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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6478CD3F it is the complementary color #9B87323F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6478CD3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6478CD3F shade: #6978C83F, #7A8ADB3F, #8B9CEE3F, #9CAEFF3F and #ADC0FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6478CD3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6478CD3F shade: #6478CD3F, #5366BA3F, #4254A73F, #3142943F and #2030813F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6478CD3F shade: #6579CD, #6D65CD, #8965CD, #A565CD and #C165CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6478CD3F shade: #6579CD and #6565CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6478CD3F shade matches the following richer shades: #6579CD, #546FDE, #4464EE and #335AFF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6478CD3F shade: #6579CD, #7583BD, #868DAC, #96979C and #A7A28B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6478CD3F shade: #65B1CD, #6596CD, #657ACD, #6C65CD and #8865CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6478CD3F shade: #374CA9, #465EC3, #6579CD, #8494D7 and #A3AFE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6478CD3F shade: #6478CD, #CD65CD and #A3CD65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6478CD3F shade: #6478CD, #CD657A and #7ACD65

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6478CD3F shade: #6478CD, #CD65CD, #CDB865 and #65CD65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6478CD3F shade: #6478CD, #CD65AE, #CDB865 and #65CD84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 10 / 0 / 5

HEX #6478CD3F

RGBA 100 120 205 0.25

HSLA 228.57, 0.51%, 0.6%, 0.25

LABA 52.45, 16.48, -46.41, 0.25

 

Complementary color

CMYK 0 / 3 / 17 / 10

HEX #9B87323F

RGBA 155 135 50 0.25

HSLA 48.57, 0.51%, 0.4%, 0.25

LABA 56.61, -2.5, 46.82, 0.25

 

CMYK 12 / 10 / 0 / 5

HEX #6978C83F

RGBA 105 120 200 0.25

HSLA 230.53, 0.46%, 0.6%, 0.25

LABA 52.52, 16.1, -43.44, 0.25

 

CMYK 11 / 9 / 0 / 4

HEX #7A8ADB3F

RGBA 122 138 219 0.25

HSLA 230.1, 0.57%, 0.67%, 0.25

LABA 59.37, 15.19, -43.27, 0.25

 

CMYK 10 / 9 / 0 / 2

HEX #8B9CEE3F

RGBA 139 156 238 0.25

HSLA 229.7, 0.74%, 0.74%, 0.25

LABA 66.09, 14.41, -43.15, 0.25

 

CMYK 10 / 8 / 0 / 0

HEX #9CAEFF3F

RGBA 156 174 255 0.25

HSLA 229.09, 1%, 0.81%, 0.25

LABA 72.6, 13.19, -42.12, 0.25

 

CMYK 8 / 6 / 0 / 0

HEX #ADC0FF3F

RGBA 173 192 255 0.25

HSLA 226.1, 1%, 0.84%, 0.25

LABA 78.35, 7.79, -33.12, 0.25

 

CMYK 13 / 10 / 0 / 5

HEX #6478CD3F

RGBA 100 120 205 0.25

HSLA 228.57, 0.51%, 0.6%, 0.25

LABA 52.45, 16.48, -46.41, 0.25

 

CMYK 14 / 11 / 0 / 7

HEX #5366BA3F

RGBA 83 102 186 0.25

HSLA 228.93, 0.43%, 0.53%, 0.25

LABA 45.48, 17.72, -46.66, 0.25

 

CMYK 15 / 12 / 0 / 9

HEX #4254A73F

RGBA 66 84 167 0.25

HSLA 229.31, 0.43%, 0.46%, 0.25

LABA 38.36, 19.24, -46.96, 0.25

 

CMYK 17 / 14 / 0 / 10

HEX #3142943F

RGBA 49 66 148 0.25

HSLA 229.7, 0.5%, 0.39%, 0.25

LABA 31.08, 21.17, -47.29, 0.25

 

CMYK 19 / 16 / 0 / 12

HEX #2030813F

RGBA 32 48 129 0.25

HSLA 230.1, 0.6%, 0.32%, 0.25

LABA 23.69, 23.65, -47.57, 0.25

 

CMYK 51 / 41 / 0 / 20

HEX #6579CD

RGB 101 121 205

HSL 228.46, 0.51%, 0.6%

LAB 52.78, 16.1, -45.88

 

CMYK 47 / 51 / 0 / 20

HEX #6D65CD

RGB 109 101 205

HSL 244.62, 0.51%, 0.6%

LAB 48.22, 30.1, -53.13

 

CMYK 33 / 51 / 0 / 20

HEX #8965CD

RGB 137 101 205

HSL 260.77, 0.51%, 0.6%

LAB 50.73, 36.92, -48.98

 

CMYK 20 / 51 / 0 / 20

HEX #A565CD

RGB 165 101 205

HSL 276.92, 0.51%, 0.6%

LAB 53.72, 44.35, -44.03

 

CMYK 6 / 51 / 0 / 20

HEX #C165CD

RGB 193 101 205

HSL 293.08, 0.51%, 0.6%

LAB 57.13, 52.06, -38.44

 

CMYK 51 / 41 / 0 / 20

HEX #6579CD

RGB 101 121 205

HSL 228.46, 0.51%, 0.6%

LAB 52.78, 16.1, -45.88

 

CMYK 51 / 51 / 0 / 20

HEX #6565CD

RGB 101 101 205

HSL 240, 0.51%, 0.6%

LAB 47.6, 28.32, -54.16

 

CMYK 51 / 41 / 0 / 20

HEX #6579CD

RGB 101 121 205

HSL 228.46, 0.51%, 0.6%

LAB 52.78, 16.1, -45.88

 

CMYK 62 / 50 / 0 / 13

HEX #546FDE

RGB 84 111 222

HSL 228.26, 0.68%, 0.6%

LAB 50.13, 24.38, -59.82

 

CMYK 71 / 58 / 0 / 7

HEX #4464EE

RGB 68 100 238

HSL 228.71, 0.83%, 0.6%

LAB 47.64, 34.39, -72.89

 

CMYK 80 / 65 / 0 / 0

HEX #335AFF

RGB 51 90 255

HSL 228.53, 1%, 0.6%

LAB 45.96, 44.85, -85.18

 

CMYK 51 / 41 / 0 / 20

HEX #6579CD

RGB 101 121 205

HSL 228.46, 0.51%, 0.6%

LAB 52.78, 16.1, -45.88

 

CMYK 38 / 31 / 0 / 26

HEX #7583BD

RGB 117 131 189

HSL 228.33, 0.35%, 0.6%

LAB 55.77, 9.43, -32

 

CMYK 22 / 18 / 0 / 33

HEX #868DAC

RGB 134 141 172

HSL 228.95, 0.19%, 0.6%

LAB 59.06, 4.33, -17.14

 

CMYK 4 / 3 / 0 / 39

HEX #96979C

RGB 150 151 156

HSL 230, 0.03%, 0.6%

LAB 62.52, 0.63, -2.76

 

CMYK 0 / 3 / 17 / 35

HEX #A7A28B

RGB 167 162 139

HSL 49.29, 0.14%, 0.6%

LAB 66.46, -2.18, 12.62

 

CMYK 51 / 14 / 0 / 20

HEX #65B1CD

RGB 101 177 205

HSL 196.15, 0.51%, 0.6%

LAB 68.47, -15.89, -21.47

 

CMYK 51 / 27 / 0 / 20

HEX #6596CD

RGB 101 150 205

HSL 211.73, 0.51%, 0.6%

LAB 60.77, -1.04, -33.33

 

CMYK 51 / 40 / 0 / 20

HEX #657ACD

RGB 101 122 205

HSL 227.88, 0.51%, 0.6%

LAB 53.05, 15.49, -45.46

 

CMYK 47 / 51 / 0 / 20

HEX #6C65CD

RGB 108 101 205

HSL 244.04, 0.51%, 0.6%

LAB 48.14, 29.87, -53.27

 

CMYK 34 / 51 / 0 / 20

HEX #8865CD

RGB 136 101 205

HSL 260.19, 0.51%, 0.6%

LAB 50.63, 36.66, -49.14

 

CMYK 67 / 55 / 0 / 34

HEX #374CA9

RGB 55 76 169

HSL 228.95, 0.51%, 0.44%

LAB 35.69, 23.23, -52.49

 

CMYK 64 / 52 / 0 / 24

HEX #465EC3

RGB 70 94 195

HSL 228.48, 0.51%, 0.52%

LAB 43.13, 23.35, -55.69

 

CMYK 51 / 41 / 0 / 20

HEX #6579CD

RGB 101 121 205

HSL 228.46, 0.51%, 0.6%

LAB 52.78, 16.1, -45.88

 

CMYK 39 / 31 / 0 / 16

HEX #8494D7

RGB 132 148 215

HSL 228.43, 0.51%, 0.68%

LAB 62.5, 10.81, -36.08

 

CMYK 28 / 22 / 0 / 12

HEX #A3AFE1

RGB 163 175 225

HSL 228.39, 0.51%, 0.76%

LAB 72.15, 6.91, -26.5

 

CMYK 51 / 41 / 0 / 20

HEX #6478CD

RGB 100 120 205

HSL 228.57, 0.51%, 0.6%

LAB 52.45, 16.48, -46.41

 

CMYK 0 / 51 / 0 / 20

HEX #CD65CD

RGB 205 101 205

HSL 300, 0.51%, 0.6%

LAB 58.69, 55.39, -35.88

 

CMYK 20 / 0 / 51 / 20

HEX #A3CD65

RGB 163 205 101

HSL 84.23, 0.51%, 0.6%

LAB 77.51, -30.63, 46.87

 

CMYK 51 / 41 / 0 / 20

HEX #6478CD

RGB 100 120 205

HSL 228.57, 0.51%, 0.6%

LAB 52.45, 16.48, -46.41

 

CMYK 0 / 51 / 40 / 20

HEX #CD657A

RGB 205 101 122

HSL 347.88, 0.51%, 0.6%

LAB 55.78, 43.25, 7.78

 

CMYK 40 / 0 / 51 / 20

HEX #7ACD65

RGB 122 205 101

HSL 107.88, 0.51%, 0.6%

LAB 75.29, -44.91, 43.66

 

CMYK 51 / 41 / 0 / 20

HEX #6478CD

RGB 100 120 205

HSL 228.57, 0.51%, 0.6%

LAB 52.45, 16.48, -46.41

 

CMYK 0 / 51 / 0 / 20

HEX #CD65CD

RGB 205 101 205

HSL 300, 0.51%, 0.6%

LAB 58.69, 55.39, -35.88

 

CMYK 0 / 10 / 51 / 20

HEX #CDB865

RGB 205 184 101

HSL 47.88, 0.51%, 0.6%

LAB 74.95, -3.3, 44.54

 

CMYK 51 / 0 / 51 / 20

HEX #65CD65

RGB 101 205 101

HSL 120, 0.51%, 0.6%

LAB 74.43, -51.05, 42.41

 

CMYK 51 / 41 / 0 / 20

HEX #6478CD

RGB 100 120 205

HSL 228.57, 0.51%, 0.6%

LAB 52.45, 16.48, -46.41

 

CMYK 0 / 51 / 15 / 20

HEX #CD65AE

RGB 205 101 174

HSL 317.88, 0.51%, 0.6%

LAB 57.41, 50.21, -20.13

 

CMYK 0 / 10 / 51 / 20

HEX #CDB865

RGB 205 184 101

HSL 47.88, 0.51%, 0.6%

LAB 74.95, -3.3, 44.54

 

CMYK 51 / 0 / 36 / 20

HEX #65CD84

RGB 101 205 132

HSL 137.88, 0.51%, 0.6%

LAB 74.88, -46.23, 27.34

 

Description

Color code: HEX #6478CD3F | qconv.com Color code: HEX #6478CD3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 120 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 120 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 10 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 10% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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