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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #64BE1A it is the complementary color #9B41E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #64BE1A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #64BE1A shade: #69BE15, #7AD028, #8BE23B, #9CF44E and #ADFF61

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #64BE1A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #64BE1A shade: #64BE1A, #53AC07, #429A00, #318800 and #207600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #64BE1A shade: #63BC1A, #8FBC1A, #BBBC1A, #BC921A and #BC661A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #64BE1A shade: #63BC1A, #37BC1A, #1ABC28, #1ABC54 and #1ABC80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #64BE1A shade matches the following richer shades: #63BC1A and #61CE08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #64BE1A shade: #63BC1A, #65AB2B, #679A3C, #68894E and #6A775F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #64BE1A shade: #BCBC1A, #91BC1A, #66BC1A, #3ABC1A and #1ABC25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #64BE1A shade: #3D7410, #509815, #63BC1A, #76E01F and #8CE543

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #64BE1A shade: #64BE1A, #1ABC91 and #BC1AA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #64BE1A shade: #64BE1A, #1A66BC and #BC1A66

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #64BE1A shade: #64BE1A, #1ABC91, #711ABC and #BC1A45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #64BE1A shade: #64BE1A, #1AB7BC, #711ABC and #BC1F1A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 86 / 25

HEX #64BE1A

RGB 100 190 26

HSL 92.93, 0.76%, 0.42%

LAB 69.19, -51.81, 65.39

 

Complementary color

CMYK 32 / 72 / 0 / 10

HEX #9B41E5

RGB 155 65 229

HSL 272.93, 0.76%, 0.58%

LAB 47.5, 65, -67.72

 

CMYK 45 / 0 / 89 / 25

HEX #69BE15

RGB 105 190 21

HSL 90.18, 0.8%, 0.41%

LAB 69.39, -50.38, 66.63

 

CMYK 41 / 0 / 81 / 18

HEX #7AD028

RGB 122 208 40

HSL 90.71, 0.68%, 0.49%

LAB 75.7, -51.22, 68.14

 

CMYK 38 / 0 / 74 / 11

HEX #8BE23B

RGB 139 226 59

HSL 91.26, 0.74%, 0.56%

LAB 81.95, -51.8, 68.6

 

CMYK 36 / 0 / 68 / 4

HEX #9CF44E

RGB 156 244 78

HSL 91.81, 0.88%, 0.63%

LAB 88.12, -52.2, 68.42

 

CMYK 32 / 0 / 62 / 0

HEX #ADFF61

RGB 173 255 97

HSL 91.14, 1%, 0.69%

LAB 92.25, -49.56, 65.68

 

CMYK 47 / 0 / 86 / 25

HEX #64BE1A

RGB 100 190 26

HSL 92.93, 0.76%, 0.42%

LAB 69.19, -51.81, 65.39

 

CMYK 52 / 0 / 96 / 33

HEX #53AC07

RGB 83 172 7

HSL 92.36, 0.92%, 0.35%

LAB 62.81, -50.67, 62.92

 

CMYK 57 / 0 / 100 / 40

HEX #429A00

RGB 66 154 0

HSL 94.29, 1%, 0.3%

LAB 56.36, -49.07, 58.51

 

CMYK 64 / 0 / 100 / 47

HEX #318800

RGB 49 136 0

HSL 98.38, 1%, 0.27%

LAB 49.81, -47.07, 53.1

 

CMYK 73 / 0 / 100 / 54

HEX #207600

RGB 32 118 0

HSL 103.73, 1%, 0.23%

LAB 43.16, -44.67, 47.63

 

CMYK 47 / 0 / 86 / 26

HEX #63BC1A

RGB 99 188 26

HSL 92.96, 0.76%, 0.42%

LAB 68.53, -51.35, 64.8

 

CMYK 24 / 0 / 86 / 26

HEX #8FBC1A

RGB 143 188 26

HSL 76.67, 0.76%, 0.42%

LAB 70.79, -35.57, 67.63

 

CMYK 1 / 0 / 86 / 26

HEX #BBBC1A

RGB 187 188 26

HSL 60.37, 0.76%, 0.42%

LAB 73.94, -17.19, 71.52

 

CMYK 0 / 22 / 86 / 26

HEX #BC921A

RGB 188 146 26

HSL 44.44, 0.76%, 0.42%

LAB 62.78, 5.36, 62.44

 

CMYK 0 / 46 / 86 / 26

HEX #BC661A

RGB 188 102 26

HSL 28.15, 0.76%, 0.42%

LAB 52.14, 29.52, 53.67

 

CMYK 47 / 0 / 86 / 26

HEX #63BC1A

RGB 99 188 26

HSL 92.96, 0.76%, 0.42%

LAB 68.53, -51.35, 64.8

 

CMYK 71 / 0 / 86 / 26

HEX #37BC1A

RGB 55 188 26

HSL 109.26, 0.76%, 0.42%

LAB 67.17, -62.35, 63.08

 

CMYK 86 / 0 / 79 / 26

HEX #1ABC28

RGB 26 188 40

HSL 125.19, 0.76%, 0.42%

LAB 66.78, -65.52, 58.85

 

CMYK 86 / 0 / 55 / 26

HEX #1ABC54

RGB 26 188 84

HSL 141.48, 0.76%, 0.42%

LAB 67.15, -60.95, 41.36

 

CMYK 86 / 0 / 32 / 26

HEX #1ABC80

RGB 26 188 128

HSL 157.78, 0.76%, 0.42%

LAB 67.83, -52.93, 19.62

 

CMYK 47 / 0 / 86 / 26

HEX #63BC1A

RGB 99 188 26

HSL 92.96, 0.76%, 0.42%

LAB 68.53, -51.35, 64.8

 

CMYK 53 / 0 / 96 / 19

HEX #61CE08

RGB 97 206 8

HSL 93.03, 0.93%, 0.42%

LAB 74, -59.06, 72.04

 

CMYK 47 / 0 / 86 / 26

HEX #63BC1A

RGB 99 188 26

HSL 92.96, 0.76%, 0.42%

LAB 68.53, -51.35, 64.8

 

CMYK 41 / 0 / 75 / 33

HEX #65AB2B

RGB 101 171 43

HSL 92.81, 0.6%, 0.42%

LAB 63.4, -43.04, 55.27

 

CMYK 33 / 0 / 61 / 40

HEX #679A3C

RGB 103 154 60

HSL 92.55, 0.44%, 0.42%

LAB 58.34, -33.49, 43

 

CMYK 24 / 0 / 43 / 46

HEX #68894E

RGB 104 137 78

HSL 93.56, 0.27%, 0.42%

LAB 53.37, -22.75, 27.91

 

CMYK 11 / 0 / 20 / 53

HEX #6A775F

RGB 106 119 95

HSL 92.5, 0.11%, 0.42%

LAB 48.37, -9.62, 11.61

 

CMYK 0 / 0 / 86 / 26

HEX #BCBC1A

RGB 188 188 26

HSL 60, 0.76%, 0.42%

LAB 74.02, -16.75, 71.62

 

CMYK 23 / 0 / 86 / 26

HEX #91BC1A

RGB 145 188 26

HSL 75.93, 0.76%, 0.42%

LAB 70.91, -34.77, 67.78

 

CMYK 46 / 0 / 86 / 26

HEX #66BC1A

RGB 102 188 26

HSL 91.85, 0.76%, 0.42%

LAB 68.65, -50.41, 64.96

 

CMYK 69 / 0 / 86 / 26

HEX #3ABC1A

RGB 58 188 26

HSL 108.15, 0.76%, 0.42%

LAB 67.23, -61.79, 63.16

 

CMYK 86 / 0 / 80 / 26

HEX #1ABC25

RGB 26 188 37

HSL 124.07, 0.76%, 0.42%

LAB 66.76, -65.71, 59.73

 

CMYK 47 / 0 / 86 / 55

HEX #3D7410

RGB 61 116 16

HSL 93, 0.76%, 0.26%

LAB 43.54, -35.12, 44.59

 

CMYK 47 / 0 / 86 / 40

HEX #509815

RGB 80 152 21

HSL 92.98, 0.76%, 0.34%

LAB 56.3, -43.44, 54.95

 

CMYK 47 / 0 / 86 / 26

HEX #63BC1A

RGB 99 188 26

HSL 92.96, 0.76%, 0.42%

LAB 68.53, -51.35, 64.8

 

CMYK 47 / 0 / 86 / 12

HEX #76E01F

RGB 118 224 31

HSL 92.95, 0.76%, 0.5%

LAB 80.33, -58.97, 74.26

 

CMYK 39 / 0 / 71 / 10

HEX #8CE543

RGB 140 229 67

HSL 92.96, 0.76%, 0.58%

LAB 82.92, -52.18, 66.85

 

CMYK 47 / 0 / 86 / 25

HEX #64BE1A

RGB 100 190 26

HSL 92.93, 0.76%, 0.42%

LAB 69.19, -51.81, 65.39

 

CMYK 86 / 0 / 23 / 26

HEX #1ABC91

RGB 26 188 145

HSL 164.07, 0.76%, 0.42%

LAB 68.19, -48.98, 10.91

 

CMYK 0 / 86 / 11 / 26

HEX #BC1AA7

RGB 188 26 167

HSL 307.78, 0.76%, 0.42%

LAB 44.55, 72.04, -36.2

 

CMYK 47 / 0 / 86 / 25

HEX #64BE1A

RGB 100 190 26

HSL 92.93, 0.76%, 0.42%

LAB 69.19, -51.81, 65.39

 

CMYK 86 / 46 / 0 / 26

HEX #1A66BC

RGB 26 102 188

HSL 211.85, 0.76%, 0.42%

LAB 43.29, 10.09, -51.46

 

CMYK 0 / 86 / 46 / 26

HEX #BC1A66

RGB 188 26 102

HSL 331.85, 0.76%, 0.42%

LAB 41.83, 64.59, -0.57

 

CMYK 47 / 0 / 86 / 25

HEX #64BE1A

RGB 100 190 26

HSL 92.93, 0.76%, 0.42%

LAB 69.19, -51.81, 65.39

 

CMYK 86 / 0 / 23 / 26

HEX #1ABC91

RGB 26 188 145

HSL 164.07, 0.76%, 0.42%

LAB 68.19, -48.98, 10.91

 

CMYK 40 / 86 / 0 / 26

HEX #711ABC

RGB 113 26 188

HSL 272.22, 0.76%, 0.42%

LAB 33.73, 63.18, -66.72

 

CMYK 0 / 86 / 63 / 26

HEX #BC1A45

RGB 188 26 69

HSL 344.07, 0.76%, 0.42%

LAB 40.99, 62.18, 19.11

 

CMYK 47 / 0 / 86 / 25

HEX #64BE1A

RGB 100 190 26

HSL 92.93, 0.76%, 0.42%

LAB 69.19, -51.81, 65.39

 

CMYK 86 / 3 / 0 / 26

HEX #1AB7BC

RGB 26 183 188

HSL 181.85, 0.76%, 0.42%

LAB 67.81, -34.88, -13.28

 

CMYK 40 / 86 / 0 / 26

HEX #711ABC

RGB 113 26 188

HSL 272.22, 0.76%, 0.42%

LAB 33.73, 63.18, -66.72

 

CMYK 0 / 84 / 86 / 26

HEX #BC1F1A

RGB 188 31 26

HSL 1.85, 0.76%, 0.42%

LAB 40.81, 59.38, 44.18

 

Description

Color code: HEX #64BE1A | qconv.com Color code: HEX #64BE1A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 190 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 190 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 86 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 86% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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