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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #646CFACE it is the complementary color #9B9305CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #646CFACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #646CFACE shade: #696CF5CE, #7A7EFFCE, #8B90FFCE, #9CA2FFCE and #ADB4FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #646CFACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #646CFACE shade: #646CFACE, #535AE7CE, #4248D4CE, #3136C1CE and #2024AECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #646CFACE shade: #666EFA, #8666FA, #AE66FA, #D666FA and #FA66F6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #646CFACE shade: #666EFA and #6666FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #646CFACE shade matches the following richer shades: #666EFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #646CFACE shade: #666EFA, #7279ED, #7F84E1, #8C90D4 and #999BC7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #646CFACE shade: #66BFFA, #6697FA, #6670FA, #8366FA and #AB66FA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #646CFACE shade: #1622F8, #3E48F9, #666EFA, #8E94FB and #B6B9FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #646CFACE shade: #646CFA, #FA66E6 and #ABFA66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #646CFACE shade: #646CFA, #FA6670 and #70FA66

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #646CFACE shade: #646CFA, #FA66E6, #FAF066 and #66FA79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #646CFACE shade: #646CFA, #FA66BA, #FAF066 and #66FAA6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 46 / 0 / 2

HEX #646CFACE

RGBA 100 108 250 0.81

HSLA 236.8, 0.94%, 0.69%, 0.81

LABA 52.22, 38.16, -72.08, 0.81

 

Complementary color

CMYK 0 / 4 / 78 / 32

HEX #9B9305CE

RGBA 155 147 5 0.81

HSLA 56.8, 0.94%, 0.31%, 0.81

LABA 59.75, -10.57, 62.74, 0.81

 

CMYK 46 / 45 / 0 / 3

HEX #696CF5CE

RGBA 105 108 245 0.81

HSLA 238.71, 0.88%, 0.69%, 0.81

LABA 52.2, 37.42, -69.31, 0.81

 

CMYK 42 / 41 / 0 / 0

HEX #7A7EFFCE

RGBA 122 126 255 0.81

HSLA 238.2, 1%, 0.74%, 0.81

LABA 58.3, 33.05, -64.94, 0.81

 

CMYK 37 / 35 / 0 / 0

HEX #8B90FFCE

RGBA 139 144 255 0.81

HSLA 237.41, 1%, 0.77%, 0.81

LABA 63.88, 26.18, -55.95, 0.81

 

CMYK 31 / 30 / 0 / 0

HEX #9CA2FFCE

RGBA 156 162 255 0.81

HSLA 236.36, 1%, 0.81%, 0.81

LABA 69.56, 19.98, -46.89, 0.81

 

CMYK 26 / 24 / 0 / 0

HEX #ADB4FFCE

RGBA 173 180 255 0.81

HSLA 234.88, 1%, 0.84%, 0.81

LABA 75.29, 14.39, -37.84, 0.81

 

CMYK 49 / 46 / 0 / 2

HEX #646CFACE

RGBA 100 108 250 0.81

HSLA 236.8, 0.94%, 0.69%, 0.81

LABA 52.22, 38.16, -72.08, 0.81

 

CMYK 52 / 49 / 0 / 8

HEX #535AE7CE

RGBA 83 90 231 0.81

HSLA 237.16, 0.76%, 0.62%, 0.81

LABA 45.53, 40.15, -72.37, 0.81

 

CMYK 56 / 53 / 0 / 14

HEX #4248D4CE

RGBA 66 72 212 0.81

HSLA 237.53, 0.63%, 0.55%, 0.81

LABA 38.81, 42.4, -72.57, 0.81

 

CMYK 60 / 58 / 0 / 20

HEX #3136C1CE

RGBA 49 54 193 0.81

HSLA 237.92, 0.6%, 0.47%, 0.81

LABA 32.13, 44.85, -72.53, 0.81

 

CMYK 66 / 64 / 0 / 26

HEX #2024AECE

RGBA 32 36 174 0.81

HSLA 238.31, 0.69%, 0.4%, 0.81

LABA 25.64, 47.29, -72.01, 0.81

 

CMYK 59 / 56 / 0 / 2

HEX #666EFA

RGB 102 110 250

HSL 236.76, 0.94%, 0.69%

LAB 52.82, 37.3, -71.1

 

CMYK 46 / 59 / 0 / 2

HEX #8666FA

RGB 134 102 250

HSL 252.97, 0.94%, 0.69%

LAB 53.46, 47.84, -69.93

 

CMYK 30 / 59 / 0 / 2

HEX #AE66FA

RGB 174 102 250

HSL 269.19, 0.94%, 0.69%

LAB 57.47, 56.34, -63.27

 

CMYK 14 / 59 / 0 / 2

HEX #D666FA

RGB 214 102 250

HSL 285.41, 0.94%, 0.69%

LAB 62.25, 65.62, -55.35

 

CMYK 0 / 59 / 2 / 2

HEX #FA66F6

RGB 250 102 246

HSL 301.62, 0.94%, 0.69%

LAB 66.89, 73.58, -45.5

 

CMYK 59 / 56 / 0 / 2

HEX #666EFA

RGB 102 110 250

HSL 236.76, 0.94%, 0.69%

LAB 52.82, 37.3, -71.1

 

CMYK 59 / 59 / 0 / 2

HEX #6666FA

RGB 102 102 250

HSL 240, 0.94%, 0.69%

LAB 50.95, 42.05, -74.12

 

CMYK 59 / 56 / 0 / 2

HEX #666EFA

RGB 102 110 250

HSL 236.76, 0.94%, 0.69%

LAB 52.82, 37.3, -71.1

 

CMYK 59 / 56 / 0 / 2

HEX #666EFA

RGB 102 110 250

HSL 236.76, 0.94%, 0.69%

LAB 52.82, 37.3, -71.1

 

CMYK 52 / 49 / 0 / 7

HEX #7279ED

RGB 114 121 237

HSL 236.59, 0.77%, 0.69%

LAB 55.45, 28.88, -59.59

 

CMYK 44 / 41 / 0 / 12

HEX #7F84E1

RGB 127 132 225

HSL 236.94, 0.62%, 0.69%

LAB 58.46, 21.71, -48.03

 

CMYK 34 / 32 / 0 / 17

HEX #8C90D4

RGB 140 144 212

HSL 236.67, 0.46%, 0.69%

LAB 61.89, 14.52, -35.32

 

CMYK 23 / 22 / 0 / 22

HEX #999BC7

RGB 153 155 199

HSL 237.39, 0.29%, 0.69%

LAB 65.23, 8.82, -22.82

 

CMYK 59 / 24 / 0 / 2

HEX #66BFFA

RGB 102 191 250

HSL 203.92, 0.94%, 0.69%

LAB 74.18, -9.81, -37.17

 

CMYK 59 / 40 / 0 / 2

HEX #6697FA

RGB 102 151 250

HSL 220.14, 0.94%, 0.69%

LAB 63.23, 12.75, -54.38

 

CMYK 59 / 55 / 0 / 2

HEX #6670FA

RGB 102 112 250

HSL 235.95, 0.94%, 0.69%

LAB 53.29, 36.1, -70.33

 

CMYK 48 / 59 / 0 / 2

HEX #8366FA

RGB 131 102 250

HSL 251.76, 0.94%, 0.69%

LAB 53.2, 47.25, -70.37

 

CMYK 32 / 59 / 0 / 2

HEX #AB66FA

RGB 171 102 250

HSL 267.97, 0.94%, 0.69%

LAB 57.14, 55.67, -63.82

 

CMYK 91 / 86 / 0 / 3

HEX #1622F8

RGB 22 34 248

HSL 236.81, 0.94%, 0.53%

LAB 34.17, 70.05, -100.79

 

CMYK 75 / 71 / 0 / 2

HEX #3E48F9

RGB 62 72 249

HSL 236.79, 0.94%, 0.61%

LAB 42, 54.2, -88.33

 

CMYK 59 / 56 / 0 / 2

HEX #666EFA

RGB 102 110 250

HSL 236.76, 0.94%, 0.69%

LAB 52.82, 37.3, -71.1

 

CMYK 43 / 41 / 0 / 2

HEX #8E94FB

RGB 142 148 251

HSL 236.7, 0.93%, 0.77%

LAB 64.88, 23.43, -52.16

 

CMYK 28 / 27 / 0 / 1

HEX #B6B9FD

RGB 182 185 253

HSL 237.46, 0.95%, 0.85%

LAB 77.12, 13.67, -33.88

 

CMYK 60 / 57 / 0 / 2

HEX #646CFA

RGB 100 108 250

HSL 236.8, 0.94%, 0.69%

LAB 52.22, 38.16, -72.08

 

CMYK 0 / 59 / 8 / 2

HEX #FA66E6

RGB 250 102 230

HSL 308.11, 0.94%, 0.69%

LAB 66.17, 71.05, -37.78

 

CMYK 32 / 0 / 59 / 2

HEX #ABFA66

RGB 171 250 102

HSL 92.03, 0.94%, 0.69%

LAB 90.77, -47.71, 61.94

 

CMYK 60 / 57 / 0 / 2

HEX #646CFA

RGB 100 108 250

HSL 236.8, 0.94%, 0.69%

LAB 52.22, 38.16, -72.08

 

CMYK 0 / 59 / 55 / 2

HEX #FA6670

RGB 250 102 112

HSL 355.95, 0.94%, 0.69%

LAB 62.5, 57.29, 23.93

 

CMYK 55 / 0 / 59 / 2

HEX #70FA66

RGB 112 250 102

HSL 115.95, 0.94%, 0.69%

LAB 88.34, -65.12, 58.52

 

CMYK 60 / 57 / 0 / 2

HEX #646CFA

RGB 100 108 250

HSL 236.8, 0.94%, 0.69%

LAB 52.22, 38.16, -72.08

 

CMYK 0 / 59 / 8 / 2

HEX #FA66E6

RGB 250 102 230

HSL 308.11, 0.94%, 0.69%

LAB 66.17, 71.05, -37.78

 

CMYK 0 / 4 / 59 / 2

HEX #FAF066

RGB 250 240 102

HSL 55.95, 0.94%, 0.69%

LAB 93.28, -13.17, 66.17

 

CMYK 59 / 0 / 52 / 2

HEX #66FA79

RGB 102 250 121

HSL 127.7, 0.94%, 0.69%

LAB 88.25, -65.15, 49.84

 

CMYK 60 / 57 / 0 / 2

HEX #646CFA

RGB 100 108 250

HSL 236.8, 0.94%, 0.69%

LAB 52.22, 38.16, -72.08

 

CMYK 0 / 59 / 26 / 2

HEX #FA66BA

RGB 250 102 186

HSL 325.95, 0.94%, 0.69%

LAB 64.46, 64.83, -15.68

 

CMYK 0 / 4 / 59 / 2

HEX #FAF066

RGB 250 240 102

HSL 55.95, 0.94%, 0.69%

LAB 93.28, -13.17, 66.17

 

CMYK 59 / 0 / 34 / 2

HEX #66FAA6

RGB 102 250 166

HSL 145.95, 0.94%, 0.69%

LAB 88.9, -58.03, 28.75

 

Description

Color code: HEX #646CFACE | qconv.com Color code: HEX #646CFACE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 108 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 108 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 46 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 46% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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