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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #643328 it is the complementary color #9BCCD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #643328. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #643328 shade: #693323, #7A4536, #8B5749, #9C695C and #AD7B6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #643328. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #643328 shade: #643328, #532115, #420F02, #310000 and #200000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #643328 shade: #623227 and #622727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #643328 shade: #623227, #624227, #625227, #626227 and #536227

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #643328 shade matches the following richer shades: #623227, #6E2B1C, #792411 and #841D06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #643328 shade: #623227, #573932, #4C403E, #414749 and #364E54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #643328 shade: #62273C, #62272C, #623227, #624227 and #625227

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #643328 shade: #271410, #45231B, #623227, #804133 and #9D503F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #643328 shade: #643328, #4C6227 and #273462

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #643328 shade: #643328, #276232 and #322762

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #643328 shade: #643328, #4C6227, #275862 and #3E2762

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #643328 shade: #643328, #3A6227, #275862 and #502762

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 60 / 61

HEX #643328

RGB 100 51 40

HSL 11, 0.43%, 0.27%

LAB 27.38, 20.81, 16.78

 

Complementary color

CMYK 28 / 5 / 0 / 16

HEX #9BCCD7

RGB 155 204 215

HSL 191, 0.43%, 0.73%

LAB 79.08, -13.37, -10.66

 

CMYK 0 / 51 / 67 / 59

HEX #693323

RGB 105 51 35

HSL 13.71, 0.5%, 0.27%

LAB 28.09, 22.6, 21.02

 

CMYK 0 / 43 / 56 / 52

HEX #7A4536

RGB 122 69 54

HSL 13.24, 0.39%, 0.35%

LAB 35.32, 21.11, 18.87

 

CMYK 0 / 37 / 47 / 45

HEX #8B5749

RGB 139 87 73

HSL 12.73, 0.31%, 0.42%

LAB 42.44, 19.85, 17.11

 

CMYK 0 / 33 / 41 / 39

HEX #9C695C

RGB 156 105 92

HSL 12.19, 0.26%, 0.49%

LAB 49.43, 18.78, 15.61

 

CMYK 0 / 29 / 36 / 32

HEX #AD7B6F

RGB 173 123 111

HSL 11.61, 0.27%, 0.56%

LAB 56.29, 17.86, 14.3

 

CMYK 0 / 49 / 60 / 61

HEX #643328

RGB 100 51 40

HSL 11, 0.43%, 0.27%

LAB 27.38, 20.81, 16.78

 

CMYK 0 / 60 / 75 / 67

HEX #532115

RGB 83 33 21

HSL 11.61, 0.6%, 0.2%

LAB 19.97, 22.39, 19.29

 

CMYK 0 / 77 / 97 / 74

HEX #420F02

RGB 66 15 2

HSL 12.19, 0.94%, 0.13%

LAB 12.64, 23.84, 18.64

 

CMYK 0 / 100 / 100 / 81

HEX #310000

RGB 49 0 0

HSL 0, 1%, 0.1%

LAB 5.9, 24.15, 9.32

 

CMYK 0 / 100 / 100 / 87

HEX #200000

RGB 32 0 0

HSL 0, 1%, 0.06%

LAB 2.77, 12.44, 4.38

 

CMYK 0 / 49 / 60 / 62

HEX #623227

RGB 98 50 39

HSL 11.19, 0.43%, 0.27%

LAB 26.8, 20.43, 16.62

 

CMYK 0 / 60 / 60 / 62

HEX #622727

RGB 98 39 39

HSL 0, 0.43%, 0.27%

LAB 24.3, 26.78, 13.37

 

CMYK 0 / 49 / 60 / 62

HEX #623227

RGB 98 50 39

HSL 11.19, 0.43%, 0.27%

LAB 26.8, 20.43, 16.62

 

CMYK 0 / 33 / 60 / 62

HEX #624227

RGB 98 66 39

HSL 27.46, 0.43%, 0.27%

LAB 30.97, 10.57, 21.86

 

CMYK 0 / 16 / 60 / 62

HEX #625227

RGB 98 82 39

HSL 43.73, 0.43%, 0.27%

LAB 35.55, 0.69, 27.36

 

CMYK 0 / 0 / 60 / 62

HEX #626227

RGB 98 98 39

HSL 60, 0.43%, 0.27%

LAB 40.38, -8.77, 32.89

 

CMYK 15 / 0 / 60 / 62

HEX #536227

RGB 83 98 39

HSL 75.25, 0.43%, 0.27%

LAB 39.11, -15.69, 31.11

 

CMYK 0 / 49 / 60 / 62

HEX #623227

RGB 98 50 39

HSL 11.19, 0.43%, 0.27%

LAB 26.8, 20.43, 16.62

 

CMYK 0 / 61 / 75 / 57

HEX #6E2B1C

RGB 110 43 28

HSL 10.98, 0.59%, 0.27%

LAB 27.09, 28.75, 24.38

 

CMYK 0 / 70 / 86 / 53

HEX #792411

RGB 121 36 17

HSL 10.96, 0.75%, 0.27%

LAB 27.76, 36.01, 32.05

 

CMYK 0 / 78 / 95 / 48

HEX #841D06

RGB 132 29 6

HSL 10.95, 0.91%, 0.27%

LAB 28.9, 42.43, 38.88

 

CMYK 0 / 49 / 60 / 62

HEX #623227

RGB 98 50 39

HSL 11.19, 0.43%, 0.27%

LAB 26.8, 20.43, 16.62

 

CMYK 0 / 34 / 43 / 66

HEX #573932

RGB 87 57 50

HSL 11.35, 0.27%, 0.27%

LAB 27.25, 12.33, 9.77

 

CMYK 0 / 16 / 18 / 70

HEX #4C403E

RGB 76 64 62

HSL 8.57, 0.1%, 0.27%

LAB 28.25, 4.79, 3.13

 

CMYK 11 / 3 / 0 / 71

HEX #414749

RGB 65 71 73

HSL 195, 0.06%, 0.27%

LAB 29.69, -1.97, -2.04

 

CMYK 36 / 7 / 0 / 67

HEX #364E54

RGB 54 78 84

HSL 192, 0.22%, 0.27%

LAB 31.52, -7.44, -6.49

 

CMYK 0 / 60 / 39 / 62

HEX #62273C

RGB 98 39 60

HSL 338.64, 0.43%, 0.27%

LAB 24.87, 29.12, -0.05

 

CMYK 0 / 60 / 55 / 62

HEX #62272C

RGB 98 39 44

HSL 354.92, 0.43%, 0.27%

LAB 24.42, 27.25, 10.15

 

CMYK 0 / 49 / 60 / 62

HEX #623227

RGB 98 50 39

HSL 11.19, 0.43%, 0.27%

LAB 26.8, 20.43, 16.62

 

CMYK 0 / 33 / 60 / 62

HEX #624227

RGB 98 66 39

HSL 27.46, 0.43%, 0.27%

LAB 30.97, 10.57, 21.86

 

CMYK 0 / 16 / 60 / 62

HEX #625227

RGB 98 82 39

HSL 43.73, 0.43%, 0.27%

LAB 35.55, 0.69, 27.36

 

CMYK 0 / 49 / 59 / 85

HEX #271410

RGB 39 20 16

HSL 10.43, 0.42%, 0.11%

LAB 8.73, 9.19, 6.26

 

CMYK 0 / 49 / 61 / 73

HEX #45231B

RGB 69 35 27

HSL 11.43, 0.44%, 0.19%

LAB 18.13, 15.24, 12.47

 

CMYK 0 / 49 / 60 / 62

HEX #623227

RGB 98 50 39

HSL 11.19, 0.43%, 0.27%

LAB 26.8, 20.43, 16.62

 

CMYK 0 / 49 / 60 / 50

HEX #804133

RGB 128 65 51

HSL 10.91, 0.43%, 0.35%

LAB 35.22, 25.73, 20.77

 

CMYK 0 / 49 / 60 / 38

HEX #9D503F

RGB 157 80 63

HSL 10.85, 0.43%, 0.43%

LAB 43.16, 30.37, 24.51

 

CMYK 0 / 49 / 60 / 61

HEX #643328

RGB 100 51 40

HSL 11, 0.43%, 0.27%

LAB 27.38, 20.81, 16.78

 

CMYK 22 / 0 / 60 / 62

HEX #4C6227

RGB 76 98 39

HSL 82.37, 0.43%, 0.27%

LAB 38.58, -18.79, 30.37

 

CMYK 60 / 47 / 0 / 62

HEX #273462

RGB 39 52 98

HSL 226.78, 0.43%, 0.27%

LAB 22.89, 10.09, -28.99

 

CMYK 0 / 49 / 60 / 61

HEX #643328

RGB 100 51 40

HSL 11, 0.43%, 0.27%

LAB 27.38, 20.81, 16.78

 

CMYK 60 / 0 / 49 / 62

HEX #276232

RGB 39 98 50

HSL 131.19, 0.43%, 0.27%

LAB 36.74, -30.69, 21.64

 

CMYK 49 / 60 / 0 / 62

HEX #322762

RGB 50 39 98

HSL 251.19, 0.43%, 0.27%

LAB 20.09, 21.85, -33.44

 

CMYK 0 / 49 / 60 / 61

HEX #643328

RGB 100 51 40

HSL 11, 0.43%, 0.27%

LAB 27.38, 20.81, 16.78

 

CMYK 22 / 0 / 60 / 62

HEX #4C6227

RGB 76 98 39

HSL 82.37, 0.43%, 0.27%

LAB 38.58, -18.79, 30.37

 

CMYK 60 / 10 / 0 / 62

HEX #275862

RGB 39 88 98

HSL 190.17, 0.43%, 0.27%

LAB 34.59, -13.24, -10.79

 

CMYK 37 / 60 / 0 / 62

HEX #3E2762

RGB 62 39 98

HSL 263.39, 0.43%, 0.27%

LAB 21.42, 25.01, -31.22

 

CMYK 0 / 49 / 60 / 61

HEX #643328

RGB 100 51 40

HSL 11, 0.43%, 0.27%

LAB 27.38, 20.81, 16.78

 

CMYK 41 / 0 / 60 / 62

HEX #3A6227

RGB 58 98 39

HSL 100.68, 0.43%, 0.27%

LAB 37.45, -26.13, 28.77

 

CMYK 60 / 10 / 0 / 62

HEX #275862

RGB 39 88 98

HSL 190.17, 0.43%, 0.27%

LAB 34.59, -13.24, -10.79

 

CMYK 18 / 60 / 0 / 62

HEX #502762

RGB 80 39 98

HSL 281.69, 0.43%, 0.27%

LAB 23.8, 30.15, -27.29

 

Description

Color code: HEX #643328 | qconv.com Color code: HEX #643328 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 51 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 51 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 60 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 60% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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