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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #644130 it is the complementary color #9BBECF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #644130. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #644130: #69412B, #7A533E, #8B6551, #9C7764 and #AD8977

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #644130. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #644130: #644130, #532F1D, #421D0A, #310B00 and #200000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 52 / 61

HEX #644130

RGB 100 65 48

HSL 19.62, 0.35%, 0.29%

LAB 31.12, 13.04, 16.55

 

Complementary color

CMYK 25 / 8 / 0 / 19

HEX #9BBECF

RGB 155 190 207

HSL 199.62, 0.35%, 0.71%

LAB 75.01, -7.89, -12.41

 

CMYK 0 / 38 / 59 / 59

HEX #69412B

RGB 105 65 43

HSL 21.29, 0.42%, 0.29%

LAB 31.71, 14.85, 20.55

 

CMYK 0 / 32 / 49 / 52

HEX #7A533E

RGB 122 83 62

HSL 21, 0.33%, 0.36%

LAB 39.02, 13.59, 18.82

 

CMYK 0 / 27 / 42 / 45

HEX #8B6551

RGB 139 101 81

HSL 20.69, 0.26%, 0.43%

LAB 46.16, 12.58, 17.34

 

CMYK 0 / 24 / 36 / 39

HEX #9C7764

RGB 156 119 100

HSL 20.36, 0.22%, 0.5%

LAB 53.15, 11.74, 16.03

 

CMYK 0 / 21 / 31 / 32

HEX #AD8977

RGB 173 137 119

HSL 20, 0.25%, 0.57%

LAB 59.99, 11.04, 14.87

 

CMYK 0 / 35 / 52 / 61

HEX #644130

RGB 100 65 48

HSL 19.62, 0.35%, 0.29%

LAB 31.12, 13.04, 16.55

 

CMYK 0 / 43 / 65 / 67

HEX #532F1D

RGB 83 47 29

HSL 20, 0.48%, 0.22%

LAB 23.54, 14.45, 18.45

 

CMYK 0 / 56 / 85 / 74

HEX #421D0A

RGB 66 29 10

HSL 20.36, 0.74%, 0.15%

LAB 15.79, 16.29, 19.5

 

CMYK 0 / 78 / 100 / 81

HEX #310B00

RGB 49 11 0

HSL 13.47, 1%, 0.1%

LAB 8.06, 18.46, 12.48

 

CMYK 0 / 100 / 100 / 87

HEX #200000

RGB 32 0 0

HSL 0, 1%, 0.06%

LAB 2.77, 12.44, 4.38

 

CMYK 0 / 35 / 52 / 61

HEX #644130

RGB 100 65 48

HSL 19.62, 0.35%, 0.29%

LAB 31.12, 13.04, 16.55

 

CMYK 0 / 26 / 52 / 61

HEX #634930

RGB 99 73 48

HSL 29.41, 0.35%, 0.29%

LAB 33.2, 7.6, 19.22

 

CMYK 0 / 18 / 52 / 61

HEX #635130

RGB 99 81 48

HSL 38.82, 0.35%, 0.29%

LAB 35.5, 2.67, 22.14

 

CMYK 0 / 9 / 52 / 61

HEX #635A30

RGB 99 90 48

HSL 49.41, 0.35%, 0.29%

LAB 38.16, -2.76, 25.44

 

CMYK 0 / 1 / 52 / 61

HEX #636230

RGB 99 98 48

HSL 58.82, 0.35%, 0.29%

LAB 40.58, -7.45, 28.36

 

CMYK 0 / 35 / 52 / 61

HEX #644130

RGB 100 65 48

HSL 19.62, 0.35%, 0.29%

LAB 31.12, 13.04, 16.55

 

CMYK 0 / 35 / 52 / 41

HEX #976248

RGB 151 98 72

HSL 19.75, 0.35%, 0.44%

LAB 46.69, 18.51, 23.58

 

CMYK 0 / 35 / 52 / 21

HEX #CA8361

RGB 202 131 97

HSL 19.43, 0.5%, 0.59%

LAB 61.35, 23.7, 29.6

 

CMYK 0 / 35 / 52 / 1

HEX #FDA479

RGB 253 164 121

HSL 19.55, 0.97%, 0.73%

LAB 75.34, 28.54, 35.84

 

CMYK 0 / 35 / 51 / 81

HEX #312018

RGB 49 32 24

HSL 19.2, 0.34%, 0.14%

LAB 14.13, 6.97, 8.71

 

CMYK 0 / 35 / 52 / 61

HEX #644130

RGB 100 65 48

HSL 19.62, 0.35%, 0.29%

LAB 31.12, 13.04, 16.55

 

CMYK 26 / 0 / 52 / 61

HEX #496330

RGB 73 99 48

HSL 90.59, 0.35%, 0.29%

LAB 38.82, -19.53, 25.75

 

CMYK 52 / 47 / 0 / 61

HEX #303463

RGB 48 52 99

HSL 235.29, 0.35%, 0.29%

LAB 23.62, 12.72, -28.44

 

CMYK 0 / 35 / 52 / 61

HEX #644130

RGB 100 65 48

HSL 19.62, 0.35%, 0.29%

LAB 31.12, 13.04, 16.55

 

CMYK 52 / 0 / 35 / 61

HEX #306340

RGB 48 99 64

HSL 138.82, 0.35%, 0.29%

LAB 37.7, -25.9, 14.76

 

CMYK 35 / 52 / 0 / 61

HEX #403063

RGB 64 48 99

HSL 258.82, 0.35%, 0.29%

LAB 24.01, 20.02, -27.72

 

CMYK 0 / 35 / 52 / 61

HEX #644130

RGB 100 65 48

HSL 19.62, 0.35%, 0.29%

LAB 31.12, 13.04, 16.55

 

CMYK 26 / 0 / 52 / 61

HEX #496330

RGB 73 99 48

HSL 90.59, 0.35%, 0.29%

LAB 38.82, -19.53, 25.75

 

CMYK 52 / 16 / 0 / 61

HEX #305363

RGB 48 83 99

HSL 198.82, 0.35%, 0.29%

LAB 33.38, -7.72, -13.21

 

CMYK 25 / 52 / 0 / 61

HEX #4A3063

RGB 74 48 99

HSL 270.59, 0.35%, 0.29%

LAB 25.17, 23.09, -25.81

 

CMYK 0 / 35 / 52 / 61

HEX #644130

RGB 100 65 48

HSL 19.62, 0.35%, 0.29%

LAB 31.12, 13.04, 16.55

 

CMYK 42 / 0 / 52 / 61

HEX #396330

RGB 57 99 48

HSL 109.41, 0.35%, 0.29%

LAB 37.85, -25.77, 24.35

 

CMYK 52 / 16 / 0 / 61

HEX #305363

RGB 48 83 99

HSL 198.82, 0.35%, 0.29%

LAB 33.38, -7.72, -13.21

 

CMYK 9 / 52 / 0 / 61

HEX #5A3063

RGB 90 48 99

HSL 289.41, 0.35%, 0.29%

LAB 27.26, 28.22, -22.37

 

Description

Color code: HEX #644130 | qconv.com Color code: HEX #644130 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 65 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 65 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 52 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 52% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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