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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #64417D it is the complementary color #9BBE82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #64417D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #64417D shade: #694178, #7A538B, #8B659E, #9C77B1 and #AD89C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #64417D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #64417D shade: #64417D, #532F6A, #421D57, #310B44 and #200031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #64417D shade: #63407D, #74407D, #7D4075, #7D4065 and #7D4055

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #64417D shade: #63407D, #53407D, #43407D and #40407D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #64417D shade matches the following richer shades: #63407D, #66318C, #68229B, #6B12AA and #6E03BA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #64417D shade: #63407D, #614F6D, #5E5F5E, #5C6E4F and #597D3F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #64417D shade: #43407D, #53407D, #63407D, #73407D and #7D4075

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #64417D shade: #382446, #4E3261, #63407D, #794E98 and #8E61AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #64417D shade: #64417D, #7D404D and #407D4B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #64417D shade: #64417D, #7D6340 and #407D63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #64417D shade: #64417D, #7D404D, #597D40 and #407D6F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #64417D shade: #64417D, #7D4540, #597D40 and #40787D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 48 / 0 / 51

HEX #64417D

RGB 100 65 125

HSL 275, 0.32%, 0.37%

LAB 33.92, 27.35, -28.31

 

Complementary color

CMYK 18 / 0 / 32 / 25

HEX #9BBE82

RGB 155 190 130

HSL 95, 0.32%, 0.63%

LAB 73.16, -22.68, 26.56

 

CMYK 13 / 46 / 0 / 53

HEX #694178

RGB 105 65 120

HSL 283.64, 0.3%, 0.36%

LAB 34.27, 27.75, -24.6

 

CMYK 12 / 40 / 0 / 45

HEX #7A538B

RGB 122 83 139

HSL 281.79, 0.25%, 0.44%

LAB 41.51, 26.9, -24.83

 

CMYK 12 / 36 / 0 / 38

HEX #8B659E

RGB 139 101 158

HSL 280, 0.23%, 0.51%

LAB 48.59, 26.11, -25.05

 

CMYK 12 / 33 / 0 / 31

HEX #9C77B1

RGB 156 119 177

HSL 278.28, 0.27%, 0.58%

LAB 55.52, 25.38, -25.26

 

CMYK 12 / 30 / 0 / 23

HEX #AD89C4

RGB 173 137 196

HSL 276.61, 0.33%, 0.65%

LAB 62.31, 24.72, -25.48

 

CMYK 20 / 48 / 0 / 51

HEX #64417D

RGB 100 65 125

HSL 275, 0.32%, 0.37%

LAB 33.92, 27.35, -28.31

 

CMYK 22 / 56 / 0 / 58

HEX #532F6A

RGB 83 47 106

HSL 276.61, 0.39%, 0.3%

LAB 26.48, 28.29, -28.19

 

CMYK 24 / 67 / 0 / 66

HEX #421D57

RGB 66 29 87

HSL 278.28, 0.5%, 0.23%

LAB 18.91, 29.16, -27.93

 

CMYK 28 / 84 / 0 / 73

HEX #310B44

RGB 49 11 68

HSL 280, 0.72%, 0.15%

LAB 11.34, 29.43, -27.21

 

CMYK 35 / 100 / 0 / 81

HEX #200031

RGB 32 0 49

HSL 279.18, 1%, 0.1%

LAB 4.78, 25.23, -24.23

 

CMYK 21 / 49 / 0 / 51

HEX #63407D

RGB 99 64 125

HSL 274.43, 0.32%, 0.37%

LAB 33.56, 27.65, -28.89

 

CMYK 7 / 49 / 0 / 51

HEX #74407D

RGB 116 64 125

HSL 291.15, 0.32%, 0.37%

LAB 35.71, 32.96, -25.36

 

CMYK 0 / 49 / 6 / 51

HEX #7D4075

RGB 125 64 117

HSL 307.87, 0.32%, 0.37%

LAB 36.58, 34.26, -18.94

 

CMYK 0 / 49 / 19 / 51

HEX #7D4065

RGB 125 64 101

HSL 323.61, 0.32%, 0.37%

LAB 35.92, 31.42, -9.91

 

CMYK 0 / 49 / 32 / 51

HEX #7D4055

RGB 125 64 85

HSL 339.34, 0.32%, 0.37%

LAB 35.37, 28.94, -0.58

 

CMYK 21 / 49 / 0 / 51

HEX #63407D

RGB 99 64 125

HSL 274.43, 0.32%, 0.37%

LAB 33.56, 27.65, -28.89

 

CMYK 34 / 49 / 0 / 51

HEX #53407D

RGB 83 64 125

HSL 258.69, 0.32%, 0.37%

LAB 31.78, 22.83, -31.83

 

CMYK 46 / 49 / 0 / 51

HEX #43407D

RGB 67 64 125

HSL 242.95, 0.32%, 0.37%

LAB 30.26, 18.36, -34.34

 

CMYK 49 / 49 / 0 / 51

HEX #40407D

RGB 64 64 125

HSL 240, 0.32%, 0.37%

LAB 30, 17.58, -34.76

 

CMYK 21 / 49 / 0 / 51

HEX #63407D

RGB 99 64 125

HSL 274.43, 0.32%, 0.37%

LAB 33.56, 27.65, -28.89

 

CMYK 27 / 65 / 0 / 45

HEX #66318C

RGB 102 49 140

HSL 274.95, 0.48%, 0.37%

LAB 31.61, 40.71, -41.27

 

CMYK 33 / 78 / 0 / 39

HEX #68229B

RGB 104 34 155

HSL 274.71, 0.64%, 0.37%

LAB 30.53, 51.64, -52.21

 

CMYK 37 / 89 / 0 / 33

HEX #6B12AA

RGB 107 18 170

HSL 275.13, 0.81%, 0.37%

LAB 30.55, 60.47, -61.25

 

CMYK 41 / 98 / 0 / 27

HEX #6E03BA

RGB 110 3 186

HSL 275.08, 0.97%, 0.37%

LAB 31.64, 66.82, -69

 

CMYK 21 / 49 / 0 / 51

HEX #63407D

RGB 99 64 125

HSL 274.43, 0.32%, 0.37%

LAB 33.56, 27.65, -28.89

 

CMYK 11 / 28 / 0 / 57

HEX #614F6D

RGB 97 79 109

HSL 276, 0.16%, 0.37%

LAB 36.44, 13.78, -14.46

 

CMYK 1 / 0 / 1 / 63

HEX #5E5F5E

RGB 94 95 94

HSL 120, 0.01%, 0.37%

LAB 40.2, -0.6, 0.43

 

CMYK 16 / 0 / 28 / 57

HEX #5C6E4F

RGB 92 110 79

HSL 94.84, 0.16%, 0.37%

LAB 44.22, -12.99, 15.13

 

CMYK 29 / 0 / 50 / 51

HEX #597D3F

RGB 89 125 63

HSL 94.84, 0.33%, 0.37%

LAB 48.45, -24.54, 29.64

 

CMYK 46 / 49 / 0 / 51

HEX #43407D

RGB 67 64 125

HSL 242.95, 0.32%, 0.37%

LAB 30.26, 18.36, -34.34

 

CMYK 34 / 49 / 0 / 51

HEX #53407D

RGB 83 64 125

HSL 258.69, 0.32%, 0.37%

LAB 31.78, 22.83, -31.83

 

CMYK 21 / 49 / 0 / 51

HEX #63407D

RGB 99 64 125

HSL 274.43, 0.32%, 0.37%

LAB 33.56, 27.65, -28.89

 

CMYK 8 / 49 / 0 / 51

HEX #73407D

RGB 115 64 125

HSL 290.16, 0.32%, 0.37%

LAB 35.58, 32.65, -25.57

 

CMYK 0 / 49 / 6 / 51

HEX #7D4075

RGB 125 64 117

HSL 307.87, 0.32%, 0.37%

LAB 36.58, 34.26, -18.94

 

CMYK 20 / 49 / 0 / 73

HEX #382446

RGB 56 36 70

HSL 275.29, 0.32%, 0.21%

LAB 18.12, 17.15, -17.73

 

CMYK 20 / 48 / 0 / 62

HEX #4E3261

RGB 78 50 97

HSL 275.74, 0.32%, 0.29%

LAB 26.05, 22.58, -23.09

 

CMYK 21 / 49 / 0 / 51

HEX #63407D

RGB 99 64 125

HSL 274.43, 0.32%, 0.37%

LAB 33.56, 27.65, -28.89

 

CMYK 20 / 49 / 0 / 40

HEX #794E98

RGB 121 78 152

HSL 274.86, 0.32%, 0.45%

LAB 40.87, 32.55, -33.7

 

CMYK 18 / 44 / 0 / 32

HEX #8E61AE

RGB 142 97 174

HSL 275.06, 0.32%, 0.53%

LAB 48.71, 32.99, -34.23

 

CMYK 20 / 48 / 0 / 51

HEX #64417D

RGB 100 65 125

HSL 275, 0.32%, 0.37%

LAB 33.92, 27.35, -28.31

 

CMYK 0 / 49 / 38 / 51

HEX #7D404D

RGB 125 64 77

HSL 347.21, 0.32%, 0.37%

LAB 35.13, 27.85, 4.17

 

CMYK 49 / 0 / 40 / 51

HEX #407D4B

RGB 64 125 75

HSL 130.82, 0.32%, 0.37%

LAB 47.32, -31.37, 21.31

 

CMYK 20 / 48 / 0 / 51

HEX #64417D

RGB 100 65 125

HSL 275, 0.32%, 0.37%

LAB 33.92, 27.35, -28.31

 

CMYK 0 / 21 / 49 / 51

HEX #7D6340

RGB 125 99 64

HSL 34.43, 0.32%, 0.37%

LAB 43.73, 5.61, 23.81

 

CMYK 49 / 0 / 21 / 51

HEX #407D63

RGB 64 125 99

HSL 154.43, 0.32%, 0.37%

LAB 47.83, -26.39, 8.14

 

CMYK 20 / 48 / 0 / 51

HEX #64417D

RGB 100 65 125

HSL 275, 0.32%, 0.37%

LAB 33.92, 27.35, -28.31

 

CMYK 0 / 49 / 38 / 51

HEX #7D404D

RGB 125 64 77

HSL 347.21, 0.32%, 0.37%

LAB 35.13, 27.85, 4.17

 

CMYK 29 / 0 / 49 / 51

HEX #597D40

RGB 89 125 64

HSL 95.41, 0.32%, 0.37%

LAB 48.46, -24.41, 29.12

 

CMYK 49 / 0 / 11 / 51

HEX #407D6F

RGB 64 125 111

HSL 166.23, 0.32%, 0.37%

LAB 48.14, -23.44, 1.53

 

CMYK 20 / 48 / 0 / 51

HEX #64417D

RGB 100 65 125

HSL 275, 0.32%, 0.37%

LAB 33.92, 27.35, -28.31

 

CMYK 0 / 45 / 49 / 51

HEX #7D4540

RGB 125 69 64

HSL 4.92, 0.32%, 0.37%

LAB 35.96, 23.42, 13.57

 

CMYK 29 / 0 / 49 / 51

HEX #597D40

RGB 89 125 64

HSL 95.41, 0.32%, 0.37%

LAB 48.46, -24.41, 29.12

 

CMYK 49 / 4 / 0 / 51

HEX #40787D

RGB 64 120 125

HSL 184.92, 0.32%, 0.37%

LAB 46.98, -16.97, -8.47

 

Description

Color code: HEX #64417D | qconv.com Color code: HEX #64417D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 65 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 65 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 48 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 48% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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