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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #648DCB it is the complementary color #9B7234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #648DCB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #648DCB shade: #698DC6, #7A9FD9, #8BB1EC, #9CC3FF and #ADD5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #648DCB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #648DCB shade: #648DCB, #537BB8, #4269A5, #315792 and #20457F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #648DCB shade: #628CCB, #6270CB, #7162CB, #8D62CB and #A962CB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #648DCB shade: #628CCB, #6270CB and #6262CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #648DCB shade matches the following richer shades: #628CCB, #5188DC, #4085ED and #2F81FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #648DCB shade: #628CCB, #738FBA, #8493A9, #959698 and #A69A87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #648DCB shade: #62C4CB, #62A8CB, #628CCB, #6270CB and #7062CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #648DCB shade: #3762A4, #4375C0, #628CCB, #81A3D5 and #A0B9DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #648DCB shade: #648DCB, #B662CB and #B6CB62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #648DCB shade: #648DCB, #CB628C and #8CCB62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #648DCB shade: #648DCB, #B662CB, #CBA162 and #77CB62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #648DCB shade: #648DCB, #CB62C0, #CBA162 and #62CB6D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 31 / 0 / 20

HEX #648DCB

RGB 100 141 203

HSL 216.12, 0.5%, 0.59%

LAB 58.1, 3.32, -36.37

 

Complementary color

CMYK 0 / 26 / 66 / 39

HEX #9B7234

RGB 155 114 52

HSL 36.12, 0.5%, 0.41%

LAB 50.98, 9.45, 39.79

 

CMYK 47 / 29 / 0 / 22

HEX #698DC6

RGB 105 141 198

HSL 216.77, 0.45%, 0.59%

LAB 58.16, 3.01, -33.44

 

CMYK 44 / 27 / 0 / 15

HEX #7A9FD9

RGB 122 159 217

HSL 216.63, 0.56%, 0.66%

LAB 64.92, 2.46, -33.48

 

CMYK 41 / 25 / 0 / 7

HEX #8BB1EC

RGB 139 177 236

HSL 216.49, 0.72%, 0.74%

LAB 71.55, 1.99, -33.55

 

CMYK 39 / 24 / 0 / 0

HEX #9CC3FF

RGB 156 195 255

HSL 216.36, 1%, 0.81%

LAB 78.06, 1.59, -33.64

 

CMYK 32 / 16 / 0 / 0

HEX #ADD5FF

RGB 173 213 255

HSL 210.73, 1%, 0.84%

LAB 83.81, -3.49, -24.75

 

CMYK 51 / 31 / 0 / 20

HEX #648DCB

RGB 100 141 203

HSL 216.12, 0.5%, 0.59%

LAB 58.1, 3.32, -36.37

 

CMYK 55 / 33 / 0 / 28

HEX #537BB8

RGB 83 123 184

HSL 216.24, 0.42%, 0.52%

LAB 51.23, 4.12, -36.4

 

CMYK 60 / 36 / 0 / 35

HEX #4269A5

RGB 66 105 165

HSL 216.36, 0.43%, 0.45%

LAB 44.2, 5.13, -36.46

 

CMYK 66 / 40 / 0 / 43

HEX #315792

RGB 49 87 146

HSL 216.49, 0.5%, 0.38%

LAB 37.01, 6.46, -36.56

 

CMYK 75 / 46 / 0 / 50

HEX #20457F

RGB 32 69 127

HSL 216.63, 0.6%, 0.31%

LAB 29.65, 8.26, -36.68

 

CMYK 52 / 31 / 0 / 20

HEX #628CCB

RGB 98 140 203

HSL 216, 0.5%, 0.59%

LAB 57.72, 3.44, -36.98

 

CMYK 52 / 45 / 0 / 20

HEX #6270CB

RGB 98 112 203

HSL 232, 0.5%, 0.59%

LAB 50.09, 20.29, -49.04

 

CMYK 44 / 52 / 0 / 20

HEX #7162CB

RGB 113 98 203

HSL 248.57, 0.5%, 0.59%

LAB 47.7, 32.24, -52.8

 

CMYK 31 / 52 / 0 / 20

HEX #8D62CB

RGB 141 98 203

HSL 264.57, 0.5%, 0.59%

LAB 50.35, 39.15, -48.42

 

CMYK 17 / 52 / 0 / 20

HEX #A962CB

RGB 169 98 203

HSL 280.57, 0.5%, 0.59%

LAB 53.47, 46.6, -43.26

 

CMYK 52 / 31 / 0 / 20

HEX #628CCB

RGB 98 140 203

HSL 216, 0.5%, 0.59%

LAB 57.72, 3.44, -36.98

 

CMYK 52 / 45 / 0 / 20

HEX #6270CB

RGB 98 112 203

HSL 232, 0.5%, 0.59%

LAB 50.09, 20.29, -49.04

 

CMYK 52 / 52 / 0 / 20

HEX #6262CB

RGB 98 98 203

HSL 240, 0.5%, 0.59%

LAB 46.5, 28.89, -54.78

 

CMYK 52 / 31 / 0 / 20

HEX #628CCB

RGB 98 140 203

HSL 216, 0.5%, 0.59%

LAB 57.72, 3.44, -36.98

 

CMYK 63 / 38 / 0 / 14

HEX #5188DC

RGB 81 136 220

HSL 216.26, 0.67%, 0.59%

LAB 56.61, 7.88, -48.34

 

CMYK 73 / 44 / 0 / 7

HEX #4085ED

RGB 64 133 237

HSL 216.07, 0.83%, 0.59%

LAB 56.07, 13.06, -58.73

 

CMYK 81 / 49 / 0 / 1

HEX #2F81FD

RGB 47 129 253

HSL 216.12, 0.98%, 0.59%

LAB 55.48, 19.58, -68.56

 

CMYK 52 / 31 / 0 / 20

HEX #628CCB

RGB 98 140 203

HSL 216, 0.5%, 0.59%

LAB 57.72, 3.44, -36.98

 

CMYK 38 / 23 / 0 / 27

HEX #738FBA

RGB 115 143 186

HSL 216.34, 0.34%, 0.59%

LAB 58.82, 1.05, -25.58

 

CMYK 22 / 13 / 0 / 34

HEX #8493A9

RGB 132 147 169

HSL 215.68, 0.18%, 0.59%

LAB 60.46, -0.44, -13.34

 

CMYK 2 / 1 / 0 / 40

HEX #959698

RGB 149 150 152

HSL 220, 0.01%, 0.59%

LAB 62.06, 0.03, -1.19

 

CMYK 0 / 7 / 19 / 35

HEX #A69A87

RGB 166 154 135

HSL 36.77, 0.15%, 0.59%

LAB 64.13, 1.17, 11.56

 

CMYK 52 / 3 / 0 / 20

HEX #62C4CB

RGB 98 196 203

HSL 184, 0.5%, 0.59%

LAB 73.8, -26.78, -12.34

 

CMYK 52 / 17 / 0 / 20

HEX #62A8CB

RGB 98 168 203

HSL 200, 0.5%, 0.59%

LAB 65.68, -12.33, -24.64

 

CMYK 52 / 31 / 0 / 20

HEX #628CCB

RGB 98 140 203

HSL 216, 0.5%, 0.59%

LAB 57.72, 3.44, -36.98

 

CMYK 52 / 45 / 0 / 20

HEX #6270CB

RGB 98 112 203

HSL 232, 0.5%, 0.59%

LAB 50.09, 20.29, -49.04

 

CMYK 45 / 52 / 0 / 20

HEX #7062CB

RGB 112 98 203

HSL 248, 0.5%, 0.59%

LAB 47.61, 32, -52.94

 

CMYK 66 / 40 / 0 / 36

HEX #3762A4

RGB 55 98 164

HSL 216.33, 0.5%, 0.43%

LAB 41.58, 7.07, -40.06

 

CMYK 65 / 39 / 0 / 25

HEX #4375C0

RGB 67 117 192

HSL 216, 0.5%, 0.51%

LAB 49.16, 7.29, -44.32

 

CMYK 52 / 31 / 0 / 20

HEX #628CCB

RGB 98 140 203

HSL 216, 0.5%, 0.59%

LAB 57.72, 3.44, -36.98

 

CMYK 39 / 23 / 0 / 16

HEX #81A3D5

RGB 129 163 213

HSL 215.71, 0.5%, 0.67%

LAB 66.26, 0.91, -29.15

 

CMYK 28 / 17 / 0 / 13

HEX #A0B9DF

RGB 160 185 223

HSL 216.19, 0.5%, 0.75%

LAB 74.51, 0.05, -21.83

 

CMYK 51 / 31 / 0 / 20

HEX #648DCB

RGB 100 141 203

HSL 216.12, 0.5%, 0.59%

LAB 58.1, 3.32, -36.37

 

CMYK 10 / 52 / 0 / 20

HEX #B662CB

RGB 182 98 203

HSL 288, 0.5%, 0.59%

LAB 55.06, 50.14, -40.64

 

CMYK 10 / 0 / 52 / 20

HEX #B6CB62

RGB 182 203 98

HSL 72, 0.5%, 0.59%

LAB 78.19, -22.6, 49.41

 

CMYK 51 / 31 / 0 / 20

HEX #648DCB

RGB 100 141 203

HSL 216.12, 0.5%, 0.59%

LAB 58.1, 3.32, -36.37

 

CMYK 0 / 52 / 31 / 20

HEX #CB628C

RGB 203 98 140

HSL 336, 0.5%, 0.59%

LAB 55.41, 46.21, -3.36

 

CMYK 31 / 0 / 52 / 20

HEX #8CCB62

RGB 140 203 98

HSL 96, 0.5%, 0.59%

LAB 75.56, -38.4, 45.64

 

CMYK 51 / 31 / 0 / 20

HEX #648DCB

RGB 100 141 203

HSL 216.12, 0.5%, 0.59%

LAB 58.1, 3.32, -36.37

 

CMYK 10 / 52 / 0 / 20

HEX #B662CB

RGB 182 98 203

HSL 288, 0.5%, 0.59%

LAB 55.06, 50.14, -40.64

 

CMYK 0 / 21 / 52 / 20

HEX #CBA162

RGB 203 161 98

HSL 36, 0.5%, 0.59%

LAB 68.8, 7.85, 38.49

 

CMYK 41 / 0 / 52 / 20

HEX #77CB62

RGB 119 203 98

HSL 108, 0.5%, 0.59%

LAB 74.52, -45.37, 44.14

 

CMYK 51 / 31 / 0 / 20

HEX #648DCB

RGB 100 141 203

HSL 216.12, 0.5%, 0.59%

LAB 58.1, 3.32, -36.37

 

CMYK 0 / 52 / 5 / 20

HEX #CB62C0

RGB 203 98 192

HSL 306.29, 0.5%, 0.59%

LAB 57.31, 54.01, -30.65

 

CMYK 0 / 21 / 52 / 20

HEX #CBA162

RGB 203 161 98

HSL 36, 0.5%, 0.59%

LAB 68.8, 7.85, 38.49

 

CMYK 52 / 0 / 46 / 20

HEX #62CB6D

RGB 98 203 109

HSL 126.29, 0.5%, 0.59%

LAB 73.81, -49.92, 37.69

 

Description

Color code: HEX #648DCB | qconv.com Color code: HEX #648DCB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 141 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 141 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 31 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 31% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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