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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #649E02 it is the complementary color #9B61FD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #649E02. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #649E02 shade: #699E00, #7AB010, #8BC223, #9CD436 and #ADE649

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #649E02. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #649E02 shade: #649E02, #538C00, #427A00, #316800 and #205600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #649E02 shade: #639D02, #8D9D02, #9D8302, #9D5902 and #9D2F02

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #649E02 shade: #639D02, #399D02, #0F9D02, #029D1E and #029D47

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #649E02 shade matches the following richer shades: #639D02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #649E02 shade: #639D02, #60900E, #5C831B, #597628 and #566935

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #649E02 shade: #9D8302, #8D9D02, #649D02, #3A9D02 and #119D02

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #649E02 shade: #2F4B01, #497401, #639D02, #7DC502 and #97EE02

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #649E02 shade: #649E02, #029D59 and #97029D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #649E02 shade: #649E02, #02649D and #9D0264

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #649E02 shade: #649E02, #029D59, #3A029D and #9D0245

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #649E02 shade: #649E02, #029D88, #3A029D and #9D0216

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 99 / 38

HEX #649E02

RGB 100 158 2

HSL 82.31, 0.98%, 0.31%

LAB 59.13, -39.42, 61.01

 

Complementary color

CMYK 39 / 62 / 0 / 1

HEX #9B61FD

RGB 155 97 253

HSL 262.31, 0.98%, 0.69%

LAB 54.67, 55.55, -69.55

 

CMYK 34 / 0 / 100 / 38

HEX #699E00

RGB 105 158 0

HSL 80.13, 1%, 0.31%

LAB 59.39, -37.57, 61.63

 

CMYK 31 / 0 / 91 / 31

HEX #7AB010

RGB 122 176 16

HSL 80.25, 0.83%, 0.38%

LAB 65.92, -38.66, 64.96

 

CMYK 28 / 0 / 82 / 24

HEX #8BC223

RGB 139 194 35

HSL 80.75, 0.69%, 0.45%

LAB 72.36, -39.51, 66.78

 

CMYK 26 / 0 / 75 / 17

HEX #9CD436

RGB 156 212 54

HSL 81.27, 0.65%, 0.52%

LAB 78.71, -40.14, 67.41

 

CMYK 25 / 0 / 68 / 10

HEX #ADE649

RGB 173 230 73

HSL 81.78, 0.76%, 0.59%

LAB 84.98, -40.6, 67.31

 

CMYK 37 / 0 / 99 / 38

HEX #649E02

RGB 100 158 2

HSL 82.31, 0.98%, 0.31%

LAB 59.13, -39.42, 61.01

 

CMYK 41 / 0 / 100 / 45

HEX #538C00

RGB 83 140 0

HSL 84.43, 1%, 0.27%

LAB 52.5, -38.02, 55.8

 

CMYK 46 / 0 / 100 / 52

HEX #427A00

RGB 66 122 0

HSL 87.54, 1%, 0.24%

LAB 45.74, -36.5, 50.18

 

CMYK 53 / 0 / 100 / 59

HEX #316800

RGB 49 104 0

HSL 91.73, 1%, 0.2%

LAB 38.82, -34.83, 44.44

 

CMYK 63 / 0 / 100 / 66

HEX #205600

RGB 32 86 0

HSL 97.67, 1%, 0.17%

LAB 31.72, -32.9, 38.56

 

CMYK 37 / 0 / 99 / 38

HEX #639D02

RGB 99 157 2

HSL 82.45, 0.97%, 0.31%

LAB 58.76, -39.36, 60.7

 

CMYK 10 / 0 / 99 / 38

HEX #8D9D02

RGB 141 157 2

HSL 66.19, 0.97%, 0.31%

LAB 61.46, -22.09, 63.95

 

CMYK 0 / 17 / 99 / 38

HEX #9D8302

RGB 157 131 2

HSL 49.94, 0.97%, 0.31%

LAB 55.49, -0.99, 60.19

 

CMYK 0 / 43 / 99 / 38

HEX #9D5902

RGB 157 89 2

HSL 33.68, 0.97%, 0.31%

LAB 44.68, 22.81, 52.76

 

CMYK 0 / 70 / 99 / 38

HEX #9D2F02

RGB 157 47 2

HSL 17.42, 0.97%, 0.31%

LAB 36.38, 44.03, 47.77

 

CMYK 37 / 0 / 99 / 38

HEX #639D02

RGB 99 157 2

HSL 82.45, 0.97%, 0.31%

LAB 58.76, -39.36, 60.7

 

CMYK 64 / 0 / 99 / 38

HEX #399D02

RGB 57 157 2

HSL 98.71, 0.97%, 0.31%

LAB 57.06, -52.42, 58.63

 

CMYK 90 / 0 / 99 / 38

HEX #0F9D02

RGB 15 157 2

HSL 114.97, 0.97%, 0.31%

LAB 56.31, -59, 57.71

 

CMYK 99 / 0 / 81 / 38

HEX #029D1E

RGB 2 157 30

HSL 130.84, 0.97%, 0.31%

LAB 56.31, -58.65, 51.86

 

CMYK 99 / 0 / 55 / 38

HEX #029D47

RGB 2 157 71

HSL 146.71, 0.97%, 0.31%

LAB 56.67, -54.16, 35.02

 

CMYK 37 / 0 / 99 / 38

HEX #639D02

RGB 99 157 2

HSL 82.45, 0.97%, 0.31%

LAB 58.76, -39.36, 60.7

 

CMYK 37 / 0 / 99 / 38

HEX #639D02

RGB 99 157 2

HSL 82.45, 0.97%, 0.31%

LAB 58.76, -39.36, 60.7

 

CMYK 33 / 0 / 90 / 44

HEX #60900E

RGB 96 144 14

HSL 82.15, 0.82%, 0.31%

LAB 54.52, -34.5, 55.28

 

CMYK 30 / 0 / 79 / 49

HEX #5C831B

RGB 92 131 27

HSL 82.5, 0.66%, 0.31%

LAB 50.2, -29.54, 47.91

 

CMYK 25 / 0 / 66 / 54

HEX #597628

RGB 89 118 40

HSL 82.31, 0.49%, 0.31%

LAB 45.95, -23.51, 38.34

 

CMYK 18 / 0 / 50 / 59

HEX #566935

RGB 86 105 53

HSL 81.92, 0.33%, 0.31%

LAB 41.75, -16.62, 26.79

 

CMYK 0 / 17 / 99 / 38

HEX #9D8302

RGB 157 131 2

HSL 49.94, 0.97%, 0.31%

LAB 55.49, -0.99, 60.19

 

CMYK 10 / 0 / 99 / 38

HEX #8D9D02

RGB 141 157 2

HSL 66.19, 0.97%, 0.31%

LAB 61.46, -22.09, 63.95

 

CMYK 36 / 0 / 99 / 38

HEX #649D02

RGB 100 157 2

HSL 82.06, 0.97%, 0.31%

LAB 58.81, -38.99, 60.76

 

CMYK 63 / 0 / 99 / 38

HEX #3A9D02

RGB 58 157 2

HSL 98.32, 0.97%, 0.31%

LAB 57.09, -52.18, 58.67

 

CMYK 89 / 0 / 99 / 38

HEX #119D02

RGB 17 157 2

HSL 114.19, 0.97%, 0.31%

LAB 56.32, -58.85, 57.73

 

CMYK 37 / 0 / 99 / 71

HEX #2F4B01

RGB 47 75 1

HSL 82.7, 0.97%, 0.15%

LAB 28.48, -22.37, 35.91

 

CMYK 37 / 0 / 99 / 55

HEX #497401

RGB 73 116 1

HSL 82.43, 0.98%, 0.23%

LAB 44.1, -31.18, 48.83

 

CMYK 37 / 0 / 99 / 38

HEX #639D02

RGB 99 157 2

HSL 82.45, 0.97%, 0.31%

LAB 58.76, -39.36, 60.7

 

CMYK 37 / 0 / 99 / 23

HEX #7DC502

RGB 125 197 2

HSL 82.15, 0.98%, 0.39%

LAB 72.43, -46.74, 71.93

 

CMYK 37 / 0 / 99 / 7

HEX #97EE02

RGB 151 238 2

HSL 82.12, 0.98%, 0.47%

LAB 85.87, -54.24, 82.93

 

CMYK 37 / 0 / 99 / 38

HEX #649E02

RGB 100 158 2

HSL 82.31, 0.98%, 0.31%

LAB 59.13, -39.42, 61.01

 

CMYK 99 / 0 / 43 / 38

HEX #029D59

RGB 2 157 89

HSL 153.68, 0.97%, 0.31%

LAB 56.93, -51.01, 25.97

 

CMYK 4 / 99 / 0 / 38

HEX #97029D

RGB 151 2 157

HSL 297.68, 0.97%, 0.31%

LAB 36.09, 67.14, -44.05

 

CMYK 37 / 0 / 99 / 38

HEX #649E02

RGB 100 158 2

HSL 82.31, 0.98%, 0.31%

LAB 59.13, -39.42, 61.01

 

CMYK 99 / 36 / 0 / 38

HEX #02649D

RGB 2 100 157

HSL 202.06, 0.97%, 0.31%

LAB 40.51, -2.39, -37.68

 

CMYK 0 / 99 / 36 / 38

HEX #9D0264

RGB 157 2 100

HSL 322.06, 0.97%, 0.31%

LAB 34.26, 60.76, -11.25

 

CMYK 37 / 0 / 99 / 38

HEX #649E02

RGB 100 158 2

HSL 82.31, 0.98%, 0.31%

LAB 59.13, -39.42, 61.01

 

CMYK 99 / 0 / 43 / 38

HEX #029D59

RGB 2 157 89

HSL 153.68, 0.97%, 0.31%

LAB 56.93, -51.01, 25.97

 

CMYK 63 / 99 / 0 / 38

HEX #3A029D

RGB 58 2 157

HSL 261.68, 0.97%, 0.31%

LAB 21.5, 56.15, -68.51

 

CMYK 0 / 99 / 56 / 38

HEX #9D0245

RGB 157 2 69

HSL 334.06, 0.97%, 0.31%

LAB 33.22, 58.03, 7.45

 

CMYK 37 / 0 / 99 / 38

HEX #649E02

RGB 100 158 2

HSL 82.31, 0.98%, 0.31%

LAB 59.13, -39.42, 61.01

 

CMYK 99 / 0 / 13 / 38

HEX #029D88

RGB 2 157 136

HSL 171.87, 0.97%, 0.31%

LAB 57.95, -39.66, 1.19

 

CMYK 63 / 99 / 0 / 38

HEX #3A029D

RGB 58 2 157

HSL 261.68, 0.97%, 0.31%

LAB 21.5, 56.15, -68.51

 

CMYK 0 / 99 / 86 / 38

HEX #9D0216

RGB 157 2 22

HSL 352.26, 0.97%, 0.31%

LAB 32.41, 55.83, 36.39

 

Description

Color code: HEX #649E02 | qconv.com Color code: HEX #649E02 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 158 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 158 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 99 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 99% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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