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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6463D0 it is the complementary color #9B9C2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6463D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6463D0 shade: #6963CB, #7A75DE, #8B87F1, #9C99FF and #ADABFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6463D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6463D0 shade: #6463D0, #5351BD, #423FAA, #312D97 and #201B84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6463D0 shade: #6362D0, #8162D0, #9E62D0, #BC62D0 and #D062C6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6463D0 shade: #6362D0 and #6262D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6463D0 shade matches the following richer shades: #6362D0, #5351E1 and #4341F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6463D0 shade: #6362D0, #7372C0, #8383AF, #94939F and #A4A48E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6463D0 shade: #629DD0, #627FD0, #6262D0, #7F62D0 and #9D62D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6463D0 shade: #3533AC, #4342C7, #6362D0, #8282DA and #A2A1E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6463D0 shade: #6463D0, #D062BA and #8ED062

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6463D0 shade: #6463D0, #D06262 and #62D062

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6463D0 shade: #6463D0, #D062BA, #D0D062 and #62D078

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6463D0 shade: #6463D0, #D06299, #D0D062 and #62D099

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 52 / 0 / 18

HEX #6463D0

RGB 100 99 208

HSL 240.55, 0.54%, 0.6%

LAB 47.22, 30.27, -56.49

 

Complementary color

CMYK 1 / 0 / 70 / 39

HEX #9B9C2F

RGB 155 156 47

HSL 60.55, 0.54%, 0.4%

LAB 62.47, -13.98, 54.05

 

CMYK 48 / 51 / 0 / 20

HEX #6963CB

RGB 105 99 203

HSL 243.46, 0.5%, 0.59%

LAB 47.29, 29.81, -53.5

 

CMYK 45 / 47 / 0 / 13

HEX #7A75DE

RGB 122 117 222

HSL 242.86, 0.61%, 0.66%

LAB 54.17, 28.54, -53.2

 

CMYK 42 / 44 / 0 / 5

HEX #8B87F1

RGB 139 135 241

HSL 242.26, 0.79%, 0.74%

LAB 60.93, 27.43, -52.95

 

CMYK 39 / 40 / 0 / 0

HEX #9C99FF

RGB 156 153 255

HSL 241.76, 1%, 0.8%

LAB 67.33, 25.11, -50.4

 

CMYK 32 / 33 / 0 / 0

HEX #ADABFF

RGB 173 171 255

HSL 241.43, 1%, 0.84%

LAB 73.04, 19.41, -41.34

 

CMYK 52 / 52 / 0 / 18

HEX #6463D0

RGB 100 99 208

HSL 240.55, 0.54%, 0.6%

LAB 47.22, 30.27, -56.49

 

CMYK 56 / 57 / 0 / 26

HEX #5351BD

RGB 83 81 189

HSL 241.11, 0.45%, 0.53%

LAB 40.24, 31.89, -56.83

 

CMYK 61 / 63 / 0 / 33

HEX #423FAA

RGB 66 63 170

HSL 241.68, 0.46%, 0.46%

LAB 33.17, 33.78, -57.15

 

CMYK 68 / 70 / 0 / 41

HEX #312D97

RGB 49 45 151

HSL 242.26, 0.54%, 0.38%

LAB 26.05, 35.94, -57.33

 

CMYK 76 / 80 / 0 / 48

HEX #201B84

RGB 32 27 132

HSL 242.86, 0.66%, 0.31%

LAB 19.04, 38.19, -57.1

 

CMYK 52 / 53 / 0 / 18

HEX #6362D0

RGB 99 98 208

HSL 240.55, 0.54%, 0.6%

LAB 46.9, 30.67, -57.01

 

CMYK 38 / 53 / 0 / 18

HEX #8162D0

RGB 129 98 208

HSL 256.91, 0.54%, 0.6%

LAB 49.44, 37.45, -52.79

 

CMYK 24 / 53 / 0 / 18

HEX #9E62D0

RGB 158 98 208

HSL 272.73, 0.54%, 0.6%

LAB 52.46, 44.78, -47.79

 

CMYK 10 / 53 / 0 / 18

HEX #BC62D0

RGB 188 98 208

HSL 289.09, 0.54%, 0.6%

LAB 56.07, 52.76, -41.85

 

CMYK 0 / 53 / 5 / 18

HEX #D062C6

RGB 208 98 198

HSL 305.45, 0.54%, 0.6%

LAB 58.25, 56.44, -32.56

 

CMYK 52 / 53 / 0 / 18

HEX #6362D0

RGB 99 98 208

HSL 240.55, 0.54%, 0.6%

LAB 46.9, 30.67, -57.01

 

CMYK 53 / 53 / 0 / 18

HEX #6262D0

RGB 98 98 208

HSL 240, 0.54%, 0.6%

LAB 46.82, 30.46, -57.14

 

CMYK 52 / 53 / 0 / 18

HEX #6362D0

RGB 99 98 208

HSL 240.55, 0.54%, 0.6%

LAB 46.9, 30.67, -57.01

 

CMYK 63 / 64 / 0 / 12

HEX #5351E1

RGB 83 81 225

HSL 240.83, 0.71%, 0.6%

LAB 43, 43.57, -73.09

 

CMYK 72 / 73 / 0 / 5

HEX #4341F1

RGB 67 65 241

HSL 240.68, 0.86%, 0.6%

LAB 40.12, 55.9, -86.92

 

CMYK 52 / 53 / 0 / 18

HEX #6362D0

RGB 99 98 208

HSL 240.55, 0.54%, 0.6%

LAB 46.9, 30.67, -57.01

 

CMYK 40 / 41 / 0 / 25

HEX #7372C0

RGB 115 114 192

HSL 240.77, 0.38%, 0.6%

LAB 51.25, 19.9, -40.82

 

CMYK 25 / 25 / 0 / 31

HEX #8383AF

RGB 131 131 175

HSL 240, 0.22%, 0.6%

LAB 56.24, 9.89, -23.19

 

CMYK 7 / 8 / 0 / 38

HEX #94939F

RGB 148 147 159

HSL 245, 0.06%, 0.6%

LAB 61.37, 2.77, -6.18

 

CMYK 0 / 0 / 13 / 36

HEX #A4A48E

RGB 164 164 142

HSL 60, 0.11%, 0.6%

LAB 66.82, -3.92, 11.43

 

CMYK 53 / 25 / 0 / 18

HEX #629DD0

RGB 98 157 208

HSL 207.82, 0.54%, 0.6%

LAB 62.73, -4.78, -31.97

 

CMYK 53 / 39 / 0 / 18

HEX #627FD0

RGB 98 127 208

HSL 224.18, 0.54%, 0.6%

LAB 54.37, 12.74, -45.07

 

CMYK 53 / 53 / 0 / 18

HEX #6262D0

RGB 98 98 208

HSL 240, 0.54%, 0.6%

LAB 46.82, 30.46, -57.14

 

CMYK 39 / 53 / 0 / 18

HEX #7F62D0

RGB 127 98 208

HSL 255.82, 0.54%, 0.6%

LAB 49.25, 36.96, -53.1

 

CMYK 25 / 53 / 0 / 18

HEX #9D62D0

RGB 157 98 208

HSL 272.18, 0.54%, 0.6%

LAB 52.35, 44.52, -47.98

 

CMYK 69 / 70 / 0 / 33

HEX #3533AC

RGB 53 51 172

HSL 240.99, 0.54%, 0.44%

LAB 29.67, 39.96, -64.11

 

CMYK 66 / 67 / 0 / 22

HEX #4342C7

RGB 67 66 199

HSL 240.45, 0.54%, 0.52%

LAB 36.39, 41.78, -68.99

 

CMYK 52 / 53 / 0 / 18

HEX #6362D0

RGB 99 98 208

HSL 240.55, 0.54%, 0.6%

LAB 46.9, 30.67, -57.01

 

CMYK 40 / 40 / 0 / 15

HEX #8282DA

RGB 130 130 218

HSL 240, 0.54%, 0.68%

LAB 57.82, 21.65, -45.12

 

CMYK 29 / 29 / 0 / 11

HEX #A2A1E3

RGB 162 161 227

HSL 240.91, 0.54%, 0.76%

LAB 68.55, 14.93, -33.15

 

CMYK 52 / 52 / 0 / 18

HEX #6463D0

RGB 100 99 208

HSL 240.55, 0.54%, 0.6%

LAB 47.22, 30.27, -56.49

 

CMYK 0 / 53 / 11 / 18

HEX #D062BA

RGB 208 98 186

HSL 312, 0.54%, 0.6%

LAB 57.74, 54.46, -26.48

 

CMYK 32 / 0 / 53 / 18

HEX #8ED062

RGB 142 208 98

HSL 96, 0.54%, 0.6%

LAB 77.13, -39.93, 47.54

 

CMYK 52 / 52 / 0 / 18

HEX #6463D0

RGB 100 99 208

HSL 240.55, 0.54%, 0.6%

LAB 47.22, 30.27, -56.49

 

CMYK 0 / 53 / 53 / 18

HEX #D06262

RGB 208 98 98

HSL 0, 0.54%, 0.6%

LAB 55.1, 43.47, 20.97

 

CMYK 53 / 0 / 53 / 18

HEX #62D062

RGB 98 208 98

HSL 120, 0.54%, 0.6%

LAB 75.2, -53.42, 44.76

 

CMYK 52 / 52 / 0 / 18

HEX #6463D0

RGB 100 99 208

HSL 240.55, 0.54%, 0.6%

LAB 47.22, 30.27, -56.49

 

CMYK 0 / 53 / 11 / 18

HEX #D062BA

RGB 208 98 186

HSL 312, 0.54%, 0.6%

LAB 57.74, 54.46, -26.48

 

CMYK 0 / 0 / 53 / 18

HEX #D0D062

RGB 208 208 98

HSL 60, 0.54%, 0.6%

LAB 81.51, -14.62, 53.79

 

CMYK 53 / 0 / 42 / 18

HEX #62D078

RGB 98 208 120

HSL 132, 0.54%, 0.6%

LAB 75.49, -50.25, 34.29

 

CMYK 52 / 52 / 0 / 18

HEX #6463D0

RGB 100 99 208

HSL 240.55, 0.54%, 0.6%

LAB 47.22, 30.27, -56.49

 

CMYK 0 / 53 / 26 / 18

HEX #D06299

RGB 208 98 153

HSL 330, 0.54%, 0.6%

LAB 56.53, 49.57, -9.22

 

CMYK 0 / 0 / 53 / 18

HEX #D0D062

RGB 208 208 98

HSL 60, 0.54%, 0.6%

LAB 81.51, -14.62, 53.79

 

CMYK 53 / 0 / 26 / 18

HEX #62D099

RGB 98 208 153

HSL 150, 0.54%, 0.6%

LAB 76.07, -44.24, 17.9

 

Description

Color code: HEX #6463D0 | qconv.com Color code: HEX #6463D0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 99 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 99 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 52 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 52% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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