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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6477CC it is the complementary color #9B8833. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6477CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6477CC shade: #6977C7, #7A89DA, #8B9BED, #9CADFF and #ADBFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6477CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6477CC shade: #6477CC, #5365B9, #4253A6, #314193 and #202F80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6477CC shade: #6679CC, #6F66CC, #8A66CC, #A666CC and #C166CC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6477CC shade: #6679CC and #6666CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6477CC shade matches the following richer shades: #6679CC, #556EDD, #4564ED and #3459FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6477CC shade: #6679CC, #7783BB, #878EAB, #98989A and #A8A38A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6477CC shade: #66AFCC, #6694CC, #6679CC, #6F66CC and #8A66CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6477CC shade: #384CA8, #475DC2, #6679CC, #8594D6 and #A4AFE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6477CC shade: #6477CC, #CC66CA and #A2CC66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6477CC shade: #6477CC, #CC6679 and #79CC66

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6477CC shade: #6477CC, #CC66CA, #CCB966 and #66CC68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6477CC shade: #6477CC, #CC66AC, #CCB966 and #66CC86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 42 / 0 / 20

HEX #6477CC

RGB 100 119 204

HSL 229.04, 0.5%, 0.6%

LAB 52.13, 16.78, -46.35

 

Complementary color

CMYK 0 / 12 / 67 / 39

HEX #9B8833

RGB 155 136 51

HSL 49.04, 0.5%, 0.4%

LAB 56.9, -2.99, 46.67

 

CMYK 47 / 40 / 0 / 22

HEX #6977C7

RGB 105 119 199

HSL 231.06, 0.46%, 0.6%

LAB 52.2, 16.4, -43.38

 

CMYK 44 / 37 / 0 / 15

HEX #7A89DA

RGB 122 137 218

HSL 230.63, 0.56%, 0.67%

LAB 59.06, 15.49, -43.2

 

CMYK 41 / 35 / 0 / 7

HEX #8B9BED

RGB 139 155 237

HSL 230.2, 0.73%, 0.74%

LAB 65.78, 14.7, -43.08

 

CMYK 39 / 32 / 0 / 0

HEX #9CADFF

RGB 156 173 255

HSL 229.7, 1%, 0.81%

LAB 72.35, 13.76, -42.52

 

CMYK 32 / 25 / 0 / 0

HEX #ADBFFF

RGB 173 191 255

HSL 226.83, 1%, 0.84%

LAB 78.09, 8.33, -33.51

 

CMYK 51 / 42 / 0 / 20

HEX #6477CC

RGB 100 119 204

HSL 229.04, 0.5%, 0.6%

LAB 52.13, 16.78, -46.35

 

CMYK 55 / 45 / 0 / 27

HEX #5365B9

RGB 83 101 185

HSL 229.41, 0.42%, 0.53%

LAB 45.15, 18.01, -46.61

 

CMYK 60 / 50 / 0 / 35

HEX #4253A6

RGB 66 83 166

HSL 229.8, 0.43%, 0.45%

LAB 38.02, 19.54, -46.91

 

CMYK 67 / 56 / 0 / 42

HEX #314193

RGB 49 65 147

HSL 230.2, 0.5%, 0.38%

LAB 30.74, 21.47, -47.24

 

CMYK 75 / 63 / 0 / 50

HEX #202F80

RGB 32 47 128

HSL 230.63, 0.6%, 0.31%

LAB 23.33, 23.95, -47.52

 

CMYK 50 / 41 / 0 / 20

HEX #6679CC

RGB 102 121 204

HSL 228.82, 0.5%, 0.6%

LAB 52.8, 16.02, -45.29

 

CMYK 46 / 50 / 0 / 20

HEX #6F66CC

RGB 111 102 204

HSL 245.29, 0.5%, 0.6%

LAB 48.56, 29.66, -52

 

CMYK 32 / 50 / 0 / 20

HEX #8A66CC

RGB 138 102 204

HSL 261.18, 0.5%, 0.6%

LAB 51, 36.34, -47.97

 

CMYK 19 / 50 / 0 / 20

HEX #A666CC

RGB 166 102 204

HSL 277.65, 0.5%, 0.6%

LAB 53.99, 43.86, -43.03

 

CMYK 5 / 50 / 0 / 20

HEX #C166CC

RGB 193 102 204

HSL 293.53, 0.5%, 0.6%

LAB 57.27, 51.37, -37.65

 

CMYK 50 / 41 / 0 / 20

HEX #6679CC

RGB 102 121 204

HSL 228.82, 0.5%, 0.6%

LAB 52.8, 16.02, -45.29

 

CMYK 50 / 50 / 0 / 20

HEX #6666CC

RGB 102 102 204

HSL 240, 0.5%, 0.6%

LAB 47.86, 27.62, -53.16

 

CMYK 50 / 41 / 0 / 20

HEX #6679CC

RGB 102 121 204

HSL 228.82, 0.5%, 0.6%

LAB 52.8, 16.02, -45.29

 

CMYK 62 / 50 / 0 / 13

HEX #556EDD

RGB 85 110 221

HSL 228.97, 0.67%, 0.6%

LAB 49.86, 24.83, -59.68

 

CMYK 71 / 58 / 0 / 7

HEX #4564ED

RGB 69 100 237

HSL 228.93, 0.82%, 0.6%

LAB 47.62, 34.17, -72.37

 

CMYK 80 / 65 / 0 / 0

HEX #3459FE

RGB 52 89 254

HSL 229.01, 0.99%, 0.6%

LAB 45.68, 45.18, -85.08

 

CMYK 50 / 41 / 0 / 20

HEX #6679CC

RGB 102 121 204

HSL 228.82, 0.5%, 0.6%

LAB 52.8, 16.02, -45.29

 

CMYK 36 / 30 / 0 / 27

HEX #7783BB

RGB 119 131 187

HSL 229.41, 0.33%, 0.6%

LAB 55.83, 9.44, -30.76

 

CMYK 21 / 17 / 0 / 33

HEX #878EAB

RGB 135 142 171

HSL 228.33, 0.18%, 0.6%

LAB 59.38, 3.85, -16.09

 

CMYK 1 / 1 / 0 / 40

HEX #98989A

RGB 152 152 154

HSL 240, 0.01%, 0.6%

LAB 62.9, 0.39, -1.06

 

CMYK 0 / 3 / 18 / 34

HEX #A8A38A

RGB 168 163 138

HSL 50, 0.15%, 0.6%

LAB 66.79, -2.5, 13.65

 

CMYK 50 / 14 / 0 / 20

HEX #66AFCC

RGB 102 175 204

HSL 197.06, 0.5%, 0.6%

LAB 67.91, -14.89, -21.78

 

CMYK 50 / 27 / 0 / 20

HEX #6694CC

RGB 102 148 204

HSL 212.94, 0.5%, 0.6%

LAB 60.22, 0.04, -33.63

 

CMYK 50 / 41 / 0 / 20

HEX #6679CC

RGB 102 121 204

HSL 228.82, 0.5%, 0.6%

LAB 52.8, 16.02, -45.29

 

CMYK 46 / 50 / 0 / 20

HEX #6F66CC

RGB 111 102 204

HSL 245.29, 0.5%, 0.6%

LAB 48.56, 29.66, -52

 

CMYK 32 / 50 / 0 / 20

HEX #8A66CC

RGB 138 102 204

HSL 261.18, 0.5%, 0.6%

LAB 51, 36.34, -47.97

 

CMYK 67 / 55 / 0 / 34

HEX #384CA8

RGB 56 76 168

HSL 229.29, 0.5%, 0.44%

LAB 35.67, 23.03, -51.92

 

CMYK 63 / 52 / 0 / 24

HEX #475DC2

RGB 71 93 194

HSL 229.27, 0.5%, 0.52%

LAB 42.86, 23.81, -55.55

 

CMYK 50 / 41 / 0 / 20

HEX #6679CC

RGB 102 121 204

HSL 228.82, 0.5%, 0.6%

LAB 52.8, 16.02, -45.29

 

CMYK 38 / 31 / 0 / 16

HEX #8594D6

RGB 133 148 214

HSL 228.89, 0.5%, 0.68%

LAB 62.53, 10.81, -35.48

 

CMYK 27 / 22 / 0 / 12

HEX #A4AFE1

RGB 164 175 225

HSL 229.18, 0.5%, 0.76%

LAB 72.22, 7.2, -26.38

 

CMYK 51 / 42 / 0 / 20

HEX #6477CC

RGB 100 119 204

HSL 229.04, 0.5%, 0.6%

LAB 52.13, 16.78, -46.35

 

CMYK 0 / 50 / 1 / 20

HEX #CC66CA

RGB 204 102 202

HSL 301.18, 0.5%, 0.6%

LAB 58.61, 54.09, -34.32

 

CMYK 21 / 0 / 50 / 20

HEX #A2CC66

RGB 162 204 102

HSL 84.71, 0.5%, 0.6%

LAB 77.18, -30.42, 45.98

 

CMYK 51 / 42 / 0 / 20

HEX #6477CC

RGB 100 119 204

HSL 229.04, 0.5%, 0.6%

LAB 52.13, 16.78, -46.35

 

CMYK 0 / 50 / 41 / 20

HEX #CC6679

RGB 204 102 121

HSL 348.82, 0.5%, 0.6%

LAB 55.81, 42.28, 8.39

 

CMYK 41 / 0 / 50 / 20

HEX #79CC66

RGB 121 204 102

HSL 108.82, 0.5%, 0.6%

LAB 74.96, -44.67, 42.76

 

CMYK 51 / 42 / 0 / 20

HEX #6477CC

RGB 100 119 204

HSL 229.04, 0.5%, 0.6%

LAB 52.13, 16.78, -46.35

 

CMYK 0 / 50 / 1 / 20

HEX #CC66CA

RGB 204 102 202

HSL 301.18, 0.5%, 0.6%

LAB 58.61, 54.09, -34.32

 

CMYK 0 / 9 / 50 / 20

HEX #CCB966

RGB 204 185 102

HSL 48.82, 0.5%, 0.6%

LAB 75.14, -4.14, 44.25

 

CMYK 50 / 0 / 49 / 20

HEX #66CC68

RGB 102 204 104

HSL 121.18, 0.5%, 0.6%

LAB 74.2, -49.97, 40.67

 

CMYK 51 / 42 / 0 / 20

HEX #6477CC

RGB 100 119 204

HSL 229.04, 0.5%, 0.6%

LAB 52.13, 16.78, -46.35

 

CMYK 0 / 50 / 16 / 20

HEX #CC66AC

RGB 204 102 172

HSL 318.82, 0.5%, 0.6%

LAB 57.38, 49.1, -19.02

 

CMYK 0 / 9 / 50 / 20

HEX #CCB966

RGB 204 185 102

HSL 48.82, 0.5%, 0.6%

LAB 75.14, -4.14, 44.25

 

CMYK 50 / 0 / 34 / 20

HEX #66CC86

RGB 102 204 134

HSL 138.82, 0.5%, 0.6%

LAB 74.66, -45.2, 26

 

Description

Color code: HEX #6477CC | qconv.com Color code: HEX #6477CC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 119 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 119 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 42 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 42% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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