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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #64447C it is the complementary color #9BBB83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #64447C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #64447C shade: #694477, #7A568A, #8B689D, #9C7AB0 and #AD8CC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #64447C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #64447C shade: #64447C, #533269, #422056, #310E43 and #200030

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #64447C shade: #65457D, #74457D, #7D4577, #7D4568 and #7D4558

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #64447C shade: #65457D, #56457D, #47457D and #45457D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #64447C shade matches the following richer shades: #65457D, #67358D, #69259C, #6C16AC and #6E06BC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #64447C shade: #65457D, #63546D, #60645E, #5E744E and #5C843E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #64447C shade: #47457D, #56457D, #65457D, #74457D and #7D4577

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #64447C shade: #3A2848, #4F3662, #65457D, #7A5398 and #8F68AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #64447C shade: #64447C, #7D4552 and #457D4E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #64447C shade: #64447C, #7D6545 and #457D65

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #64447C shade: #64447C, #7D4552, #5D7D45 and #457D70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #64447C shade: #64447C, #7D4945, #5D7D45 and #45797D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 45 / 0 / 51

HEX #64447C

RGB 100 68 124

HSL 274.29, 0.29%, 0.38%

LAB 34.6, 25.28, -26.63

 

Complementary color

CMYK 17 / 0 / 30 / 27

HEX #9BBB83

RGB 155 187 131

HSL 94.29, 0.29%, 0.62%

LAB 72.33, -21.03, 24.91

 

CMYK 12 / 43 / 0 / 53

HEX #694477

RGB 105 68 119

HSL 283.53, 0.27%, 0.37%

LAB 34.94, 25.72, -22.93

 

CMYK 12 / 38 / 0 / 46

HEX #7A568A

RGB 122 86 138

HSL 281.54, 0.23%, 0.44%

LAB 42.2, 24.89, -23.17

 

CMYK 11 / 34 / 0 / 38

HEX #8B689D

RGB 139 104 157

HSL 279.62, 0.21%, 0.51%

LAB 49.28, 24.13, -23.39

 

CMYK 11 / 31 / 0 / 31

HEX #9C7AB0

RGB 156 122 176

HSL 277.78, 0.25%, 0.58%

LAB 56.21, 23.44, -23.62

 

CMYK 11 / 28 / 0 / 24

HEX #AD8CC3

RGB 173 140 195

HSL 276, 0.31%, 0.66%

LAB 62.99, 22.81, -23.86

 

CMYK 19 / 45 / 0 / 51

HEX #64447C

RGB 100 68 124

HSL 274.29, 0.29%, 0.38%

LAB 34.6, 25.28, -26.63

 

CMYK 21 / 52 / 0 / 59

HEX #533269

RGB 83 50 105

HSL 276, 0.35%, 0.3%

LAB 27.13, 26.22, -26.52

 

CMYK 23 / 63 / 0 / 66

HEX #422056

RGB 66 32 86

HSL 277.78, 0.46%, 0.23%

LAB 19.49, 27.15, -26.33

 

CMYK 27 / 79 / 0 / 74

HEX #310E43

RGB 49 14 67

HSL 279.62, 0.65%, 0.16%

LAB 11.77, 27.73, -25.81

 

CMYK 33 / 100 / 0 / 81

HEX #200030

RGB 32 0 48

HSL 280, 1%, 0.09%

LAB 4.7, 24.86, -23.6

 

CMYK 19 / 45 / 0 / 51

HEX #65457D

RGB 101 69 125

HSL 274.29, 0.29%, 0.38%

LAB 35.01, 25.23, -26.59

 

CMYK 7 / 45 / 0 / 51

HEX #74457D

RGB 116 69 125

HSL 290.36, 0.29%, 0.38%

LAB 36.84, 30.08, -23.6

 

CMYK 0 / 45 / 5 / 51

HEX #7D4577

RGB 125 69 119

HSL 306.43, 0.29%, 0.38%

LAB 37.75, 31.85, -18.38

 

CMYK 0 / 45 / 17 / 51

HEX #7D4568

RGB 125 69 104

HSL 322.5, 0.29%, 0.38%

LAB 37.14, 29.1, -9.95

 

CMYK 0 / 45 / 30 / 51

HEX #7D4558

RGB 125 69 88

HSL 339.64, 0.29%, 0.38%

LAB 36.59, 26.53, -0.69

 

CMYK 19 / 45 / 0 / 51

HEX #65457D

RGB 101 69 125

HSL 274.29, 0.29%, 0.38%

LAB 35.01, 25.23, -26.59

 

CMYK 31 / 45 / 0 / 51

HEX #56457D

RGB 86 69 125

HSL 258.21, 0.29%, 0.38%

LAB 33.38, 20.54, -29.27

 

CMYK 43 / 45 / 0 / 51

HEX #47457D

RGB 71 69 125

HSL 242.14, 0.29%, 0.38%

LAB 31.98, 16.15, -31.57

 

CMYK 45 / 45 / 0 / 51

HEX #45457D

RGB 69 69 125

HSL 240, 0.29%, 0.38%

LAB 31.81, 15.6, -31.85

 

CMYK 19 / 45 / 0 / 51

HEX #65457D

RGB 101 69 125

HSL 274.29, 0.29%, 0.38%

LAB 35.01, 25.23, -26.59

 

CMYK 27 / 62 / 0 / 45

HEX #67358D

RGB 103 53 141

HSL 274.09, 0.45%, 0.38%

LAB 32.6, 39.07, -40.3

 

CMYK 33 / 76 / 0 / 39

HEX #69259C

RGB 105 37 156

HSL 274.29, 0.62%, 0.38%

LAB 31.18, 50.84, -51.76

 

CMYK 37 / 87 / 0 / 33

HEX #6C16AC

RGB 108 22 172

HSL 274.4, 0.77%, 0.38%

LAB 31.21, 60.05, -61.36

 

CMYK 41 / 97 / 0 / 26

HEX #6E06BC

RGB 110 6 188

HSL 274.29, 0.94%, 0.38%

LAB 31.98, 66.79, -69.62

 

CMYK 19 / 45 / 0 / 51

HEX #65457D

RGB 101 69 125

HSL 274.29, 0.29%, 0.38%

LAB 35.01, 25.23, -26.59

 

CMYK 9 / 23 / 0 / 57

HEX #63546D

RGB 99 84 109

HSL 276, 0.13%, 0.38%

LAB 38.02, 11.39, -12.04

 

CMYK 4 / 0 / 6 / 61

HEX #60645E

RGB 96 100 94

HSL 100, 0.03%, 0.38%

LAB 41.86, -2.8, 2.86

 

CMYK 19 / 0 / 33 / 55

HEX #5E744E

RGB 94 116 78

HSL 94.74, 0.2%, 0.38%

LAB 46.2, -15.65, 18.42

 

CMYK 30 / 0 / 53 / 48

HEX #5C843E

RGB 92 132 62

HSL 94.29, 0.36%, 0.38%

LAB 50.83, -26.98, 33.12

 

CMYK 43 / 45 / 0 / 51

HEX #47457D

RGB 71 69 125

HSL 242.14, 0.29%, 0.38%

LAB 31.98, 16.15, -31.57

 

CMYK 31 / 45 / 0 / 51

HEX #56457D

RGB 86 69 125

HSL 258.21, 0.29%, 0.38%

LAB 33.38, 20.54, -29.27

 

CMYK 19 / 45 / 0 / 51

HEX #65457D

RGB 101 69 125

HSL 274.29, 0.29%, 0.38%

LAB 35.01, 25.23, -26.59

 

CMYK 7 / 45 / 0 / 51

HEX #74457D

RGB 116 69 125

HSL 290.36, 0.29%, 0.38%

LAB 36.84, 30.08, -23.6

 

CMYK 0 / 45 / 5 / 51

HEX #7D4577

RGB 125 69 119

HSL 306.43, 0.29%, 0.38%

LAB 37.75, 31.85, -18.38

 

CMYK 19 / 44 / 0 / 72

HEX #3A2848

RGB 58 40 72

HSL 273.75, 0.29%, 0.22%

LAB 19.58, 15.7, -16.8

 

CMYK 19 / 45 / 0 / 62

HEX #4F3662

RGB 79 54 98

HSL 274.09, 0.29%, 0.3%

LAB 27.25, 20.62, -21.85

 

CMYK 19 / 45 / 0 / 51

HEX #65457D

RGB 101 69 125

HSL 274.29, 0.29%, 0.38%

LAB 35.01, 25.23, -26.59

 

CMYK 20 / 45 / 0 / 40

HEX #7A5398

RGB 122 83 152

HSL 273.91, 0.29%, 0.46%

LAB 42.14, 29.92, -31.68

 

CMYK 17 / 40 / 0 / 33

HEX #8F68AC

RGB 143 104 172

HSL 274.41, 0.29%, 0.54%

LAB 50.36, 28.8, -30.47

 

CMYK 19 / 45 / 0 / 51

HEX #64447C

RGB 100 68 124

HSL 274.29, 0.29%, 0.38%

LAB 34.6, 25.28, -26.63

 

CMYK 0 / 45 / 34 / 51

HEX #7D4552

RGB 125 69 82

HSL 346.07, 0.29%, 0.38%

LAB 36.41, 25.66, 2.85

 

CMYK 45 / 0 / 38 / 51

HEX #457D4E

RGB 69 125 78

HSL 129.64, 0.29%, 0.38%

LAB 47.6, -29.28, 20.03

 

CMYK 19 / 45 / 0 / 51

HEX #64447C

RGB 100 68 124

HSL 274.29, 0.29%, 0.38%

LAB 34.6, 25.28, -26.63

 

CMYK 0 / 19 / 45 / 51

HEX #7D6545

RGB 125 101 69

HSL 34.29, 0.29%, 0.38%

LAB 44.37, 5, 21.73

 

CMYK 45 / 0 / 19 / 51

HEX #457D65

RGB 69 125 101

HSL 154.29, 0.29%, 0.38%

LAB 48.1, -24.5, 7.38

 

CMYK 19 / 45 / 0 / 51

HEX #64447C

RGB 100 68 124

HSL 274.29, 0.29%, 0.38%

LAB 34.6, 25.28, -26.63

 

CMYK 0 / 45 / 34 / 51

HEX #7D4552

RGB 125 69 82

HSL 346.07, 0.29%, 0.38%

LAB 36.41, 25.66, 2.85

 

CMYK 26 / 0 / 45 / 51

HEX #5D7D45

RGB 93 125 69

HSL 94.29, 0.29%, 0.38%

LAB 48.79, -22.17, 26.86

 

CMYK 45 / 0 / 10 / 51

HEX #457D70

RGB 69 125 112

HSL 166.07, 0.29%, 0.38%

LAB 48.39, -21.84, 1.33

 

CMYK 19 / 45 / 0 / 51

HEX #64447C

RGB 100 68 124

HSL 274.29, 0.29%, 0.38%

LAB 34.6, 25.28, -26.63

 

CMYK 0 / 42 / 45 / 51

HEX #7D4945

RGB 125 73 69

HSL 4.29, 0.29%, 0.38%

LAB 37.03, 21.65, 11.9

 

CMYK 26 / 0 / 45 / 51

HEX #5D7D45

RGB 93 125 69

HSL 94.29, 0.29%, 0.38%

LAB 48.79, -22.17, 26.86

 

CMYK 45 / 3 / 0 / 51

HEX #45797D

RGB 69 121 125

HSL 184.29, 0.29%, 0.38%

LAB 47.52, -16.23, -7.64

 

Description

Color code: HEX #64447C | qconv.com Color code: HEX #64447C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 68 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 68 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 45 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 45% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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