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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #64D759 it is the complementary color #9B28A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #64D759. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #64D759 shade: #69D754, #7AE967, #8BFB7A, #9CFF8D and #ADFFA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #64D759. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #64D759 shade: #64D759, #53C546, #42B333, #31A120 and #208F0D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #64D759 shade: #66D75B, #87D75B, #A9D75B, #CAD75B and #D7C35B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #64D759 shade: #66D75B, #5BD771, #5BD793, #5BD7B5 and #5BD7D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #64D759 shade matches the following richer shades: #66D75B, #58E84A and #4AF83A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #64D759 shade: #66D75B, #73C76B, #81B67C, #8FA68C and #9C959D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #64D759 shade: #AAD75B, #88D75B, #67D75B, #5BD770 and #5BD791

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #64D759 shade: #37B42C, #47CF3A, #66D75B, #85DF7C and #A4E79D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #64D759 shade: #64D759, #5BCBD7 and #D75B99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #64D759 shade: #64D759, #5B67D7 and #D75B67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #64D759 shade: #64D759, #5BCBD7, #CB5BD7 and #D7675B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #64D759 shade: #64D759, #5BA5D7, #CB5BD7 and #D78D5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 59 / 16

HEX #64D759

RGB 100 215 89

HSL 114.76, 0.61%, 0.6%

LAB 77.3, -56.66, 51.42

 

Complementary color

CMYK 7 / 76 / 0 / 35

HEX #9B28A6

RGB 155 40 166

HSL 294.76, 0.61%, 0.4%

LAB 39.98, 61.74, -43.21

 

CMYK 51 / 0 / 61 / 16

HEX #69D754

RGB 105 215 84

HSL 110.38, 0.62%, 0.59%

LAB 77.43, -55.86, 53.81

 

CMYK 48 / 0 / 56 / 9

HEX #7AE967

RGB 122 233 103

HSL 111.23, 0.75%, 0.66%

LAB 83.65, -56.04, 52.73

 

CMYK 45 / 0 / 51 / 2

HEX #8BFB7A

RGB 139 251 122

HSL 112.09, 0.94%, 0.73%

LAB 89.81, -56.08, 51.57

 

CMYK 39 / 0 / 45 / 0

HEX #9CFF8D

RGB 156 255 141

HSL 112.11, 1%, 0.78%

LAB 91.91, -50.32, 45.4

 

CMYK 32 / 0 / 37 / 0

HEX #ADFFA0

RGB 173 255 160

HSL 111.79, 1%, 0.81%

LAB 92.99, -42.44, 37.69

 

CMYK 53 / 0 / 59 / 16

HEX #64D759

RGB 100 215 89

HSL 114.76, 0.61%, 0.6%

LAB 77.3, -56.66, 51.42

 

CMYK 58 / 0 / 64 / 23

HEX #53C546

RGB 83 197 70

HSL 113.86, 0.52%, 0.52%

LAB 71.02, -56.27, 52.46

 

CMYK 63 / 0 / 72 / 30

HEX #42B333

RGB 66 179 51

HSL 112.97, 0.56%, 0.45%

LAB 64.67, -55.56, 53.2

 

CMYK 70 / 0 / 80 / 37

HEX #31A120

RGB 49 161 32

HSL 112.09, 0.67%, 0.38%

LAB 58.27, -54.37, 53.32

 

CMYK 78 / 0 / 91 / 44

HEX #208F0D

RGB 32 143 13

HSL 111.23, 0.83%, 0.31%

LAB 51.82, -52.47, 52.23

 

CMYK 53 / 0 / 58 / 16

HEX #66D75B

RGB 102 215 91

HSL 114.68, 0.61%, 0.6%

LAB 77.39, -55.91, 50.64

 

CMYK 37 / 0 / 58 / 16

HEX #87D75B

RGB 135 215 91

HSL 98.71, 0.61%, 0.6%

LAB 78.76, -46.07, 52.58

 

CMYK 21 / 0 / 58 / 16

HEX #A9D75B

RGB 169 215 91

HSL 82.26, 0.61%, 0.6%

LAB 80.62, -33.98, 55.2

 

CMYK 6 / 0 / 58 / 16

HEX #CAD75B

RGB 202 215 91

HSL 66.29, 0.61%, 0.6%

LAB 82.87, -21.06, 58.34

 

CMYK 0 / 9 / 58 / 16

HEX #D7C35B

RGB 215 195 91

HSL 50.32, 0.61%, 0.6%

LAB 78.6, -5.66, 53.82

 

CMYK 53 / 0 / 58 / 16

HEX #66D75B

RGB 102 215 91

HSL 114.68, 0.61%, 0.6%

LAB 77.39, -55.91, 50.64

 

CMYK 58 / 0 / 47 / 16

HEX #5BD771

RGB 91 215 113

HSL 130.65, 0.61%, 0.6%

LAB 77.29, -55.75, 40.04

 

CMYK 58 / 0 / 32 / 16

HEX #5BD793

RGB 91 215 147

HSL 147.1, 0.61%, 0.6%

LAB 77.83, -49.94, 23.44

 

CMYK 58 / 0 / 16 / 16

HEX #5BD7B5

RGB 91 215 181

HSL 163.55, 0.61%, 0.6%

LAB 78.56, -42.63, 6.47

 

CMYK 58 / 0 / 0 / 16

HEX #5BD7D6

RGB 91 215 214

HSL 179.52, 0.61%, 0.6%

LAB 79.43, -34.31, -9.88

 

CMYK 53 / 0 / 58 / 16

HEX #66D75B

RGB 102 215 91

HSL 114.68, 0.61%, 0.6%

LAB 77.39, -55.91, 50.64

 

CMYK 62 / 0 / 68 / 9

HEX #58E84A

RGB 88 232 74

HSL 114.68, 0.77%, 0.6%

LAB 81.99, -67.03, 62.72

 

CMYK 70 / 0 / 77 / 3

HEX #4AF83A

RGB 74 248 58

HSL 114.95, 0.93%, 0.6%

LAB 86.45, -76.01, 72.57

 

CMYK 53 / 0 / 58 / 16

HEX #66D75B

RGB 102 215 91

HSL 114.68, 0.61%, 0.6%

LAB 77.39, -55.91, 50.64

 

CMYK 42 / 0 / 46 / 22

HEX #73C76B

RGB 115 199 107

HSL 114.78, 0.45%, 0.6%

LAB 73.25, -43.73, 38.13

 

CMYK 29 / 0 / 32 / 29

HEX #81B67C

RGB 129 182 124

HSL 114.83, 0.28%, 0.6%

LAB 69.17, -28.88, 24.12

 

CMYK 14 / 0 / 16 / 35

HEX #8FA68C

RGB 143 166 140

HSL 113.08, 0.13%, 0.6%

LAB 65.75, -13.1, 10.81

 

CMYK 1 / 5 / 0 / 38

HEX #9C959D

RGB 156 149 157

HSL 292.5, 0.04%, 0.6%

LAB 62.51, 4.09, -3.29

 

CMYK 21 / 0 / 58 / 16

HEX #AAD75B

RGB 170 215 91

HSL 81.77, 0.61%, 0.6%

LAB 80.68, -33.6, 55.29

 

CMYK 37 / 0 / 58 / 16

HEX #88D75B

RGB 136 215 91

HSL 98.23, 0.61%, 0.6%

LAB 78.8, -45.74, 52.65

 

CMYK 52 / 0 / 58 / 16

HEX #67D75B

RGB 103 215 91

HSL 114.19, 0.61%, 0.6%

LAB 77.42, -55.64, 50.69

 

CMYK 58 / 0 / 48 / 16

HEX #5BD770

RGB 91 215 112

HSL 130.16, 0.61%, 0.6%

LAB 77.28, -55.9, 40.51

 

CMYK 58 / 0 / 33 / 16

HEX #5BD791

RGB 91 215 145

HSL 146.13, 0.61%, 0.6%

LAB 77.8, -50.32, 24.44

 

CMYK 69 / 0 / 76 / 29

HEX #37B42C

RGB 55 180 44

HSL 115.15, 0.61%, 0.44%

LAB 64.67, -58.74, 55.65

 

CMYK 66 / 0 / 72 / 19

HEX #47CF3A

RGB 71 207 58

HSL 114.77, 0.61%, 0.52%

LAB 73.72, -63.51, 59.93

 

CMYK 53 / 0 / 58 / 16

HEX #66D75B

RGB 102 215 91

HSL 114.68, 0.61%, 0.6%

LAB 77.39, -55.91, 50.64

 

CMYK 40 / 0 / 44 / 13

HEX #85DF7C

RGB 133 223 124

HSL 114.55, 0.61%, 0.68%

LAB 81.41, -46.12, 40.15

 

CMYK 29 / 0 / 32 / 9

HEX #A4E79D

RGB 164 231 157

HSL 114.32, 0.61%, 0.76%

LAB 85.75, -35.01, 29.5

 

CMYK 53 / 0 / 59 / 16

HEX #64D759

RGB 100 215 89

HSL 114.76, 0.61%, 0.6%

LAB 77.3, -56.66, 51.42

 

CMYK 58 / 6 / 0 / 16

HEX #5BCBD7

RGB 91 203 215

HSL 185.81, 0.61%, 0.6%

LAB 75.97, -28.3, -15.6

 

CMYK 0 / 58 / 29 / 16

HEX #D75B99

RGB 215 91 153

HSL 330, 0.61%, 0.6%

LAB 56.32, 55.06, -9.44

 

CMYK 53 / 0 / 59 / 16

HEX #64D759

RGB 100 215 89

HSL 114.76, 0.61%, 0.6%

LAB 77.3, -56.66, 51.42

 

CMYK 58 / 52 / 0 / 16

HEX #5B67D7

RGB 91 103 215

HSL 234.19, 0.61%, 0.6%

LAB 48.05, 28.26, -59.19

 

CMYK 0 / 58 / 52 / 16

HEX #D75B67

RGB 215 91 103

HSL 354.19, 0.61%, 0.6%

LAB 54.98, 49.74, 18.06

 

CMYK 53 / 0 / 59 / 16

HEX #64D759

RGB 100 215 89

HSL 114.76, 0.61%, 0.6%

LAB 77.3, -56.66, 51.42

 

CMYK 58 / 6 / 0 / 16

HEX #5BCBD7

RGB 91 203 215

HSL 185.81, 0.61%, 0.6%

LAB 75.97, -28.3, -15.6

 

CMYK 6 / 58 / 0 / 16

HEX #CB5BD7

RGB 203 91 215

HSL 294.19, 0.61%, 0.6%

LAB 57.16, 61.33, -43.97

 

CMYK 0 / 52 / 58 / 16

HEX #D7675B

RGB 215 103 91

HSL 5.81, 0.61%, 0.6%

LAB 56.98, 43, 27.67

 

CMYK 53 / 0 / 59 / 16

HEX #64D759

RGB 100 215 89

HSL 114.76, 0.61%, 0.6%

LAB 77.3, -56.66, 51.42

 

CMYK 58 / 23 / 0 / 16

HEX #5BA5D7

RGB 91 165 215

HSL 204.19, 0.61%, 0.6%

LAB 64.99, -8.55, -32.37

 

CMYK 6 / 58 / 0 / 16

HEX #CB5BD7

RGB 203 91 215

HSL 294.19, 0.61%, 0.6%

LAB 57.16, 61.33, -43.97

 

CMYK 0 / 34 / 58 / 16

HEX #D78D5B

RGB 215 141 91

HSL 24.19, 0.61%, 0.6%

LAB 65.16, 23.09, 37.97

 

Description

Color code: HEX #64D759 | qconv.com Color code: HEX #64D759 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 215 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 215 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 59 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 59% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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