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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #648D42 it is the complementary color #9B72BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #648D42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #648D42 shade: #698D3D, #7A9F50, #8BB163, #9CC376 and #ADD589

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #648D42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #648D42 shade: #648D42, #537B2F, #42691C, #315709 and #204500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #648D42 shade: #658E43, #798E43, #8E8E43, #8E7A43 and #8E6643

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #648D42 shade: #658E43, #518E43, #438E49, #438E5E and #438E72

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #648D42 shade matches the following richer shades: #658E43, #639F32, #62B021 and #60C110

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #648D42 shade: #658E43, #677D54, #686C65, #6A5B76 and #6B4B87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #648D42 shade: #8E8E43, #7A8E43, #668E43, #528E43 and #438E48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #648D42 shade: #3D5629, #517236, #658E43, #79AA50 and #8EB96B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #648D42 shade: #648D42, #438E7A and #8E4384

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #648D42 shade: #648D42, #43668E and #8E4366

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #648D42 shade: #648D42, #438E7A, #6B438E and #8E4357

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #648D42 shade: #648D42, #438C8E, #6B438E and #8E4543

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 53 / 45

HEX #648D42

RGB 100 141 66

HSL 92.8, 0.36%, 0.41%

LAB 54.19, -27.82, 35.21

 

Complementary color

CMYK 18 / 40 / 0 / 26

HEX #9B72BD

RGB 155 114 189

HSL 272.8, 0.36%, 0.59%

LAB 54.74, 30.61, -33.37

 

CMYK 26 / 0 / 57 / 45

HEX #698D3D

RGB 105 141 61

HSL 87, 0.4%, 0.4%

LAB 54.44, -26.43, 38.09

 

CMYK 23 / 0 / 50 / 38

HEX #7A9F50

RGB 122 159 80

HSL 88.1, 0.33%, 0.47%

LAB 61.23, -26.5, 36.92

 

CMYK 21 / 0 / 44 / 31

HEX #8BB163

RGB 139 177 99

HSL 89.23, 0.33%, 0.54%

LAB 67.9, -26.49, 35.71

 

CMYK 20 / 0 / 39 / 24

HEX #9CC376

RGB 156 195 118

HSL 90.39, 0.39%, 0.61%

LAB 74.45, -26.45, 34.52

 

CMYK 19 / 0 / 36 / 16

HEX #ADD589

RGB 173 213 137

HSL 91.58, 0.48%, 0.69%

LAB 80.89, -26.39, 33.38

 

CMYK 29 / 0 / 53 / 45

HEX #648D42

RGB 100 141 66

HSL 92.8, 0.36%, 0.41%

LAB 54.19, -27.82, 35.21

 

CMYK 33 / 0 / 62 / 52

HEX #537B2F

RGB 83 123 47

HSL 91.58, 0.45%, 0.33%

LAB 47.25, -27.76, 36.35

 

CMYK 37 / 0 / 73 / 59

HEX #42691C

RGB 66 105 28

HSL 90.39, 0.58%, 0.26%

LAB 40.16, -27.52, 37.14

 

CMYK 44 / 0 / 90 / 66

HEX #315709

RGB 49 87 9

HSL 89.23, 0.81%, 0.19%

LAB 32.9, -26.92, 36.84

 

CMYK 54 / 0 / 100 / 73

HEX #204500

RGB 32 69 0

HSL 92.17, 1%, 0.14%

LAB 25.45, -25.67, 33.34

 

CMYK 29 / 0 / 53 / 44

HEX #658E43

RGB 101 142 67

HSL 92.8, 0.36%, 0.41%

LAB 54.57, -27.81, 35.17

 

CMYK 15 / 0 / 53 / 44

HEX #798E43

RGB 121 142 67

HSL 76.8, 0.36%, 0.41%

LAB 55.9, -19.79, 37.08

 

CMYK 0 / 0 / 53 / 44

HEX #8E8E43

RGB 142 142 67

HSL 60, 0.36%, 0.41%

LAB 57.56, -10.82, 39.45

 

CMYK 0 / 14 / 53 / 44

HEX #8E7A43

RGB 142 122 67

HSL 44, 0.36%, 0.41%

LAB 51.92, 0.24, 32.73

 

CMYK 0 / 28 / 53 / 44

HEX #8E6643

RGB 142 102 67

HSL 28, 0.36%, 0.41%

LAB 46.52, 11.77, 26.03

 

CMYK 29 / 0 / 53 / 44

HEX #658E43

RGB 101 142 67

HSL 92.8, 0.36%, 0.41%

LAB 54.57, -27.81, 35.17

 

CMYK 43 / 0 / 53 / 44

HEX #518E43

RGB 81 142 67

HSL 108.8, 0.36%, 0.41%

LAB 53.49, -34.98, 33.61

 

CMYK 53 / 0 / 49 / 44

HEX #438E49

RGB 67 142 73

HSL 124.8, 0.36%, 0.41%

LAB 52.97, -38.43, 29.7

 

CMYK 53 / 0 / 34 / 44

HEX #438E5E

RGB 67 142 94

HSL 141.6, 0.36%, 0.41%

LAB 53.33, -34.72, 18.65

 

CMYK 53 / 0 / 20 / 44

HEX #438E72

RGB 67 142 114

HSL 157.6, 0.36%, 0.41%

LAB 53.77, -30.36, 7.89

 

CMYK 29 / 0 / 53 / 44

HEX #658E43

RGB 101 142 67

HSL 92.8, 0.36%, 0.41%

LAB 54.57, -27.81, 35.17

 

CMYK 38 / 0 / 69 / 38

HEX #639F32

RGB 99 159 50

HSL 93.03, 0.52%, 0.41%

LAB 59.6, -38.09, 48.7

 

CMYK 44 / 0 / 81 / 31

HEX #62B021

RGB 98 176 33

HSL 92.73, 0.68%, 0.41%

LAB 64.77, -46.66, 59.69

 

CMYK 50 / 0 / 92 / 24

HEX #60C110

RGB 96 193 16

HSL 92.88, 0.85%, 0.41%

LAB 69.94, -54.46, 67.77

 

CMYK 29 / 0 / 53 / 44

HEX #658E43

RGB 101 142 67

HSL 92.8, 0.36%, 0.41%

LAB 54.57, -27.81, 35.17

 

CMYK 18 / 0 / 33 / 51

HEX #677D54

RGB 103 125 84

HSL 92.2, 0.2%, 0.41%

LAB 49.73, -15.97, 19.8

 

CMYK 4 / 0 / 6 / 58

HEX #686C65

RGB 104 108 101

HSL 94.29, 0.03%, 0.41%

LAB 45.09, -2.97, 3.38

 

CMYK 10 / 23 / 0 / 54

HEX #6A5B76

RGB 106 91 118

HSL 273.33, 0.13%, 0.41%

LAB 40.98, 11.7, -13.01

 

CMYK 21 / 44 / 0 / 47

HEX #6B4B87

RGB 107 75 135

HSL 272, 0.29%, 0.41%

LAB 37.68, 25.94, -28.52

 

CMYK 0 / 0 / 53 / 44

HEX #8E8E43

RGB 142 142 67

HSL 60, 0.36%, 0.41%

LAB 57.56, -10.82, 39.45

 

CMYK 14 / 0 / 53 / 44

HEX #7A8E43

RGB 122 142 67

HSL 76, 0.36%, 0.41%

LAB 55.98, -19.37, 37.19

 

CMYK 28 / 0 / 53 / 44

HEX #668E43

RGB 102 142 67

HSL 92, 0.36%, 0.41%

LAB 54.63, -27.43, 35.26

 

CMYK 42 / 0 / 53 / 44

HEX #528E43

RGB 82 142 67

HSL 108, 0.36%, 0.41%

LAB 53.54, -34.65, 33.68

 

CMYK 53 / 0 / 49 / 44

HEX #438E48

RGB 67 142 72

HSL 124, 0.36%, 0.41%

LAB 52.96, -38.58, 30.21

 

CMYK 29 / 0 / 52 / 66

HEX #3D5629

RGB 61 86 41

HSL 93.33, 0.35%, 0.25%

LAB 33.58, -18.54, 23.08

 

CMYK 29 / 0 / 53 / 55

HEX #517236

RGB 81 114 54

HSL 93, 0.36%, 0.33%

LAB 44.3, -23.29, 29.28

 

CMYK 29 / 0 / 53 / 44

HEX #658E43

RGB 101 142 67

HSL 92.8, 0.36%, 0.41%

LAB 54.57, -27.81, 35.17

 

CMYK 29 / 0 / 53 / 33

HEX #79AA50

RGB 121 170 80

HSL 92.67, 0.36%, 0.49%

LAB 64.48, -32.15, 40.82

 

CMYK 23 / 0 / 42 / 27

HEX #8EB96B

RGB 142 185 107

HSL 93.08, 0.36%, 0.57%

LAB 70.53, -28.22, 34.98

 

CMYK 29 / 0 / 53 / 45

HEX #648D42

RGB 100 141 66

HSL 92.8, 0.36%, 0.41%

LAB 54.19, -27.82, 35.21

 

CMYK 53 / 0 / 14 / 44

HEX #438E7A

RGB 67 142 122

HSL 164, 0.36%, 0.41%

LAB 53.97, -28.41, 3.58

 

CMYK 0 / 53 / 7 / 44

HEX #8E4384

RGB 142 67 132

HSL 308, 0.36%, 0.41%

LAB 40.3, 40.85, -22.26

 

CMYK 29 / 0 / 53 / 45

HEX #648D42

RGB 100 141 66

HSL 92.8, 0.36%, 0.41%

LAB 54.19, -27.82, 35.21

 

CMYK 53 / 28 / 0 / 44

HEX #43668E

RGB 67 102 142

HSL 212, 0.36%, 0.41%

LAB 42.23, -0.52, -25.88

 

CMYK 0 / 53 / 28 / 44

HEX #8E4366

RGB 142 67 102

HSL 332, 0.36%, 0.41%

LAB 39.11, 35.97, -5.49

 

CMYK 29 / 0 / 53 / 45

HEX #648D42

RGB 100 141 66

HSL 92.8, 0.36%, 0.41%

LAB 54.19, -27.82, 35.21

 

CMYK 53 / 0 / 14 / 44

HEX #438E7A

RGB 67 142 122

HSL 164, 0.36%, 0.41%

LAB 53.97, -28.41, 3.58

 

CMYK 25 / 53 / 0 / 44

HEX #6B438E

RGB 107 67 142

HSL 272, 0.36%, 0.41%

LAB 36.16, 32.46, -35.19

 

CMYK 0 / 53 / 39 / 44

HEX #8E4357

RGB 142 67 87

HSL 344, 0.36%, 0.41%

LAB 38.64, 33.96, 3.23

 

CMYK 29 / 0 / 53 / 45

HEX #648D42

RGB 100 141 66

HSL 92.8, 0.36%, 0.41%

LAB 54.19, -27.82, 35.21

 

CMYK 53 / 1 / 0 / 44

HEX #438C8E

RGB 67 140 142

HSL 181.6, 0.36%, 0.41%

LAB 53.92, -22.05, -8.04

 

CMYK 25 / 53 / 0 / 44

HEX #6B438E

RGB 107 67 142

HSL 272, 0.36%, 0.41%

LAB 36.16, 32.46, -35.19

 

CMYK 0 / 51 / 53 / 44

HEX #8E4543

RGB 142 69 67

HSL 1.6, 0.36%, 0.41%

LAB 38.57, 30.68, 15.66

 

Description

Color code: HEX #648D42 | qconv.com Color code: HEX #648D42 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 141 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 141 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 53 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 53% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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