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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #643D88 it is the complementary color #9BC277. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #643D88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #643D88 shade: #693D83, #7A4F96, #8B61A9, #9C73BC and #AD85CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #643D88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #643D88 shade: #643D88, #532B75, #421962, #31074F and #20003C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #643D88 shade: #653E89, #793E89, #893E85, #893E70 and #893E5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #643D88 shade: #653E89, #513E89 and #3E3E89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #643D88 shade matches the following richer shades: #653E89, #662E99, #661DA9 and #670DBA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #643D88 shade: #653E89, #644E79, #645E69, #636E59 and #627E49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #643D88 shade: #3E3F89, #513E89, #653E89, #793E89 and #893E85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #643D88 shade: #3B2450, #50316D, #653E89, #7A4AA6 and #8E61B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #643D88 shade: #643D88, #893E53 and #3E8946

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #643D88 shade: #643D88, #89653E and #3E8965

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #643D88 shade: #643D88, #893E53, #62893E and #3E8974

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #643D88 shade: #643D88, #893F3E, #62893E and #3E8889

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 55 / 0 / 47

HEX #643D88

RGB 100 61 136

HSL 271.2, 0.38%, 0.39%

LAB 33.61, 32.5, -35.61

 

Complementary color

CMYK 20 / 0 / 39 / 24

HEX #9BC277

RGB 155 194 119

HSL 91.2, 0.38%, 0.61%

LAB 74.12, -26.2, 33.56

 

CMYK 20 / 53 / 0 / 49

HEX #693D83

RGB 105 61 131

HSL 277.71, 0.36%, 0.38%

LAB 33.94, 32.69, -31.97

 

CMYK 19 / 47 / 0 / 41

HEX #7A4F96

RGB 122 79 150

HSL 276.34, 0.31%, 0.45%

LAB 41.11, 31.79, -32.11

 

CMYK 18 / 43 / 0 / 34

HEX #8B61A9

RGB 139 97 169

HSL 275, 0.3%, 0.52%

LAB 48.14, 30.93, -32.22

 

CMYK 17 / 39 / 0 / 26

HEX #9C73BC

RGB 156 115 188

HSL 273.7, 0.35%, 0.59%

LAB 55.03, 30.12, -32.33

 

CMYK 16 / 36 / 0 / 19

HEX #AD85CF

RGB 173 133 207

HSL 272.43, 0.44%, 0.67%

LAB 61.8, 29.37, -32.45

 

CMYK 26 / 55 / 0 / 47

HEX #643D88

RGB 100 61 136

HSL 271.2, 0.38%, 0.39%

LAB 33.61, 32.5, -35.61

 

CMYK 29 / 63 / 0 / 54

HEX #532B75

RGB 83 43 117

HSL 272.43, 0.46%, 0.31%

LAB 26.31, 33.45, -35.51

 

CMYK 33 / 74 / 0 / 62

HEX #421962

RGB 66 25 98

HSL 273.7, 0.59%, 0.24%

LAB 18.95, 34.15, -35.17

 

CMYK 38 / 91 / 0 / 69

HEX #31074F

RGB 49 7 79

HSL 275, 0.84%, 0.17%

LAB 11.75, 33.95, -34.19

 

CMYK 47 / 100 / 0 / 76

HEX #20003C

RGB 32 0 60

HSL 272, 1%, 0.12%

LAB 5.72, 29.27, -30.78

 

CMYK 26 / 55 / 0 / 46

HEX #653E89

RGB 101 62 137

HSL 271.2, 0.38%, 0.39%

LAB 34.02, 32.44, -35.57

 

CMYK 12 / 55 / 0 / 46

HEX #793E89

RGB 121 62 137

HSL 287.2, 0.38%, 0.39%

LAB 36.59, 38.16, -31.34

 

CMYK 0 / 55 / 3 / 46

HEX #893E85

RGB 137 62 133

HSL 303.2, 0.38%, 0.39%

LAB 38.65, 42.07, -25.49

 

CMYK 0 / 55 / 18 / 46

HEX #893E70

RGB 137 62 112

HSL 320, 0.38%, 0.39%

LAB 37.72, 38.42, -13.91

 

CMYK 0 / 55 / 33 / 46

HEX #893E5C

RGB 137 62 92

HSL 336, 0.38%, 0.39%

LAB 37, 35.44, -2.42

 

CMYK 26 / 55 / 0 / 46

HEX #653E89

RGB 101 62 137

HSL 271.2, 0.38%, 0.39%

LAB 34.02, 32.44, -35.57

 

CMYK 41 / 55 / 0 / 46

HEX #513E89

RGB 81 62 137

HSL 255.2, 0.38%, 0.39%

LAB 31.81, 27.03, -39.24

 

CMYK 55 / 55 / 0 / 46

HEX #3E3E89

RGB 62 62 137

HSL 240, 0.38%, 0.39%

LAB 30.1, 22.46, -42.08

 

CMYK 26 / 55 / 0 / 46

HEX #653E89

RGB 101 62 137

HSL 271.2, 0.38%, 0.39%

LAB 34.02, 32.44, -35.57

 

CMYK 33 / 70 / 0 / 40

HEX #662E99

RGB 102 46 153

HSL 271.4, 0.54%, 0.39%

LAB 31.99, 45.43, -48.64

 

CMYK 40 / 83 / 0 / 34

HEX #661DA9

RGB 102 29 169

HSL 271.29, 0.71%, 0.39%

LAB 30.8, 56.41, -60.26

 

CMYK 45 / 93 / 0 / 27

HEX #670DBA

RGB 103 13 186

HSL 271.21, 0.87%, 0.39%

LAB 31.15, 64.54, -69.83

 

CMYK 26 / 55 / 0 / 46

HEX #653E89

RGB 101 62 137

HSL 271.2, 0.38%, 0.39%

LAB 34.02, 32.44, -35.57

 

CMYK 17 / 36 / 0 / 53

HEX #644E79

RGB 100 78 121

HSL 270.7, 0.22%, 0.39%

LAB 37, 18.35, -21.02

 

CMYK 5 / 10 / 0 / 59

HEX #645E69

RGB 100 94 105

HSL 272.73, 0.06%, 0.39%

LAB 40.79, 4.7, -5.39

 

CMYK 10 / 0 / 19 / 57

HEX #636E59

RGB 99 110 89

HSL 91.43, 0.11%, 0.39%

LAB 44.98, -8.4, 10.34

 

CMYK 22 / 0 / 42 / 51

HEX #627E49

RGB 98 126 73

HSL 91.7, 0.27%, 0.39%

LAB 49.5, -20.15, 25.62

 

CMYK 55 / 54 / 0 / 46

HEX #3E3F89

RGB 62 63 137

HSL 239.2, 0.38%, 0.39%

LAB 30.36, 21.8, -41.65

 

CMYK 41 / 55 / 0 / 46

HEX #513E89

RGB 81 62 137

HSL 255.2, 0.38%, 0.39%

LAB 31.81, 27.03, -39.24

 

CMYK 26 / 55 / 0 / 46

HEX #653E89

RGB 101 62 137

HSL 271.2, 0.38%, 0.39%

LAB 34.02, 32.44, -35.57

 

CMYK 12 / 55 / 0 / 46

HEX #793E89

RGB 121 62 137

HSL 287.2, 0.38%, 0.39%

LAB 36.59, 38.16, -31.34

 

CMYK 0 / 55 / 3 / 46

HEX #893E85

RGB 137 62 133

HSL 303.2, 0.38%, 0.39%

LAB 38.65, 42.07, -25.49

 

CMYK 26 / 55 / 0 / 69

HEX #3B2450

RGB 59 36 80

HSL 271.36, 0.38%, 0.23%

LAB 19.1, 20.9, -22.97

 

CMYK 27 / 55 / 0 / 57

HEX #50316D

RGB 80 49 109

HSL 271, 0.38%, 0.31%

LAB 26.75, 26.96, -29.71

 

CMYK 26 / 55 / 0 / 46

HEX #653E89

RGB 101 62 137

HSL 271.2, 0.38%, 0.39%

LAB 34.02, 32.44, -35.57

 

CMYK 27 / 55 / 0 / 35

HEX #7A4AA6

RGB 122 74 166

HSL 271.3, 0.38%, 0.47%

LAB 40.88, 38.51, -42.05

 

CMYK 23 / 47 / 0 / 28

HEX #8E61B8

RGB 142 97 184

HSL 271.03, 0.38%, 0.55%

LAB 49.2, 35.33, -39.27

 

CMYK 26 / 55 / 0 / 47

HEX #643D88

RGB 100 61 136

HSL 271.2, 0.38%, 0.39%

LAB 33.61, 32.5, -35.61

 

CMYK 0 / 55 / 39 / 46

HEX #893E53

RGB 137 62 83

HSL 343.2, 0.38%, 0.39%

LAB 36.72, 34.28, 2.89

 

CMYK 55 / 0 / 49 / 46

HEX #3E8946

RGB 62 137 70

HSL 126.4, 0.38%, 0.39%

LAB 51.1, -38.14, 28.91

 

CMYK 26 / 55 / 0 / 47

HEX #643D88

RGB 100 61 136

HSL 271.2, 0.38%, 0.39%

LAB 33.61, 32.5, -35.61

 

CMYK 0 / 26 / 55 / 46

HEX #89653E

RGB 137 101 62

HSL 31.2, 0.38%, 0.39%

LAB 45.6, 9.64, 27.59

 

CMYK 55 / 0 / 26 / 46

HEX #3E8965

RGB 62 137 101

HSL 151.2, 0.38%, 0.39%

LAB 51.67, -32.23, 12.37

 

CMYK 26 / 55 / 0 / 47

HEX #643D88

RGB 100 61 136

HSL 271.2, 0.38%, 0.39%

LAB 33.61, 32.5, -35.61

 

CMYK 0 / 55 / 39 / 46

HEX #893E53

RGB 137 62 83

HSL 343.2, 0.38%, 0.39%

LAB 36.72, 34.28, 2.89

 

CMYK 28 / 0 / 55 / 46

HEX #62893E

RGB 98 137 62

HSL 91.2, 0.38%, 0.39%

LAB 52.77, -27.11, 35.52

 

CMYK 55 / 0 / 15 / 46

HEX #3E8974

RGB 62 137 116

HSL 163.2, 0.38%, 0.39%

LAB 52.04, -28.67, 4.23

 

CMYK 26 / 55 / 0 / 47

HEX #643D88

RGB 100 61 136

HSL 271.2, 0.38%, 0.39%

LAB 33.61, 32.5, -35.61

 

CMYK 0 / 54 / 55 / 46

HEX #893F3E

RGB 137 63 62

HSL 0.8, 0.38%, 0.39%

LAB 36.41, 31.48, 15.74

 

CMYK 28 / 0 / 55 / 46

HEX #62893E

RGB 98 137 62

HSL 91.2, 0.38%, 0.39%

LAB 52.77, -27.11, 35.52

 

CMYK 55 / 1 / 0 / 46

HEX #3E8889

RGB 62 136 137

HSL 180.8, 0.38%, 0.39%

LAB 52.33, -22.5, -7.54

 

Description

Color code: HEX #643D88 | qconv.com Color code: HEX #643D88 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 61 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 61 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 55 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 55% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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