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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #64CF5B it is the complementary color #9B30A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #64CF5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #64CF5B shade: #69CF56, #7AE169, #8BF37C, #9CFF8F and #ADFFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #64CF5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #64CF5B shade: #64CF5B, #53BD48, #42AB35, #319922 and #20870F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #64CF5B shade: #62CF59, #82CF59, #A2CF59, #C1CF59 and #CFBC59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #64CF5B shade: #62CF59, #59CF70, #59CF8F, #59CFAF and #59CFCF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #64CF5B shade matches the following richer shades: #62CF59, #54E048 and #45F136

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #64CF5B shade: #62CF59, #71BD6A, #7FAC7C, #8E9B8D and #9D899E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #64CF5B shade: #A2CF59, #82CF59, #63CF59, #59CF6F and #59CF8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #64CF5B shade: #39A530, #44C539, #62CF59, #80D879 and #9FE199

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #64CF5B shade: #64CF5B, #59C1CF and #CF5992

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #64CF5B shade: #64CF5B, #5963CF and #CF5963

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #64CF5B shade: #64CF5B, #59C1CF, #C559CF and #CF6759

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #64CF5B shade: #64CF5B, #599ECF, #C559CF and #CF8A59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 56 / 19

HEX #64CF5B

RGB 100 207 91

HSL 115.34, 0.55%, 0.58%

LAB 74.88, -53.37, 47.69

 

Complementary color

CMYK 5 / 71 / 0 / 36

HEX #9B30A4

RGB 155 48 164

HSL 295.34, 0.55%, 0.42%

LAB 40.84, 58.6, -40.65

 

CMYK 49 / 0 / 58 / 19

HEX #69CF56

RGB 105 207 86

HSL 110.58, 0.56%, 0.57%

LAB 75.01, -52.56, 50.17

 

CMYK 46 / 0 / 53 / 12

HEX #7AE169

RGB 122 225 105

HSL 111.5, 0.67%, 0.65%

LAB 81.3, -52.66, 49.03

 

CMYK 43 / 0 / 49 / 5

HEX #8BF37C

RGB 139 243 124

HSL 112.44, 0.83%, 0.72%

LAB 87.51, -52.63, 47.83

 

CMYK 39 / 0 / 44 / 0

HEX #9CFF8F

RGB 156 255 143

HSL 113.04, 1%, 0.78%

LAB 91.94, -50.05, 44.47

 

CMYK 32 / 0 / 36 / 0

HEX #ADFFA2

RGB 173 255 162

HSL 112.9, 1%, 0.82%

LAB 93.02, -42.15, 36.74

 

CMYK 52 / 0 / 56 / 19

HEX #64CF5B

RGB 100 207 91

HSL 115.34, 0.55%, 0.58%

LAB 74.88, -53.37, 47.69

 

CMYK 56 / 0 / 62 / 26

HEX #53BD48

RGB 83 189 72

HSL 114.36, 0.47%, 0.51%

LAB 68.53, -53.09, 48.83

 

CMYK 61 / 0 / 69 / 33

HEX #42AB35

RGB 66 171 53

HSL 113.39, 0.53%, 0.44%

LAB 62.12, -52.53, 49.74

 

CMYK 68 / 0 / 78 / 40

HEX #319922

RGB 49 153 34

HSL 112.44, 0.64%, 0.37%

LAB 55.64, -51.51, 50.13

 

CMYK 76 / 0 / 89 / 47

HEX #20870F

RGB 32 135 15

HSL 111.5, 0.8%, 0.29%

LAB 49.09, -49.79, 49.44

 

CMYK 53 / 0 / 57 / 19

HEX #62CF59

RGB 98 207 89

HSL 115.42, 0.55%, 0.58%

LAB 74.79, -54.14, 48.48

 

CMYK 37 / 0 / 57 / 19

HEX #82CF59

RGB 130 207 89

HSL 99.15, 0.55%, 0.58%

LAB 76.13, -44.53, 50.38

 

CMYK 22 / 0 / 57 / 19

HEX #A2CF59

RGB 162 207 89

HSL 82.88, 0.55%, 0.58%

LAB 77.89, -33.11, 52.87

 

CMYK 7 / 0 / 57 / 19

HEX #C1CF59

RGB 193 207 89

HSL 67.12, 0.55%, 0.58%

LAB 80, -20.93, 55.83

 

CMYK 0 / 9 / 57 / 19

HEX #CFBC59

RGB 207 188 89

HSL 50.34, 0.55%, 0.58%

LAB 76.04, -5.54, 51.65

 

CMYK 53 / 0 / 57 / 19

HEX #62CF59

RGB 98 207 89

HSL 115.42, 0.55%, 0.58%

LAB 74.79, -54.14, 48.48

 

CMYK 57 / 0 / 46 / 19

HEX #59CF70

RGB 89 207 112

HSL 131.69, 0.55%, 0.58%

LAB 74.77, -53.28, 37.34

 

CMYK 57 / 0 / 31 / 19

HEX #59CF8F

RGB 89 207 143

HSL 147.46, 0.55%, 0.58%

LAB 75.28, -47.86, 22.05

 

CMYK 57 / 0 / 15 / 19

HEX #59CFAF

RGB 89 207 175

HSL 163.73, 0.55%, 0.58%

LAB 75.97, -40.91, 5.96

 

CMYK 57 / 0 / 0 / 19

HEX #59CFCF

RGB 89 207 207

HSL 180, 0.55%, 0.58%

LAB 76.83, -32.79, -10

 

CMYK 53 / 0 / 57 / 19

HEX #62CF59

RGB 98 207 89

HSL 115.42, 0.55%, 0.58%

LAB 74.79, -54.14, 48.48

 

CMYK 63 / 0 / 68 / 12

HEX #54E048

RGB 84 224 72

HSL 115.26, 0.71%, 0.58%

LAB 79.42, -65.36, 60.73

 

CMYK 71 / 0 / 78 / 5

HEX #45F136

RGB 69 241 54

HSL 115.19, 0.87%, 0.58%

LAB 84.2, -74.95, 71.55

 

CMYK 53 / 0 / 57 / 19

HEX #62CF59

RGB 98 207 89

HSL 115.42, 0.55%, 0.58%

LAB 74.79, -54.14, 48.48

 

CMYK 40 / 0 / 44 / 26

HEX #71BD6A

RGB 113 189 106

HSL 114.94, 0.39%, 0.58%

LAB 70.14, -40.15, 34.67

 

CMYK 26 / 0 / 28 / 33

HEX #7FAC7C

RGB 127 172 124

HSL 116.25, 0.22%, 0.58%

LAB 66.11, -24.68, 19.96

 

CMYK 8 / 0 / 9 / 39

HEX #8E9B8D

RGB 142 155 141

HSL 115.71, 0.07%, 0.58%

LAB 62.61, -7.38, 5.75

 

CMYK 1 / 13 / 0 / 38

HEX #9D899E

RGB 157 137 158

HSL 297.14, 0.1%, 0.58%

LAB 59.46, 11.43, -8.36

 

CMYK 22 / 0 / 57 / 19

HEX #A2CF59

RGB 162 207 89

HSL 82.88, 0.55%, 0.58%

LAB 77.89, -33.11, 52.87

 

CMYK 37 / 0 / 57 / 19

HEX #82CF59

RGB 130 207 89

HSL 99.15, 0.55%, 0.58%

LAB 76.13, -44.53, 50.38

 

CMYK 52 / 0 / 57 / 19

HEX #63CF59

RGB 99 207 89

HSL 114.92, 0.55%, 0.58%

LAB 74.82, -53.87, 48.53

 

CMYK 57 / 0 / 46 / 19

HEX #59CF6F

RGB 89 207 111

HSL 131.19, 0.55%, 0.58%

LAB 74.76, -53.44, 37.82

 

CMYK 57 / 0 / 31 / 19

HEX #59CF8E

RGB 89 207 142

HSL 146.95, 0.55%, 0.58%

LAB 75.27, -48.05, 22.55

 

CMYK 65 / 0 / 71 / 35

HEX #39A530

RGB 57 165 48

HSL 115.38, 0.55%, 0.42%

LAB 59.88, -52.88, 49.31

 

CMYK 65 / 0 / 71 / 23

HEX #44C539

RGB 68 197 57

HSL 115.29, 0.55%, 0.5%

LAB 70.49, -60.84, 56.96

 

CMYK 53 / 0 / 57 / 19

HEX #62CF59

RGB 98 207 89

HSL 115.42, 0.55%, 0.58%

LAB 74.79, -54.14, 48.48

 

CMYK 41 / 0 / 44 / 15

HEX #80D879

RGB 128 216 121

HSL 115.58, 0.55%, 0.66%

LAB 79.09, -45.08, 38.64

 

CMYK 29 / 0 / 32 / 12

HEX #9FE199

RGB 159 225 153

HSL 115, 0.55%, 0.74%

LAB 83.72, -34.5, 28.78

 

CMYK 52 / 0 / 56 / 19

HEX #64CF5B

RGB 100 207 91

HSL 115.34, 0.55%, 0.58%

LAB 74.88, -53.37, 47.69

 

CMYK 57 / 7 / 0 / 19

HEX #59C1CF

RGB 89 193 207

HSL 187.12, 0.55%, 0.58%

LAB 72.74, -25.99, -16.14

 

CMYK 0 / 57 / 29 / 19

HEX #CF5992

RGB 207 89 146

HSL 331.02, 0.55%, 0.58%

LAB 54.54, 52.6, -8.11

 

CMYK 52 / 0 / 56 / 19

HEX #64CF5B

RGB 100 207 91

HSL 115.34, 0.55%, 0.58%

LAB 74.88, -53.37, 47.69

 

CMYK 57 / 52 / 0 / 19

HEX #5963CF

RGB 89 99 207

HSL 234.92, 0.55%, 0.58%

LAB 46.38, 27.73, -57.31

 

CMYK 0 / 57 / 52 / 19

HEX #CF5963

RGB 207 89 99

HSL 354.92, 0.55%, 0.58%

LAB 53.29, 47.57, 17.91

 

CMYK 52 / 0 / 56 / 19

HEX #64CF5B

RGB 100 207 91

HSL 115.34, 0.55%, 0.58%

LAB 74.88, -53.37, 47.69

 

CMYK 57 / 7 / 0 / 19

HEX #59C1CF

RGB 89 193 207

HSL 187.12, 0.55%, 0.58%

LAB 72.74, -25.99, -16.14

 

CMYK 5 / 57 / 0 / 19

HEX #C559CF

RGB 197 89 207

HSL 294.92, 0.55%, 0.58%

LAB 55.6, 59.25, -41.94

 

CMYK 0 / 50 / 57 / 19

HEX #CF6759

RGB 207 103 89

HSL 7.12, 0.55%, 0.58%

LAB 55.77, 39.86, 27.02

 

CMYK 52 / 0 / 56 / 19

HEX #64CF5B

RGB 100 207 91

HSL 115.34, 0.55%, 0.58%

LAB 74.88, -53.37, 47.69

 

CMYK 57 / 24 / 0 / 19

HEX #599ECF

RGB 89 158 207

HSL 204.92, 0.55%, 0.58%

LAB 62.58, -7.56, -31.69

 

CMYK 5 / 57 / 0 / 19

HEX #C559CF

RGB 197 89 207

HSL 294.92, 0.55%, 0.58%

LAB 55.6, 59.25, -41.94

 

CMYK 0 / 33 / 57 / 19

HEX #CF8A59

RGB 207 138 89

HSL 24.92, 0.55%, 0.58%

LAB 63.48, 21.26, 36.74

 

Description

Color code: HEX #64CF5B | qconv.com Color code: HEX #64CF5B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 207 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 207 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 56 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 56% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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