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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #642C2D it is the complementary color #9BD3D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #642C2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #642C2D shade: #692C28, #7A3E3B, #8B504E, #9C6261 and #AD7474

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #642C2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #642C2D shade: #642C2D, #531A1A, #420807, #310000 and #200000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #642C2D shade: #632B2C and #632B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #642C2D shade: #632B2C, #632B3B, #632B4A, #632B59 and #5D2B63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #642C2D shade matches the following richer shades: #632B2C, #6E2021, #7A1416 and #85080B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #642C2D shade: #632B2C, #573737, #4C4242, #404E4D and #355959

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #642C2D shade: #632B4B, #632B3C, #632B2D, #63382B and #63472B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #642C2D shade: #291212, #461E1F, #632B2C, #7F3839 and #9C4446

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #642C2D shade: #642C2D, #59632B and #2B4363

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #642C2D shade: #642C2D, #2D632B and #2B2D63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #642C2D shade: #642C2D, #59632B, #2B6361 and #342B63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #642C2D shade: #642C2D, #49632B, #2B6361 and #452B63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 55 / 61

HEX #642C2D

RGB 100 44 45

HSL 358.93, 0.39%, 0.28%

LAB 25.86, 25.38, 11.5

 

Complementary color

CMYK 27 / 0 / 0 / 17

HEX #9BD3D2

RGB 155 211 210

HSL 178.93, 0.39%, 0.72%

LAB 80.86, -18.08, -5.34

 

CMYK 0 / 58 / 62 / 59

HEX #692C28

RGB 105 44 40

HSL 3.69, 0.45%, 0.28%

LAB 26.61, 26.99, 15.96

 

CMYK 0 / 49 / 52 / 52

HEX #7A3E3B

RGB 122 62 59

HSL 2.86, 0.35%, 0.35%

LAB 33.77, 25.67, 13.69

 

CMYK 0 / 42 / 44 / 45

HEX #8B504E

RGB 139 80 78

HSL 1.97, 0.28%, 0.43%

LAB 40.86, 24.47, 11.9

 

CMYK 0 / 37 / 38 / 39

HEX #9C6261

RGB 156 98 97

HSL 1.02, 0.23%, 0.5%

LAB 47.84, 23.4, 10.43

 

CMYK 0 / 33 / 33 / 32

HEX #AD7474

RGB 173 116 116

HSL 0, 0.26%, 0.57%

LAB 54.7, 22.46, 9.18

 

CMYK 0 / 56 / 55 / 61

HEX #642C2D

RGB 100 44 45

HSL 358.93, 0.39%, 0.28%

LAB 25.86, 25.38, 11.5

 

CMYK 0 / 69 / 69 / 67

HEX #531A1A

RGB 83 26 26

HSL 0, 0.52%, 0.21%

LAB 18.59, 26.57, 14.27

 

CMYK 0 / 88 / 89 / 74

HEX #420807

RGB 66 8 7

HSL 1.02, 0.81%, 0.14%

LAB 11.6, 27.14, 15.2

 

CMYK 0 / 100 / 100 / 81

HEX #310000

RGB 49 0 0

HSL 0, 1%, 0.1%

LAB 5.9, 24.15, 9.32

 

CMYK 0 / 100 / 100 / 87

HEX #200000

RGB 32 0 0

HSL 0, 1%, 0.06%

LAB 2.77, 12.44, 4.38

 

CMYK 0 / 57 / 56 / 61

HEX #632B2C

RGB 99 43 44

HSL 358.93, 0.39%, 0.28%

LAB 25.45, 25.43, 11.58

 

CMYK 0 / 57 / 57 / 61

HEX #632B2B

RGB 99 43 43

HSL 0, 0.39%, 0.28%

LAB 25.43, 25.33, 12.22

 

CMYK 0 / 57 / 56 / 61

HEX #632B2C

RGB 99 43 44

HSL 358.93, 0.39%, 0.28%

LAB 25.45, 25.43, 11.58

 

CMYK 0 / 57 / 40 / 61

HEX #632B3B

RGB 99 43 59

HSL 342.86, 0.39%, 0.28%

LAB 25.85, 27.16, 2.07

 

CMYK 0 / 57 / 25 / 61

HEX #632B4A

RGB 99 43 74

HSL 326.79, 0.39%, 0.28%

LAB 26.38, 29.35, -7.2

 

CMYK 0 / 57 / 10 / 61

HEX #632B59

RGB 99 43 89

HSL 310.71, 0.39%, 0.28%

LAB 27.02, 31.96, -16.13

 

CMYK 6 / 57 / 0 / 61

HEX #5D2B63

RGB 93 43 99

HSL 293.57, 0.39%, 0.28%

LAB 26.61, 32.04, -23.37

 

CMYK 0 / 57 / 56 / 61

HEX #632B2C

RGB 99 43 44

HSL 358.93, 0.39%, 0.28%

LAB 25.45, 25.43, 11.58

 

CMYK 0 / 71 / 70 / 57

HEX #6E2021

RGB 110 32 33

HSL 359.23, 0.55%, 0.28%

LAB 25.13, 34.48, 18.87

 

CMYK 0 / 84 / 82 / 52

HEX #7A1416

RGB 122 20 22

HSL 358.82, 0.72%, 0.28%

LAB 25.85, 42.51, 27.38

 

CMYK 0 / 94 / 92 / 48

HEX #85080B

RGB 133 8 11

HSL 358.56, 0.89%, 0.28%

LAB 27.25, 48.18, 35.55

 

CMYK 0 / 57 / 56 / 61

HEX #632B2C

RGB 99 43 44

HSL 358.93, 0.39%, 0.28%

LAB 25.45, 25.43, 11.58

 

CMYK 0 / 37 / 37 / 66

HEX #573737

RGB 87 55 55

HSL 0, 0.23%, 0.28%

LAB 26.83, 14.31, 5.9

 

CMYK 0 / 13 / 13 / 70

HEX #4C4242

RGB 76 66 66

HSL 0, 0.07%, 0.28%

LAB 28.97, 4.27, 1.57

 

CMYK 18 / 0 / 1 / 69

HEX #404E4D

RGB 64 78 77

HSL 175.71, 0.1%, 0.28%

LAB 31.98, -5.75, -1.26

 

CMYK 40 / 0 / 0 / 65

HEX #355959

RGB 53 89 89

HSL 180, 0.25%, 0.28%

LAB 35.25, -12.88, -4.09

 

CMYK 0 / 57 / 24 / 61

HEX #632B4B

RGB 99 43 75

HSL 325.71, 0.39%, 0.28%

LAB 26.41, 29.52, -7.81

 

CMYK 0 / 57 / 39 / 61

HEX #632B3C

RGB 99 43 60

HSL 341.79, 0.39%, 0.28%

LAB 25.88, 27.3, 1.44

 

CMYK 0 / 57 / 55 / 61

HEX #632B2D

RGB 99 43 45

HSL 357.86, 0.39%, 0.28%

LAB 25.47, 25.53, 10.94

 

CMYK 0 / 43 / 57 / 61

HEX #63382B

RGB 99 56 43

HSL 13.93, 0.39%, 0.28%

LAB 28.53, 17.62, 16.31

 

CMYK 0 / 28 / 57 / 61

HEX #63472B

RGB 99 71 43

HSL 30, 0.39%, 0.28%

LAB 32.55, 8.32, 21.43

 

CMYK 0 / 56 / 56 / 84

HEX #291212

RGB 41 18 18

HSL 0, 0.39%, 0.12%

LAB 8.55, 11.89, 4.87

 

CMYK 0 / 57 / 56 / 73

HEX #461E1F

RGB 70 30 31

HSL 358.5, 0.4%, 0.2%

LAB 17.13, 19.28, 8.39

 

CMYK 0 / 57 / 56 / 61

HEX #632B2C

RGB 99 43 44

HSL 358.93, 0.39%, 0.28%

LAB 25.45, 25.43, 11.58

 

CMYK 0 / 56 / 55 / 50

HEX #7F3839

RGB 127 56 57

HSL 359.15, 0.39%, 0.36%

LAB 33.21, 30.84, 14.34

 

CMYK 0 / 56 / 55 / 39

HEX #9C4446

RGB 156 68 70

HSL 358.64, 0.39%, 0.44%

LAB 40.65, 36.9, 16.97

 

CMYK 0 / 56 / 55 / 61

HEX #642C2D

RGB 100 44 45

HSL 358.93, 0.39%, 0.28%

LAB 25.86, 25.38, 11.5

 

CMYK 10 / 0 / 57 / 61

HEX #59632B

RGB 89 99 43

HSL 70.71, 0.39%, 0.28%

LAB 39.95, -13.13, 30.11

 

CMYK 57 / 32 / 0 / 61

HEX #2B4363

RGB 43 67 99

HSL 214.29, 0.39%, 0.28%

LAB 27.92, 1.16, -21.67

 

CMYK 0 / 56 / 55 / 61

HEX #642C2D

RGB 100 44 45

HSL 358.93, 0.39%, 0.28%

LAB 25.86, 25.38, 11.5

 

CMYK 55 / 0 / 57 / 61

HEX #2D632B

RGB 45 99 43

HSL 117.86, 0.39%, 0.28%

LAB 37.22, -30.52, 26.2

 

CMYK 57 / 55 / 0 / 61

HEX #2B2D63

RGB 43 45 99

HSL 237.86, 0.39%, 0.28%

LAB 21.17, 16.35, -32.38

 

CMYK 0 / 56 / 55 / 61

HEX #642C2D

RGB 100 44 45

HSL 358.93, 0.39%, 0.28%

LAB 25.86, 25.38, 11.5

 

CMYK 10 / 0 / 57 / 61

HEX #59632B

RGB 89 99 43

HSL 70.71, 0.39%, 0.28%

LAB 39.95, -13.13, 30.11

 

CMYK 57 / 0 / 2 / 61

HEX #2B6361

RGB 43 99 97

HSL 177.86, 0.39%, 0.28%

LAB 38.38, -18.82, -4.47

 

CMYK 47 / 57 / 0 / 61

HEX #342B63

RGB 52 43 99

HSL 249.64, 0.39%, 0.28%

LAB 21.43, 19.99, -31.93

 

CMYK 0 / 56 / 55 / 61

HEX #642C2D

RGB 100 44 45

HSL 358.93, 0.39%, 0.28%

LAB 25.86, 25.38, 11.5

 

CMYK 26 / 0 / 57 / 61

HEX #49632B

RGB 73 99 43

HSL 87.86, 0.39%, 0.28%

LAB 38.75, -20.16, 28.4

 

CMYK 57 / 0 / 2 / 61

HEX #2B6361

RGB 43 99 97

HSL 177.86, 0.39%, 0.28%

LAB 38.38, -18.82, -4.47

 

CMYK 30 / 57 / 0 / 61

HEX #452B63

RGB 69 43 99

HSL 267.86, 0.39%, 0.28%

LAB 23.32, 24.74, -28.79

 

Description

Color code: HEX #642C2D | qconv.com Color code: HEX #642C2D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 44 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 44 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 55 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 55% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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