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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #64D767 it is the complementary color #9B2898. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #64D767. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #64D767 shade: #69D762, #7AE975, #8BFB88, #9CFF9B and #ADFFAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #64D767. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #64D767 shade: #64D767, #53C554, #42B341, #31A12E and #208F1B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #64D767 shade: #65D768, #81D765, #A0D765, #BED765 and #D7D165

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #64D767 shade: #65D768, #65D787, #65D7A6, #65D7C4 and #65CBD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #64D767 shade matches the following richer shades: #65D768, #55E759 and #46F74A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #64D767 shade: #65D768, #75C877, #84B886, #94A894 and #A499A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #64D767 shade: #A0D765, #82D765, #65D767, #65D785 and #65D7A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #64D767 shade: #30BA34, #44CF48, #65D768, #86E088 and #A7E8A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #64D767 shade: #64D767, #65BED7 and #D76591

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #64D767 shade: #64D767, #6765D7 and #D76765

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #64D767 shade: #64D767, #65BED7, #D765D5 and #D77E65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #64D767 shade: #64D767, #659CD7, #D765D5 and #D7A065

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 52 / 16

HEX #64D767

RGB 100 215 103

HSL 121.57, 0.59%, 0.62%

LAB 77.45, -54.97, 45.14

 

Complementary color

CMYK 0 / 74 / 2 / 39

HEX #9B2898

RGB 155 40 152

HSL 301.57, 0.59%, 0.38%

LAB 39.16, 59.35, -36.08

 

CMYK 51 / 0 / 54 / 16

HEX #69D762

RGB 105 215 98

HSL 116.41, 0.59%, 0.61%

LAB 77.57, -54.29, 47.67

 

CMYK 48 / 0 / 50 / 9

HEX #7AE975

RGB 122 233 117

HSL 117.41, 0.73%, 0.69%

LAB 83.81, -54.35, 46.44

 

CMYK 45 / 0 / 46 / 2

HEX #8BFB88

RGB 139 251 136

HSL 118.43, 0.93%, 0.76%

LAB 89.98, -54.29, 45.2

 

CMYK 39 / 0 / 39 / 0

HEX #9CFF9B

RGB 156 255 155

HSL 119.4, 1%, 0.8%

LAB 92.11, -48.37, 38.85

 

CMYK 32 / 0 / 32 / 0

HEX #ADFFAE

RGB 173 255 174

HSL 120.73, 1%, 0.84%

LAB 93.22, -40.33, 31.02

 

CMYK 53 / 0 / 52 / 16

HEX #64D767

RGB 100 215 103

HSL 121.57, 0.59%, 0.62%

LAB 77.45, -54.97, 45.14

 

CMYK 58 / 0 / 57 / 23

HEX #53C554

RGB 83 197 84

HSL 120.53, 0.5%, 0.55%

LAB 71.15, -54.73, 46.4

 

CMYK 63 / 0 / 64 / 30

HEX #42B341

RGB 66 179 65

HSL 119.47, 0.47%, 0.48%

LAB 64.79, -54.23, 47.57

 

CMYK 70 / 0 / 71 / 37

HEX #31A12E

RGB 49 161 46

HSL 118.43, 0.56%, 0.41%

LAB 58.36, -53.32, 48.45

 

CMYK 78 / 0 / 81 / 44

HEX #208F1B

RGB 32 143 27

HSL 117.41, 0.68%, 0.33%

LAB 51.87, -51.76, 48.68

 

CMYK 53 / 0 / 52 / 16

HEX #65D768

RGB 101 215 104

HSL 121.58, 0.59%, 0.62%

LAB 77.5, -54.58, 44.73

 

CMYK 40 / 0 / 53 / 16

HEX #81D765

RGB 129 215 101

HSL 105.26, 0.59%, 0.62%

LAB 78.58, -46.92, 47.72

 

CMYK 26 / 0 / 53 / 16

HEX #A0D765

RGB 160 215 101

HSL 88.95, 0.59%, 0.62%

LAB 80.19, -36.36, 50.02

 

CMYK 12 / 0 / 53 / 16

HEX #BED765

RGB 190 215 101

HSL 73.16, 0.59%, 0.62%

LAB 82.1, -25, 52.74

 

CMYK 0 / 3 / 53 / 16

HEX #D7D165

RGB 215 209 101

HSL 56.84, 0.59%, 0.62%

LAB 82.37, -12.02, 53.54

 

CMYK 53 / 0 / 52 / 16

HEX #65D768

RGB 101 215 104

HSL 121.58, 0.59%, 0.62%

LAB 77.5, -54.58, 44.73

 

CMYK 53 / 0 / 37 / 16

HEX #65D787

RGB 101 215 135

HSL 137.89, 0.59%, 0.62%

LAB 77.94, -49.85, 29.86

 

CMYK 53 / 0 / 23 / 16

HEX #65D7A6

RGB 101 215 166

HSL 154.21, 0.59%, 0.62%

LAB 78.53, -43.87, 14.46

 

CMYK 53 / 0 / 9 / 16

HEX #65D7C4

RGB 101 215 196

HSL 170, 0.59%, 0.62%

LAB 79.24, -37, -0.5

 

CMYK 53 / 6 / 0 / 16

HEX #65CBD7

RGB 101 203 215

HSL 186.32, 0.59%, 0.62%

LAB 76.3, -26.36, -15.06

 

CMYK 53 / 0 / 52 / 16

HEX #65D768

RGB 101 215 104

HSL 121.58, 0.59%, 0.62%

LAB 77.5, -54.58, 44.73

 

CMYK 63 / 0 / 61 / 9

HEX #55E759

RGB 85 231 89

HSL 121.64, 0.75%, 0.62%

LAB 81.73, -65.89, 56.36

 

CMYK 72 / 0 / 70 / 3

HEX #46F74A

RGB 70 247 74

HSL 121.36, 0.92%, 0.62%

LAB 86.17, -75.21, 66.97

 

CMYK 53 / 0 / 52 / 16

HEX #65D768

RGB 101 215 104

HSL 121.58, 0.59%, 0.62%

LAB 77.5, -54.58, 44.73

 

CMYK 42 / 0 / 41 / 22

HEX #75C877

RGB 117 200 119

HSL 121.45, 0.43%, 0.62%

LAB 73.82, -41.8, 32.78

 

CMYK 28 / 0 / 27 / 28

HEX #84B886

RGB 132 184 134

HSL 122.31, 0.27%, 0.62%

LAB 70.11, -27.15, 20.06

 

CMYK 12 / 0 / 12 / 34

HEX #94A894

RGB 148 168 148

HSL 120, 0.1%, 0.62%

LAB 66.85, -10.89, 7.99

 

CMYK 0 / 7 / 1 / 36

HEX #A499A3

RGB 164 153 163

HSL 305.45, 0.06%, 0.62%

LAB 64.42, 5.89, -3.78

 

CMYK 26 / 0 / 53 / 16

HEX #A0D765

RGB 160 215 101

HSL 88.95, 0.59%, 0.62%

LAB 80.19, -36.36, 50.02

 

CMYK 40 / 0 / 53 / 16

HEX #82D765

RGB 130 215 101

HSL 104.74, 0.59%, 0.62%

LAB 78.63, -46.6, 47.78

 

CMYK 53 / 0 / 52 / 16

HEX #65D767

RGB 101 215 103

HSL 121.05, 0.59%, 0.62%

LAB 77.49, -54.71, 45.19

 

CMYK 53 / 0 / 38 / 16

HEX #65D785

RGB 101 215 133

HSL 136.84, 0.59%, 0.62%

LAB 77.91, -50.2, 30.85

 

CMYK 53 / 0 / 24 / 16

HEX #65D7A4

RGB 101 215 164

HSL 153.16, 0.59%, 0.62%

LAB 78.49, -44.29, 15.46

 

CMYK 74 / 0 / 72 / 27

HEX #30BA34

RGB 48 186 52

HSL 121.74, 0.59%, 0.46%

LAB 66.52, -61.29, 54.59

 

CMYK 67 / 0 / 65 / 19

HEX #44CF48

RGB 68 207 72

HSL 121.73, 0.59%, 0.54%

LAB 73.75, -62.85, 54.51

 

CMYK 53 / 0 / 52 / 16

HEX #65D768

RGB 101 215 104

HSL 121.58, 0.59%, 0.62%

LAB 77.5, -54.58, 44.73

 

CMYK 40 / 0 / 39 / 12

HEX #86E088

RGB 134 224 136

HSL 121.33, 0.59%, 0.7%

LAB 81.92, -44.5, 34.84

 

CMYK 28 / 0 / 28 / 9

HEX #A7E8A8

RGB 167 232 168

HSL 120.92, 0.59%, 0.78%

LAB 86.38, -32.73, 24.75

 

CMYK 53 / 0 / 52 / 16

HEX #64D767

RGB 100 215 103

HSL 121.57, 0.59%, 0.62%

LAB 77.45, -54.97, 45.14

 

CMYK 53 / 12 / 0 / 16

HEX #65BED7

RGB 101 190 215

HSL 193.16, 0.59%, 0.62%

LAB 72.56, -19.81, -20.72

 

CMYK 0 / 53 / 33 / 16

HEX #D76591

RGB 215 101 145

HSL 336.84, 0.59%, 0.62%

LAB 57.85, 49.36, -2.5

 

CMYK 53 / 0 / 52 / 16

HEX #64D767

RGB 100 215 103

HSL 121.57, 0.59%, 0.62%

LAB 77.45, -54.97, 45.14

 

CMYK 52 / 53 / 0 / 16

HEX #6765D7

RGB 103 101 215

HSL 241.05, 0.59%, 0.62%

LAB 48.38, 31.85, -58.6

 

CMYK 0 / 52 / 53 / 16

HEX #D76765

RGB 215 103 101

HSL 1.05, 0.59%, 0.62%

LAB 57.16, 43.8, 22.17

 

CMYK 53 / 0 / 52 / 16

HEX #64D767

RGB 100 215 103

HSL 121.57, 0.59%, 0.62%

LAB 77.45, -54.97, 45.14

 

CMYK 53 / 12 / 0 / 16

HEX #65BED7

RGB 101 190 215

HSL 193.16, 0.59%, 0.62%

LAB 72.56, -19.81, -20.72

 

CMYK 0 / 53 / 1 / 16

HEX #D765D5

RGB 215 101 213

HSL 301.05, 0.59%, 0.62%

LAB 60.39, 59.53, -37.65

 

CMYK 0 / 41 / 53 / 16

HEX #D77E65

RGB 215 126 101

HSL 13.16, 0.59%, 0.62%

LAB 61.92, 31.95, 28.44

 

CMYK 53 / 0 / 52 / 16

HEX #64D767

RGB 100 215 103

HSL 121.57, 0.59%, 0.62%

LAB 77.45, -54.97, 45.14

 

CMYK 53 / 27 / 0 / 16

HEX #659CD7

RGB 101 156 215

HSL 211.05, 0.59%, 0.62%

LAB 62.89, -1.41, -35.62

 

CMYK 0 / 53 / 1 / 16

HEX #D765D5

RGB 215 101 213

HSL 301.05, 0.59%, 0.62%

LAB 60.39, 59.53, -37.65

 

CMYK 0 / 26 / 53 / 16

HEX #D7A065

RGB 215 160 101

HSL 31.05, 0.59%, 0.62%

LAB 69.84, 13.65, 38.5

 

Description

Color code: HEX #64D767 | qconv.com Color code: HEX #64D767 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 215 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 215 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 52 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 52% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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