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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #64DC20 it is the complementary color #9B23DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #64DC20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #64DC20 shade: #69DC1B, #7AEE2E, #8BFF41, #9CFF54 and #ADFF67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #64DC20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #64DC20 shade: #64DC20, #53CA0D, #42B800, #31A600 and #209400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #64DC20 shade: #63DB1F, #96DB1F, #C8DB1F, #DBBB1F and #DB881F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #64DC20 shade: #63DB1F, #30DB1F, #1FDB41, #1FDB73 and #1FDBA6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #64DC20 shade matches the following richer shades: #63DB1F and #5DEF0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #64DC20 shade: #63DB1F, #69C633, #6EB248, #749E5C and #798A70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #64DC20 shade: #C8DB1F, #96DB1F, #64DB1F, #32DB1F and #1FDB3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #64DC20 shade: #429215, #53B71A, #63DB1F, #7BE440 and #94E964

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #64DC20 shade: #64DC20, #1FDBBB and #DB1FAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #64DC20 shade: #64DC20, #1F64DB and #DB1F64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #64DC20 shade: #64DC20, #1FDBBB, #961FDB and #DB1F3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #64DC20 shade: #64DC20, #1FC2DB, #961FDB and #DB381F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 85 / 14

HEX #64DC20

RGB 100 220 32

HSL 98.3, 0.75%, 0.49%

LAB 78.46, -62.58, 72.18

 

Complementary color

CMYK 30 / 84 / 0 / 13

HEX #9B23DF

RGB 155 35 223

HSL 278.3, 0.75%, 0.51%

LAB 43.5, 73.97, -70.81

 

CMYK 52 / 0 / 88 / 14

HEX #69DC1B

RGB 105 220 27

HSL 95.75, 0.78%, 0.48%

LAB 78.62, -61.4, 73.37

 

CMYK 49 / 0 / 81 / 7

HEX #7AEE2E

RGB 122 238 46

HSL 96.25, 0.85%, 0.56%

LAB 84.73, -62.35, 74.78

 

CMYK 45 / 0 / 75 / 0

HEX #8BFF41

RGB 139 255 65

HSL 96.63, 1%, 0.63%

LAB 90.5, -62.66, 75

 

CMYK 39 / 0 / 67 / 0

HEX #9CFF54

RGB 156 255 84

HSL 94.74, 1%, 0.66%

LAB 91.34, -56.17, 69.53

 

CMYK 32 / 0 / 60 / 0

HEX #ADFF67

RGB 173 255 103

HSL 92.37, 1%, 0.7%

LAB 92.3, -49.05, 63.26

 

CMYK 55 / 0 / 85 / 14

HEX #64DC20

RGB 100 220 32

HSL 98.3, 0.75%, 0.49%

LAB 78.46, -62.58, 72.18

 

CMYK 59 / 0 / 94 / 21

HEX #53CA0D

RGB 83 202 13

HSL 97.78, 0.88%, 0.42%

LAB 72.3, -61.28, 69.93

 

CMYK 64 / 0 / 100 / 28

HEX #42B800

RGB 66 184 0

HSL 98.48, 1%, 0.36%

LAB 66.09, -59.51, 66.2

 

CMYK 70 / 0 / 100 / 35

HEX #31A600

RGB 49 166 0

HSL 102.29, 1%, 0.33%

LAB 59.82, -57.2, 61.05

 

CMYK 78 / 0 / 100 / 42

HEX #209400

RGB 32 148 0

HSL 107.03, 1%, 0.29%

LAB 53.48, -54.45, 55.85

 

CMYK 55 / 0 / 86 / 14

HEX #63DB1F

RGB 99 219 31

HSL 98.3, 0.75%, 0.49%

LAB 78.12, -62.54, 72.08

 

CMYK 32 / 0 / 86 / 14

HEX #96DB1F

RGB 150 219 31

HSL 82.02, 0.75%, 0.49%

LAB 80.32, -46.32, 74.83

 

CMYK 9 / 0 / 86 / 14

HEX #C8DB1F

RGB 200 219 31

HSL 66.06, 0.75%, 0.49%

LAB 83.46, -26.72, 78.74

 

CMYK 0 / 15 / 86 / 14

HEX #DBBB1F

RGB 219 187 31

HSL 49.79, 0.75%, 0.49%

LAB 76.5, -2.66, 73.69

 

CMYK 0 / 38 / 86 / 14

HEX #DB881F

RGB 219 136 31

HSL 33.51, 0.75%, 0.49%

LAB 63.97, 24.49, 63.49

 

CMYK 55 / 0 / 86 / 14

HEX #63DB1F

RGB 99 219 31

HSL 98.3, 0.75%, 0.49%

LAB 78.12, -62.54, 72.08

 

CMYK 78 / 0 / 86 / 14

HEX #30DB1F

RGB 48 219 31

HSL 114.57, 0.75%, 0.49%

LAB 76.91, -72.63, 70.56

 

CMYK 86 / 0 / 70 / 14

HEX #1FDB41

RGB 31 219 65

HSL 130.85, 0.75%, 0.49%

LAB 76.88, -72.28, 60.43

 

CMYK 86 / 0 / 47 / 14

HEX #1FDB73

RGB 31 219 115

HSL 146.81, 0.75%, 0.49%

LAB 77.4, -65.99, 38.94

 

CMYK 86 / 0 / 24 / 14

HEX #1FDBA6

RGB 31 219 166

HSL 163.09, 0.75%, 0.49%

LAB 78.29, -55.79, 13.91

 

CMYK 55 / 0 / 86 / 14

HEX #63DB1F

RGB 99 219 31

HSL 98.3, 0.75%, 0.49%

LAB 78.12, -62.54, 72.08

 

CMYK 61 / 0 / 95 / 6

HEX #5DEF0B

RGB 93 239 11

HSL 98.42, 0.91%, 0.49%

LAB 84.01, -71.19, 79.8

 

CMYK 55 / 0 / 86 / 14

HEX #63DB1F

RGB 99 219 31

HSL 98.3, 0.75%, 0.49%

LAB 78.12, -62.54, 72.08

 

CMYK 47 / 0 / 74 / 22

HEX #69C633

RGB 105 198 51

HSL 97.96, 0.59%, 0.49%

LAB 71.98, -52.1, 61

 

CMYK 38 / 0 / 60 / 30

HEX #6EB248

RGB 110 178 72

HSL 98.49, 0.42%, 0.49%

LAB 66.23, -40.53, 46.51

 

CMYK 27 / 0 / 42 / 38

HEX #749E5C

RGB 116 158 92

HSL 98.18, 0.26%, 0.49%

LAB 60.73, -26.73, 29.96

 

CMYK 12 / 0 / 19 / 46

HEX #798A70

RGB 121 138 112

HSL 99.23, 0.1%, 0.49%

LAB 55.49, -11.27, 11.9

 

CMYK 9 / 0 / 86 / 14

HEX #C8DB1F

RGB 200 219 31

HSL 66.06, 0.75%, 0.49%

LAB 83.46, -26.72, 78.74

 

CMYK 32 / 0 / 86 / 14

HEX #96DB1F

RGB 150 219 31

HSL 82.02, 0.75%, 0.49%

LAB 80.32, -46.32, 74.83

 

CMYK 54 / 0 / 86 / 14

HEX #64DB1F

RGB 100 219 31

HSL 97.98, 0.75%, 0.49%

LAB 78.15, -62.27, 72.12

 

CMYK 77 / 0 / 86 / 14

HEX #32DB1F

RGB 50 219 31

HSL 113.94, 0.75%, 0.49%

LAB 76.94, -72.37, 70.6

 

CMYK 86 / 0 / 72 / 14

HEX #1FDB3E

RGB 31 219 62

HSL 129.89, 0.75%, 0.49%

LAB 76.86, -72.53, 61.5

 

CMYK 55 / 0 / 86 / 43

HEX #429215

RGB 66 146 21

HSL 98.4, 0.75%, 0.33%

LAB 53.78, -45.43, 52.5

 

CMYK 55 / 0 / 86 / 28

HEX #53B71A

RGB 83 183 26

HSL 98.22, 0.75%, 0.41%

LAB 66.35, -54.2, 62.66

 

CMYK 55 / 0 / 86 / 14

HEX #63DB1F

RGB 99 219 31

HSL 98.3, 0.75%, 0.49%

LAB 78.12, -62.54, 72.08

 

CMYK 46 / 0 / 72 / 11

HEX #7BE440

RGB 123 228 64

HSL 98.41, 0.75%, 0.57%

LAB 81.88, -57.33, 66.61

 

CMYK 36 / 0 / 57 / 9

HEX #94E964

RGB 148 233 100

HSL 98.35, 0.75%, 0.65%

LAB 84.74, -48.45, 55.62

 

CMYK 55 / 0 / 85 / 14

HEX #64DC20

RGB 100 220 32

HSL 98.3, 0.75%, 0.49%

LAB 78.46, -62.58, 72.18

 

CMYK 86 / 0 / 15 / 14

HEX #1FDBBB

RGB 31 219 187

HSL 169.79, 0.75%, 0.49%

LAB 78.78, -50.6, 3.45

 

CMYK 0 / 86 / 20 / 14

HEX #DB1FAF

RGB 219 31 175

HSL 314.04, 0.75%, 0.49%

LAB 50.84, 78.4, -30.66

 

CMYK 55 / 0 / 85 / 14

HEX #64DC20

RGB 100 220 32

HSL 98.3, 0.75%, 0.49%

LAB 78.46, -62.58, 72.18

 

CMYK 86 / 54 / 0 / 14

HEX #1F64DB

RGB 31 100 219

HSL 217.98, 0.75%, 0.49%

LAB 44.97, 23.84, -66.57

 

CMYK 0 / 86 / 54 / 14

HEX #DB1F64

RGB 219 31 100

HSL 337.98, 0.75%, 0.49%

LAB 48.21, 71.08, 10.63

 

CMYK 55 / 0 / 85 / 14

HEX #64DC20

RGB 100 220 32

HSL 98.3, 0.75%, 0.49%

LAB 78.46, -62.58, 72.18

 

CMYK 86 / 0 / 15 / 14

HEX #1FDBBB

RGB 31 219 187

HSL 169.79, 0.75%, 0.49%

LAB 78.78, -50.6, 3.45

 

CMYK 32 / 86 / 0 / 14

HEX #961FDB

RGB 150 31 219

HSL 277.98, 0.75%, 0.49%

LAB 42.12, 73.44, -70.81

 

CMYK 0 / 86 / 72 / 14

HEX #DB1F3E

RGB 219 31 62

HSL 350.11, 0.75%, 0.49%

LAB 47.48, 68.97, 32.88

 

CMYK 55 / 0 / 85 / 14

HEX #64DC20

RGB 100 220 32

HSL 98.3, 0.75%, 0.49%

LAB 78.46, -62.58, 72.18

 

CMYK 86 / 11 / 0 / 14

HEX #1FC2DB

RGB 31 194 219

HSL 187.98, 0.75%, 0.49%

LAB 72.22, -30.11, -23.57

 

CMYK 32 / 86 / 0 / 14

HEX #961FDB

RGB 150 31 219

HSL 277.98, 0.75%, 0.49%

LAB 42.12, 73.44, -70.81

 

CMYK 0 / 74 / 86 / 14

HEX #DB381F

RGB 219 56 31

HSL 7.98, 0.75%, 0.49%

LAB 49.48, 61.47, 51.56

 

Description

Color code: HEX #64DC20 | qconv.com Color code: HEX #64DC20 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 220 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 220 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 85 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 85% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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