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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #645957 it is the complementary color #9BA6A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #645957. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #645957 shade: #695952, #7A6B65, #8B7D78, #9C8F8B and #ADA19E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #645957. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #645957 shade: #645957, #534744, #423531, #31231E and #20110B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #645957 shade: #655A58 and #655858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #645957 shade: #655A58, #655D58, #656158, #656458 and #626558

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #645957 shade matches the following richer shades: #655A58, #744F48, #834539, #933A2A and #A2301B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #645957 shade: #655A58, #566467, #466F76, #377986 and #288495

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #645957 shade: #65585D, #655859, #655A58, #655D58 and #656158

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #645957 shade: #393331, #4F4645, #655A58, #7B6D6B and #90827F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #645957 shade: #645957, #606558 and #585B65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #645957 shade: #645957, #58655A and #5A5865

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #645957 shade: #645957, #606558, #586365 and #5C5865

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #645957 shade: #645957, #5C6558, #586365 and #605865

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 13 / 61

HEX #645957

RGB 100 89 87

HSL 9.23, 0.07%, 0.37%

LAB 38.8, 4.08, 2.78

 

Complementary color

CMYK 8 / 1 / 0 / 34

HEX #9BA6A8

RGB 155 166 168

HSL 189.23, 0.07%, 0.63%

LAB 67.33, -3.47, -2.38

 

CMYK 0 / 15 / 22 / 59

HEX #695952

RGB 105 89 82

HSL 18.26, 0.12%, 0.37%

LAB 39.17, 5.28, 6.46

 

CMYK 0 / 12 / 17 / 52

HEX #7A6B65

RGB 122 107 101

HSL 17.14, 0.09%, 0.44%

LAB 46.44, 4.83, 5.52

 

CMYK 0 / 10 / 14 / 45

HEX #8B7D78

RGB 139 125 120

HSL 15.79, 0.08%, 0.51%

LAB 53.51, 4.45, 4.66

 

CMYK 0 / 8 / 11 / 39

HEX #9C8F8B

RGB 156 143 139

HSL 14.12, 0.08%, 0.58%

LAB 60.41, 4.12, 3.87

 

CMYK 0 / 7 / 9 / 32

HEX #ADA19E

RGB 173 161 158

HSL 12, 0.08%, 0.65%

LAB 67.16, 3.82, 3.12

 

CMYK 0 / 11 / 13 / 61

HEX #645957

RGB 100 89 87

HSL 9.23, 0.07%, 0.37%

LAB 38.8, 4.08, 2.78

 

CMYK 0 / 14 / 18 / 67

HEX #534744

RGB 83 71 68

HSL 12, 0.1%, 0.3%

LAB 31.26, 4.51, 3.67

 

CMYK 0 / 20 / 26 / 74

HEX #423531

RGB 66 53 49

HSL 14.12, 0.15%, 0.23%

LAB 23.43, 5.05, 4.7

 

CMYK 0 / 29 / 39 / 81

HEX #31231E

RGB 49 35 30

HSL 15.79, 0.24%, 0.15%

LAB 15.22, 5.79, 5.94

 

CMYK 0 / 47 / 66 / 87

HEX #20110B

RGB 32 17 11

HSL 17.14, 0.49%, 0.08%

LAB 6.61, 6.58, 5.5

 

CMYK 0 / 11 / 13 / 60

HEX #655A58

RGB 101 90 88

HSL 9.23, 0.07%, 0.37%

LAB 39.21, 4.07, 2.77

 

CMYK 0 / 13 / 13 / 60

HEX #655858

RGB 101 88 88

HSL 0, 0.07%, 0.37%

LAB 38.64, 5.29, 1.94

 

CMYK 0 / 11 / 13 / 60

HEX #655A58

RGB 101 90 88

HSL 9.23, 0.07%, 0.37%

LAB 39.21, 4.07, 2.77

 

CMYK 0 / 8 / 13 / 60

HEX #655D58

RGB 101 93 88

HSL 23.08, 0.07%, 0.37%

LAB 40.08, 2.25, 4.02

 

CMYK 0 / 4 / 13 / 60

HEX #656158

RGB 101 97 88

HSL 41.54, 0.07%, 0.37%

LAB 41.25, -0.16, 5.69

 

CMYK 0 / 1 / 13 / 60

HEX #656458

RGB 101 100 88

HSL 55.38, 0.07%, 0.37%

LAB 42.13, -1.95, 6.95

 

CMYK 3 / 0 / 13 / 60

HEX #626558

RGB 98 101 88

HSL 73.85, 0.07%, 0.37%

LAB 42.17, -3.77, 6.96

 

CMYK 0 / 11 / 13 / 60

HEX #655A58

RGB 101 90 88

HSL 9.23, 0.07%, 0.37%

LAB 39.21, 4.07, 2.77

 

CMYK 0 / 32 / 38 / 55

HEX #744F48

RGB 116 79 72

HSL 9.55, 0.23%, 0.37%

LAB 37.43, 14.59, 10.4

 

CMYK 0 / 47 / 56 / 49

HEX #834539

RGB 131 69 57

HSL 9.73, 0.39%, 0.37%

LAB 36.7, 25.25, 19.07

 

CMYK 0 / 61 / 71 / 42

HEX #933A2A

RGB 147 58 42

HSL 9.14, 0.56%, 0.37%

LAB 36.74, 36.52, 28.77

 

CMYK 0 / 70 / 83 / 36

HEX #A2301B

RGB 162 48 27

HSL 9.33, 0.71%, 0.37%

LAB 37.62, 45.86, 38.88

 

CMYK 0 / 11 / 13 / 60

HEX #655A58

RGB 101 90 88

HSL 9.23, 0.07%, 0.37%

LAB 39.21, 4.07, 2.77

 

CMYK 17 / 3 / 0 / 60

HEX #566467

RGB 86 100 103

HSL 190.59, 0.09%, 0.37%

LAB 41.33, -4.62, -3.5

 

CMYK 41 / 6 / 0 / 54

HEX #466F76

RGB 70 111 118

HSL 188.75, 0.26%, 0.37%

LAB 44.2, -12.34, -8.42

 

CMYK 59 / 10 / 0 / 47

HEX #377986

RGB 55 121 134

HSL 189.87, 0.42%, 0.37%

LAB 47.25, -16.89, -13.44

 

CMYK 73 / 11 / 0 / 42

HEX #288495

RGB 40 132 149

HSL 189.36, 0.58%, 0.37%

LAB 50.83, -20.59, -16.85

 

CMYK 0 / 13 / 8 / 60

HEX #65585D

RGB 101 88 93

HSL 336.92, 0.07%, 0.37%

LAB 38.79, 6.26, -0.94

 

CMYK 0 / 13 / 12 / 60

HEX #655859

RGB 101 88 89

HSL 355.38, 0.07%, 0.37%

LAB 38.67, 5.48, 1.36

 

CMYK 0 / 11 / 13 / 60

HEX #655A58

RGB 101 90 88

HSL 9.23, 0.07%, 0.37%

LAB 39.21, 4.07, 2.77

 

CMYK 0 / 8 / 13 / 60

HEX #655D58

RGB 101 93 88

HSL 23.08, 0.07%, 0.37%

LAB 40.08, 2.25, 4.02

 

CMYK 0 / 4 / 13 / 60

HEX #656158

RGB 101 97 88

HSL 41.54, 0.07%, 0.37%

LAB 41.25, -0.16, 5.69

 

CMYK 0 / 11 / 14 / 78

HEX #393331

RGB 57 51 49

HSL 15, 0.08%, 0.21%

LAB 21.8, 2.24, 2.23

 

CMYK 0 / 11 / 13 / 69

HEX #4F4645

RGB 79 70 69

HSL 6, 0.07%, 0.29%

LAB 30.57, 3.6, 1.98

 

CMYK 0 / 11 / 13 / 60

HEX #655A58

RGB 101 90 88

HSL 9.23, 0.07%, 0.37%

LAB 39.21, 4.07, 2.77

 

CMYK 0 / 11 / 13 / 52

HEX #7B6D6B

RGB 123 109 107

HSL 7.5, 0.07%, 0.45%

LAB 47.25, 5.12, 3.11

 

CMYK 0 / 10 / 12 / 44

HEX #90827F

RGB 144 130 127

HSL 10.59, 0.07%, 0.53%

LAB 55.51, 4.76, 3.54

 

CMYK 0 / 11 / 13 / 61

HEX #645957

RGB 100 89 87

HSL 9.23, 0.07%, 0.37%

LAB 38.8, 4.08, 2.78

 

CMYK 5 / 0 / 13 / 60

HEX #606558

RGB 96 101 88

HSL 83.08, 0.07%, 0.37%

LAB 42, -4.58, 6.7

 

CMYK 13 / 10 / 0 / 60

HEX #585B65

RGB 88 91 101

HSL 226.15, 0.07%, 0.37%

LAB 38.72, 1.08, -6.13

 

CMYK 0 / 11 / 13 / 61

HEX #645957

RGB 100 89 87

HSL 9.23, 0.07%, 0.37%

LAB 38.8, 4.08, 2.78

 

CMYK 13 / 0 / 11 / 60

HEX #58655A

RGB 88 101 90

HSL 129.23, 0.07%, 0.37%

LAB 41.41, -7.35, 4.55

 

CMYK 11 / 13 / 0 / 60

HEX #5A5865

RGB 90 88 101

HSL 249.23, 0.07%, 0.37%

LAB 38.01, 3.68, -7.17

 

CMYK 0 / 11 / 13 / 61

HEX #645957

RGB 100 89 87

HSL 9.23, 0.07%, 0.37%

LAB 38.8, 4.08, 2.78

 

CMYK 5 / 0 / 13 / 60

HEX #606558

RGB 96 101 88

HSL 83.08, 0.07%, 0.37%

LAB 42, -4.58, 6.7

 

CMYK 13 / 2 / 0 / 60

HEX #586365

RGB 88 99 101

HSL 189.23, 0.07%, 0.37%

LAB 41.12, -3.76, -2.58

 

CMYK 9 / 13 / 0 / 60

HEX #5C5865

RGB 92 88 101

HSL 258.46, 0.07%, 0.37%

LAB 38.19, 4.44, -6.89

 

CMYK 0 / 11 / 13 / 61

HEX #645957

RGB 100 89 87

HSL 9.23, 0.07%, 0.37%

LAB 38.8, 4.08, 2.78

 

CMYK 9 / 0 / 13 / 60

HEX #5C6558

RGB 92 101 88

HSL 101.54, 0.07%, 0.37%

LAB 41.67, -6.18, 6.19

 

CMYK 13 / 2 / 0 / 60

HEX #586365

RGB 88 99 101

HSL 189.23, 0.07%, 0.37%

LAB 41.12, -3.76, -2.58

 

CMYK 5 / 13 / 0 / 60

HEX #605865

RGB 96 88 101

HSL 276.92, 0.07%, 0.37%

LAB 38.56, 5.97, -6.29

 

Description

Color code: HEX #645957 | qconv.com Color code: HEX #645957 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 89 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 89 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 13 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 13% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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