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Color name
HEX #64A71D

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #64A71D it is the complementary color #9B58E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #64A71D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #64A71D shade: #69A718, #7AB92B, #8BCB3E, #9CDD51 and #ADEF64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #64A71D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #64A71D shade: #64A71D, #53950A, #428300, #317100 and #205F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #64A71D shade: #63A51D, #87A51D, #A59D1D, #A5791D and #A5541D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #64A71D shade: #63A51D, #3EA51D, #1DA520, #1DA545 and #1DA56A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #64A71D shade matches the following richer shades: #63A51D and #63B40D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #64A71D shade: #63A51D, #62952D, #62853C, #62764C and #61665C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #64A71D shade: #A59E1D, #87A51D, #63A51D, #3FA51D and #1DA51F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #64A71D shade: #395F11, #4E8217, #63A51D, #78C823 and #8DDC38

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #64A71D shade: #64A71D, #1DA57A and #A51D99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #64A71D shade: #64A71D, #1D63A5 and #A51D63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #64A71D shade: #64A71D, #1DA57A, #5F1DA5 and #A51D48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #64A71D shade: #64A71D, #1DA5A2, #5F1DA5 and #A51D1F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 83 / 35

HEX #64A71D

RGB 100 167 29

HSL 89.13, 0.7%, 0.38%

LAB 62.03, -42.46, 58.34

 

Complementary color

CMYK 31 / 61 / 0 / 11

HEX #9B58E2

RGB 155 88 226

HSL 269.13, 0.7%, 0.62%

LAB 51.2, 53.55, -60.05

 

CMYK 37 / 0 / 86 / 35

HEX #69A718

RGB 105 167 24

HSL 86.01, 0.75%, 0.37%

LAB 62.26, -40.88, 59.91

 

CMYK 34 / 0 / 77 / 27

HEX #7AB92B

RGB 122 185 43

HSL 86.62, 0.62%, 0.45%

LAB 68.76, -41.55, 60.81

 

CMYK 32 / 0 / 69 / 20

HEX #8BCB3E

RGB 139 203 62

HSL 87.23, 0.58%, 0.52%

LAB 75.17, -42, 60.78

 

CMYK 29 / 0 / 63 / 13

HEX #9CDD51

RGB 156 221 81

HSL 87.86, 0.67%, 0.59%

LAB 81.5, -42.3, 60.23

 

CMYK 28 / 0 / 58 / 6

HEX #ADEF64

RGB 173 239 100

HSL 88.49, 0.81%, 0.66%

LAB 87.75, -42.48, 59.4

 

CMYK 40 / 0 / 83 / 35

HEX #64A71D

RGB 100 167 29

HSL 89.13, 0.7%, 0.38%

LAB 62.03, -42.46, 58.34

 

CMYK 44 / 0 / 93 / 42

HEX #53950A

RGB 83 149 10

HSL 88.49, 0.87%, 0.31%

LAB 55.44, -41.56, 56.47

 

CMYK 50 / 0 / 100 / 49

HEX #428300

RGB 66 131 0

HSL 89.77, 1%, 0.26%

LAB 48.75, -40.22, 52.53

 

CMYK 57 / 0 / 100 / 56

HEX #317100

RGB 49 113 0

HSL 93.98, 1%, 0.22%

LAB 41.94, -38.47, 46.89

 

CMYK 66 / 0 / 100 / 63

HEX #205F00

RGB 32 95 0

HSL 99.79, 1%, 0.19%

LAB 34.99, -36.4, 41.14

 

CMYK 40 / 0 / 82 / 35

HEX #63A51D

RGB 99 165 29

HSL 89.12, 0.7%, 0.38%

LAB 61.35, -41.98, 57.71

 

CMYK 18 / 0 / 82 / 35

HEX #87A51D

RGB 135 165 29

HSL 73.24, 0.7%, 0.38%

LAB 63.47, -27.96, 60.4

 

CMYK 0 / 5 / 82 / 35

HEX #A59D1D

RGB 165 157 29

HSL 56.47, 0.7%, 0.38%

LAB 63.51, -10.83, 61.35

 

CMYK 0 / 27 / 82 / 35

HEX #A5791D

RGB 165 121 29

HSL 40.59, 0.7%, 0.38%

LAB 53.77, 8.9, 52.87

 

CMYK 0 / 49 / 82 / 35

HEX #A5541D

RGB 165 84 29

HSL 24.26, 0.7%, 0.38%

LAB 44.84, 29.64, 44.82

 

CMYK 40 / 0 / 82 / 35

HEX #63A51D

RGB 99 165 29

HSL 89.12, 0.7%, 0.38%

LAB 61.35, -41.98, 57.71

 

CMYK 62 / 0 / 82 / 35

HEX #3EA51D

RGB 62 165 29

HSL 105.44, 0.7%, 0.38%

LAB 59.91, -53.07, 55.86

 

CMYK 82 / 0 / 81 / 35

HEX #1DA520

RGB 29 165 32

HSL 121.32, 0.7%, 0.38%

LAB 59.23, -58.81, 54.1

 

CMYK 82 / 0 / 58 / 35

HEX #1DA545

RGB 29 165 69

HSL 137.65, 0.7%, 0.38%

LAB 59.53, -55.13, 39.49

 

CMYK 82 / 0 / 36 / 35

HEX #1DA56A

RGB 29 165 106

HSL 153.97, 0.7%, 0.38%

LAB 60.08, -48.65, 20.98

 

CMYK 40 / 0 / 82 / 35

HEX #63A51D

RGB 99 165 29

HSL 89.12, 0.7%, 0.38%

LAB 61.35, -41.98, 57.71

 

CMYK 45 / 0 / 93 / 29

HEX #63B40D

RGB 99 180 13

HSL 89.1, 0.87%, 0.38%

LAB 66, -48.61, 65

 

CMYK 40 / 0 / 82 / 35

HEX #63A51D

RGB 99 165 29

HSL 89.12, 0.7%, 0.38%

LAB 61.35, -41.98, 57.71

 

CMYK 34 / 0 / 70 / 42

HEX #62952D

RGB 98 149 45

HSL 89.42, 0.54%, 0.38%

LAB 56.37, -34.38, 47.37

 

CMYK 26 / 0 / 55 / 48

HEX #62853C

RGB 98 133 60

HSL 88.77, 0.38%, 0.38%

LAB 51.49, -25.36, 35.02

 

CMYK 17 / 0 / 36 / 54

HEX #62764C

RGB 98 118 76

HSL 88.57, 0.22%, 0.38%

LAB 47.07, -15.45, 20.78

 

CMYK 5 / 0 / 10 / 60

HEX #61665C

RGB 97 102 92

HSL 90, 0.05%, 0.38%

LAB 42.49, -3.99, 4.98

 

CMYK 0 / 4 / 82 / 35

HEX #A59E1D

RGB 165 158 29

HSL 56.91, 0.7%, 0.38%

LAB 63.79, -11.36, 61.59

 

CMYK 18 / 0 / 82 / 35

HEX #87A51D

RGB 135 165 29

HSL 73.24, 0.7%, 0.38%

LAB 63.47, -27.96, 60.4

 

CMYK 40 / 0 / 82 / 35

HEX #63A51D

RGB 99 165 29

HSL 89.12, 0.7%, 0.38%

LAB 61.35, -41.98, 57.71

 

CMYK 62 / 0 / 82 / 35

HEX #3FA51D

RGB 63 165 29

HSL 105, 0.7%, 0.38%

LAB 59.94, -52.83, 55.9

 

CMYK 82 / 0 / 81 / 35

HEX #1DA51F

RGB 29 165 31

HSL 120.88, 0.7%, 0.38%

LAB 59.22, -58.87, 54.4

 

CMYK 40 / 0 / 82 / 63

HEX #395F11

RGB 57 95 17

HSL 89.23, 0.7%, 0.22%

LAB 36.17, -27.1, 37.39

 

CMYK 40 / 0 / 82 / 49

HEX #4E8217

RGB 78 130 23

HSL 89.16, 0.7%, 0.3%

LAB 49.06, -34.75, 47.86

 

CMYK 40 / 0 / 82 / 35

HEX #63A51D

RGB 99 165 29

HSL 89.12, 0.7%, 0.38%

LAB 61.35, -41.98, 57.71

 

CMYK 40 / 0 / 83 / 22

HEX #78C823

RGB 120 200 35

HSL 89.09, 0.7%, 0.46%

LAB 73.17, -48.9, 67.12

 

CMYK 36 / 0 / 75 / 14

HEX #8DDC38

RGB 141 220 56

HSL 88.9, 0.7%, 0.54%

LAB 80.26, -48.85, 67.97

 

CMYK 40 / 0 / 83 / 35

HEX #64A71D

RGB 100 167 29

HSL 89.13, 0.7%, 0.38%

LAB 62.03, -42.46, 58.34

 

CMYK 82 / 0 / 26 / 35

HEX #1DA57A

RGB 29 165 122

HSL 161.03, 0.7%, 0.38%

LAB 60.41, -45.03, 12.61

 

CMYK 0 / 82 / 7 / 35

HEX #A51D99

RGB 165 29 153

HSL 305.29, 0.7%, 0.38%

LAB 39.88, 64.77, -35.44

 

CMYK 40 / 0 / 83 / 35

HEX #64A71D

RGB 100 167 29

HSL 89.13, 0.7%, 0.38%

LAB 62.03, -42.46, 58.34

 

CMYK 82 / 40 / 0 / 35

HEX #1D63A5

RGB 29 99 165

HSL 209.12, 0.7%, 0.38%

LAB 41.06, 3.21, -41.53

 

CMYK 0 / 82 / 40 / 35

HEX #A51D63

RGB 165 29 99

HSL 329.12, 0.7%, 0.38%

LAB 37.44, 57.88, -5.66

 

CMYK 40 / 0 / 83 / 35

HEX #64A71D

RGB 100 167 29

HSL 89.13, 0.7%, 0.38%

LAB 62.03, -42.46, 58.34

 

CMYK 82 / 0 / 26 / 35

HEX #1DA57A

RGB 29 165 122

HSL 161.03, 0.7%, 0.38%

LAB 60.41, -45.03, 12.61

 

CMYK 42 / 82 / 0 / 35

HEX #5F1DA5

RGB 95 29 165

HSL 269.12, 0.7%, 0.38%

LAB 29.48, 54.44, -60.04

 

CMYK 0 / 82 / 56 / 35

HEX #A51D48

RGB 165 29 72

HSL 341.03, 0.7%, 0.38%

LAB 36.64, 55.5, 10.52

 

CMYK 40 / 0 / 83 / 35

HEX #64A71D

RGB 100 167 29

HSL 89.13, 0.7%, 0.38%

LAB 62.03, -42.46, 58.34

 

CMYK 82 / 0 / 2 / 35

HEX #1DA5A2

RGB 29 165 162

HSL 178.68, 0.7%, 0.38%

LAB 61.46, -34.12, -8.3

 

CMYK 42 / 82 / 0 / 35

HEX #5F1DA5

RGB 95 29 165

HSL 269.12, 0.7%, 0.38%

LAB 29.48, 54.44, -60.04

 

CMYK 0 / 82 / 81 / 35

HEX #A51D1F

RGB 165 29 31

HSL 359.12, 0.7%, 0.38%

LAB 35.94, 53.36, 35.29

 

Description

Color code: HEX #64A71D | qconv.com Color code: HEX #64A71D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 167 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 167 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 83 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 83% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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