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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #64767F it is the complementary color #9B8980. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #64767F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #64767F shade: #69767A, #7A888D, #8B9AA0, #9CACB3 and #ADBEC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #64767F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #64767F shade: #64767F, #53646C, #425259, #314046 and #202E33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #64767F shade: #657781, #657081, #656881, #696581 and #706581

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #64767F shade: #657781, #657081, #656881 and #656581

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #64767F shade matches the following richer shades: #657781, #527E93, #4084A6, #2D8AB8 and #1B90CB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #64767F shade: #657781, #78716E, #8A6B5B, #9D6549 and #AF5F36

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #64767F shade: #65817B, #657F81, #657781, #657081 and #656981

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #64767F shade: #414C52, #536269, #657781, #798C96 and #90A0A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #64767F shade: #64767F, #746581 and #817F65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #64767F shade: #64767F, #816577 and #778165

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #64767F shade: #64767F, #746581, #816E65 and #728165

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #64767F shade: #64767F, #7C6581, #816E65 and #6A8165

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 7 / 0 / 50

HEX #64767F

RGB 100 118 127

HSL 200, 0.12%, 0.45%

LAB 48.51, -4.51, -7.16

 

Complementary color

CMYK 0 / 12 / 17 / 39

HEX #9B8980

RGB 155 137 128

HSL 20, 0.12%, 0.55%

LAB 58.43, 5.24, 7.3

 

CMYK 14 / 3 / 0 / 52

HEX #69767A

RGB 105 118 122

HSL 194.12, 0.07%, 0.45%

LAB 48.72, -3.93, -3.84

 

CMYK 13 / 4 / 0 / 45

HEX #7A888D

RGB 122 136 141

HSL 195.79, 0.08%, 0.52%

LAB 55.75, -3.99, -4.41

 

CMYK 13 / 4 / 0 / 37

HEX #8B9AA0

RGB 139 154 160

HSL 197.14, 0.1%, 0.59%

LAB 62.62, -4.05, -4.96

 

CMYK 13 / 4 / 0 / 30

HEX #9CACB3

RGB 156 172 179

HSL 198.26, 0.13%, 0.66%

LAB 69.35, -4.11, -5.49

 

CMYK 13 / 4 / 0 / 22

HEX #ADBEC6

RGB 173 190 198

HSL 199.2, 0.18%, 0.73%

LAB 75.94, -4.18, -6.02

 

CMYK 21 / 7 / 0 / 50

HEX #64767F

RGB 100 118 127

HSL 200, 0.12%, 0.45%

LAB 48.51, -4.51, -7.16

 

CMYK 23 / 7 / 0 / 58

HEX #53646C

RGB 83 100 108

HSL 199.2, 0.13%, 0.37%

LAB 41.27, -4.46, -6.66

 

CMYK 26 / 8 / 0 / 65

HEX #425259

RGB 66 82 89

HSL 198.26, 0.15%, 0.3%

LAB 33.8, -4.42, -6.16

 

CMYK 30 / 9 / 0 / 73

HEX #314046

RGB 49 64 70

HSL 197.14, 0.18%, 0.23%

LAB 26.05, -4.38, -5.64

 

CMYK 37 / 10 / 0 / 80

HEX #202E33

RGB 32 46 51

HSL 195.79, 0.23%, 0.16%

LAB 17.92, -4.35, -5.11

 

CMYK 22 / 8 / 0 / 49

HEX #657781

RGB 101 119 129

HSL 201.43, 0.12%, 0.45%

LAB 48.94, -4.26, -7.69

 

CMYK 22 / 13 / 0 / 49

HEX #657081

RGB 101 112 129

HSL 216.43, 0.12%, 0.45%

LAB 46.9, -0.16, -10.75

 

CMYK 22 / 19 / 0 / 49

HEX #656881

RGB 101 104 129

HSL 233.57, 0.12%, 0.45%

LAB 44.59, 4.63, -14.24

 

CMYK 19 / 22 / 0 / 49

HEX #696581

RGB 105 101 129

HSL 248.57, 0.12%, 0.45%

LAB 44.08, 7.83, -14.98

 

CMYK 13 / 22 / 0 / 49

HEX #706581

RGB 112 101 129

HSL 263.57, 0.12%, 0.45%

LAB 44.71, 10.29, -13.97

 

CMYK 22 / 8 / 0 / 49

HEX #657781

RGB 101 119 129

HSL 201.43, 0.12%, 0.45%

LAB 48.94, -4.26, -7.69

 

CMYK 22 / 13 / 0 / 49

HEX #657081

RGB 101 112 129

HSL 216.43, 0.12%, 0.45%

LAB 46.9, -0.16, -10.75

 

CMYK 22 / 19 / 0 / 49

HEX #656881

RGB 101 104 129

HSL 233.57, 0.12%, 0.45%

LAB 44.59, 4.63, -14.24

 

CMYK 22 / 22 / 0 / 49

HEX #656581

RGB 101 101 129

HSL 240, 0.12%, 0.45%

LAB 43.74, 6.45, -15.54

 

CMYK 22 / 8 / 0 / 49

HEX #657781

RGB 101 119 129

HSL 201.43, 0.12%, 0.45%

LAB 48.94, -4.26, -7.69

 

CMYK 44 / 14 / 0 / 42

HEX #527E93

RGB 82 126 147

HSL 199.38, 0.28%, 0.45%

LAB 50.48, -9.28, -16.07

 

CMYK 61 / 20 / 0 / 35

HEX #4084A6

RGB 64 132 166

HSL 200, 0.44%, 0.45%

LAB 52.23, -11, -24.52

 

CMYK 76 / 25 / 0 / 28

HEX #2D8AB8

RGB 45 138 184

HSL 199.86, 0.61%, 0.45%

LAB 54.23, -11.29, -31.8

 

CMYK 87 / 29 / 0 / 20

HEX #1B90CB

RGB 27 144 203

HSL 200.11, 0.77%, 0.45%

LAB 56.58, -9.58, -38.94

 

CMYK 22 / 8 / 0 / 49

HEX #657781

RGB 101 119 129

HSL 201.43, 0.12%, 0.45%

LAB 48.94, -4.26, -7.69

 

CMYK 0 / 6 / 8 / 53

HEX #78716E

RGB 120 113 110

HSL 18, 0.04%, 0.45%

LAB 48.17, 2.13, 2.63

 

CMYK 0 / 22 / 34 / 46

HEX #8A6B5B

RGB 138 107 91

HSL 20.43, 0.21%, 0.45%

LAB 47.85, 9.94, 13.7

 

CMYK 0 / 36 / 54 / 38

HEX #9D6549

RGB 157 101 73

HSL 20, 0.37%, 0.45%

LAB 48.21, 19.46, 25.11

 

CMYK 0 / 46 / 69 / 31

HEX #AF5F36

RGB 175 95 54

HSL 20.33, 0.53%, 0.45%

LAB 48.96, 29, 37.2

 

CMYK 22 / 0 / 5 / 49

HEX #65817B

RGB 101 129 123

HSL 167.14, 0.12%, 0.45%

LAB 51.72, -11.34, -0.05

 

CMYK 22 / 2 / 0 / 49

HEX #657F81

RGB 101 127 129

HSL 184.29, 0.12%, 0.45%

LAB 51.3, -8.83, -4.18

 

CMYK 22 / 8 / 0 / 49

HEX #657781

RGB 101 119 129

HSL 201.43, 0.12%, 0.45%

LAB 48.94, -4.26, -7.69

 

CMYK 22 / 13 / 0 / 49

HEX #657081

RGB 101 112 129

HSL 216.43, 0.12%, 0.45%

LAB 46.9, -0.16, -10.75

 

CMYK 22 / 19 / 0 / 49

HEX #656981

RGB 101 105 129

HSL 231.43, 0.12%, 0.45%

LAB 44.88, 4.03, -13.8

 

CMYK 21 / 7 / 0 / 68

HEX #414C52

RGB 65 76 82

HSL 201.18, 0.12%, 0.29%

LAB 31.58, -2.88, -5.03

 

CMYK 21 / 7 / 0 / 59

HEX #536269

RGB 83 98 105

HSL 199.09, 0.12%, 0.37%

LAB 40.56, -4.01, -5.88

 

CMYK 22 / 8 / 0 / 49

HEX #657781

RGB 101 119 129

HSL 201.43, 0.12%, 0.45%

LAB 48.94, -4.26, -7.69

 

CMYK 19 / 7 / 0 / 41

HEX #798C96

RGB 121 140 150

HSL 200.69, 0.12%, 0.53%

LAB 57.1, -4.55, -7.61

 

CMYK 14 / 5 / 0 / 34

HEX #90A0A8

RGB 144 160 168

HSL 200, 0.12%, 0.61%

LAB 64.88, -3.94, -6.08

 

CMYK 21 / 7 / 0 / 50

HEX #64767F

RGB 100 118 127

HSL 200, 0.12%, 0.45%

LAB 48.51, -4.51, -7.16

 

CMYK 10 / 22 / 0 / 49

HEX #746581

RGB 116 101 129

HSL 272.14, 0.12%, 0.45%

LAB 45.09, 11.72, -13.36

 

CMYK 0 / 2 / 22 / 49

HEX #817F65

RGB 129 127 101

HSL 55.71, 0.12%, 0.45%

LAB 52.71, -3.87, 14.44

 

CMYK 21 / 7 / 0 / 50

HEX #64767F

RGB 100 118 127

HSL 200, 0.12%, 0.45%

LAB 48.51, -4.51, -7.16

 

CMYK 0 / 22 / 8 / 49

HEX #816577

RGB 129 101 119

HSL 321.43, 0.12%, 0.45%

LAB 46.05, 14.45, -5.77

 

CMYK 8 / 0 / 22 / 49

HEX #778165

RGB 119 129 101

HSL 81.43, 0.12%, 0.45%

LAB 52.47, -9.01, 13.97

 

CMYK 21 / 7 / 0 / 50

HEX #64767F

RGB 100 118 127

HSL 200, 0.12%, 0.45%

LAB 48.51, -4.51, -7.16

 

CMYK 10 / 22 / 0 / 49

HEX #746581

RGB 116 101 129

HSL 272.14, 0.12%, 0.45%

LAB 45.09, 11.72, -13.36

 

CMYK 0 / 15 / 22 / 49

HEX #816E65

RGB 129 110 101

HSL 19.29, 0.12%, 0.45%

LAB 47.95, 5.93, 7.78

 

CMYK 12 / 0 / 22 / 49

HEX #728165

RGB 114 129 101

HSL 92.14, 0.12%, 0.45%

LAB 52.08, -10.98, 13.38

 

CMYK 21 / 7 / 0 / 50

HEX #64767F

RGB 100 118 127

HSL 200, 0.12%, 0.45%

LAB 48.51, -4.51, -7.16

 

CMYK 4 / 22 / 0 / 49

HEX #7C6581

RGB 124 101 129

HSL 289.29, 0.12%, 0.45%

LAB 45.88, 14.61, -12.09

 

CMYK 0 / 15 / 22 / 49

HEX #816E65

RGB 129 110 101

HSL 19.29, 0.12%, 0.45%

LAB 47.95, 5.93, 7.78

 

CMYK 18 / 0 / 22 / 49

HEX #6A8165

RGB 106 129 101

HSL 109.29, 0.12%, 0.45%

LAB 51.5, -14.06, 12.48

 

Description

Color code: HEX #64767F | qconv.com Color code: HEX #64767F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 118 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 118 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 7 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 7% 0% 50% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

25% - Popmundo
Link: http://www.popmundo.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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