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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6469DF it is the complementary color #9B9620. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6469DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6469DF shade: #6969DA, #7A7BED, #8B8DFF, #9C9FFF and #ADB1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6469DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6469DF shade: #6469DF, #5357CC, #4245B9, #3133A6 and #202193

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6469DF shade: #6267DF, #7F62DF, #A062DF, #C262DF and #DF62DA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6469DF shade: #6267DF and #6262DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6469DF shade matches the following richer shades: #6267DF, #5359EE and #444BFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6469DF shade: #6267DF, #7275D0, #8183C0, #9092B1 and #9FA0A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6469DF shade: #62ABDF, #628ADF, #6269DF, #7D62DF and #9F62DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6469DF shade: #292FC6, #4046D8, #6267DF, #8589E6 and #A7AAED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6469DF shade: #6469DF, #DF62CC and #9ADF62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6469DF shade: #6469DF, #DF6269 and #69DF62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6469DF shade: #6469DF, #DF62CC, #DFD962 and #62DF75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6469DF shade: #6469DF, #DF62A7, #DFD962 and #62DF9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 53 / 0 / 13

HEX #6469DF

RGB 100 105 223

HSL 237.56, 0.66%, 0.63%

LAB 49.67, 31.34, -61.08

 

Complementary color

CMYK 0 / 3 / 79 / 39

HEX #9B9620

RGB 155 150 32

HSL 57.56, 0.66%, 0.37%

LAB 60.68, -11.51, 57.65

 

CMYK 52 / 52 / 0 / 15

HEX #6969DA

RGB 105 105 218

HSL 240, 0.6%, 0.63%

LAB 49.7, 30.77, -58.18

 

CMYK 49 / 48 / 0 / 7

HEX #7A7BED

RGB 122 123 237

HSL 239.48, 0.76%, 0.7%

LAB 56.5, 29.4, -57.86

 

CMYK 45 / 45 / 0 / 0

HEX #8B8DFF

RGB 139 141 255

HSL 238.97, 1%, 0.77%

LAB 63.14, 27.93, -57.12

 

CMYK 39 / 38 / 0 / 0

HEX #9C9FFF

RGB 156 159 255

HSL 238.18, 1%, 0.81%

LAB 68.81, 21.68, -48.06

 

CMYK 32 / 31 / 0 / 0

HEX #ADB1FF

RGB 173 177 255

HSL 237.07, 1%, 0.84%

LAB 74.54, 16.06, -39.01

 

CMYK 55 / 53 / 0 / 13

HEX #6469DF

RGB 100 105 223

HSL 237.56, 0.66%, 0.63%

LAB 49.67, 31.34, -61.08

 

CMYK 59 / 57 / 0 / 20

HEX #5357CC

RGB 83 87 204

HSL 238.02, 0.54%, 0.56%

LAB 42.79, 33.08, -61.42

 

CMYK 64 / 63 / 0 / 27

HEX #4245B9

RGB 66 69 185

HSL 238.49, 0.47%, 0.49%

LAB 35.82, 35.1, -61.72

 

CMYK 70 / 69 / 0 / 35

HEX #3133A6

RGB 49 51 166

HSL 238.97, 0.54%, 0.42%

LAB 28.83, 37.42, -61.88

 

CMYK 78 / 78 / 0 / 42

HEX #202193

RGB 32 33 147

HSL 239.48, 0.64%, 0.35%

LAB 21.95, 39.9, -61.67

 

CMYK 56 / 54 / 0 / 13

HEX #6267DF

RGB 98 103 223

HSL 237.6, 0.66%, 0.63%

LAB 49.04, 32.17, -62.1

 

CMYK 43 / 56 / 0 / 13

HEX #7F62DF

RGB 127 98 223

HSL 253.92, 0.66%, 0.63%

LAB 50.19, 41.11, -60.13

 

CMYK 28 / 56 / 0 / 13

HEX #A062DF

RGB 160 98 223

HSL 269.76, 0.66%, 0.63%

LAB 53.53, 48.8, -54.58

 

CMYK 13 / 56 / 0 / 13

HEX #C262DF

RGB 194 98 223

HSL 286.08, 0.66%, 0.63%

LAB 57.59, 57.29, -47.87

 

CMYK 0 / 56 / 2 / 13

HEX #DF62DA

RGB 223 98 218

HSL 302.4, 0.66%, 0.63%

LAB 61.21, 63.87, -39.1

 

CMYK 56 / 54 / 0 / 13

HEX #6267DF

RGB 98 103 223

HSL 237.6, 0.66%, 0.63%

LAB 49.04, 32.17, -62.1

 

CMYK 56 / 56 / 0 / 13

HEX #6262DF

RGB 98 98 223

HSL 240, 0.66%, 0.63%

LAB 47.83, 35.2, -64.06

 

CMYK 56 / 54 / 0 / 13

HEX #6267DF

RGB 98 103 223

HSL 237.6, 0.66%, 0.63%

LAB 49.04, 32.17, -62.1

 

CMYK 65 / 63 / 0 / 7

HEX #5359EE

RGB 83 89 238

HSL 237.68, 0.82%, 0.63%

LAB 45.85, 43.05, -75.79

 

CMYK 73 / 70 / 0 / 1

HEX #444BFD

RGB 68 75 253

HSL 237.73, 0.98%, 0.63%

LAB 43.29, 54.33, -88.42

 

CMYK 56 / 54 / 0 / 13

HEX #6267DF

RGB 98 103 223

HSL 237.6, 0.66%, 0.63%

LAB 49.04, 32.17, -62.1

 

CMYK 45 / 44 / 0 / 18

HEX #7275D0

RGB 114 117 208

HSL 238.09, 0.5%, 0.63%

LAB 52.79, 22.51, -47.52

 

CMYK 33 / 32 / 0 / 25

HEX #8183C0

RGB 129 131 192

HSL 238.1, 0.33%, 0.63%

LAB 56.79, 13.66, -32.06

 

CMYK 19 / 18 / 0 / 31

HEX #9092B1

RGB 144 146 177

HSL 236.36, 0.17%, 0.63%

LAB 61.36, 5.9, -16.42

 

CMYK 2 / 1 / 0 / 36

HEX #9FA0A2

RGB 159 160 162

HSL 220, 0.02%, 0.63%

LAB 65.84, 0.03, -1.17

 

CMYK 56 / 23 / 0 / 13

HEX #62ABDF

RGB 98 171 223

HSL 204.96, 0.66%, 0.63%

LAB 67.31, -7.98, -33.16

 

CMYK 56 / 38 / 0 / 13

HEX #628ADF

RGB 98 138 223

HSL 220.8, 0.66%, 0.63%

LAB 58.13, 10.94, -47.55

 

CMYK 56 / 53 / 0 / 13

HEX #6269DF

RGB 98 105 223

HSL 236.64, 0.66%, 0.63%

LAB 49.53, 30.95, -61.31

 

CMYK 44 / 56 / 0 / 13

HEX #7D62DF

RGB 125 98 223

HSL 252.96, 0.66%, 0.63%

LAB 50.01, 40.67, -60.43

 

CMYK 29 / 56 / 0 / 13

HEX #9F62DF

RGB 159 98 223

HSL 269.28, 0.66%, 0.63%

LAB 53.42, 48.55, -54.76

 

CMYK 79 / 76 / 0 / 22

HEX #292FC6

RGB 41 47 198

HSL 237.71, 0.66%, 0.47%

LAB 30.83, 49.82, -77.62

 

CMYK 70 / 68 / 0 / 15

HEX #4046D8

RGB 64 70 216

HSL 237.63, 0.66%, 0.55%

LAB 38.6, 44.7, -75.21

 

CMYK 56 / 54 / 0 / 13

HEX #6267DF

RGB 98 103 223

HSL 237.6, 0.66%, 0.63%

LAB 49.04, 32.17, -62.1

 

CMYK 42 / 40 / 0 / 10

HEX #8589E6

RGB 133 137 230

HSL 237.53, 0.66%, 0.71%

LAB 60.42, 21.68, -47.69

 

CMYK 30 / 28 / 0 / 7

HEX #A7AAED

RGB 167 170 237

HSL 237.43, 0.66%, 0.79%

LAB 71.61, 13.79, -33.85

 

CMYK 55 / 53 / 0 / 13

HEX #6469DF

RGB 100 105 223

HSL 237.56, 0.66%, 0.63%

LAB 49.67, 31.34, -61.08

 

CMYK 0 / 56 / 9 / 13

HEX #DF62CC

RGB 223 98 204

HSL 309.12, 0.66%, 0.63%

LAB 60.59, 61.58, -32.17

 

CMYK 31 / 0 / 56 / 13

HEX #9ADF62

RGB 154 223 98

HSL 93.12, 0.66%, 0.63%

LAB 82.12, -42.36, 53.57

 

CMYK 55 / 53 / 0 / 13

HEX #6469DF

RGB 100 105 223

HSL 237.56, 0.66%, 0.63%

LAB 49.67, 31.34, -61.08

 

CMYK 0 / 56 / 53 / 13

HEX #DF6269

RGB 223 98 105

HSL 356.64, 0.66%, 0.63%

LAB 57.5, 49.4, 20.52

 

CMYK 53 / 0 / 56 / 13

HEX #69DF62

RGB 105 223 98

HSL 116.64, 0.66%, 0.63%

LAB 79.99, -57.36, 50.54

 

CMYK 55 / 53 / 0 / 13

HEX #6469DF

RGB 100 105 223

HSL 237.56, 0.66%, 0.63%

LAB 49.67, 31.34, -61.08

 

CMYK 0 / 56 / 9 / 13

HEX #DF62CC

RGB 223 98 204

HSL 309.12, 0.66%, 0.63%

LAB 60.59, 61.58, -32.17

 

CMYK 0 / 3 / 56 / 13

HEX #DFD962

RGB 223 217 98

HSL 57.12, 0.66%, 0.63%

LAB 85.1, -13.01, 58.19

 

CMYK 56 / 0 / 48 / 13

HEX #62DF75

RGB 98 223 117

HSL 129.12, 0.66%, 0.63%

LAB 79.99, -56.6, 41.51

 

CMYK 55 / 53 / 0 / 13

HEX #6469DF

RGB 100 105 223

HSL 237.56, 0.66%, 0.63%

LAB 49.67, 31.34, -61.08

 

CMYK 0 / 56 / 25 / 13

HEX #DF62A7

RGB 223 98 167

HSL 326.88, 0.66%, 0.63%

LAB 59.17, 56.14, -13.17

 

CMYK 0 / 3 / 56 / 13

HEX #DFD962

RGB 223 217 98

HSL 57.12, 0.66%, 0.63%

LAB 85.1, -13.01, 58.19

 

CMYK 56 / 0 / 31 / 13

HEX #62DF9A

RGB 98 223 154

HSL 146.88, 0.66%, 0.63%

LAB 80.57, -50.34, 23.57

 

Description

Color code: HEX #6469DF | qconv.com Color code: HEX #6469DF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 105 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 105 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 53 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 53% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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