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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #64AD5C it is the complementary color #9B52A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #64AD5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #64AD5C shade: #69AD57, #7ABF6A, #8BD17D, #9CE390 and #ADF5A3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #64AD5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #64AD5C shade: #64AD5C, #539B49, #428936, #317723 and #206510

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #64AD5C shade: #64AD5C, #7AAD5C, #90AD5C, #A6AD5C and #AD9F5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #64AD5C shade: #64AD5C, #5CAD6A, #5CAD80, #5CAD96 and #5CADAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #64AD5C shade matches the following richer shades: #64AD5C, #54C148, #44D535, #35E821 and #25FC0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #64AD5C shade: #64AD5C, #749970, #848584, #947298 and #A45EAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #64AD5C shade: #8FAD5C, #7AAD5C, #64AD5C, #5CAD6A and #5CAD7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #64AD5C shade: #43793D, #52954B, #64AD5C, #7EBB78 and #98C993

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #64AD5C shade: #64AD5C, #5CA5AD and #AD5C85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #64AD5C shade: #64AD5C, #5C64AD and #AD5C64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #64AD5C shade: #64AD5C, #5CA5AD, #A55CAD and #AD645C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #64AD5C shade: #64AD5C, #5C8DAD, #A55CAD and #AD7D5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 47 / 32

HEX #64AD5C

RGB 100 173 92

HSL 114.07, 0.33%, 0.52%

LAB 64.46, -39.2, 34.52

 

Complementary color

CMYK 5 / 50 / 0 / 36

HEX #9B52A3

RGB 155 82 163

HSL 294.07, 0.33%, 0.48%

LAB 46.51, 42.8, -31.1

 

CMYK 39 / 0 / 50 / 32

HEX #69AD57

RGB 105 173 87

HSL 107.44, 0.34%, 0.51%

LAB 64.63, -38.27, 37.32

 

CMYK 36 / 0 / 45 / 25

HEX #7ABF6A

RGB 122 191 106

HSL 108.71, 0.4%, 0.58%

LAB 71.17, -38.14, 36.07

 

CMYK 33 / 0 / 40 / 18

HEX #8BD17D

RGB 139 209 125

HSL 110, 0.48%, 0.65%

LAB 77.62, -37.96, 34.85

 

CMYK 31 / 0 / 37 / 11

HEX #9CE390

RGB 156 227 144

HSL 111.33, 0.6%, 0.73%

LAB 83.98, -37.76, 33.68

 

CMYK 29 / 0 / 33 / 4

HEX #ADF5A3

RGB 173 245 163

HSL 112.68, 0.8%, 0.8%

LAB 90.24, -37.55, 32.57

 

CMYK 42 / 0 / 47 / 32

HEX #64AD5C

RGB 100 173 92

HSL 114.07, 0.33%, 0.52%

LAB 64.46, -39.2, 34.52

 

CMYK 46 / 0 / 53 / 39

HEX #539B49

RGB 83 155 73

HSL 112.68, 0.36%, 0.45%

LAB 57.81, -39.28, 35.82

 

CMYK 52 / 0 / 61 / 46

HEX #428936

RGB 66 137 54

HSL 111.33, 0.43%, 0.37%

LAB 51.05, -39.19, 37.07

 

CMYK 59 / 0 / 71 / 53

HEX #317723

RGB 49 119 35

HSL 110, 0.55%, 0.3%

LAB 44.19, -38.79, 38.09

 

CMYK 68 / 0 / 84 / 60

HEX #206510

RGB 32 101 16

HSL 108.71, 0.73%, 0.23%

LAB 37.21, -37.82, 38.35

 

CMYK 42 / 0 / 47 / 32

HEX #64AD5C

RGB 100 173 92

HSL 114.07, 0.33%, 0.52%

LAB 64.46, -39.2, 34.52

 

CMYK 29 / 0 / 47 / 32

HEX #7AAD5C

RGB 122 173 92

HSL 97.78, 0.33%, 0.52%

LAB 65.59, -31.75, 36.18

 

CMYK 17 / 0 / 47 / 32

HEX #90AD5C

RGB 144 173 92

HSL 81.48, 0.33%, 0.52%

LAB 66.97, -23.44, 38.19

 

CMYK 4 / 0 / 47 / 32

HEX #A6AD5C

RGB 166 173 92

HSL 65.19, 0.33%, 0.52%

LAB 68.58, -14.58, 40.53

 

CMYK 0 / 8 / 47 / 32

HEX #AD9F5C

RGB 173 159 92

HSL 49.63, 0.33%, 0.52%

LAB 65.32, -4.27, 36.66

 

CMYK 42 / 0 / 47 / 32

HEX #64AD5C

RGB 100 173 92

HSL 114.07, 0.33%, 0.52%

LAB 64.46, -39.2, 34.52

 

CMYK 47 / 0 / 39 / 32

HEX #5CAD6A

RGB 92 173 106

HSL 130.37, 0.33%, 0.52%

LAB 64.32, -39.43, 26.95

 

CMYK 47 / 0 / 26 / 32

HEX #5CAD80

RGB 92 173 128

HSL 146.67, 0.33%, 0.52%

LAB 64.74, -35.3, 15.6

 

CMYK 47 / 0 / 13 / 32

HEX #5CAD96

RGB 92 173 150

HSL 162.96, 0.33%, 0.52%

LAB 65.25, -30.45, 4.17

 

CMYK 47 / 0 / 1 / 32

HEX #5CADAB

RGB 92 173 171

HSL 178.52, 0.33%, 0.52%

LAB 65.83, -25.22, -6.66

 

CMYK 42 / 0 / 47 / 32

HEX #64AD5C

RGB 100 173 92

HSL 114.07, 0.33%, 0.52%

LAB 64.46, -39.2, 34.52

 

CMYK 56 / 0 / 63 / 24

HEX #54C148

RGB 84 193 72

HSL 114.05, 0.49%, 0.52%

LAB 69.82, -54.34, 50.28

 

CMYK 68 / 0 / 75 / 16

HEX #44D535

RGB 68 213 53

HSL 114.38, 0.66%, 0.52%

LAB 75.5, -66.43, 63.42

 

CMYK 77 / 0 / 86 / 9

HEX #35E821

RGB 53 232 33

HSL 113.97, 0.81%, 0.52%

LAB 81.06, -75.68, 73.82

 

CMYK 85 / 0 / 95 / 1

HEX #25FC0D

RGB 37 252 13

HSL 113.97, 0.98%, 0.52%

LAB 87.02, -83.47, 81.67

 

CMYK 42 / 0 / 47 / 32

HEX #64AD5C

RGB 100 173 92

HSL 114.07, 0.33%, 0.52%

LAB 64.46, -39.2, 34.52

 

CMYK 24 / 0 / 27 / 40

HEX #749970

RGB 116 153 112

HSL 114.15, 0.17%, 0.52%

LAB 59.59, -21.06, 17.52

 

CMYK 1 / 0 / 1 / 48

HEX #848584

RGB 132 133 132

HSL 120, 0%, 0.52%

LAB 55.43, -0.57, 0.4

 

CMYK 3 / 25 / 0 / 40

HEX #947298

RGB 148 114 152

HSL 293.68, 0.16%, 0.52%

LAB 52.51, 20.29, -15.44

 

CMYK 4 / 45 / 0 / 33

HEX #A45EAB

RGB 164 94 171

HSL 294.55, 0.31%, 0.52%

LAB 50.5, 40.69, -29.49

 

CMYK 17 / 0 / 47 / 32

HEX #8FAD5C

RGB 143 173 92

HSL 82.22, 0.33%, 0.52%

LAB 66.9, -23.83, 38.09

 

CMYK 29 / 0 / 47 / 32

HEX #7AAD5C

RGB 122 173 92

HSL 97.78, 0.33%, 0.52%

LAB 65.59, -31.75, 36.18

 

CMYK 42 / 0 / 47 / 32

HEX #64AD5C

RGB 100 173 92

HSL 114.07, 0.33%, 0.52%

LAB 64.46, -39.2, 34.52

 

CMYK 47 / 0 / 39 / 32

HEX #5CAD6A

RGB 92 173 106

HSL 130.37, 0.33%, 0.52%

LAB 64.32, -39.43, 26.95

 

CMYK 47 / 0 / 27 / 32

HEX #5CAD7F

RGB 92 173 127

HSL 145.93, 0.33%, 0.52%

LAB 64.72, -35.5, 16.12

 

CMYK 45 / 0 / 50 / 53

HEX #43793D

RGB 67 121 61

HSL 114, 0.33%, 0.36%

LAB 45.91, -30.87, 27.31

 

CMYK 45 / 0 / 50 / 42

HEX #52954B

RGB 82 149 75

HSL 114.32, 0.33%, 0.44%

LAB 55.88, -36.69, 32.42

 

CMYK 42 / 0 / 47 / 32

HEX #64AD5C

RGB 100 173 92

HSL 114.07, 0.33%, 0.52%

LAB 64.46, -39.2, 34.52

 

CMYK 33 / 0 / 36 / 27

HEX #7EBB78

RGB 126 187 120

HSL 114.63, 0.33%, 0.6%

LAB 70.41, -32.91, 27.87

 

CMYK 24 / 0 / 27 / 21

HEX #98C993

RGB 152 201 147

HSL 114.44, 0.33%, 0.68%

LAB 76.41, -26.44, 21.93

 

CMYK 42 / 0 / 47 / 32

HEX #64AD5C

RGB 100 173 92

HSL 114.07, 0.33%, 0.52%

LAB 64.46, -39.2, 34.52

 

CMYK 47 / 5 / 0 / 32

HEX #5CA5AD

RGB 92 165 173

HSL 185.93, 0.33%, 0.52%

LAB 63.51, -20.61, -11.24

 

CMYK 0 / 47 / 23 / 32

HEX #AD5C85

RGB 173 92 133

HSL 329.63, 0.33%, 0.52%

LAB 49.78, 38.09, -8.03

 

CMYK 42 / 0 / 47 / 32

HEX #64AD5C

RGB 100 173 92

HSL 114.07, 0.33%, 0.52%

LAB 64.46, -39.2, 34.52

 

CMYK 47 / 42 / 0 / 32

HEX #5C64AD

RGB 92 100 173

HSL 234.07, 0.33%, 0.52%

LAB 44.81, 16.89, -40.1

 

CMYK 0 / 47 / 42 / 32

HEX #AD5C64

RGB 173 92 100

HSL 354.07, 0.33%, 0.52%

LAB 48.83, 33.75, 10.37

 

CMYK 42 / 0 / 47 / 32

HEX #64AD5C

RGB 100 173 92

HSL 114.07, 0.33%, 0.52%

LAB 64.46, -39.2, 34.52

 

CMYK 47 / 5 / 0 / 32

HEX #5CA5AD

RGB 92 165 173

HSL 185.93, 0.33%, 0.52%

LAB 63.51, -20.61, -11.24

 

CMYK 5 / 47 / 0 / 32

HEX #A55CAD

RGB 165 92 173

HSL 294.07, 0.33%, 0.52%

LAB 50.3, 42.45, -30.96

 

CMYK 0 / 42 / 47 / 32

HEX #AD645C

RGB 173 100 92

HSL 5.93, 0.33%, 0.52%

LAB 50.42, 28.52, 17.32

 

CMYK 42 / 0 / 47 / 32

HEX #64AD5C

RGB 100 173 92

HSL 114.07, 0.33%, 0.52%

LAB 64.46, -39.2, 34.52

 

CMYK 47 / 18 / 0 / 32

HEX #5C8DAD

RGB 92 141 173

HSL 203.7, 0.33%, 0.52%

LAB 56.43, -7.63, -21.97

 

CMYK 5 / 47 / 0 / 32

HEX #A55CAD

RGB 165 92 173

HSL 294.07, 0.33%, 0.52%

LAB 50.3, 42.45, -30.96

 

CMYK 0 / 28 / 47 / 32

HEX #AD7D5C

RGB 173 125 92

HSL 24.44, 0.33%, 0.52%

LAB 56.41, 14.52, 25.31

 

Description

Color code: HEX #64AD5C | qconv.com Color code: HEX #64AD5C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 173 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 173 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 47 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 47% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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