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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #645227 it is the complementary color #9BADD8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #645227. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #645227 shade: #695222, #7A6435, #8B7648, #9C885B and #AD9A6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #645227. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #645227 shade: #645227, #534014, #422E01, #311C00 and #200A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #645227 shade: #635127, #634127, #633127 and #632727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #645227 shade: #635127, #636227, #546327, #446327 and #346327

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #645227 shade matches the following richer shades: #635127, #6E561B, #795A10 and #855F05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #645227 shade: #635127, #584D32, #4D483D, #424448 and #373F53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #645227 shade: #633127, #634127, #635127, #636127 and #556327

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #645227 shade: #28210F, #45391B, #635127, #816A32 and #9F823E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #645227 shade: #645227, #2D6327 and #392763

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #645227 shade: #645227, #276351 and #512763

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #645227 shade: #645227, #2D6327, #273963 and #5D2763

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #645227 shade: #645227, #276333, #273963 and #632757

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 61 / 61

HEX #645227

RGB 100 82 39

HSL 42.3, 0.44%, 0.27%

LAB 35.77, 1.65, 27.67

 

Complementary color

CMYK 28 / 20 / 0 / 15

HEX #9BADD8

RGB 155 173 216

HSL 222.3, 0.44%, 0.73%

LAB 70.74, 3.46, -23.78

 

CMYK 0 / 22 / 68 / 59

HEX #695222

RGB 105 82 34

HSL 40.56, 0.51%, 0.27%

LAB 36.28, 3.67, 31.11

 

CMYK 0 / 18 / 57 / 52

HEX #7A6435

RGB 122 100 53

HSL 40.87, 0.39%, 0.34%

LAB 43.52, 2.55, 29.7

 

CMYK 0 / 15 / 48 / 45

HEX #8B7648

RGB 139 118 72

HSL 41.19, 0.32%, 0.41%

LAB 50.59, 1.69, 28.28

 

CMYK 0 / 13 / 42 / 39

HEX #9C885B

RGB 156 136 91

HSL 41.54, 0.26%, 0.48%

LAB 57.49, 1.01, 26.93

 

CMYK 0 / 11 / 36 / 32

HEX #AD9A6E

RGB 173 154 110

HSL 41.9, 0.28%, 0.55%

LAB 64.26, 0.45, 25.68

 

CMYK 0 / 18 / 61 / 61

HEX #645227

RGB 100 82 39

HSL 42.3, 0.44%, 0.27%

LAB 35.77, 1.65, 27.67

 

CMYK 0 / 23 / 76 / 67

HEX #534014

RGB 83 64 20

HSL 41.9, 0.61%, 0.2%

LAB 28.26, 2.92, 28.99

 

CMYK 0 / 30 / 98 / 74

HEX #422E01

RGB 66 46 1

HSL 41.54, 0.97%, 0.13%

LAB 20.5, 4.63, 28.76

 

CMYK 0 / 43 / 100 / 81

HEX #311C00

RGB 49 28 0

HSL 34.29, 1%, 0.1%

LAB 12.5, 7.44, 18.73

 

CMYK 0 / 69 / 100 / 87

HEX #200A00

RGB 32 10 0

HSL 18.75, 1%, 0.06%

LAB 4.73, 8.44, 7.25

 

CMYK 0 / 18 / 61 / 61

HEX #635127

RGB 99 81 39

HSL 42, 0.43%, 0.27%

LAB 35.37, 1.78, 27.17

 

CMYK 0 / 34 / 61 / 61

HEX #634127

RGB 99 65 39

HSL 26, 0.43%, 0.27%

LAB 30.83, 11.67, 21.71

 

CMYK 0 / 51 / 61 / 61

HEX #633127

RGB 99 49 39

HSL 10, 0.43%, 0.27%

LAB 26.72, 21.47, 16.55

 

CMYK 0 / 61 / 61 / 61

HEX #632727

RGB 99 39 39

HSL 0, 0.43%, 0.27%

LAB 24.48, 27.19, 13.63

 

CMYK 0 / 18 / 61 / 61

HEX #635127

RGB 99 81 39

HSL 42, 0.43%, 0.27%

LAB 35.37, 1.78, 27.17

 

CMYK 0 / 1 / 61 / 61

HEX #636227

RGB 99 98 39

HSL 59, 0.43%, 0.27%

LAB 40.47, -8.3, 33.02

 

CMYK 15 / 0 / 61 / 61

HEX #546327

RGB 84 99 39

HSL 75, 0.43%, 0.27%

LAB 39.5, -15.79, 31.58

 

CMYK 31 / 0 / 61 / 61

HEX #446327

RGB 68 99 39

HSL 91, 0.43%, 0.27%

LAB 38.37, -22.69, 29.99

 

CMYK 47 / 0 / 61 / 61

HEX #346327

RGB 52 99 39

HSL 107, 0.43%, 0.27%

LAB 37.48, -28.77, 28.73

 

CMYK 0 / 18 / 61 / 61

HEX #635127

RGB 99 81 39

HSL 42, 0.43%, 0.27%

LAB 35.37, 1.78, 27.17

 

CMYK 0 / 22 / 75 / 57

HEX #6E561B

RGB 110 86 27

HSL 42.65, 0.61%, 0.27%

LAB 37.93, 3.23, 36.51

 

CMYK 0 / 26 / 87 / 53

HEX #795A10

RGB 121 90 16

HSL 42.29, 0.77%, 0.27%

LAB 40.27, 5.72, 43.55

 

CMYK 0 / 29 / 96 / 48

HEX #855F05

RGB 133 95 5

HSL 42.19, 0.93%, 0.27%

LAB 43.04, 8.28, 49.36

 

CMYK 0 / 18 / 61 / 61

HEX #635127

RGB 99 81 39

HSL 42, 0.43%, 0.27%

LAB 35.37, 1.78, 27.17

 

CMYK 0 / 13 / 43 / 65

HEX #584D32

RGB 88 77 50

HSL 42.63, 0.28%, 0.27%

LAB 33.16, 0.18, 17.7

 

CMYK 0 / 6 / 21 / 70

HEX #4D483D

RGB 77 72 61

HSL 41.25, 0.12%, 0.27%

LAB 30.76, -0.05, 7.36

 

CMYK 8 / 6 / 0 / 72

HEX #424448

RGB 66 68 72

HSL 220, 0.04%, 0.27%

LAB 28.8, 0.1, -2.7

 

CMYK 34 / 24 / 0 / 67

HEX #373F53

RGB 55 63 83

HSL 222.86, 0.2%, 0.27%

LAB 26.71, 2.17, -13.12

 

CMYK 0 / 51 / 61 / 61

HEX #633127

RGB 99 49 39

HSL 10, 0.43%, 0.27%

LAB 26.72, 21.47, 16.55

 

CMYK 0 / 34 / 61 / 61

HEX #634127

RGB 99 65 39

HSL 26, 0.43%, 0.27%

LAB 30.83, 11.67, 21.71

 

CMYK 0 / 18 / 61 / 61

HEX #635127

RGB 99 81 39

HSL 42, 0.43%, 0.27%

LAB 35.37, 1.78, 27.17

 

CMYK 0 / 2 / 61 / 61

HEX #636127

RGB 99 97 39

HSL 58, 0.43%, 0.27%

LAB 40.16, -7.72, 32.67

 

CMYK 14 / 0 / 61 / 61

HEX #556327

RGB 85 99 39

HSL 74, 0.43%, 0.27%

LAB 39.58, -15.34, 31.69

 

CMYK 0 / 18 / 63 / 84

HEX #28210F

RGB 40 33 15

HSL 43.2, 0.45%, 0.11%

LAB 13.07, 0.27, 12.86

 

CMYK 0 / 17 / 61 / 73

HEX #45391B

RGB 69 57 27

HSL 42.86, 0.44%, 0.19%

LAB 24.55, 0.8, 20.47

 

CMYK 0 / 18 / 61 / 61

HEX #635127

RGB 99 81 39

HSL 42, 0.43%, 0.27%

LAB 35.37, 1.78, 27.17

 

CMYK 0 / 18 / 61 / 49

HEX #816A32

RGB 129 106 50

HSL 42.53, 0.44%, 0.35%

LAB 45.91, 2.02, 34.31

 

CMYK 0 / 18 / 61 / 38

HEX #9F823E

RGB 159 130 62

HSL 42.06, 0.44%, 0.43%

LAB 55.77, 2.9, 40.29

 

CMYK 0 / 18 / 61 / 61

HEX #645227

RGB 100 82 39

HSL 42.3, 0.44%, 0.27%

LAB 35.77, 1.65, 27.67

 

CMYK 55 / 0 / 61 / 61

HEX #2D6327

RGB 45 99 39

HSL 114, 0.43%, 0.27%

LAB 37.17, -31.08, 28.28

 

CMYK 42 / 61 / 0 / 61

HEX #392763

RGB 57 39 99

HSL 258, 0.43%, 0.27%

LAB 20.91, 23.97, -32.73

 

CMYK 0 / 18 / 61 / 61

HEX #645227

RGB 100 82 39

HSL 42.3, 0.44%, 0.27%

LAB 35.77, 1.65, 27.67

 

CMYK 61 / 0 / 18 / 61

HEX #276351

RGB 39 99 81

HSL 162, 0.43%, 0.27%

LAB 37.75, -24.28, 4.45

 

CMYK 18 / 61 / 0 / 61

HEX #512763

RGB 81 39 99

HSL 282, 0.43%, 0.27%

LAB 24, 30.68, -27.61

 

CMYK 0 / 18 / 61 / 61

HEX #645227

RGB 100 82 39

HSL 42.3, 0.44%, 0.27%

LAB 35.77, 1.65, 27.67

 

CMYK 55 / 0 / 61 / 61

HEX #2D6327

RGB 45 99 39

HSL 114, 0.43%, 0.27%

LAB 37.17, -31.08, 28.28

 

CMYK 61 / 42 / 0 / 61

HEX #273963

RGB 39 57 99

HSL 222, 0.43%, 0.27%

LAB 24.51, 6.97, -27.07

 

CMYK 6 / 61 / 0 / 61

HEX #5D2763

RGB 93 39 99

HSL 294, 0.43%, 0.27%

LAB 25.8, 34.21, -24.65

 

CMYK 0 / 18 / 61 / 61

HEX #645227

RGB 100 82 39

HSL 42.3, 0.44%, 0.27%

LAB 35.77, 1.65, 27.67

 

CMYK 61 / 0 / 48 / 61

HEX #276333

RGB 39 99 51

HSL 132, 0.43%, 0.27%

LAB 37.1, -30.97, 21.53

 

CMYK 61 / 42 / 0 / 61

HEX #273963

RGB 39 57 99

HSL 222, 0.43%, 0.27%

LAB 24.51, 6.97, -27.07

 

CMYK 0 / 61 / 12 / 61

HEX #632757

RGB 99 39 87

HSL 312, 0.43%, 0.27%

LAB 26.13, 33.72, -16.19

 

Description

Color code: HEX #645227 | qconv.com Color code: HEX #645227 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 82 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 82 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 61 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 61% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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