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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #643223 it is the complementary color #9BCDDC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #643223. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #643223 shade: #69321E, #7A4431, #8B5644, #9C6857 and #AD7A6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #643223. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #643223 shade: #643223, #532010, #420E00, #310000 and #200000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #643223 shade: #623122 and #622222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #643223 shade: #623122, #624222, #625322, #606222 and #4E6222

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #643223 shade matches the following richer shades: #623122, #6D2B18, #78260D and #822002

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #643223 shade: #623122, #57372D, #4D3D38, #424243 and #37484D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #643223 shade: #622237, #622226, #623022, #624122 and #625222

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #643223 shade: #25130D, #442218, #623122, #81402D and #9F5038

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #643223 shade: #643223, #486222 and #222E62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #643223 shade: #643223, #226230 and #302262

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #643223 shade: #643223, #486222, #225462 and #3D2262

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #643223 shade: #643223, #356222, #225462 and #502262

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 65 / 61

HEX #643223

RGB 100 50 35

HSL 13.85, 0.48%, 0.26%

LAB 27.05, 20.97, 19.56

 

Complementary color

CMYK 30 / 7 / 0 / 14

HEX #9BCDDC

RGB 155 205 220

HSL 193.85, 0.48%, 0.74%

LAB 79.5, -12.72, -12.71

 

CMYK 0 / 52 / 71 / 59

HEX #69321E

RGB 105 50 30

HSL 16, 0.56%, 0.26%

LAB 27.79, 22.83, 23.74

 

CMYK 0 / 44 / 60 / 52

HEX #7A4431

RGB 122 68 49

HSL 15.62, 0.43%, 0.34%

LAB 34.99, 21.25, 21.52

 

CMYK 0 / 38 / 51 / 45

HEX #8B5644

RGB 139 86 68

HSL 15.21, 0.34%, 0.41%

LAB 42.1, 19.9, 19.66

 

CMYK 0 / 33 / 44 / 39

HEX #9C6857

RGB 156 104 87

HSL 14.78, 0.28%, 0.48%

LAB 49.08, 18.77, 18.07

 

CMYK 0 / 29 / 39 / 32

HEX #AD7A6A

RGB 173 122 106

HSL 14.33, 0.29%, 0.55%

LAB 55.93, 17.8, 16.69

 

CMYK 0 / 50 / 65 / 61

HEX #643223

RGB 100 50 35

HSL 13.85, 0.48%, 0.26%

LAB 27.05, 20.97, 19.56

 

CMYK 0 / 61 / 81 / 67

HEX #532010

RGB 83 32 16

HSL 14.33, 0.68%, 0.19%

LAB 19.68, 22.67, 22.03

 

CMYK 0 / 79 / 100 / 74

HEX #420E00

RGB 66 14 0

HSL 12.73, 1%, 0.13%

LAB 12.43, 24.22, 19.18

 

CMYK 0 / 100 / 100 / 81

HEX #310000

RGB 49 0 0

HSL 0, 1%, 0.1%

LAB 5.9, 24.15, 9.32

 

CMYK 0 / 100 / 100 / 87

HEX #200000

RGB 32 0 0

HSL 0, 1%, 0.06%

LAB 2.77, 12.44, 4.38

 

CMYK 0 / 50 / 65 / 62

HEX #623122

RGB 98 49 34

HSL 14.06, 0.48%, 0.26%

LAB 26.47, 20.6, 19.41

 

CMYK 0 / 65 / 65 / 62

HEX #622222

RGB 98 34 34

HSL 0, 0.48%, 0.26%

LAB 23.19, 29.03, 15.27

 

CMYK 0 / 50 / 65 / 62

HEX #623122

RGB 98 49 34

HSL 14.06, 0.48%, 0.26%

LAB 26.47, 20.6, 19.41

 

CMYK 0 / 33 / 65 / 62

HEX #624222

RGB 98 66 34

HSL 30, 0.48%, 0.26%

LAB 30.9, 10.13, 24.74

 

CMYK 0 / 15 / 65 / 62

HEX #625322

RGB 98 83 34

HSL 45.94, 0.48%, 0.26%

LAB 35.79, -0.34, 30.35

 

CMYK 2 / 0 / 65 / 62

HEX #606222

RGB 96 98 34

HSL 61.88, 0.48%, 0.26%

LAB 40.14, -10.12, 35.07

 

CMYK 20 / 0 / 65 / 62

HEX #4E6222

RGB 78 98 34

HSL 78.75, 0.48%, 0.26%

LAB 38.67, -18.4, 33.04

 

CMYK 0 / 50 / 65 / 62

HEX #623122

RGB 98 49 34

HSL 14.06, 0.48%, 0.26%

LAB 26.47, 20.6, 19.41

 

CMYK 0 / 61 / 78 / 57

HEX #6D2B18

RGB 109 43 24

HSL 13.41, 0.64%, 0.26%

LAB 26.86, 28.13, 26.48

 

CMYK 0 / 68 / 89 / 53

HEX #78260D

RGB 120 38 13

HSL 14.02, 0.8%, 0.26%

LAB 27.87, 34.61, 34.09

 

CMYK 0 / 75 / 98 / 49

HEX #822002

RGB 130 32 2

HSL 14.06, 0.97%, 0.26%

LAB 28.86, 40.57, 40.31

 

CMYK 0 / 50 / 65 / 62

HEX #623122

RGB 98 49 34

HSL 14.06, 0.48%, 0.26%

LAB 26.47, 20.6, 19.41

 

CMYK 0 / 37 / 48 / 66

HEX #57372D

RGB 87 55 45

HSL 14.29, 0.32%, 0.26%

LAB 26.59, 12.95, 12.13

 

CMYK 0 / 21 / 27 / 70

HEX #4D3D38

RGB 77 61 56

HSL 14.29, 0.16%, 0.26%

LAB 27.3, 6.09, 5.72

 

CMYK 1 / 1 / 0 / 74

HEX #424243

RGB 66 66 67

HSL 240, 0.01%, 0.26%

LAB 28.01, 0.23, -0.61

 

CMYK 29 / 6 / 0 / 70

HEX #37484D

RGB 55 72 77

HSL 193.64, 0.17%, 0.26%

LAB 29.37, -5.35, -5.19

 

CMYK 0 / 65 / 44 / 62

HEX #622237

RGB 98 34 55

HSL 340.31, 0.48%, 0.26%

LAB 23.73, 31.1, 1.69

 

CMYK 0 / 65 / 61 / 62

HEX #622226

RGB 98 34 38

HSL 356.25, 0.48%, 0.26%

LAB 23.27, 29.35, 12.68

 

CMYK 0 / 51 / 65 / 62

HEX #623022

RGB 98 48 34

HSL 13.13, 0.48%, 0.26%

LAB 26.23, 21.19, 19.11

 

CMYK 0 / 34 / 65 / 62

HEX #624122

RGB 98 65 34

HSL 29.06, 0.48%, 0.26%

LAB 30.62, 10.76, 24.42

 

CMYK 0 / 16 / 65 / 62

HEX #625222

RGB 98 82 34

HSL 45, 0.48%, 0.26%

LAB 35.49, 0.26, 30.01

 

CMYK 0 / 49 / 65 / 85

HEX #25130D

RGB 37 19 13

HSL 15, 0.48%, 0.1%

LAB 8.02, 8.46, 6.74

 

CMYK 0 / 50 / 65 / 73

HEX #442218

RGB 68 34 24

HSL 13.64, 0.48%, 0.18%

LAB 17.64, 15.11, 13.86

 

CMYK 0 / 50 / 65 / 62

HEX #623122

RGB 98 49 34

HSL 14.06, 0.48%, 0.26%

LAB 26.47, 20.6, 19.41

 

CMYK 0 / 50 / 65 / 49

HEX #81402D

RGB 129 64 45

HSL 13.57, 0.48%, 0.34%

LAB 35.05, 26.25, 24.25

 

CMYK 0 / 50 / 65 / 38

HEX #9F5038

RGB 159 80 56

HSL 13.98, 0.48%, 0.42%

LAB 43.35, 30.67, 28.92

 

CMYK 0 / 50 / 65 / 61

HEX #643223

RGB 100 50 35

HSL 13.85, 0.48%, 0.26%

LAB 27.05, 20.97, 19.56

 

CMYK 27 / 0 / 65 / 62

HEX #486222

RGB 72 98 34

HSL 84.38, 0.48%, 0.26%

LAB 38.25, -21.02, 32.45

 

CMYK 65 / 53 / 0 / 62

HEX #222E62

RGB 34 46 98

HSL 228.75, 0.48%, 0.26%

LAB 20.74, 13.25, -32.46

 

CMYK 0 / 50 / 65 / 61

HEX #643223

RGB 100 50 35

HSL 13.85, 0.48%, 0.26%

LAB 27.05, 20.97, 19.56

 

CMYK 65 / 0 / 51 / 62

HEX #226230

RGB 34 98 48

HSL 133.13, 0.48%, 0.26%

LAB 36.53, -32.34, 22.49

 

CMYK 51 / 65 / 0 / 62

HEX #302262

RGB 48 34 98

HSL 253.13, 0.48%, 0.26%

LAB 18.6, 24.7, -35.85

 

CMYK 0 / 50 / 65 / 61

HEX #643223

RGB 100 50 35

HSL 13.85, 0.48%, 0.26%

LAB 27.05, 20.97, 19.56

 

CMYK 27 / 0 / 65 / 62

HEX #486222

RGB 72 98 34

HSL 84.38, 0.48%, 0.26%

LAB 38.25, -21.02, 32.45

 

CMYK 65 / 14 / 0 / 62

HEX #225462

RGB 34 84 98

HSL 193.13, 0.48%, 0.26%

LAB 33.05, -11.97, -13.13

 

CMYK 38 / 65 / 0 / 62

HEX #3D2262

RGB 61 34 98

HSL 265.31, 0.48%, 0.26%

LAB 20.12, 27.87, -33.33

 

CMYK 0 / 50 / 65 / 61

HEX #643223

RGB 100 50 35

HSL 13.85, 0.48%, 0.26%

LAB 27.05, 20.97, 19.56

 

CMYK 46 / 0 / 65 / 62

HEX #356222

RGB 53 98 34

HSL 102.19, 0.48%, 0.26%

LAB 37.13, -28.55, 30.89

 

CMYK 65 / 14 / 0 / 62

HEX #225462

RGB 34 84 98

HSL 193.13, 0.48%, 0.26%

LAB 33.05, -11.97, -13.13

 

CMYK 18 / 65 / 0 / 62

HEX #502262

RGB 80 34 98

HSL 283.13, 0.48%, 0.26%

LAB 22.76, 32.94, -28.94

 

Description

Color code: HEX #643223 | qconv.com Color code: HEX #643223 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 50 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 50 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 65 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 65% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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