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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6428B6 it is the complementary color #9BD749. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6428B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6428B6 shade: #6928B1, #7A3AC4, #8B4CD7, #9C5EEA and #AD70FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6428B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6428B6 shade: #6428B6, #5316A3, #420490, #31007D and #20006A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6428B6 shade: #6528B8, #8C28B8, #B328B8, #B82897 and #B82870

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6428B6 shade: #6528B8, #3E28B8 and #2828B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6428B6 shade matches the following richer shades: #6528B8, #6216CA and #5F04DC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6428B6 shade: #6528B8, #683BA6, #6B4D94, #6E5F82 and #70716F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6428B6 shade: #2839B8, #3E28B8, #6428B8, #8B28B8 and #B128B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6428B6 shade: #401A74, #522196, #6528B8, #7937D3 and #8F58DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6428B6 shade: #6428B6, #B8285F and #28B82B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6428B6 shade: #6428B6, #B86428 and #28B864

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6428B6 shade: #6428B6, #B8285F, #7CB828 and #28B881

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6428B6 shade: #6428B6, #B82834, #7CB828 and #28B8AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 78 / 0 / 29

HEX #6428B6

RGB 100 40 182

HSL 265.35, 0.64%, 0.44%

LAB 33.14, 55.07, -64.2

 

Complementary color

CMYK 28 / 0 / 66 / 16

HEX #9BD749

RGB 155 215 73

HSL 85.35, 0.64%, 0.56%

LAB 79.64, -40.64, 61.46

 

CMYK 41 / 77 / 0 / 31

HEX #6928B1

RGB 105 40 177

HSL 268.47, 0.63%, 0.43%

LAB 33.34, 54.62, -60.88

 

CMYK 38 / 70 / 0 / 23

HEX #7A3AC4

RGB 122 58 196

HSL 267.83, 0.54%, 0.5%

LAB 39.83, 54.26, -61.41

 

CMYK 35 / 65 / 0 / 16

HEX #8B4CD7

RGB 139 76 215

HSL 267.19, 0.63%, 0.57%

LAB 46.4, 53.52, -61.64

 

CMYK 33 / 60 / 0 / 8

HEX #9C5EEA

RGB 156 94 234

HSL 266.57, 0.77%, 0.64%

LAB 52.96, 52.61, -61.7

 

CMYK 32 / 56 / 0 / 1

HEX #AD70FD

RGB 173 112 253

HSL 265.96, 0.97%, 0.72%

LAB 59.49, 51.64, -61.69

 

CMYK 45 / 78 / 0 / 29

HEX #6428B6

RGB 100 40 182

HSL 265.35, 0.64%, 0.44%

LAB 33.14, 55.07, -64.2

 

CMYK 49 / 87 / 0 / 36

HEX #5316A3

RGB 83 22 163

HSL 265.96, 0.76%, 0.36%

LAB 26.9, 54.75, -63.14

 

CMYK 54 / 97 / 0 / 44

HEX #420490

RGB 66 4 144

HSL 266.57, 0.95%, 0.29%

LAB 21.05, 53.07, -61.19

 

CMYK 61 / 100 / 0 / 51

HEX #31007D

RGB 49 0 125

HSL 263.52, 1%, 0.25%

LAB 16.17, 48.27, -57.36

 

CMYK 70 / 100 / 0 / 58

HEX #20006A

RGB 32 0 106

HSL 258.11, 1%, 0.21%

LAB 11.6, 42.42, -52.69

 

CMYK 45 / 78 / 0 / 28

HEX #6528B8

RGB 101 40 184

HSL 265.42, 0.64%, 0.44%

LAB 33.45, 55.73, -64.89

 

CMYK 24 / 78 / 0 / 28

HEX #8C28B8

RGB 140 40 184

HSL 281.67, 0.64%, 0.44%

LAB 38.82, 62.22, -55.9

 

CMYK 3 / 78 / 0 / 28

HEX #B328B8

RGB 179 40 184

HSL 297.92, 0.64%, 0.44%

LAB 45.03, 69.64, -45.59

 

CMYK 0 / 78 / 18 / 28

HEX #B82897

RGB 184 40 151

HSL 313.75, 0.64%, 0.44%

LAB 44.15, 65.77, -27.29

 

CMYK 0 / 78 / 39 / 28

HEX #B82870

RGB 184 40 112

HSL 330, 0.64%, 0.44%

LAB 42.58, 61.11, -5.8

 

CMYK 45 / 78 / 0 / 28

HEX #6528B8

RGB 101 40 184

HSL 265.42, 0.64%, 0.44%

LAB 33.45, 55.73, -64.89

 

CMYK 66 / 78 / 0 / 28

HEX #3E28B8

RGB 62 40 184

HSL 249.17, 0.64%, 0.44%

LAB 29.42, 50.79, -71.66

 

CMYK 78 / 78 / 0 / 28

HEX #2828B8

RGB 40 40 184

HSL 240, 0.64%, 0.44%

LAB 27.92, 48.94, -74.18

 

CMYK 45 / 78 / 0 / 28

HEX #6528B8

RGB 101 40 184

HSL 265.42, 0.64%, 0.44%

LAB 33.45, 55.73, -64.89

 

CMYK 51 / 89 / 0 / 21

HEX #6216CA

RGB 98 22 202

HSL 265.33, 0.8%, 0.44%

LAB 32.78, 65.74, -76.59

 

CMYK 57 / 98 / 0 / 14

HEX #5F04DC

RGB 95 4 220

HSL 265.28, 0.96%, 0.44%

LAB 33.32, 72.83, -86.13

 

CMYK 45 / 78 / 0 / 28

HEX #6528B8

RGB 101 40 184

HSL 265.42, 0.64%, 0.44%

LAB 33.45, 55.73, -64.89

 

CMYK 37 / 64 / 0 / 35

HEX #683BA6

RGB 104 59 166

HSL 265.23, 0.48%, 0.44%

LAB 35.64, 42.43, -50.57

 

CMYK 28 / 48 / 0 / 42

HEX #6B4D94

RGB 107 77 148

HSL 265.35, 0.32%, 0.44%

LAB 38.85, 28.03, -34.58

 

CMYK 15 / 27 / 0 / 49

HEX #6E5F82

RGB 110 95 130

HSL 265.71, 0.16%, 0.44%

LAB 42.93, 13.47, -17.3

 

CMYK 1 / 0 / 2 / 56

HEX #70716F

RGB 112 113 111

HSL 90, 0.01%, 0.44%

LAB 47.5, -0.79, 0.97

 

CMYK 78 / 69 / 0 / 28

HEX #2839B8

RGB 40 57 184

HSL 232.92, 0.64%, 0.44%

LAB 31.44, 39.12, -68.38

 

CMYK 66 / 78 / 0 / 28

HEX #3E28B8

RGB 62 40 184

HSL 249.17, 0.64%, 0.44%

LAB 29.42, 50.79, -71.66

 

CMYK 46 / 78 / 0 / 28

HEX #6428B8

RGB 100 40 184

HSL 265, 0.64%, 0.44%

LAB 33.32, 55.58, -65.09

 

CMYK 24 / 78 / 0 / 28

HEX #8B28B8

RGB 139 40 184

HSL 281.25, 0.64%, 0.44%

LAB 38.67, 62.04, -56.15

 

CMYK 4 / 78 / 0 / 28

HEX #B128B8

RGB 177 40 184

HSL 297.08, 0.64%, 0.44%

LAB 44.7, 69.25, -46.14

 

CMYK 45 / 78 / 0 / 55

HEX #401A74

RGB 64 26 116

HSL 265.33, 0.63%, 0.28%

LAB 20.4, 38.08, -44.56

 

CMYK 45 / 78 / 0 / 41

HEX #522196

RGB 82 33 150

HSL 265.13, 0.64%, 0.36%

LAB 26.97, 47.05, -55.08

 

CMYK 45 / 78 / 0 / 28

HEX #6528B8

RGB 101 40 184

HSL 265.42, 0.64%, 0.44%

LAB 33.45, 55.73, -64.89

 

CMYK 43 / 74 / 0 / 17

HEX #7937D3

RGB 121 55 211

HSL 265.38, 0.64%, 0.52%

LAB 40.41, 59.17, -69.17

 

CMYK 34 / 60 / 0 / 15

HEX #8F58DA

RGB 143 88 218

HSL 265.38, 0.64%, 0.6%

LAB 49.35, 48.9, -58.56

 

CMYK 45 / 78 / 0 / 29

HEX #6428B6

RGB 100 40 182

HSL 265.35, 0.64%, 0.44%

LAB 33.14, 55.07, -64.2

 

CMYK 0 / 78 / 48 / 28

HEX #B8285F

RGB 184 40 95

HSL 337.08, 0.64%, 0.44%

LAB 42.05, 59.49, 4.06

 

CMYK 78 / 0 / 77 / 28

HEX #28B82B

RGB 40 184 43

HSL 121.25, 0.64%, 0.44%

LAB 65.68, -62.54, 56.88

 

CMYK 45 / 78 / 0 / 29

HEX #6428B6

RGB 100 40 182

HSL 265.35, 0.64%, 0.44%

LAB 33.14, 55.07, -64.2

 

CMYK 0 / 46 / 78 / 28

HEX #B86428

RGB 184 100 40

HSL 25, 0.64%, 0.44%

LAB 51.22, 29.37, 46.95

 

CMYK 78 / 0 / 46 / 28

HEX #28B864

RGB 40 184 100

HSL 145, 0.64%, 0.44%

LAB 66.25, -55.59, 32.32

 

CMYK 45 / 78 / 0 / 29

HEX #6428B6

RGB 100 40 182

HSL 265.35, 0.64%, 0.44%

LAB 33.14, 55.07, -64.2

 

CMYK 0 / 78 / 48 / 28

HEX #B8285F

RGB 184 40 95

HSL 337.08, 0.64%, 0.44%

LAB 42.05, 59.49, 4.06

 

CMYK 33 / 0 / 78 / 28

HEX #7CB828

RGB 124 184 40

HSL 85, 0.64%, 0.44%

LAB 68.55, -40.54, 61.59

 

CMYK 78 / 0 / 30 / 28

HEX #28B881

RGB 40 184 129

HSL 157.08, 0.64%, 0.44%

LAB 66.76, -49.84, 17.63

 

CMYK 45 / 78 / 0 / 29

HEX #6428B6

RGB 100 40 182

HSL 265.35, 0.64%, 0.44%

LAB 33.14, 55.07, -64.2

 

CMYK 0 / 78 / 72 / 28

HEX #B82834

RGB 184 40 52

HSL 355, 0.64%, 0.44%

LAB 41.15, 56.65, 29.68

 

CMYK 33 / 0 / 78 / 28

HEX #7CB828

RGB 124 184 40

HSL 85, 0.64%, 0.44%

LAB 68.55, -40.54, 61.59

 

CMYK 78 / 0 / 7 / 28

HEX #28B8AC

RGB 40 184 172

HSL 175, 0.64%, 0.44%

LAB 67.81, -38.92, -4.44

 

Description

Color code: HEX #6428B6 | qconv.com Color code: HEX #6428B6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 40 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 40 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 78 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 78% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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