSL 135.36, 0.66%, 0.63%

LAB 80.17, -54.6, 35.31

 

CMYK 56 / 0 / 26 / 13

HEX #62DFA4

RGB 98 223 164

HSL 151.68, 0.66%, 0.63%

LAB 80.77, -48.36, 18.62

 

CMYK 56 / 0 / 12 / 13

HEX #62DFC5

RGB 98 223 197

HSL 167.52, 0.66%, 0.63%

LAB 81.51, -40.98, 2.26

 

CMYK 56 / 4 / 0 / 13

HEX #62D7DF

RGB 98 215 223

HSL 183.84, 0.66%, 0.63%

LAB 79.91, -30.6, -13.95

 

CMYK 55 / 0 / 56 / 13

HEX #64DF62

RGB 100 223 98

HSL 119.04, 0.66%, 0.63%

LAB 79.82, -58.62, 50.3

 

CMYK 64 / 0 / 65 / 7

HEX #56EE53

RGB 86 238 83

HSL 118.84, 0.82%, 0.63%

LAB 83.84, -68.65, 61.17

 

CMYK 72 / 0 / 73 / 1

HEX #47FD44

RGB 71 253 68

HSL 119.03, 0.98%, 0.63%

LAB 87.97, -77.35, 70.89

 

CMYK 55 / 0 / 56 / 13

HEX #64DF62

RGB 100 223 98

HSL 119.04, 0.66%, 0.63%

LAB 79.82, -58.62, 50.3

 

CMYK 45 / 0 / 45 / 18

HEX #73D072

RGB 115 208 114

HSL 119.36, 0.5%, 0.63%

LAB 76.05, -46.55, 38.16

 

CMYK 32 / 0 / 33 / 25

HEX #82C081

RGB 130 192 129

HSL 119.05, 0.33%, 0.63%

LAB 72.25, -32.48, 25.61

 

CMYK 18 / 0 / 19 / 31

HEX #91B190

RGB 145 177 144

HSL 118.18, 0.17%, 0.63%

LAB 69.1, -17.39, 13.34

 

CMYK 2 / 0 / 2 / 36

HEX #9FA29F

RGB 159 162 159

HSL 120, 0.02%, 0.63%

LAB 66.3, -1.64, 1.17

 

CMYK 25 / 0 / 56 / 13

HEX #A7DF62

RGB 167 223 98

HSL 86.88, 0.66%, 0.63%

LAB 82.85, -37.73, 54.59

 

CMYK 40 / 0 / 56 / 13

HEX #86DF62

RGB 134 223 98

HSL 102.72, 0.66%, 0.63%

LAB 81.14, -49, 52.18

 

CMYK 55 / 0 / 56 / 13

HEX #64DF62

RGB 100 223 98

HSL 119.04, 0.66%, 0.63%

LAB 79.82, -58.62, 50.3

 

CMYK 56 / 0 / 42 / 13

HEX #62DF82

RGB 98 223 130

HSL 135.36, 0.66%, 0.63%

LAB 80.17, -54.6, 35.31

 

CMYK 56 / 0 / 27 / 13

HEX #62DFA3

RGB 98 223 163

HSL 151.2, 0.66%, 0.63%

LAB 80.75, -48.56, 19.12

 

CMYK 78 / 0 / 79 / 22

HEX #2BC629

RGB 43 198 41

HSL 119.24, 0.66%, 0.47%

LAB 70.22, -66.56, 61.9

 

CMYK 69 / 0 / 70 / 15

HEX #43D840

RGB 67 216 64

HSL 118.82, 0.66%, 0.55%

LAB 76.48, -66.75, 60.55

 

CMYK 55 / 0 / 56 / 13

HEX #64DF62

RGB 100 223 98

HSL 119.04, 0.66%, 0.63%

LAB 79.82, -58.62, 50.3

 

CMYK 42 / 0 / 42 / 10

HEX #86E685

RGB 134 230 133

HSL 119.38, 0.66%, 0.71%

LAB 83.63, -47.51, 38.54

 

CMYK 29 / 0 / 30 / 7

HEX #A8EDA7

RGB 168 237 167

HSL 119.14, 0.66%, 0.79%

LAB 87.82, -34.89, 27.22

 

CMYK 55 / 0 / 56 / 13

HEX #64DF62

RGB 100 223 98

HSL 119.04, 0.66%, 0.63%

LAB 79.82, -58.62, 50.3

 

CMYK 56 / 10 / 0 / 13

HEX #62C8DF

RGB 98 200 223

HSL 191.04, 0.66%, 0.63%

LAB 75.6, -23.23, -20.46

 

CMYK 0 / 56 / 33 / 13

HEX #DF6296

RGB 223 98 150

HSL 335.04, 0.66%, 0.63%

LAB 58.63, 53.98, -4.12

 

CMYK 55 / 0 / 56 / 13

HEX #64DF62

RGB 100 223 98

HSL 119.04, 0.66%, 0.63%

LAB 79.82, -58.62, 50.3

 

CMYK 56 / 55 / 0 / 13

HEX #6264DF

RGB 98 100 223

HSL 239.04, 0.66%, 0.63%

LAB 48.31, 33.99, -63.28

 

CMYK 0 / 56 / 55 / 13

HEX #DF6264

RGB 223 98 100

HSL 359.04, 0.66%, 0.63%

LAB 57.41, 48.99, 23.29

 

CMYK 55 / 0 / 56 / 13

HEX #64DF62

RGB 100 223 98

HSL 119.04, 0.66%, 0.63%

LAB 79.82, -58.62, 50.3

 

CMYK 56 / 10 / 0 / 13

HEX #62C8DF

RGB 98 200 223

HSL 191.04, 0.66%, 0.63%

LAB 75.6, -23.23, -20.46

 

CMYK 1 / 56 / 0 / 13

HEX #DD62DF

RGB 221 98 223

HSL 299.04, 0.66%, 0.63%

LAB 61.16, 64.2, -42

 

CMYK 0 / 46 / 56 / 13

HEX #DF7962

RGB 223 121 98

HSL 11.04, 0.66%, 0.63%

LAB 61.86, 37.42, 30.24

 

CMYK 55 / 0 / 56 / 13

HEX #64DF62

RGB 100 223 98

HSL 119.04, 0.66%, 0.63%

LAB 79.82, -58.62, 50.3

 

CMYK 56 / 27 / 0 / 13

HEX #62A3DF

RGB 98 163 223

HSL 208.8, 0.66%, 0.63%

LAB 65.06, -3.54, -36.67

 

CMYK 1 / 56 / 0 / 13

HEX #DD62DF

RGB 221 98 223

HSL 299.04, 0.66%, 0.63%

LAB 61.16, 64.2, -42

 

CMYK 0 / 29 / 56 / 13

HEX #DF9F62

RGB 223 159 98

HSL 29.28, 0.66%, 0.63%

LAB 70.43, 17.25, 40.98

 

Description

Color code: HEX #64DF62 | qconv.com Color code: HEX #64DF62 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 223 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 223 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 56 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 56% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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