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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #646CE9CE it is the complementary color #9B9316CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #646CE9CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #646CE9CE shade: #696CE4CE, #7A7EF7CE, #8B90FFCE, #9CA2FFCE and #ADB4FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #646CE9CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #646CE9CE shade: #646CE9CE, #535AD6CE, #4248C3CE, #3136B0CE and #20249DCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #646CE9CE shade: #636BE9, #7F63E9, #A363E9, #C763E9 and #E963E6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #646CE9CE shade: #636BE9 and #6363E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #646CE9CE shade matches the following richer shades: #636BE9 and #545EF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #646CE9CE shade: #636BE9, #7178DA, #8084CC, #8E91BD and #9D9EAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #646CE9CE shade: #63B3E9, #638FE9, #636CE9, #7E63E9 and #A163E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #646CE9CE shade: #1F2ADA, #3F49E4, #636BE9, #878DEE and #ABAFF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #646CE9CE shade: #646CE9, #E963D7 and #A1E963

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #646CE9CE shade: #646CE9, #E9636C and #6CE963

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #646CE9CE shade: #646CE9, #E963D7, #E9E063 and #63E975

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #646CE9CE shade: #646CE9, #E963AF, #E9E063 and #63E99D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 43 / 0 / 7

HEX #646CE9CE

RGBA 100 108 233 0.81

HSLA 236.39, 0.75%, 0.65%, 0.81

LABA 51.06, 32.71, -64.47, 0.81

 

Complementary color

CMYK 0 / 4 / 70 / 32

HEX #9B9316CE

RGBA 155 147 22 0.81

HSLA 56.39, 0.75%, 0.35%, 0.81

LABA 59.79, -10.24, 59.67, 0.81

 

CMYK 44 / 43 / 0 / 9

HEX #696CE4CE

RGBA 105 108 228 0.81

HSLA 238.54, 0.69%, 0.65%, 0.81

LABA 51.07, 32.08, -61.62, 0.81

 

CMYK 41 / 40 / 0 / 3

HEX #7A7EF7CE

RGBA 122 126 247 0.81

HSLA 238.08, 0.89%, 0.72%, 0.81

LABA 57.82, 30.63, -61.3, 0.81

 

CMYK 37 / 35 / 0 / 0

HEX #8B90FFCE

RGBA 139 144 255 0.81

HSLA 237.41, 1%, 0.77%, 0.81

LABA 63.88, 26.18, -55.95, 0.81

 

CMYK 31 / 30 / 0 / 0

HEX #9CA2FFCE

RGBA 156 162 255 0.81

HSLA 236.36, 1%, 0.81%, 0.81

LABA 69.56, 19.98, -46.89, 0.81

 

CMYK 26 / 24 / 0 / 0

HEX #ADB4FFCE

RGBA 173 180 255 0.81

HSLA 234.88, 1%, 0.84%, 0.81

LABA 75.29, 14.39, -37.84, 0.81

 

CMYK 46 / 43 / 0 / 7

HEX #646CE9CE

RGBA 100 108 233 0.81

HSLA 236.39, 0.75%, 0.65%, 0.81

LABA 51.06, 32.71, -64.47, 0.81

 

CMYK 50 / 47 / 0 / 13

HEX #535AD6CE

RGBA 83 90 214 0.81

HSLA 236.79, 0.62%, 0.58%, 0.81

LABA 44.24, 34.53, -64.8, 0.81

 

CMYK 54 / 51 / 0 / 19

HEX #4248C3CE

RGBA 66 72 195 0.81

HSLA 237.21, 0.52%, 0.51%, 0.81

LABA 37.36, 36.64, -65.08, 0.81

 

CMYK 58 / 56 / 0 / 25

HEX #3136B0CE

RGBA 49 54 176 0.81

HSLA 237.64, 0.56%, 0.44%, 0.81

LABA 30.46, 39.05, -65.21, 0.81

 

CMYK 64 / 62 / 0 / 31

HEX #20249DCE

RGBA 32 36 157 0.81

HSLA 238.08, 0.66%, 0.37%, 0.81

LABA 23.68, 41.61, -64.95, 0.81

 

CMYK 58 / 54 / 0 / 9

HEX #636BE9

RGB 99 107 233

HSL 236.42, 0.75%, 0.65%

LAB 50.75, 33.13, -64.97

 

CMYK 45 / 58 / 0 / 9

HEX #7F63E9

RGB 127 99 233

HSL 252.54, 0.75%, 0.65%

LAB 51.06, 43.34, -64.36

 

CMYK 30 / 58 / 0 / 9

HEX #A363E9

RGB 163 99 233

HSL 268.66, 0.75%, 0.65%

LAB 54.65, 51.36, -58.39

 

CMYK 15 / 58 / 0 / 9

HEX #C763E9

RGB 199 99 233

HSL 284.78, 0.75%, 0.65%

LAB 58.93, 60.05, -51.32

 

CMYK 0 / 58 / 1 / 9

HEX #E963E6

RGB 233 99 230

HSL 301.34, 0.75%, 0.65%

LAB 63.31, 68, -42.42

 

CMYK 58 / 54 / 0 / 9

HEX #636BE9

RGB 99 107 233

HSL 236.42, 0.75%, 0.65%

LAB 50.75, 33.13, -64.97

 

CMYK 58 / 58 / 0 / 9

HEX #6363E9

RGB 99 99 233

HSL 240, 0.75%, 0.65%

LAB 48.83, 37.95, -68.07

 

CMYK 58 / 54 / 0 / 9

HEX #636BE9

RGB 99 107 233

HSL 236.42, 0.75%, 0.65%

LAB 50.75, 33.13, -64.97

 

CMYK 66 / 62 / 0 / 3

HEX #545EF7

RGB 84 94 247

HSL 236.32, 0.91%, 0.65%

LAB 47.76, 43.16, -77.71

 

CMYK 58 / 54 / 0 / 9

HEX #636BE9

RGB 99 107 233

HSL 236.42, 0.75%, 0.65%

LAB 50.75, 33.13, -64.97

 

CMYK 48 / 45 / 0 / 15

HEX #7178DA

RGB 113 120 218

HSL 236, 0.59%, 0.65%

LAB 54.03, 23.46, -51.21

 

CMYK 37 / 35 / 0 / 20

HEX #8084CC

RGB 128 132 204

HSL 236.84, 0.43%, 0.65%

LAB 57.51, 16.04, -37.73

 

CMYK 25 / 23 / 0 / 26

HEX #8E91BD

RGB 142 145 189

HSL 236.17, 0.26%, 0.65%

LAB 61.37, 8.68, -23.19

 

CMYK 10 / 10 / 0 / 31

HEX #9D9EAF

RGB 157 158 175

HSL 236.67, 0.1%, 0.65%

LAB 65.53, 3.07, -8.93

 

CMYK 58 / 23 / 0 / 9

HEX #63B3E9

RGB 99 179 233

HSL 204.18, 0.75%, 0.65%

LAB 70.02, -9.1, -34.44

 

CMYK 58 / 39 / 0 / 9

HEX #638FE9

RGB 99 143 233

HSL 220.3, 0.75%, 0.65%

LAB 60.05, 11.39, -50.07

 

CMYK 58 / 54 / 0 / 9

HEX #636CE9

RGB 99 108 233

HSL 235.97, 0.75%, 0.65%

LAB 50.99, 32.52, -64.58

 

CMYK 46 / 58 / 0 / 9

HEX #7E63E9

RGB 126 99 233

HSL 252.09, 0.75%, 0.65%

LAB 50.97, 43.13, -64.51

 

CMYK 31 / 58 / 0 / 9

HEX #A163E9

RGB 161 99 233

HSL 267.76, 0.75%, 0.65%

LAB 54.43, 50.89, -58.75

 

CMYK 86 / 81 / 0 / 15

HEX #1F2ADA

RGB 31 42 218

HSL 236.47, 0.75%, 0.49%

LAB 31.83, 58.2, -87.6

 

CMYK 72 / 68 / 0 / 11

HEX #3F49E4

RGB 63 73 228

HSL 236.36, 0.75%, 0.57%

LAB 40.28, 46.83, -79.3

 

CMYK 58 / 54 / 0 / 9

HEX #636BE9

RGB 99 107 233

HSL 236.42, 0.75%, 0.65%

LAB 50.75, 33.13, -64.97

 

CMYK 43 / 41 / 0 / 7

HEX #878DEE

RGB 135 141 238

HSL 236.5, 0.75%, 0.73%

LAB 61.98, 22.11, -49.65

 

CMYK 30 / 28 / 0 / 5

HEX #ABAFF3

RGB 171 175 243

HSL 236.67, 0.75%, 0.81%

LAB 73.41, 13.63, -34.3

 

CMYK 57 / 54 / 0 / 9

HEX #646CE9

RGB 100 108 233

HSL 236.39, 0.75%, 0.65%

LAB 51.06, 32.71, -64.47

 

CMYK 0 / 58 / 8 / 9

HEX #E963D7

RGB 233 99 215

HSL 308.06, 0.75%, 0.65%

LAB 62.64, 65.57, -35.08

 

CMYK 31 / 0 / 58 / 9

HEX #A1E963

RGB 161 233 99

HSL 92.24, 0.75%, 0.65%

LAB 85.38, -44.17, 56.97

 

CMYK 57 / 54 / 0 / 9

HEX #646CE9

RGB 100 108 233

HSL 236.39, 0.75%, 0.65%

LAB 51.06, 32.71, -64.47

 

CMYK 0 / 58 / 54 / 9

HEX #E9636C

RGB 233 99 108

HSL 355.97, 0.75%, 0.65%

LAB 59.28, 52.62, 21.44

 

CMYK 54 / 0 / 58 / 9

HEX #6CE963

RGB 108 233 99

HSL 115.97, 0.75%, 0.65%

LAB 83.11, -60.22, 53.76

 

CMYK 57 / 54 / 0 / 9

HEX #646CE9

RGB 100 108 233

HSL 236.39, 0.75%, 0.65%

LAB 51.06, 32.71, -64.47

 

CMYK 0 / 58 / 8 / 9

HEX #E963D7

RGB 233 99 215

HSL 308.06, 0.75%, 0.65%

LAB 62.64, 65.57, -35.08

 

CMYK 0 / 4 / 58 / 9

HEX #E9E063

RGB 233 224 99

HSL 55.97, 0.75%, 0.65%

LAB 87.74, -12.35, 60.95

 

CMYK 58 / 0 / 50 / 9

HEX #63E975

RGB 99 233 117

HSL 128.06, 0.75%, 0.65%

LAB 83.03, -60.14, 45.3

 

CMYK 57 / 54 / 0 / 9

HEX #646CE9

RGB 100 108 233

HSL 236.39, 0.75%, 0.65%

LAB 51.06, 32.71, -64.47

 

CMYK 0 / 58 / 25 / 9

HEX #E963AF

RGB 233 99 175

HSL 325.97, 0.75%, 0.65%

LAB 61.08, 59.75, -14.75

 

CMYK 0 / 4 / 58 / 9

HEX #E9E063

RGB 233 224 99

HSL 55.97, 0.75%, 0.65%

LAB 87.74, -12.35, 60.95

 

CMYK 58 / 0 / 33 / 9

HEX #63E99D

RGB 99 233 157

HSL 145.97, 0.75%, 0.65%

LAB 83.63, -53.61, 26.19

 

Description

Color code: HEX #646CE9CE | qconv.com Color code: HEX #646CE9CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 108 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 108 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 43 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 43% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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