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Color name
HEX #647AC7

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #647AC7 it is the complementary color #9B8538. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #647AC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #647AC7 shade: #697AC2, #7A8CD5, #8B9EE8, #9CB0FB and #ADC2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #647AC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #647AC7 shade: #647AC7, #5368B4, #4256A1, #31448E and #20327B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #647AC7 shade: #657BC8, #6A65C8, #8465C8, #9F65C8 and #B965C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #647AC7 shade: #657BC8 and #6565C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #647AC7 shade matches the following richer shades: #657BC8, #5472D9, #4368E9 and #335FFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #647AC7 shade: #657BC8, #7685B7, #878EA6, #989795 and #A9A184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #647AC7 shade: #65B1C8, #6596C8, #657CC8, #6965C8 and #8365C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #647AC7 shade: #3A51A1, #4761BD, #657BC8, #8495D3 and #A2AFDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #647AC7 shade: #647AC7, #C465C8 and #A4C865

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #647AC7 shade: #647AC7, #C8657C and #7CC865

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #647AC7 shade: #647AC7, #C465C8, #C8B165 and #69C865

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #647AC7 shade: #647AC7, #C865AD, #C8B165 and #65C880

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 39 / 0 / 22

HEX #647AC7

RGB 100 122 199

HSL 226.67, 0.47%, 0.59%

LAB 52.68, 13.39, -42.64

 

Complementary color

CMYK 0 / 14 / 64 / 39

HEX #9B8538

RGB 155 133 56

HSL 46.67, 0.47%, 0.41%

LAB 56.12, -1, 43.51

 

CMYK 46 / 37 / 0 / 24

HEX #697AC2

RGB 105 122 194

HSL 228.54, 0.42%, 0.59%

LAB 52.75, 13.08, -39.65

 

CMYK 43 / 34 / 0 / 16

HEX #7A8CD5

RGB 122 140 213

HSL 228.13, 0.52%, 0.66%

LAB 59.61, 12.28, -39.53

 

CMYK 40 / 32 / 0 / 9

HEX #8B9EE8

RGB 139 158 232

HSL 227.74, 0.67%, 0.73%

LAB 66.34, 11.6, -39.45

 

CMYK 38 / 30 / 0 / 2

HEX #9CB0FB

RGB 156 176 251

HSL 227.37, 0.92%, 0.8%

LAB 72.95, 11.01, -39.42

 

CMYK 32 / 24 / 0 / 0

HEX #ADC2FF

RGB 173 194 255

HSL 224.63, 1%, 0.84%

LAB 78.86, 6.7, -32.32

 

CMYK 50 / 39 / 0 / 22

HEX #647AC7

RGB 100 122 199

HSL 226.67, 0.47%, 0.59%

LAB 52.68, 13.39, -42.64

 

CMYK 54 / 42 / 0 / 29

HEX #5368B4

RGB 83 104 180

HSL 227.01, 0.39%, 0.52%

LAB 45.68, 14.49, -42.85

 

CMYK 59 / 47 / 0 / 37

HEX #4256A1

RGB 66 86 161

HSL 227.37, 0.42%, 0.45%

LAB 38.53, 15.85, -43.11

 

CMYK 65 / 52 / 0 / 44

HEX #31448E

RGB 49 68 142

HSL 227.74, 0.49%, 0.37%

LAB 31.21, 17.6, -43.41

 

CMYK 74 / 59 / 0 / 52

HEX #20327B

RGB 32 50 123

HSL 228.13, 0.59%, 0.3%

LAB 23.73, 19.9, -43.72

 

CMYK 50 / 39 / 0 / 22

HEX #657BC8

RGB 101 123 200

HSL 226.67, 0.47%, 0.59%

LAB 53.06, 13.33, -42.6

 

CMYK 47 / 50 / 0 / 22

HEX #6A65C8

RGB 106 101 200

HSL 243.03, 0.47%, 0.59%

LAB 47.68, 27.91, -51.14

 

CMYK 34 / 50 / 0 / 22

HEX #8465C8

RGB 132 101 200

HSL 258.79, 0.47%, 0.59%

LAB 49.96, 34.32, -47.37

 

CMYK 21 / 50 / 0 / 22

HEX #9F65C8

RGB 159 101 200

HSL 275.15, 0.47%, 0.59%

LAB 52.78, 41.58, -42.71

 

CMYK 8 / 50 / 0 / 22

HEX #B965C8

RGB 185 101 200

HSL 290.91, 0.47%, 0.59%

LAB 55.88, 48.86, -37.62

 

CMYK 50 / 39 / 0 / 22

HEX #657BC8

RGB 101 123 200

HSL 226.67, 0.47%, 0.59%

LAB 53.06, 13.33, -42.6

 

CMYK 50 / 50 / 0 / 22

HEX #6565C8

RGB 101 101 200

HSL 240, 0.47%, 0.59%

LAB 47.29, 26.77, -51.78

 

CMYK 50 / 39 / 0 / 22

HEX #657BC8

RGB 101 123 200

HSL 226.67, 0.47%, 0.59%

LAB 53.06, 13.33, -42.6

 

CMYK 61 / 47 / 0 / 15

HEX #5472D9

RGB 84 114 217

HSL 226.47, 0.64%, 0.59%

LAB 50.6, 20.83, -56.23

 

CMYK 71 / 55 / 0 / 9

HEX #4368E9

RGB 67 104 233

HSL 226.63, 0.79%, 0.59%

LAB 48.23, 30.01, -69.13

 

CMYK 80 / 62 / 0 / 2

HEX #335FFA

RGB 51 95 250

HSL 226.73, 0.95%, 0.59%

LAB 46.7, 40.02, -81.18

 

CMYK 50 / 39 / 0 / 22

HEX #657BC8

RGB 101 123 200

HSL 226.67, 0.47%, 0.59%

LAB 53.06, 13.33, -42.6

 

CMYK 36 / 27 / 0 / 28

HEX #7685B7

RGB 118 133 183

HSL 226.15, 0.31%, 0.59%

LAB 56.13, 6.88, -28.01

 

CMYK 19 / 14 / 0 / 35

HEX #878EA6

RGB 135 142 166

HSL 226.45, 0.15%, 0.59%

LAB 59.21, 2.68, -13.5

 

CMYK 0 / 1 / 2 / 40

HEX #989795

RGB 152 151 149

HSL 40, 0.01%, 0.59%

LAB 62.49, -0.01, 1.17

 

CMYK 0 / 5 / 22 / 34

HEX #A9A184

RGB 169 161 132

HSL 47.03, 0.18%, 0.59%

LAB 66.21, -1.95, 16.17

 

CMYK 50 / 12 / 0 / 22

HEX #65B1C8

RGB 101 177 200

HSL 193.94, 0.47%, 0.59%

LAB 68.3, -17.3, -18.98

 

CMYK 50 / 25 / 0 / 22

HEX #6596C8

RGB 101 150 200

HSL 210.3, 0.47%, 0.59%

LAB 60.56, -2.54, -30.85

 

CMYK 50 / 38 / 0 / 22

HEX #657CC8

RGB 101 124 200

HSL 226.06, 0.47%, 0.59%

LAB 53.33, 12.73, -42.17

 

CMYK 48 / 50 / 0 / 22

HEX #6965C8

RGB 105 101 200

HSL 242.42, 0.47%, 0.59%

LAB 47.6, 27.68, -51.27

 

CMYK 35 / 50 / 0 / 22

HEX #8365C8

RGB 131 101 200

HSL 258.18, 0.47%, 0.59%

LAB 49.86, 34.06, -47.53

 

CMYK 64 / 50 / 0 / 37

HEX #3A51A1

RGB 58 81 161

HSL 226.6, 0.47%, 0.43%

LAB 36.66, 17.55, -46.12

 

CMYK 62 / 49 / 0 / 26

HEX #4761BD

RGB 71 97 189

HSL 226.78, 0.47%, 0.51%

LAB 43.6, 19.52, -51.46

 

CMYK 50 / 39 / 0 / 22

HEX #657BC8

RGB 101 123 200

HSL 226.67, 0.47%, 0.59%

LAB 53.06, 13.33, -42.6

 

CMYK 37 / 29 / 0 / 17

HEX #8495D3

RGB 132 149 211

HSL 227.09, 0.47%, 0.67%

LAB 62.59, 9.14, -33.7

 

CMYK 27 / 21 / 0 / 13

HEX #A2AFDD

RGB 162 175 221

HSL 226.78, 0.46%, 0.75%

LAB 71.93, 5.64, -24.65

 

CMYK 50 / 39 / 0 / 22

HEX #647AC7

RGB 100 122 199

HSL 226.67, 0.47%, 0.59%

LAB 52.68, 13.39, -42.64

 

CMYK 2 / 50 / 0 / 22

HEX #C465C8

RGB 196 101 200

HSL 297.58, 0.47%, 0.59%

LAB 57.28, 51.96, -35.32

 

CMYK 18 / 0 / 50 / 22

HEX #A4C865

RGB 164 200 101

HSL 81.82, 0.47%, 0.59%

LAB 76.16, -27.87, 45.25

 

CMYK 50 / 39 / 0 / 22

HEX #647AC7

RGB 100 122 199

HSL 226.67, 0.47%, 0.59%

LAB 52.68, 13.39, -42.64

 

CMYK 0 / 50 / 38 / 22

HEX #C8657C

RGB 200 101 124

HSL 346.06, 0.47%, 0.59%

LAB 55.12, 41.71, 5.57

 

CMYK 38 / 0 / 50 / 22

HEX #7CC865

RGB 124 200 101

HSL 106.06, 0.47%, 0.59%

LAB 73.89, -42.12, 41.97

 

CMYK 50 / 39 / 0 / 22

HEX #647AC7

RGB 100 122 199

HSL 226.67, 0.47%, 0.59%

LAB 52.68, 13.39, -42.64

 

CMYK 2 / 50 / 0 / 22

HEX #C465C8

RGB 196 101 200

HSL 297.58, 0.47%, 0.59%

LAB 57.28, 51.96, -35.32

 

CMYK 0 / 12 / 50 / 22

HEX #C8B165

RGB 200 177 101

HSL 46.06, 0.47%, 0.59%

LAB 72.67, -1.69, 41.66

 

CMYK 48 / 0 / 50 / 22

HEX #69C865

RGB 105 200 101

HSL 117.58, 0.47%, 0.59%

LAB 73.06, -47.92, 40.76

 

CMYK 50 / 39 / 0 / 22

HEX #647AC7

RGB 100 122 199

HSL 226.67, 0.47%, 0.59%

LAB 52.68, 13.39, -42.64

 

CMYK 0 / 50 / 14 / 22

HEX #C865AD

RGB 200 101 173

HSL 316.36, 0.47%, 0.59%

LAB 56.69, 48.51, -20.71

 

CMYK 0 / 12 / 50 / 22

HEX #C8B165

RGB 200 177 101

HSL 46.06, 0.47%, 0.59%

LAB 72.67, -1.69, 41.66

 

CMYK 50 / 0 / 36 / 22

HEX #65C880

RGB 101 200 128

HSL 136.36, 0.47%, 0.59%

LAB 73.31, -44.83, 27.32

 

Description

Color code: HEX #647AC7 | qconv.com Color code: HEX #647AC7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 122 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 122 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 39 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 39% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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