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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #647BBA it is the complementary color #9B8445. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #647BBA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #647BBA shade: #697BB5, #7A8DC8, #8B9FDB, #9CB1EE and #ADC3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #647BBA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #647BBA shade: #647BBA, #5369A7, #425794, #314581 and #20336E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #647BBA shade: #647BB9, #6464B9, #7B64B9, #9264B9 and #A964B9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #647BBA shade: #647BB9 and #6464B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #647BBA shade matches the following richer shades: #647BB9, #5273CC, #406ADE and #2E62F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #647BBA shade: #647BB9, #7683A7, #888C95, #9B9483 and #AD9D71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #647BBA shade: #64AAB9, #6493B9, #647CB9, #6466B9 and #7964B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #647BBA shade: #3F548C, #4C65A9, #647BB9, #8193C6 and #9DACD3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #647BBA shade: #647BBA, #B264B9 and #9EB964

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #647BBA shade: #647BBA, #B9647C and #7CB964

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #647BBA shade: #647BBA, #B264B9, #B9A164 and #6BB964

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #647BBA shade: #647BBA, #B964A7, #B9A164 and #64B977

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 34 / 0 / 27

HEX #647BBA

RGB 100 123 186

HSL 223.95, 0.38%, 0.56%

LAB 52.31, 8.8, -35.78

 

Complementary color

CMYK 0 / 15 / 55 / 39

HEX #9B8445

RGB 155 132 69

HSL 43.95, 0.38%, 0.44%

LAB 55.99, 0.57, 36.87

 

CMYK 42 / 32 / 0 / 29

HEX #697BB5

RGB 105 123 181

HSL 225.79, 0.34%, 0.56%

LAB 52.4, 8.62, -32.73

 

CMYK 39 / 30 / 0 / 22

HEX #7A8DC8

RGB 122 141 200

HSL 225.38, 0.41%, 0.63%

LAB 59.3, 8.01, -32.71

 

CMYK 37 / 27 / 0 / 14

HEX #8B9FDB

RGB 139 159 219

HSL 225, 0.53%, 0.7%

LAB 66.06, 7.5, -32.73

 

CMYK 34 / 26 / 0 / 7

HEX #9CB1EE

RGB 156 177 238

HSL 224.63, 0.71%, 0.77%

LAB 72.68, 7.05, -32.79

 

CMYK 32 / 24 / 0 / 0

HEX #ADC3FF

RGB 173 195 255

HSL 223.9, 1%, 0.84%

LAB 79.12, 6.15, -31.93

 

CMYK 46 / 34 / 0 / 27

HEX #647BBA

RGB 100 123 186

HSL 223.95, 0.38%, 0.56%

LAB 52.31, 8.8, -35.78

 

CMYK 50 / 37 / 0 / 35

HEX #5369A7

RGB 83 105 167

HSL 224.29, 0.34%, 0.49%

LAB 45.27, 9.65, -35.9

 

CMYK 55 / 41 / 0 / 42

HEX #425794

RGB 66 87 148

HSL 224.63, 0.38%, 0.42%

LAB 38.04, 10.72, -36.07

 

CMYK 62 / 47 / 0 / 49

HEX #314581

RGB 49 69 129

HSL 225, 0.45%, 0.35%

LAB 30.63, 12.11, -36.32

 

CMYK 71 / 54 / 0 / 57

HEX #20336E

RGB 32 51 110

HSL 225.38, 0.55%, 0.28%

LAB 23, 14.03, -36.61

 

CMYK 46 / 34 / 0 / 27

HEX #647BB9

RGB 100 123 185

HSL 223.76, 0.38%, 0.56%

LAB 52.26, 8.5, -35.28

 

CMYK 46 / 46 / 0 / 27

HEX #6464B9

RGB 100 100 185

HSL 240, 0.38%, 0.56%

LAB 46.08, 22.55, -45.06

 

CMYK 34 / 46 / 0 / 27

HEX #7B64B9

RGB 123 100 185

HSL 256.24, 0.38%, 0.56%

LAB 48.04, 28.52, -41.81

 

CMYK 21 / 46 / 0 / 27

HEX #9264B9

RGB 146 100 185

HSL 272.47, 0.38%, 0.56%

LAB 50.37, 35.01, -37.99

 

CMYK 9 / 46 / 0 / 27

HEX #A964B9

RGB 169 100 185

HSL 288.71, 0.38%, 0.56%

LAB 53.01, 41.76, -33.66

 

CMYK 46 / 34 / 0 / 27

HEX #647BB9

RGB 100 123 185

HSL 223.76, 0.38%, 0.56%

LAB 52.26, 8.5, -35.28

 

CMYK 46 / 46 / 0 / 27

HEX #6464B9

RGB 100 100 185

HSL 240, 0.38%, 0.56%

LAB 46.08, 22.55, -45.06

 

CMYK 46 / 34 / 0 / 27

HEX #647BB9

RGB 100 123 185

HSL 223.76, 0.38%, 0.56%

LAB 52.26, 8.5, -35.28

 

CMYK 60 / 44 / 0 / 20

HEX #5273CC

RGB 82 115 204

HSL 223.77, 0.54%, 0.56%

LAB 50, 15.44, -49.82

 

CMYK 71 / 52 / 0 / 13

HEX #406ADE

RGB 64 106 222

HSL 224.05, 0.71%, 0.56%

LAB 47.84, 24.43, -63.56

 

CMYK 81 / 59 / 0 / 6

HEX #2E62F0

RGB 46 98 240

HSL 223.92, 0.87%, 0.56%

LAB 46.46, 34.13, -75.99

 

CMYK 46 / 34 / 0 / 27

HEX #647BB9

RGB 100 123 185

HSL 223.76, 0.38%, 0.56%

LAB 52.26, 8.5, -35.28

 

CMYK 29 / 22 / 0 / 35

HEX #7683A7

RGB 118 131 167

HSL 224.08, 0.22%, 0.56%

LAB 54.94, 3.8, -20.67

 

CMYK 9 / 6 / 0 / 42

HEX #888C95

RGB 136 140 149

HSL 221.54, 0.06%, 0.56%

LAB 58.19, 0.39, -5.29

 

CMYK 0 / 5 / 15 / 39

HEX #9B9483

RGB 155 148 131

HSL 42.5, 0.11%, 0.56%

LAB 61.47, -0.42, 9.91

 

CMYK 0 / 9 / 35 / 32

HEX #AD9D71

RGB 173 157 113

HSL 44, 0.27%, 0.56%

LAB 65.11, -0.81, 25.18

 

CMYK 46 / 8 / 0 / 27

HEX #64AAB9

RGB 100 170 185

HSL 190.59, 0.38%, 0.56%

LAB 65.72, -18.02, -14.58

 

CMYK 46 / 21 / 0 / 27

HEX #6493B9

RGB 100 147 185

HSL 206.82, 0.38%, 0.56%

LAB 59.05, -5.51, -24.74

 

CMYK 46 / 33 / 0 / 27

HEX #647CB9

RGB 100 124 185

HSL 223.06, 0.38%, 0.56%

LAB 52.54, 7.9, -34.84

 

CMYK 46 / 45 / 0 / 27

HEX #6466B9

RGB 100 102 185

HSL 238.59, 0.38%, 0.56%

LAB 46.6, 21.32, -44.23

 

CMYK 35 / 46 / 0 / 27

HEX #7964B9

RGB 121 100 185

HSL 254.82, 0.38%, 0.56%

LAB 47.86, 27.98, -42.12

 

CMYK 55 / 40 / 0 / 45

HEX #3F548C

RGB 63 84 140

HSL 223.64, 0.38%, 0.4%

LAB 36.54, 9.22, -33.62

 

CMYK 55 / 40 / 0 / 34

HEX #4C65A9

RGB 76 101 169

HSL 223.87, 0.38%, 0.48%

LAB 43.81, 11.16, -39.4

 

CMYK 46 / 34 / 0 / 27

HEX #647BB9

RGB 100 123 185

HSL 223.76, 0.38%, 0.56%

LAB 52.26, 8.5, -35.28

 

CMYK 35 / 26 / 0 / 22

HEX #8193C6

RGB 129 147 198

HSL 224.35, 0.38%, 0.64%

LAB 61.32, 5.95, -28.42

 

CMYK 26 / 18 / 0 / 17

HEX #9DACD3

RGB 157 172 211

HSL 223.33, 0.38%, 0.72%

LAB 70.44, 3.4, -21.49

 

CMYK 46 / 34 / 0 / 27

HEX #647BBA

RGB 100 123 186

HSL 223.95, 0.38%, 0.56%

LAB 52.31, 8.8, -35.78

 

CMYK 4 / 46 / 0 / 27

HEX #B264B9

RGB 178 100 185

HSL 295.06, 0.38%, 0.56%

LAB 54.11, 44.44, -31.85

 

CMYK 15 / 0 / 46 / 27

HEX #9EB964

RGB 158 185 100

HSL 79.06, 0.38%, 0.56%

LAB 71.48, -23, 39.94

 

CMYK 46 / 34 / 0 / 27

HEX #647BBA

RGB 100 123 186

HSL 223.95, 0.38%, 0.56%

LAB 52.31, 8.8, -35.78

 

CMYK 0 / 46 / 33 / 27

HEX #B9647C

RGB 185 100 124

HSL 343.06, 0.38%, 0.56%

LAB 52.82, 36.85, 1.99

 

CMYK 33 / 0 / 46 / 27

HEX #7CB964

RGB 124 185 100

HSL 103.06, 0.38%, 0.56%

LAB 69.4, -35.57, 36.9

 

CMYK 46 / 34 / 0 / 27

HEX #647BBA

RGB 100 123 186

HSL 223.95, 0.38%, 0.56%

LAB 52.31, 8.8, -35.78

 

CMYK 4 / 46 / 0 / 27

HEX #B264B9

RGB 178 100 185

HSL 295.06, 0.38%, 0.56%

LAB 54.11, 44.44, -31.85

 

CMYK 0 / 13 / 46 / 27

HEX #B9A164

RGB 185 161 100

HSL 43.06, 0.38%, 0.56%

LAB 67.07, 0.5, 34.9

 

CMYK 42 / 0 / 46 / 27

HEX #6BB964

RGB 107 185 100

HSL 115.06, 0.38%, 0.56%

LAB 68.57, -41.13, 35.67

 

CMYK 46 / 34 / 0 / 27

HEX #647BBA

RGB 100 123 186

HSL 223.95, 0.38%, 0.56%

LAB 52.31, 8.8, -35.78

 

CMYK 0 / 46 / 10 / 27

HEX #B964A7

RGB 185 100 167

HSL 312.71, 0.38%, 0.56%

LAB 54.26, 43.32, -21.13

 

CMYK 0 / 13 / 46 / 27

HEX #B9A164

RGB 185 161 100

HSL 43.06, 0.38%, 0.56%

LAB 67.07, 0.5, 34.9

 

CMYK 46 / 0 / 36 / 27

HEX #64B977

RGB 100 185 119

HSL 133.41, 0.38%, 0.56%

LAB 68.56, -40.19, 25.72

 

Description

Color code: HEX #647BBA | qconv.com Color code: HEX #647BBA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 123 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 123 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 34 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 34% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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