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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6435BC it is the complementary color #9BCA43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6435BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6435BC shade: #6935B7, #7A47CA, #8B59DD, #9C6BF0 and #AD7DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6435BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6435BC shade: #6435BC, #5323A9, #421196, #310083 and #200070

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6435BC shade: #6335BB, #8835BB, #AC35BB, #BB35A6 and #BB3582

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6435BC shade: #6335BB, #3F35BB and #3535BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6435BC shade matches the following richer shades: #6335BB, #5E21CE and #580EE2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6435BC shade: #6335BB, #6948A8, #6F5C94, #756F81 and #7B826D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6435BC shade: #3550BB, #3E35BB, #6135BB, #8535BB and #A935BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6435BC shade: #41237B, #522C9B, #6335BB, #794CCD and #916DD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6435BC shade: #6435BC, #BB3573 and #3EBB35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6435BC shade: #6435BC, #BB6135 and #35BB61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6435BC shade: #6435BC, #BB3573, #8EBB35 and #35BB7C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6435BC shade: #6435BC, #BB354B, #8EBB35 and #35BBA5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 72 / 0 / 26

HEX #6435BC

RGB 100 53 188

HSL 260.89, 0.56%, 0.47%

LAB 35.76, 50.67, -63.46

 

Complementary color

CMYK 23 / 0 / 67 / 21

HEX #9BCA43

RGB 155 202 67

HSL 80.89, 0.56%, 0.53%

LAB 75.83, -35.24, 59.83

 

CMYK 43 / 71 / 0 / 28

HEX #6935B7

RGB 105 53 183

HSL 264, 0.55%, 0.46%

LAB 35.92, 50.22, -60.23

 

CMYK 40 / 65 / 0 / 21

HEX #7A47CA

RGB 122 71 202

HSL 263.36, 0.55%, 0.54%

LAB 42.62, 49.29, -60.36

 

CMYK 37 / 60 / 0 / 13

HEX #8B59DD

RGB 139 89 221

HSL 262.73, 0.66%, 0.61%

LAB 49.32, 48.23, -60.34

 

CMYK 35 / 55 / 0 / 6

HEX #9C6BF0

RGB 156 107 240

HSL 262.11, 0.82%, 0.68%

LAB 55.96, 47.16, -60.24

 

CMYK 32 / 51 / 0 / 0

HEX #AD7DFF

RGB 173 125 255

HSL 262.15, 1%, 0.75%

LAB 62.31, 45.13, -58.27

 

CMYK 47 / 72 / 0 / 26

HEX #6435BC

RGB 100 53 188

HSL 260.89, 0.56%, 0.47%

LAB 35.76, 50.67, -63.46

 

CMYK 51 / 79 / 0 / 34

HEX #5323A9

RGB 83 35 169

HSL 261.49, 0.66%, 0.4%

LAB 29.17, 51.36, -63.02

 

CMYK 56 / 89 / 0 / 41

HEX #421196

RGB 66 17 150

HSL 262.11, 0.8%, 0.33%

LAB 22.87, 51.16, -61.91

 

CMYK 63 / 100 / 0 / 49

HEX #310083

RGB 49 0 131

HSL 262.44, 1%, 0.26%

LAB 16.95, 49.76, -59.89

 

CMYK 71 / 100 / 0 / 56

HEX #200070

RGB 32 0 112

HSL 257.14, 1%, 0.22%

LAB 12.46, 43.99, -55.2

 

CMYK 47 / 72 / 0 / 27

HEX #6335BB

RGB 99 53 187

HSL 260.6, 0.56%, 0.47%

LAB 35.57, 50.23, -63.19

 

CMYK 27 / 72 / 0 / 27

HEX #8835BB

RGB 136 53 187

HSL 277.16, 0.56%, 0.47%

LAB 40.19, 57.13, -55.47

 

CMYK 8 / 72 / 0 / 27

HEX #AC35BB

RGB 172 53 187

HSL 293.28, 0.56%, 0.47%

LAB 45.5, 64.62, -46.65

 

CMYK 0 / 72 / 11 / 27

HEX #BB35A6

RGB 187 53 166

HSL 309.4, 0.56%, 0.47%

LAB 46.8, 64.57, -32.08

 

CMYK 0 / 72 / 30 / 27

HEX #BB3582

RGB 187 53 130

HSL 325.52, 0.56%, 0.47%

LAB 45.25, 59.71, -12.81

 

CMYK 47 / 72 / 0 / 27

HEX #6335BB

RGB 99 53 187

HSL 260.6, 0.56%, 0.47%

LAB 35.57, 50.23, -63.19

 

CMYK 66 / 72 / 0 / 27

HEX #3F35BB

RGB 63 53 187

HSL 244.48, 0.56%, 0.47%

LAB 32.24, 44.94, -68.79

 

CMYK 72 / 72 / 0 / 27

HEX #3535BB

RGB 53 53 187

HSL 240, 0.56%, 0.47%

LAB 31.56, 43.81, -69.93

 

CMYK 47 / 72 / 0 / 27

HEX #6335BB

RGB 99 53 187

HSL 260.6, 0.56%, 0.47%

LAB 35.57, 50.23, -63.19

 

CMYK 54 / 84 / 0 / 19

HEX #5E21CE

RGB 94 33 206

HSL 261.16, 0.72%, 0.47%

LAB 33.82, 63.04, -77.21

 

CMYK 61 / 94 / 0 / 11

HEX #580EE2

RGB 88 14 226

HSL 260.94, 0.88%, 0.47%

LAB 33.73, 72.29, -88.92

 

CMYK 47 / 72 / 0 / 27

HEX #6335BB

RGB 99 53 187

HSL 260.6, 0.56%, 0.47%

LAB 35.57, 50.23, -63.19

 

CMYK 38 / 57 / 0 / 34

HEX #6948A8

RGB 105 72 168

HSL 260.63, 0.4%, 0.47%

LAB 38.66, 35.84, -46.89

 

CMYK 25 / 38 / 0 / 42

HEX #6F5C94

RGB 111 92 148

HSL 260.36, 0.23%, 0.47%

LAB 43.02, 20.1, -27.99

 

CMYK 9 / 14 / 0 / 49

HEX #756F81

RGB 117 111 129

HSL 260, 0.08%, 0.47%

LAB 47.93, 6.08, -9.07

 

CMYK 5 / 0 / 16 / 49

HEX #7B826D

RGB 123 130 109

HSL 80, 0.09%, 0.47%

LAB 53.25, -6.61, 10.5

 

CMYK 72 / 57 / 0 / 27

HEX #3550BB

RGB 53 80 187

HSL 227.91, 0.56%, 0.47%

LAB 37.99, 26.91, -59.4

 

CMYK 67 / 72 / 0 / 27

HEX #3E35BB

RGB 62 53 187

HSL 244.03, 0.56%, 0.47%

LAB 32.16, 44.82, -68.91

 

CMYK 48 / 72 / 0 / 27

HEX #6135BB

RGB 97 53 187

HSL 259.7, 0.56%, 0.47%

LAB 35.35, 49.89, -63.56

 

CMYK 29 / 72 / 0 / 27

HEX #8535BB

RGB 133 53 187

HSL 275.82, 0.56%, 0.47%

LAB 39.78, 56.53, -56.15

 

CMYK 10 / 72 / 0 / 27

HEX #A935BB

RGB 169 53 187

HSL 291.94, 0.56%, 0.47%

LAB 45.04, 63.98, -47.42

 

CMYK 47 / 72 / 0 / 52

HEX #41237B

RGB 65 35 123

HSL 260.45, 0.56%, 0.31%

LAB 22.85, 35.5, -45.04

 

CMYK 47 / 72 / 0 / 39

HEX #522C9B

RGB 82 44 155

HSL 260.54, 0.56%, 0.39%

LAB 29.32, 43.03, -54.31

 

CMYK 47 / 72 / 0 / 27

HEX #6335BB

RGB 99 53 187

HSL 260.6, 0.56%, 0.47%

LAB 35.57, 50.23, -63.19

 

CMYK 41 / 63 / 0 / 20

HEX #794CCD

RGB 121 76 205

HSL 260.93, 0.56%, 0.55%

LAB 43.71, 47.21, -60.33

 

CMYK 32 / 49 / 0 / 16

HEX #916DD6

RGB 145 109 214

HSL 260.57, 0.56%, 0.63%

LAB 53.83, 36.72, -49.11

 

CMYK 47 / 72 / 0 / 26

HEX #6435BC

RGB 100 53 188

HSL 260.89, 0.56%, 0.47%

LAB 35.76, 50.67, -63.46

 

CMYK 0 / 72 / 39 / 27

HEX #BB3573

RGB 187 53 115

HSL 332.24, 0.56%, 0.47%

LAB 44.73, 58, -4.4

 

CMYK 67 / 0 / 72 / 27

HEX #3EBB35

RGB 62 187 53

HSL 115.97, 0.56%, 0.47%

LAB 67.14, -59.01, 54.96

 

CMYK 47 / 72 / 0 / 26

HEX #6435BC

RGB 100 53 188

HSL 260.89, 0.56%, 0.47%

LAB 35.76, 50.67, -63.46

 

CMYK 0 / 48 / 72 / 27

HEX #BB6135

RGB 187 97 53

HSL 19.7, 0.56%, 0.47%

LAB 51.12, 32.8, 40.61

 

CMYK 72 / 0 / 48 / 27

HEX #35BB61

RGB 53 187 97

HSL 139.7, 0.56%, 0.47%

LAB 67.4, -55.31, 35.35

 

CMYK 47 / 72 / 0 / 26

HEX #6435BC

RGB 100 53 188

HSL 260.89, 0.56%, 0.47%

LAB 35.76, 50.67, -63.46

 

CMYK 0 / 72 / 39 / 27

HEX #BB3573

RGB 187 53 115

HSL 332.24, 0.56%, 0.47%

LAB 44.73, 58, -4.4

 

CMYK 24 / 0 / 72 / 27

HEX #8EBB35

RGB 142 187 53

HSL 80.15, 0.56%, 0.47%

LAB 70.56, -34.31, 59.52

 

CMYK 72 / 0 / 34 / 27

HEX #35BB7C

RGB 53 187 124

HSL 151.79, 0.56%, 0.47%

LAB 67.84, -50.35, 21.84

 

CMYK 47 / 72 / 0 / 26

HEX #6435BC

RGB 100 53 188

HSL 260.89, 0.56%, 0.47%

LAB 35.76, 50.67, -63.46

 

CMYK 0 / 72 / 60 / 27

HEX #BB354B

RGB 187 53 75

HSL 350.15, 0.56%, 0.47%

LAB 43.68, 54.5, 18.88

 

CMYK 24 / 0 / 72 / 27

HEX #8EBB35

RGB 142 187 53

HSL 80.15, 0.56%, 0.47%

LAB 70.56, -34.31, 59.52

 

CMYK 72 / 0 / 12 / 27

HEX #35BBA5

RGB 53 187 165

HSL 170.15, 0.56%, 0.47%

LAB 68.76, -40.65, 0.83

 

Description

Color code: HEX #6435BC | qconv.com Color code: HEX #6435BC | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 53 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 53 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 72 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 72% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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