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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #644CE1CE it is the complementary color #9BB31ECE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #644CE1CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #644CE1CE shade: #694CDCCE, #7A5EEFCE, #8B70FFCE, #9C82FFCE and #AD94FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #644CE1CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #644CE1CE shade: #644CE1CE, #533ACECE, #4228BBCE, #3116A8CE and #200495CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #644CE1CE shade: #644CE1, #8C4CE1, #B44CE1, #DC4CE1 and #E14CBD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #644CE1CE shade: #644CE1 and #4C4CE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #644CE1CE shade matches the following richer shades: #644CE1 and #593BF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #644CE1CE shade: #644CE1, #705DD0, #7B6EBF, #877FAE and #92909D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #644CE1CE shade: #4C85E1, #4C5EE1, #624CE1, #8A4CE1 and #B24CE1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #644CE1CE shade: #3920BB, #4629DB, #644CE1, #836FE7 and #A193ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #644CE1CE shade: #644CE1, #E14CAD and #71E14C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #644CE1CE shade: #644CE1, #E1624C and #4CE162

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #644CE1CE shade: #644CE1, #E14CAD, #CAE14C and #4CE180

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #644CE1CE shade: #644CE1, #E14C80, #CAE14C and #4CE1AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 54 / 0 / 10

HEX #644CE1CE

RGBA 100 76 225 0.81

HSLA 249.66, 0.71%, 0.59%, 0.81

LABA 43.23, 49.01, -72.66, 0.81

 

Complementary color

CMYK 11 / 0 / 67 / 24

HEX #9BB31ECE

RGBA 155 179 30 0.81

HSLA 69.66, 0.71%, 0.41%, 0.81

LABA 68.97, -26.3, 65.47, 0.81

 

CMYK 42 / 53 / 0 / 11

HEX #694CDCCE

RGBA 105 76 220 0.81

HSLA 252.08, 0.67%, 0.58%, 0.81

LABA 43.27, 48.36, -69.73, 0.81

 

CMYK 40 / 49 / 0 / 5

HEX #7A5EEFCE

RGBA 122 94 239 0.81

HSLA 251.59, 0.82%, 0.65%, 0.81

LABA 49.95, 46.88, -69.55, 0.81

 

CMYK 37 / 45 / 0 / 0

HEX #8B70FFCE

RGBA 139 112 255 0.81

HSLA 251.33, 1%, 0.72%, 0.81

LABA 56.38, 44.64, -67.96, 0.81

 

CMYK 31 / 40 / 0 / 0

HEX #9C82FFCE

RGBA 156 130 255 0.81

HSLA 252.48, 1%, 0.75%, 0.81

LABA 61.87, 38.23, -59.07, 0.81

 

CMYK 26 / 34 / 0 / 0

HEX #AD94FFCE

RGBA 173 148 255 0.81

HSLA 254.02, 1%, 0.79%, 0.81

LABA 67.49, 32.33, -50.06, 0.81

 

CMYK 45 / 54 / 0 / 10

HEX #644CE1CE

RGBA 100 76 225 0.81

HSLA 249.66, 0.71%, 0.59%, 0.81

LABA 43.23, 49.01, -72.66, 0.81

 

CMYK 48 / 58 / 0 / 16

HEX #533ACECE

RGBA 83 58 206 0.81

HSLA 250.14, 0.6%, 0.52%, 0.81

LABA 36.6, 50.64, -72.68, 0.81

 

CMYK 52 / 64 / 0 / 22

HEX #4228BBCE

RGBA 66 40 187 0.81

HSLA 250.61, 0.65%, 0.45%, 0.81

LABA 30.07, 52.09, -72.35, 0.81

 

CMYK 57 / 70 / 0 / 28

HEX #3116A8CE

RGBA 49 22 168 0.81

HSLA 251.1, 0.77%, 0.37%, 0.81

LABA 23.85, 52.89, -71.33, 0.81

 

CMYK 64 / 79 / 0 / 34

HEX #200495CE

RGBA 32 4 149 0.81

HSLA 251.59, 0.95%, 0.3%, 0.81

LABA 18.2, 52.36, -69.12, 0.81

 

CMYK 56 / 66 / 0 / 12

HEX #644CE1

RGB 100 76 225

HSL 249.66, 0.71%, 0.59%

LAB 43.23, 49.01, -72.66

 

CMYK 38 / 66 / 0 / 12

HEX #8C4CE1

RGB 140 76 225

HSL 265.77, 0.71%, 0.59%

LAB 47.21, 56.19, -66.01

 

CMYK 20 / 66 / 0 / 12

HEX #B44CE1

RGB 180 76 225

HSL 281.88, 0.71%, 0.59%

LAB 52.18, 64.48, -57.73

 

CMYK 2 / 66 / 0 / 12

HEX #DC4CE1

RGB 220 76 225

HSL 297.99, 0.71%, 0.59%

LAB 57.87, 73.29, -48.33

 

CMYK 0 / 66 / 16 / 12

HEX #E14CBD

RGB 225 76 189

HSL 314.5, 0.71%, 0.59%

LAB 56.93, 68.95, -29.26

 

CMYK 56 / 66 / 0 / 12

HEX #644CE1

RGB 100 76 225

HSL 249.66, 0.71%, 0.59%

LAB 43.23, 49.01, -72.66

 

CMYK 66 / 66 / 0 / 12

HEX #4C4CE1

RGB 76 76 225

HSL 240, 0.71%, 0.59%

LAB 41.44, 45.56, -75.66

 

CMYK 56 / 66 / 0 / 12

HEX #644CE1

RGB 100 76 225

HSL 249.66, 0.71%, 0.59%

LAB 43.23, 49.01, -72.66

 

CMYK 63 / 76 / 0 / 5

HEX #593BF2

RGB 89 59 242

HSL 249.84, 0.88%, 0.59%

LAB 40.67, 61.36, -86.52

 

CMYK 56 / 66 / 0 / 12

HEX #644CE1

RGB 100 76 225

HSL 249.66, 0.71%, 0.59%

LAB 43.23, 49.01, -72.66

 

CMYK 46 / 55 / 0 / 18

HEX #705DD0

RGB 112 93 208

HSL 249.91, 0.55%, 0.59%

LAB 46.75, 36.45, -57.2

 

CMYK 36 / 42 / 0 / 25

HEX #7B6EBF

RGB 123 110 191

HSL 249.63, 0.39%, 0.59%

LAB 50.83, 24.18, -40.86

 

CMYK 22 / 27 / 0 / 32

HEX #877FAE

RGB 135 127 174

HSL 250.21, 0.22%, 0.59%

LAB 55.47, 13.25, -23.78

 

CMYK 7 / 8 / 0 / 38

HEX #92909D

RGB 146 144 157

HSL 249.23, 0.06%, 0.59%

LAB 60.33, 3.34, -6.6

 

CMYK 66 / 41 / 0 / 12

HEX #4C85E1

RGB 76 133 225

HSL 217.05, 0.71%, 0.59%

LAB 55.83, 10.55, -52.39

 

CMYK 66 / 58 / 0 / 12

HEX #4C5EE1

RGB 76 94 225

HSL 232.75, 0.71%, 0.59%

LAB 45.6, 34.68, -68.86

 

CMYK 56 / 66 / 0 / 12

HEX #624CE1

RGB 98 76 225

HSL 248.86, 0.71%, 0.59%

LAB 43.07, 48.69, -72.94

 

CMYK 39 / 66 / 0 / 12

HEX #8A4CE1

RGB 138 76 225

HSL 264.97, 0.71%, 0.59%

LAB 46.99, 55.79, -66.39

 

CMYK 21 / 66 / 0 / 12

HEX #B24CE1

RGB 178 76 225

HSL 281.07, 0.71%, 0.59%

LAB 51.92, 64.05, -58.18

 

CMYK 70 / 83 / 0 / 27

HEX #3920BB

RGB 57 32 187

HSL 249.68, 0.71%, 0.43%

LAB 28.09, 54.9, -75.65

 

CMYK 68 / 81 / 0 / 14

HEX #4629DB

RGB 70 41 219

HSL 249.78, 0.71%, 0.51%

LAB 33.99, 61.21, -84.53

 

CMYK 56 / 66 / 0 / 12

HEX #644CE1

RGB 100 76 225

HSL 249.66, 0.71%, 0.59%

LAB 43.23, 49.01, -72.66

 

CMYK 43 / 52 / 0 / 9

HEX #836FE7

RGB 131 111 231

HSL 250, 0.71%, 0.67%

LAB 53.99, 36.73, -58.5

 

CMYK 32 / 38 / 0 / 7

HEX #A193ED

RGB 161 147 237

HSL 249.33, 0.71%, 0.75%

LAB 65.4, 25.12, -43.56

 

CMYK 56 / 66 / 0 / 12

HEX #644CE1

RGB 100 76 225

HSL 249.66, 0.71%, 0.59%

LAB 43.23, 49.01, -72.66

 

CMYK 0 / 66 / 23 / 12

HEX #E14CAD

RGB 225 76 173

HSL 320.94, 0.71%, 0.59%

LAB 56.28, 66.78, -21.01

 

CMYK 50 / 0 / 66 / 12

HEX #71E14C

RGB 113 225 76

HSL 105.1, 0.71%, 0.59%

LAB 80.67, -58.18, 60.78

 

CMYK 56 / 66 / 0 / 12

HEX #644CE1

RGB 100 76 225

HSL 249.66, 0.71%, 0.59%

LAB 43.23, 49.01, -72.66

 

CMYK 0 / 56 / 66 / 12

HEX #E1624C

RGB 225 98 76

HSL 8.86, 0.71%, 0.59%

LAB 57.33, 48.08, 36.87

 

CMYK 66 / 0 / 56 / 12

HEX #4CE162

RGB 76 225 98

HSL 128.86, 0.71%, 0.59%

LAB 79.77, -64.55, 50.07

 

CMYK 56 / 66 / 0 / 12

HEX #644CE1

RGB 100 76 225

HSL 249.66, 0.71%, 0.59%

LAB 43.23, 49.01, -72.66

 

CMYK 0 / 66 / 23 / 12

HEX #E14CAD

RGB 225 76 173

HSL 320.94, 0.71%, 0.59%

LAB 56.28, 66.78, -21.01

 

CMYK 10 / 0 / 66 / 12

HEX #CAE14C

RGB 202 225 76

HSL 69.26, 0.71%, 0.59%

LAB 85.47, -26.89, 67.28

 

CMYK 66 / 0 / 43 / 12

HEX #4CE180

RGB 76 225 128

HSL 140.94, 0.71%, 0.59%

LAB 80.15, -60.19, 36.17

 

CMYK 56 / 66 / 0 / 12

HEX #644CE1

RGB 100 76 225

HSL 249.66, 0.71%, 0.59%

LAB 43.23, 49.01, -72.66

 

CMYK 0 / 66 / 43 / 12

HEX #E14C80

RGB 225 76 128

HSL 339.06, 0.71%, 0.59%

LAB 54.8, 61.66, 3.25

 

CMYK 10 / 0 / 66 / 12

HEX #CAE14C

RGB 202 225 76

HSL 69.26, 0.71%, 0.59%

LAB 85.47, -26.89, 67.28

 

CMYK 66 / 0 / 23 / 12

HEX #4CE1AD

RGB 76 225 173

HSL 159.06, 0.71%, 0.59%

LAB 80.96, -51.39, 14.09

 

Description

Color code: HEX #644CE1CE | qconv.com Color code: HEX #644CE1CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 76 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 76 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 54 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 54% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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