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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #64ABC6 it is the complementary color #9B5439. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #64ABC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #64ABC6 shade: #69ABC1, #7ABDD4, #8BCFE7, #9CE1FA and #ADF3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #64ABC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #64ABC6 shade: #64ABC6, #5399B3, #4287A0, #31758D and #20637A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #64ABC6 shade: #63AAC5, #638FC5, #6375C5, #6B63C5 and #8663C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #64ABC6 shade: #63AAC5, #638FC5, #6375C5 and #6363C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #64ABC6 shade matches the following richer shades: #63AAC5, #51B2D6, #40BAE8 and #2FC1F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #64ABC6 shade: #63AAC5, #74A2B4, #859AA3, #979391 and #A88B80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #64ABC6 shade: #63C5AB, #63C5C5, #63ABC5, #6391C5 and #6376C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #64ABC6 shade: #3A819C, #459ABA, #63AAC5, #81BAD0 and #9FCBDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #64ABC6 shade: #64ABC6, #9163C5 and #C5B863

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #64ABC6 shade: #64ABC6, #C563AB and #ABC563

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #64ABC6 shade: #64ABC6, #9163C5, #C57D63 and #97C563

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #64ABC6 shade: #64ABC6, #AE63C5, #C57D63 and #7AC563

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 14 / 0 / 22

HEX #64ABC6

RGB 100 171 198

HSL 196.53, 0.46%, 0.58%

LAB 66.45, -14.92, -20.69

 

Complementary color

CMYK 0 / 46 / 63 / 39

HEX #9B5439

RGB 155 84 57

HSL 16.53, 0.46%, 0.42%

LAB 43.66, 26.89, 28.58

 

CMYK 46 / 11 / 0 / 24

HEX #69ABC1

RGB 105 171 193

HSL 195, 0.42%, 0.58%

LAB 66.5, -15.13, -17.82

 

CMYK 42 / 11 / 0 / 17

HEX #7ABDD4

RGB 122 189 212

HSL 195.33, 0.51%, 0.65%

LAB 73.08, -15.28, -18.22

 

CMYK 40 / 10 / 0 / 9

HEX #8BCFE7

RGB 139 207 231

HSL 195.65, 0.66%, 0.73%

LAB 79.55, -15.38, -18.61

 

CMYK 38 / 10 / 0 / 2

HEX #9CE1FA

RGB 156 225 250

HSL 195.96, 0.9%, 0.8%

LAB 85.92, -15.46, -19

 

CMYK 32 / 5 / 0 / 0

HEX #ADF3FF

RGB 173 243 255

HSL 188.78, 1%, 0.84%

LAB 91.78, -18.83, -12.73

 

CMYK 49 / 14 / 0 / 22

HEX #64ABC6

RGB 100 171 198

HSL 196.53, 0.46%, 0.58%

LAB 66.45, -14.92, -20.69

 

CMYK 54 / 15 / 0 / 30

HEX #5399B3

RGB 83 153 179

HSL 196.25, 0.39%, 0.51%

LAB 59.78, -14.62, -20.3

 

CMYK 59 / 16 / 0 / 37

HEX #4287A0

RGB 66 135 160

HSL 195.96, 0.42%, 0.44%

LAB 52.98, -14.19, -19.89

 

CMYK 65 / 17 / 0 / 45

HEX #31758D

RGB 49 117 141

HSL 195.65, 0.48%, 0.37%

LAB 46.04, -13.58, -19.45

 

CMYK 74 / 19 / 0 / 52

HEX #20637A

RGB 32 99 122

HSL 195.33, 0.58%, 0.3%

LAB 38.96, -12.69, -18.96

 

CMYK 50 / 14 / 0 / 23

HEX #63AAC5

RGB 99 170 197

HSL 196.53, 0.46%, 0.58%

LAB 66.08, -14.91, -20.7

 

CMYK 50 / 27 / 0 / 23

HEX #638FC5

RGB 99 143 197

HSL 213.06, 0.46%, 0.58%

LAB 58.35, 0.09, -32.61

 

CMYK 50 / 41 / 0 / 23

HEX #6375C5

RGB 99 117 197

HSL 228.98, 0.46%, 0.58%

LAB 51.16, 15.57, -43.9

 

CMYK 46 / 50 / 0 / 23

HEX #6B63C5

RGB 107 99 197

HSL 244.9, 0.46%, 0.58%

LAB 47.08, 28.46, -50.37

 

CMYK 32 / 50 / 0 / 23

HEX #8663C5

RGB 134 99 197

HSL 261.43, 0.46%, 0.58%

LAB 49.52, 35.22, -46.33

 

CMYK 50 / 14 / 0 / 23

HEX #63AAC5

RGB 99 170 197

HSL 196.53, 0.46%, 0.58%

LAB 66.08, -14.91, -20.7

 

CMYK 50 / 27 / 0 / 23

HEX #638FC5

RGB 99 143 197

HSL 213.06, 0.46%, 0.58%

LAB 58.35, 0.09, -32.61

 

CMYK 50 / 41 / 0 / 23

HEX #6375C5

RGB 99 117 197

HSL 228.98, 0.46%, 0.58%

LAB 51.16, 15.57, -43.9

 

CMYK 50 / 50 / 0 / 23

HEX #6363C5

RGB 99 99 197

HSL 240, 0.46%, 0.58%

LAB 46.46, 26.62, -51.4

 

CMYK 50 / 14 / 0 / 23

HEX #63AAC5

RGB 99 170 197

HSL 196.53, 0.46%, 0.58%

LAB 66.08, -14.91, -20.7

 

CMYK 62 / 17 / 0 / 16

HEX #51B2D6

RGB 81 178 214

HSL 196.24, 0.62%, 0.58%

LAB 68.35, -17.73, -26.68

 

CMYK 72 / 20 / 0 / 9

HEX #40BAE8

RGB 64 186 232

HSL 196.43, 0.79%, 0.58%

LAB 70.89, -18.78, -32.63

 

CMYK 81 / 22 / 0 / 2

HEX #2FC1F9

RGB 47 193 249

HSL 196.63, 0.94%, 0.58%

LAB 73.27, -18.6, -38.16

 

CMYK 50 / 14 / 0 / 23

HEX #63AAC5

RGB 99 170 197

HSL 196.53, 0.46%, 0.58%

LAB 66.08, -14.91, -20.7

 

CMYK 36 / 10 / 0 / 29

HEX #74A2B4

RGB 116 162 180

HSL 196.88, 0.3%, 0.58%

LAB 64.04, -10.88, -14.24

 

CMYK 18 / 6 / 0 / 36

HEX #859AA3

RGB 133 154 163

HSL 198, 0.14%, 0.58%

LAB 62.29, -5.4, -7.2

 

CMYK 0 / 3 / 4 / 41

HEX #979391

RGB 151 147 145

HSL 20, 0.03%, 0.58%

LAB 61.21, 1.09, 1.57

 

CMYK 0 / 17 / 24 / 34

HEX #A88B80

RGB 168 139 128

HSL 16.5, 0.19%, 0.58%

LAB 60.2, 9.22, 9.98

 

CMYK 50 / 0 / 13 / 23

HEX #63C5AB

RGB 99 197 171

HSL 164.08, 0.46%, 0.58%

LAB 73.24, -35.14, 4.22

 

CMYK 50 / 0 / 0 / 23

HEX #63C5C5

RGB 99 197 197

HSL 180, 0.46%, 0.58%

LAB 73.94, -28.66, -8.86

 

CMYK 50 / 13 / 0 / 23

HEX #63ABC5

RGB 99 171 197

HSL 195.92, 0.46%, 0.58%

LAB 66.37, -15.44, -20.26

 

CMYK 50 / 26 / 0 / 23

HEX #6391C5

RGB 99 145 197

HSL 211.84, 0.46%, 0.58%

LAB 58.91, -1.06, -31.73

 

CMYK 50 / 40 / 0 / 23

HEX #6376C5

RGB 99 118 197

HSL 228.37, 0.46%, 0.58%

LAB 51.43, 14.96, -43.48

 

CMYK 63 / 17 / 0 / 39

HEX #3A819C

RGB 58 129 156

HSL 196.53, 0.46%, 0.42%

LAB 50.69, -13.71, -21.1

 

CMYK 63 / 17 / 0 / 27

HEX #459ABA

RGB 69 154 186

HSL 196.41, 0.46%, 0.5%

LAB 59.82, -15.8, -24.23

 

CMYK 50 / 14 / 0 / 23

HEX #63AAC5

RGB 99 170 197

HSL 196.53, 0.46%, 0.58%

LAB 66.08, -14.91, -20.7

 

CMYK 38 / 11 / 0 / 18

HEX #81BAD0

RGB 129 186 208

HSL 196.71, 0.46%, 0.66%

LAB 72.45, -12.94, -16.95

 

CMYK 27 / 7 / 0 / 14

HEX #9FCBDB

RGB 159 203 219

HSL 196, 0.45%, 0.74%

LAB 79.15, -10.76, -12.66

 

CMYK 49 / 14 / 0 / 22

HEX #64ABC6

RGB 100 171 198

HSL 196.53, 0.46%, 0.58%

LAB 66.45, -14.92, -20.69

 

CMYK 26 / 50 / 0 / 23

HEX #9163C5

RGB 145 99 197

HSL 268.16, 0.46%, 0.58%

LAB 50.66, 38.16, -44.45

 

CMYK 0 / 7 / 50 / 23

HEX #C5B863

RGB 197 184 99

HSL 52.04, 0.46%, 0.58%

LAB 74.22, -6.79, 44.48

 

CMYK 49 / 14 / 0 / 22

HEX #64ABC6

RGB 100 171 198

HSL 196.53, 0.46%, 0.58%

LAB 66.45, -14.92, -20.69

 

CMYK 0 / 50 / 13 / 23

HEX #C563AB

RGB 197 99 171

HSL 315.92, 0.46%, 0.58%

LAB 55.82, 48.26, -20.91

 

CMYK 13 / 0 / 50 / 23

HEX #ABC563

RGB 171 197 99

HSL 75.92, 0.46%, 0.58%

LAB 75.76, -23.91, 45.85

 

CMYK 49 / 14 / 0 / 22

HEX #64ABC6

RGB 100 171 198

HSL 196.53, 0.46%, 0.58%

LAB 66.45, -14.92, -20.69

 

CMYK 26 / 50 / 0 / 23

HEX #9163C5

RGB 145 99 197

HSL 268.16, 0.46%, 0.58%

LAB 50.66, 38.16, -44.45

 

CMYK 0 / 37 / 50 / 23

HEX #C57D63

RGB 197 125 99

HSL 15.92, 0.46%, 0.58%

LAB 59.38, 25.13, 25.8

 

CMYK 23 / 0 / 50 / 23

HEX #97C563

RGB 151 197 99

HSL 88.16, 0.46%, 0.58%

LAB 74.45, -31.57, 43.97

 

CMYK 49 / 14 / 0 / 22

HEX #64ABC6

RGB 100 171 198

HSL 196.53, 0.46%, 0.58%

LAB 66.45, -14.92, -20.69

 

CMYK 12 / 50 / 0 / 23

HEX #AE63C5

RGB 174 99 197

HSL 285.92, 0.46%, 0.58%

LAB 53.98, 46.19, -38.99

 

CMYK 0 / 37 / 50 / 23

HEX #C57D63

RGB 197 125 99

HSL 15.92, 0.46%, 0.58%

LAB 59.38, 25.13, 25.8

 

CMYK 38 / 0 / 50 / 23

HEX #7AC563

RGB 122 197 99

HSL 105.92, 0.46%, 0.58%

LAB 72.87, -41.72, 41.68

 

Description

Color code: HEX #64ABC6 | qconv.com Color code: HEX #64ABC6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 171 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 171 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 14 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 14% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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