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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #646052 it is the complementary color #9B9FAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #646052. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #646052 shade: #69604D, #7A7260, #8B8473, #9C9686 and #ADA899

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #646052. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #646052 shade: #646052, #534E3F, #423C2C, #312A19 and #201806

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #646052 shade: #656153, #655C53, #655753 and #655353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #646052 shade: #656153, #646553, #5F6553, #5A6553 and #556553

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #646052 shade matches the following richer shades: #656153, #746944, #837135, #927A26 and #A08217

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #646052 shade: #656153, #565961, #475070, #38487F and #2A408E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #646052 shade: #655753, #655C53, #656153, #646553 and #5F6553

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #646052 shade: #38352D, #4E4B40, #656153, #7C7765 and #918C79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #646052 shade: #646052, #536553 and #595365

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #646052 shade: #646052, #536561 and #615365

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #646052 shade: #646052, #536553, #535765 and #645365

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #646052 shade: #646052, #536558, #535765 and #655360

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 18 / 61

HEX #646052

RGB 100 96 82

HSL 46.67, 0.1%, 0.36%

LAB 40.71, -1.06, 8.57

 

Complementary color

CMYK 10 / 8 / 0 / 32

HEX #9B9FAD

RGB 155 159 173

HSL 226.67, 0.1%, 0.64%

LAB 65.58, 1.41, -7.75

 

CMYK 0 / 9 / 27 / 59

HEX #69604D

RGB 105 96 77

HSL 40.71, 0.15%, 0.36%

LAB 41.06, 0.24, 12.18

 

CMYK 0 / 7 / 21 / 52

HEX #7A7260

RGB 122 114 96

HSL 41.54, 0.12%, 0.43%

LAB 48.28, -0.11, 11.1

 

CMYK 0 / 5 / 17 / 45

HEX #8B8473

RGB 139 132 115

HSL 42.5, 0.09%, 0.5%

LAB 55.31, -0.4, 10.13

 

CMYK 0 / 4 / 14 / 39

HEX #9C9686

RGB 156 150 134

HSL 43.64, 0.1%, 0.57%

LAB 62.17, -0.64, 9.22

 

CMYK 0 / 3 / 12 / 32

HEX #ADA899

RGB 173 168 153

HSL 45, 0.11%, 0.64%

LAB 68.89, -0.86, 8.38

 

CMYK 0 / 4 / 18 / 61

HEX #646052

RGB 100 96 82

HSL 46.67, 0.1%, 0.36%

LAB 40.71, -1.06, 8.57

 

CMYK 0 / 6 / 24 / 67

HEX #534E3F

RGB 83 78 63

HSL 45, 0.14%, 0.29%

LAB 33.24, -0.77, 9.64

 

CMYK 0 / 9 / 33 / 74

HEX #423C2C

RGB 66 60 44

HSL 43.64, 0.2%, 0.22%

LAB 25.48, -0.39, 10.86

 

CMYK 0 / 14 / 49 / 81

HEX #312A19

RGB 49 42 25

HSL 42.5, 0.32%, 0.15%

LAB 17.36, 0.19, 12.29

 

CMYK 0 / 25 / 81 / 87

HEX #201806

RGB 32 24 6

HSL 41.54, 0.68%, 0.07%

LAB 8.77, 1.14, 10.69

 

CMYK 0 / 4 / 18 / 60

HEX #656153

RGB 101 97 83

HSL 46.67, 0.1%, 0.36%

LAB 41.12, -1.06, 8.56

 

CMYK 0 / 9 / 18 / 60

HEX #655C53

RGB 101 92 83

HSL 30, 0.1%, 0.36%

LAB 39.66, 1.94, 6.49

 

CMYK 0 / 14 / 18 / 60

HEX #655753

RGB 101 87 83

HSL 13.33, 0.1%, 0.36%

LAB 38.21, 4.99, 4.43

 

CMYK 0 / 18 / 18 / 60

HEX #655353

RGB 101 83 83

HSL 0, 0.1%, 0.36%

LAB 37.07, 7.45, 2.79

 

CMYK 0 / 4 / 18 / 60

HEX #656153

RGB 101 97 83

HSL 46.67, 0.1%, 0.36%

LAB 41.12, -1.06, 8.56

 

CMYK 1 / 0 / 18 / 60

HEX #646553

RGB 100 101 83

HSL 63.33, 0.1%, 0.36%

LAB 42.22, -3.85, 10.08

 

CMYK 6 / 0 / 18 / 60

HEX #5F6553

RGB 95 101 83

HSL 80, 0.1%, 0.36%

LAB 41.79, -5.92, 9.42

 

CMYK 11 / 0 / 18 / 60

HEX #5A6553

RGB 90 101 83

HSL 96.67, 0.1%, 0.36%

LAB 41.38, -7.95, 8.79

 

CMYK 16 / 0 / 18 / 60

HEX #556553

RGB 85 101 83

HSL 113.33, 0.1%, 0.36%

LAB 41, -9.94, 8.19

 

CMYK 0 / 4 / 18 / 60

HEX #656153

RGB 101 97 83

HSL 46.67, 0.1%, 0.36%

LAB 41.12, -1.06, 8.56

 

CMYK 0 / 9 / 41 / 55

HEX #746944

RGB 116 105 68

HSL 46.25, 0.26%, 0.36%

LAB 44.57, -1.5, 22.38

 

CMYK 0 / 14 / 60 / 49

HEX #837135

RGB 131 113 53

HSL 46.15, 0.42%, 0.36%

LAB 48.12, -0.85, 35.35

 

CMYK 0 / 16 / 74 / 43

HEX #927A26

RGB 146 122 38

HSL 46.67, 0.59%, 0.36%

LAB 52.03, -0.04, 47.05

 

CMYK 0 / 19 / 86 / 37

HEX #A08217

RGB 160 130 23

HSL 46.86, 0.75%, 0.36%

LAB 55.58, 1.37, 56.09

 

CMYK 0 / 4 / 18 / 60

HEX #656153

RGB 101 97 83

HSL 46.67, 0.1%, 0.36%

LAB 41.12, -1.06, 8.56

 

CMYK 11 / 8 / 0 / 62

HEX #565961

RGB 86 89 97

HSL 223.64, 0.06%, 0.36%

LAB 37.82, 0.62, -5.01

 

CMYK 37 / 29 / 0 / 56

HEX #475070

RGB 71 80 112

HSL 226.83, 0.22%, 0.36%

LAB 34.49, 5.01, -19.53

 

CMYK 56 / 43 / 0 / 50

HEX #38487F

RGB 56 72 127

HSL 226.48, 0.39%, 0.36%

LAB 31.82, 10.95, -33.14

 

CMYK 70 / 55 / 0 / 44

HEX #2A408E

RGB 42 64 142

HSL 226.8, 0.54%, 0.36%

LAB 29.69, 19.12, -45.88

 

CMYK 0 / 14 / 18 / 60

HEX #655753

RGB 101 87 83

HSL 13.33, 0.1%, 0.36%

LAB 38.21, 4.99, 4.43

 

CMYK 0 / 9 / 18 / 60

HEX #655C53

RGB 101 92 83

HSL 30, 0.1%, 0.36%

LAB 39.66, 1.94, 6.49

 

CMYK 0 / 4 / 18 / 60

HEX #656153

RGB 101 97 83

HSL 46.67, 0.1%, 0.36%

LAB 41.12, -1.06, 8.56

 

CMYK 1 / 0 / 18 / 60

HEX #646553

RGB 100 101 83

HSL 63.33, 0.1%, 0.36%

LAB 42.22, -3.85, 10.08

 

CMYK 6 / 0 / 18 / 60

HEX #5F6553

RGB 95 101 83

HSL 80, 0.1%, 0.36%

LAB 41.79, -5.92, 9.42

 

CMYK 0 / 5 / 20 / 78

HEX #38352D

RGB 56 53 45

HSL 43.64, 0.11%, 0.2%

LAB 22.22, -0.35, 5.52

 

CMYK 0 / 4 / 18 / 69

HEX #4E4B40

RGB 78 75 64

HSL 47.14, 0.1%, 0.28%

LAB 31.86, -0.94, 7.01

 

CMYK 0 / 4 / 18 / 60

HEX #656153

RGB 101 97 83

HSL 46.67, 0.1%, 0.36%

LAB 41.12, -1.06, 8.56

 

CMYK 0 / 4 / 19 / 51

HEX #7C7765

RGB 124 119 101

HSL 46.96, 0.1%, 0.44%

LAB 50, -1.35, 10.6

 

CMYK 0 / 3 / 17 / 43

HEX #918C79

RGB 145 140 121

HSL 47.5, 0.1%, 0.52%

LAB 58.19, -1.53, 10.82

 

CMYK 0 / 4 / 18 / 61

HEX #646052

RGB 100 96 82

HSL 46.67, 0.1%, 0.36%

LAB 40.71, -1.06, 8.57

 

CMYK 18 / 0 / 18 / 60

HEX #536553

RGB 83 101 83

HSL 120, 0.1%, 0.36%

LAB 40.85, -10.72, 7.96

 

CMYK 12 / 18 / 0 / 60

HEX #595365

RGB 89 83 101

HSL 260, 0.1%, 0.36%

LAB 36.46, 6.42, -9.51

 

CMYK 0 / 4 / 18 / 61

HEX #646052

RGB 100 96 82

HSL 46.67, 0.1%, 0.36%

LAB 40.71, -1.06, 8.57

 

CMYK 18 / 0 / 4 / 60

HEX #536561

RGB 83 101 97

HSL 166.67, 0.1%, 0.36%

LAB 41.23, -7.7, -0.01

 

CMYK 4 / 18 / 0 / 60

HEX #615365

RGB 97 83 101

HSL 286.67, 0.1%, 0.36%

LAB 37.24, 9.46, -8.26

 

CMYK 0 / 4 / 18 / 61

HEX #646052

RGB 100 96 82

HSL 46.67, 0.1%, 0.36%

LAB 40.71, -1.06, 8.57

 

CMYK 18 / 0 / 18 / 60

HEX #536553

RGB 83 101 83

HSL 120, 0.1%, 0.36%

LAB 40.85, -10.72, 7.96

 

CMYK 18 / 14 / 0 / 60

HEX #535765

RGB 83 87 101

HSL 226.67, 0.1%, 0.36%

LAB 37.11, 1.7, -8.59

 

CMYK 1 / 18 / 0 / 60

HEX #645365

RGB 100 83 101

HSL 296.67, 0.1%, 0.36%

LAB 37.55, 10.61, -7.77

 

CMYK 0 / 4 / 18 / 61

HEX #646052

RGB 100 96 82

HSL 46.67, 0.1%, 0.36%

LAB 40.71, -1.06, 8.57

 

CMYK 18 / 0 / 13 / 60

HEX #536558

RGB 83 101 88

HSL 136.67, 0.1%, 0.36%

LAB 40.98, -9.69, 5.11

 

CMYK 18 / 14 / 0 / 60

HEX #535765

RGB 83 87 101

HSL 226.67, 0.1%, 0.36%

LAB 37.11, 1.7, -8.59

 

CMYK 0 / 18 / 5 / 60

HEX #655360

RGB 101 83 96

HSL 316.67, 0.1%, 0.36%

LAB 37.48, 9.95, -4.74

 

Description

Color code: HEX #646052 | qconv.com Color code: HEX #646052 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 96 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 96 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 18 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 18% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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