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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #64C835 it is the complementary color #9B37CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #64C835. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #64C835 shade: #69C830, #7ADA43, #8BEC56, #9CFE69 and #ADFF7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #64C835. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #64C835 shade: #64C835, #53B622, #42A40F, #319200 and #208000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #64C835 shade: #65C936, #8DC936, #B5C936, #C9B636 and #C98F36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #64C835 shade: #65C936, #3DC936, #36C956, #36C97E and #36C9A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #64C835 shade matches the following richer shades: #65C936, #5DDE21 and #56F30C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #64C835 shade: #65C936, #6CB54A, #74A05F, #7B8C73 and #837788

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #64C835 shade: #B6C936, #8EC936, #67C936, #3FC936 and #36C953

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #64C835 shade: #448824, #55A92D, #65C936, #7ED256 and #97DB77

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #64C835 shade: #64C835, #36C9B6 and #C936A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #64C835 shade: #64C835, #3667C9 and #C93667

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #64C835 shade: #64C835, #36C9B6, #9836C9 and #C93649

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #64C835 shade: #64C835, #36B1C9, #9836C9 and #C94E36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 74 / 22

HEX #64C835

RGB 100 200 53

HSL 100.82, 0.58%, 0.5%

LAB 72.41, -54.23, 60.68

 

Complementary color

CMYK 23 / 73 / 0 / 21

HEX #9B37CA

RGB 155 55 202

HSL 280.82, 0.58%, 0.5%

LAB 44.18, 63.26, -57.64

 

CMYK 48 / 0 / 76 / 22

HEX #69C830

RGB 105 200 48

HSL 97.5, 0.61%, 0.49%

LAB 72.58, -53.06, 62.59

 

CMYK 44 / 0 / 69 / 15

HEX #7ADA43

RGB 122 218 67

HSL 98.15, 0.67%, 0.56%

LAB 78.86, -53.56, 62.44

 

CMYK 41 / 0 / 64 / 7

HEX #8BEC56

RGB 139 236 86

HSL 98.8, 0.8%, 0.63%

LAB 85.07, -53.85, 61.84

 

CMYK 39 / 0 / 59 / 0

HEX #9CFE69

RGB 156 254 105

HSL 99.46, 0.99%, 0.7%

LAB 91.22, -54.01, 60.97

 

CMYK 32 / 0 / 51 / 0

HEX #ADFF7C

RGB 173 255 124

HSL 97.56, 1%, 0.74%

LAB 92.51, -46.99, 54.28

 

CMYK 50 / 0 / 74 / 22

HEX #64C835

RGB 100 200 53

HSL 100.82, 0.58%, 0.5%

LAB 72.41, -54.23, 60.68

 

CMYK 54 / 0 / 81 / 29

HEX #53B622

RGB 83 182 34

HSL 100.14, 0.69%, 0.42%

LAB 66.07, -53.47, 60.38

 

CMYK 60 / 0 / 91 / 36

HEX #42A40F

RGB 66 164 15

HSL 99.46, 0.83%, 0.35%

LAB 59.66, -52.3, 58.9

 

CMYK 66 / 0 / 100 / 43

HEX #319200

RGB 49 146 0

HSL 99.86, 1%, 0.29%

LAB 53.18, -50.56, 55.77

 

CMYK 75 / 0 / 100 / 50

HEX #208000

RGB 32 128 0

HSL 105, 1%, 0.25%

LAB 46.64, -48.03, 50.4

 

CMYK 50 / 0 / 73 / 21

HEX #65C936

RGB 101 201 54

HSL 100.82, 0.58%, 0.5%

LAB 72.76, -54.25, 60.69

 

CMYK 30 / 0 / 73 / 21

HEX #8DC936

RGB 141 201 54

HSL 84.49, 0.58%, 0.5%

LAB 74.64, -40.91, 63.17

 

CMYK 10 / 0 / 73 / 21

HEX #B5C936

RGB 181 201 54

HSL 68.16, 0.58%, 0.5%

LAB 77.2, -25.14, 66.53

 

CMYK 0 / 9 / 73 / 21

HEX #C9B636

RGB 201 182 54

HSL 52.24, 0.58%, 0.5%

LAB 73.64, -7.1, 63.68

 

CMYK 0 / 29 / 73 / 21

HEX #C98F36

RGB 201 143 54

HSL 36.33, 0.58%, 0.5%

LAB 63.61, 13.77, 53.82

 

CMYK 50 / 0 / 73 / 21

HEX #65C936

RGB 101 201 54

HSL 100.82, 0.58%, 0.5%

LAB 72.76, -54.25, 60.69

 

CMYK 70 / 0 / 73 / 21

HEX #3DC936

RGB 61 201 54

HSL 117.14, 0.58%, 0.5%

LAB 71.58, -63.77, 59.11

 

CMYK 73 / 0 / 57 / 21

HEX #36C956

RGB 54 201 86

HSL 133.06, 0.58%, 0.5%

LAB 71.71, -61.65, 45.95

 

CMYK 73 / 0 / 37 / 21

HEX #36C97E

RGB 54 201 126

HSL 149.39, 0.58%, 0.5%

LAB 72.27, -55.18, 26.75

 

CMYK 73 / 0 / 17 / 21

HEX #36C9A6

RGB 54 201 166

HSL 165.71, 0.58%, 0.5%

LAB 73.1, -46.31, 6.56

 

CMYK 50 / 0 / 73 / 21

HEX #65C936

RGB 101 201 54

HSL 100.82, 0.58%, 0.5%

LAB 72.76, -54.25, 60.69

 

CMYK 58 / 0 / 85 / 13

HEX #5DDE21

RGB 93 222 33

HSL 100.95, 0.74%, 0.5%

LAB 78.86, -65.02, 72.23

 

CMYK 65 / 0 / 95 / 5

HEX #56F30C

RGB 86 243 12

HSL 100.78, 0.91%, 0.5%

LAB 85.05, -73.95, 80.48

 

CMYK 50 / 0 / 73 / 21

HEX #65C936

RGB 101 201 54

HSL 100.82, 0.58%, 0.5%

LAB 72.76, -54.25, 60.69

 

CMYK 40 / 0 / 59 / 29

HEX #6CB54A

RGB 108 181 74

HSL 100.93, 0.42%, 0.5%

LAB 67.07, -42.29, 46.53

 

CMYK 28 / 0 / 41 / 37

HEX #74A05F

RGB 116 160 95

HSL 100.62, 0.25%, 0.5%

LAB 61.38, -27.28, 29.2

 

CMYK 12 / 0 / 18 / 45

HEX #7B8C73

RGB 123 140 115

HSL 100.8, 0.1%, 0.5%

LAB 56.29, -11.07, 11.33

 

CMYK 4 / 13 / 0 / 47

HEX #837788

RGB 131 119 136

HSL 282.35, 0.07%, 0.5%

LAB 51.61, 7.96, -7.58

 

CMYK 9 / 0 / 73 / 21

HEX #B6C936

RGB 182 201 54

HSL 67.76, 0.58%, 0.5%

LAB 77.27, -24.72, 66.63

 

CMYK 29 / 0 / 73 / 21

HEX #8EC936

RGB 142 201 54

HSL 84.08, 0.58%, 0.5%

LAB 74.69, -40.53, 63.24

 

CMYK 49 / 0 / 73 / 21

HEX #67C936

RGB 103 201 54

HSL 100, 0.58%, 0.5%

LAB 72.84, -53.66, 60.79

 

CMYK 69 / 0 / 73 / 21

HEX #3FC936

RGB 63 201 54

HSL 116.33, 0.58%, 0.5%

LAB 71.62, -63.4, 59.17

 

CMYK 73 / 0 / 59 / 21

HEX #36C953

RGB 54 201 83

HSL 131.84, 0.58%, 0.5%

LAB 71.68, -62.03, 47.29

 

CMYK 50 / 0 / 74 / 47

HEX #448824

RGB 68 136 36

HSL 100.8, 0.58%, 0.34%

LAB 50.65, -39.92, 44.63

 

CMYK 50 / 0 / 73 / 34

HEX #55A92D

RGB 85 169 45

HSL 100.65, 0.58%, 0.42%

LAB 62.08, -47.27, 53.01

 

CMYK 50 / 0 / 73 / 21

HEX #65C936

RGB 101 201 54

HSL 100.82, 0.58%, 0.5%

LAB 72.76, -54.25, 60.69

 

CMYK 40 / 0 / 59 / 18

HEX #7ED256

RGB 126 210 86

HSL 100.65, 0.58%, 0.58%

LAB 76.8, -47.41, 52.45

 

CMYK 31 / 0 / 46 / 14

HEX #97DB77

RGB 151 219 119

HSL 100.8, 0.58%, 0.66%

LAB 81.06, -39.26, 42.35

 

CMYK 50 / 0 / 74 / 22

HEX #64C835

RGB 100 200 53

HSL 100.82, 0.58%, 0.5%

LAB 72.41, -54.23, 60.68

 

CMYK 73 / 0 / 9 / 21

HEX #36C9B6

RGB 54 201 182

HSL 172.24, 0.58%, 0.5%

LAB 73.5, -42.17, -1.51

 

CMYK 0 / 73 / 19 / 21

HEX #C936A2

RGB 201 54 162

HSL 315.92, 0.58%, 0.5%

LAB 49.09, 67.03, -25.96

 

CMYK 50 / 0 / 74 / 22

HEX #64C835

RGB 100 200 53

HSL 100.82, 0.58%, 0.5%

LAB 72.41, -54.23, 60.68

 

CMYK 73 / 49 / 0 / 21

HEX #3667C9

RGB 54 103 201

HSL 220, 0.58%, 0.5%

LAB 45.22, 17.35, -55.82

 

CMYK 0 / 73 / 49 / 21

HEX #C93667

RGB 201 54 103

HSL 340, 0.58%, 0.5%

LAB 47.02, 60.48, 6.62

 

CMYK 50 / 0 / 74 / 22

HEX #64C835

RGB 100 200 53

HSL 100.82, 0.58%, 0.5%

LAB 72.41, -54.23, 60.68

 

CMYK 73 / 0 / 9 / 21

HEX #36C9B6

RGB 54 201 182

HSL 172.24, 0.58%, 0.5%

LAB 73.5, -42.17, -1.51

 

CMYK 24 / 73 / 0 / 21

HEX #9836C9

RGB 152 54 201

HSL 280, 0.58%, 0.5%

LAB 43.55, 62.86, -58.1

 

CMYK 0 / 73 / 64 / 21

HEX #C93649

RGB 201 54 73

HSL 352.24, 0.58%, 0.5%

LAB 46.36, 58.29, 24.1

 

CMYK 50 / 0 / 74 / 22

HEX #64C835

RGB 100 200 53

HSL 100.82, 0.58%, 0.5%

LAB 72.41, -54.23, 60.68

 

CMYK 73 / 12 / 0 / 21

HEX #36B1C9

RGB 54 177 201

HSL 189.8, 0.58%, 0.5%

LAB 66.86, -25.31, -21.86

 

CMYK 24 / 73 / 0 / 21

HEX #9836C9

RGB 152 54 201

HSL 280, 0.58%, 0.5%

LAB 43.55, 62.86, -58.1

 

CMYK 0 / 61 / 73 / 21

HEX #C94E36

RGB 201 78 54

HSL 9.8, 0.58%, 0.5%

LAB 49.66, 47.61, 39.08

 

Description

Color code: HEX #64C835 | qconv.com Color code: HEX #64C835 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 200 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 200 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 74 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 74% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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