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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #649FC7 it is the complementary color #9B6038. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #649FC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #649FC7 shade: #699FC2, #7AB1D5, #8BC3E8, #9CD5FB and #ADE7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #649FC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #649FC7 shade: #649FC7, #538DB4, #427BA1, #31698E and #20577B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #649FC7 shade: #65A0C8, #6585C8, #656BC8, #7A65C8 and #9565C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #649FC7 shade: #65A0C8, #6585C8, #656BC8 and #6565C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #649FC7 shade matches the following richer shades: #65A0C8, #54A3D9, #43A6E9 and #33AAFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #649FC7 shade: #65A0C8, #769DB7, #8799A6, #989695 and #A99384

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #649FC7 shade: #65C8BA, #65BAC8, #65A0C8, #6586C8 and #656CC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #649FC7 shade: #3A77A1, #478DBD, #65A0C8, #84B3D3 and #A2C5DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #649FC7 shade: #649FC7, #A065C8 and #C8C865

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #649FC7 shade: #649FC7, #C865A0 and #A0C865

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #649FC7 shade: #649FC7, #A065C8, #C88D65 and #8DC865

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #649FC7 shade: #649FC7, #BE65C8, #C88D65 and #6FC865

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 20 / 0 / 22

HEX #649FC7

RGB 100 159 199

HSL 204.24, 0.47%, 0.59%

LAB 63.04, -8.12, -26.47

 

Complementary color

CMYK 0 / 38 / 64 / 39

HEX #9B6038

RGB 155 96 56

HSL 24.24, 0.47%, 0.41%

LAB 46.47, 20.04, 32.52

 

CMYK 46 / 18 / 0 / 24

HEX #699FC2

RGB 105 159 194

HSL 203.6, 0.42%, 0.59%

LAB 63.09, -8.36, -23.58

 

CMYK 43 / 17 / 0 / 16

HEX #7AB1D5

RGB 122 177 213

HSL 203.74, 0.52%, 0.66%

LAB 69.74, -8.63, -23.84

 

CMYK 40 / 16 / 0 / 9

HEX #8BC3E8

RGB 139 195 232

HSL 203.87, 0.67%, 0.73%

LAB 76.28, -8.85, -24.11

 

CMYK 38 / 15 / 0 / 2

HEX #9CD5FB

RGB 156 213 251

HSL 204, 0.92%, 0.8%

LAB 82.71, -9.03, -24.39

 

CMYK 32 / 9 / 0 / 0

HEX #ADE7FF

RGB 173 231 255

HSL 197.56, 1%, 0.84%

LAB 88.57, -12.81, -17.54

 

CMYK 50 / 20 / 0 / 22

HEX #649FC7

RGB 100 159 199

HSL 204.24, 0.47%, 0.59%

LAB 63.04, -8.12, -26.47

 

CMYK 54 / 22 / 0 / 29

HEX #538DB4

RGB 83 141 180

HSL 204.12, 0.39%, 0.52%

LAB 56.27, -7.67, -26.25

 

CMYK 59 / 24 / 0 / 37

HEX #427BA1

RGB 66 123 161

HSL 204, 0.42%, 0.45%

LAB 49.37, -7.07, -26.02

 

CMYK 65 / 26 / 0 / 44

HEX #31698E

RGB 49 105 142

HSL 203.87, 0.49%, 0.37%

LAB 42.32, -6.25, -25.8

 

CMYK 74 / 29 / 0 / 52

HEX #20577B

RGB 32 87 123

HSL 203.74, 0.59%, 0.3%

LAB 35.11, -5.09, -25.55

 

CMYK 50 / 20 / 0 / 22

HEX #65A0C8

RGB 101 160 200

HSL 204.24, 0.47%, 0.59%

LAB 63.41, -8.15, -26.46

 

CMYK 50 / 34 / 0 / 22

HEX #6585C8

RGB 101 133 200

HSL 220.61, 0.47%, 0.59%

LAB 55.8, 7.34, -38.29

 

CMYK 50 / 47 / 0 / 22

HEX #656BC8

RGB 101 107 200

HSL 236.36, 0.47%, 0.59%

LAB 48.82, 23.09, -49.33

 

CMYK 39 / 50 / 0 / 22

HEX #7A65C8

RGB 122 101 200

HSL 252.73, 0.47%, 0.59%

LAB 49.03, 31.77, -48.91

 

CMYK 26 / 50 / 0 / 22

HEX #9565C8

RGB 149 101 200

HSL 269.09, 0.47%, 0.59%

LAB 51.69, 38.84, -44.52

 

CMYK 50 / 20 / 0 / 22

HEX #65A0C8

RGB 101 160 200

HSL 204.24, 0.47%, 0.59%

LAB 63.41, -8.15, -26.46

 

CMYK 50 / 34 / 0 / 22

HEX #6585C8

RGB 101 133 200

HSL 220.61, 0.47%, 0.59%

LAB 55.8, 7.34, -38.29

 

CMYK 50 / 47 / 0 / 22

HEX #656BC8

RGB 101 107 200

HSL 236.36, 0.47%, 0.59%

LAB 48.82, 23.09, -49.33

 

CMYK 50 / 50 / 0 / 22

HEX #6565C8

RGB 101 101 200

HSL 240, 0.47%, 0.59%

LAB 47.29, 26.77, -51.78

 

CMYK 50 / 20 / 0 / 22

HEX #65A0C8

RGB 101 160 200

HSL 204.24, 0.47%, 0.59%

LAB 63.41, -8.15, -26.46

 

CMYK 61 / 25 / 0 / 15

HEX #54A3D9

RGB 84 163 217

HSL 204.36, 0.64%, 0.59%

LAB 64.23, -8.15, -34.68

 

CMYK 71 / 29 / 0 / 9

HEX #43A6E9

RGB 67 166 233

HSL 204.22, 0.79%, 0.59%

LAB 65.24, -7.26, -41.97

 

CMYK 80 / 32 / 0 / 2

HEX #33AAFA

RGB 51 170 250

HSL 204.12, 0.95%, 0.59%

LAB 66.79, -5.45, -48.85

 

CMYK 50 / 20 / 0 / 22

HEX #65A0C8

RGB 101 160 200

HSL 204.24, 0.47%, 0.59%

LAB 63.41, -8.15, -26.46

 

CMYK 36 / 14 / 0 / 28

HEX #769DB7

RGB 118 157 183

HSL 204, 0.31%, 0.59%

LAB 62.83, -6.8, -17.74

 

CMYK 19 / 8 / 0 / 35

HEX #8799A6

RGB 135 153 166

HSL 205.16, 0.15%, 0.59%

LAB 62.24, -3.51, -8.95

 

CMYK 0 / 1 / 2 / 40

HEX #989695

RGB 152 150 149

HSL 20, 0.01%, 0.59%

LAB 62.22, 0.54, 0.78

 

CMYK 0 / 13 / 22 / 34

HEX #A99384

RGB 169 147 132

HSL 24.32, 0.18%, 0.59%

LAB 62.48, 5.75, 10.95

 

CMYK 50 / 0 / 7 / 22

HEX #65C8BA

RGB 101 200 186

HSL 171.52, 0.47%, 0.59%

LAB 74.58, -32.47, -1.94

 

CMYK 50 / 7 / 0 / 22

HEX #65BAC8

RGB 101 186 200

HSL 188.48, 0.47%, 0.59%

LAB 70.91, -21.94, -15.03

 

CMYK 50 / 20 / 0 / 22

HEX #65A0C8

RGB 101 160 200

HSL 204.24, 0.47%, 0.59%

LAB 63.41, -8.15, -26.46

 

CMYK 50 / 33 / 0 / 22

HEX #6586C8

RGB 101 134 200

HSL 220, 0.47%, 0.59%

LAB 56.07, 6.75, -37.85

 

CMYK 50 / 46 / 0 / 22

HEX #656CC8

RGB 101 108 200

HSL 235.76, 0.47%, 0.59%

LAB 49.08, 22.48, -48.92

 

CMYK 64 / 26 / 0 / 37

HEX #3A77A1

RGB 58 119 161

HSL 204.47, 0.47%, 0.43%

LAB 47.84, -6.32, -28.43

 

CMYK 62 / 25 / 0 / 26

HEX #478DBD

RGB 71 141 189

HSL 204.41, 0.47%, 0.51%

LAB 56.15, -7.25, -31.6

 

CMYK 50 / 20 / 0 / 22

HEX #65A0C8

RGB 101 160 200

HSL 204.24, 0.47%, 0.59%

LAB 63.41, -8.15, -26.46

 

CMYK 37 / 15 / 0 / 17

HEX #84B3D3

RGB 132 179 211

HSL 204.3, 0.47%, 0.67%

LAB 70.77, -7.62, -21.13

 

CMYK 27 / 11 / 0 / 13

HEX #A2C5DD

RGB 162 197 221

HSL 204.41, 0.46%, 0.75%

LAB 77.78, -6.27, -15.79

 

CMYK 50 / 20 / 0 / 22

HEX #649FC7

RGB 100 159 199

HSL 204.24, 0.47%, 0.59%

LAB 63.04, -8.12, -26.47

 

CMYK 20 / 50 / 0 / 22

HEX #A065C8

RGB 160 101 200

HSL 275.76, 0.47%, 0.59%

LAB 52.9, 41.86, -42.52

 

CMYK 0 / 0 / 50 / 22

HEX #C8C865

RGB 200 200 101

HSL 60, 0.47%, 0.59%

LAB 78.77, -13.59, 49.01

 

CMYK 50 / 20 / 0 / 22

HEX #649FC7

RGB 100 159 199

HSL 204.24, 0.47%, 0.59%

LAB 63.04, -8.12, -26.47

 

CMYK 0 / 50 / 20 / 22

HEX #C865A0

RGB 200 101 160

HSL 324.24, 0.47%, 0.59%

LAB 56.21, 46.5, -13.89

 

CMYK 20 / 0 / 50 / 22

HEX #A0C865

RGB 160 200 101

HSL 84.24, 0.47%, 0.59%

LAB 75.9, -29.39, 44.88

 

CMYK 50 / 20 / 0 / 22

HEX #649FC7

RGB 100 159 199

HSL 204.24, 0.47%, 0.59%

LAB 63.04, -8.12, -26.47

 

CMYK 20 / 50 / 0 / 22

HEX #A065C8

RGB 160 101 200

HSL 275.76, 0.47%, 0.59%

LAB 52.9, 41.86, -42.52

 

CMYK 0 / 30 / 50 / 22

HEX #C88D65

RGB 200 141 101

HSL 24.24, 0.47%, 0.59%

LAB 63.56, 17.78, 30.21

 

CMYK 30 / 0 / 50 / 22

HEX #8DC865

RGB 141 200 101

HSL 95.76, 0.47%, 0.59%

LAB 74.77, -36.35, 43.25

 

CMYK 50 / 20 / 0 / 22

HEX #649FC7

RGB 100 159 199

HSL 204.24, 0.47%, 0.59%

LAB 63.04, -8.12, -26.47

 

CMYK 5 / 50 / 0 / 22

HEX #BE65C8

RGB 190 101 200

HSL 293.94, 0.47%, 0.59%

LAB 56.51, 50.27, -36.59

 

CMYK 0 / 30 / 50 / 22

HEX #C88D65

RGB 200 141 101

HSL 24.24, 0.47%, 0.59%

LAB 63.56, 17.78, 30.21

 

CMYK 45 / 0 / 50 / 22

HEX #6FC865

RGB 111 200 101

HSL 113.94, 0.47%, 0.59%

LAB 73.3, -46.17, 41.12

 

Description

Color code: HEX #649FC7 | qconv.com Color code: HEX #649FC7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 159 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 159 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 20 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 20% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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