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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6423CF it is the complementary color #9BDC30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6423CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6423CF shade: #6923CA, #7A35DD, #8B47F0, #9C59FF and #AD6BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6423CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6423CF shade: #6423CF, #5311BC, #4200A9, #310096 and #200083

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6423CF shade: #6323CD, #9123CD, #BF23CD, #CD23AD and #CD237F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6423CF shade: #6323CD, #3523CD and #2323CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6423CF shade matches the following richer shades: #6323CD and #5E0FE0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6423CF shade: #6323CD, #6836BA, #6D4AA6, #715D93 and #76707F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6423CF shade: #233FCD, #3423CD, #6123CD, #8F23CD and #BC23CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6423CF shade: #411786, #521DAA, #6323CD, #793BDE and #915EE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6423CF shade: #6423CF, #CD236D and #28CD23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6423CF shade: #6423CF, #CD6123 and #23CD61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6423CF shade: #6423CF, #CD236D, #8FCD23 and #23CD83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6423CF shade: #6423CF, #CD2339, #8FCD23 and #23CDB6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 83 / 0 / 19

HEX #6423CF

RGB 100 35 207

HSL 262.67, 0.71%, 0.47%

LAB 34.84, 63.25, -76.1

 

Complementary color

CMYK 30 / 0 / 78 / 14

HEX #9BDC30

RGB 155 220 48

HSL 82.67, 0.71%, 0.53%

LAB 80.94, -44.28, 71.33

 

CMYK 48 / 83 / 0 / 21

HEX #6923CA

RGB 105 35 202

HSL 265.15, 0.7%, 0.46%

LAB 34.94, 62.62, -72.99

 

CMYK 45 / 76 / 0 / 13

HEX #7A35DD

RGB 122 53 221

HSL 264.64, 0.71%, 0.54%

LAB 41.06, 62.65, -73.84

 

CMYK 42 / 70 / 0 / 6

HEX #8B47F0

RGB 139 71 240

HSL 264.14, 0.85%, 0.61%

LAB 47.35, 62.11, -74.26

 

CMYK 39 / 65 / 0 / 0

HEX #9C59FF

RGB 156 89 255

HSL 264.22, 1%, 0.67%

LAB 53.42, 60.29, -72.68

 

CMYK 32 / 58 / 0 / 0

HEX #AD6BFF

RGB 173 107 255

HSL 266.76, 1%, 0.71%

LAB 58.62, 54.74, -64.19

 

CMYK 52 / 83 / 0 / 19

HEX #6423CF

RGB 100 35 207

HSL 262.67, 0.71%, 0.47%

LAB 34.84, 63.25, -76.1

 

CMYK 56 / 91 / 0 / 26

HEX #5311BC

RGB 83 17 188

HSL 263.16, 0.83%, 0.4%

LAB 29.08, 62.26, -74.52

 

CMYK 61 / 100 / 0 / 34

HEX #4200A9

RGB 66 0 169

HSL 263.43, 1%, 0.33%

LAB 23.75, 59.97, -72.06

 

CMYK 67 / 100 / 0 / 41

HEX #310096

RGB 49 0 150

HSL 259.6, 1%, 0.29%

LAB 19.45, 54.46, -67.62

 

CMYK 76 / 100 / 0 / 49

HEX #200083

RGB 32 0 131

HSL 254.66, 1%, 0.26%

LAB 15.2, 48.94, -62.85

 

CMYK 52 / 83 / 0 / 20

HEX #6323CD

RGB 99 35 205

HSL 262.59, 0.71%, 0.47%

LAB 34.52, 62.64, -75.45

 

CMYK 29 / 83 / 0 / 20

HEX #9123CD

RGB 145 35 205

HSL 278.82, 0.71%, 0.47%

LAB 40.62, 68.86, -65.22

 

CMYK 7 / 83 / 0 / 20

HEX #BF23CD

RGB 191 35 205

HSL 295.06, 0.71%, 0.47%

LAB 47.86, 76.53, -53.16

 

CMYK 0 / 83 / 16 / 20

HEX #CD23AD

RGB 205 35 173

HSL 311.29, 0.71%, 0.47%

LAB 48.51, 74.5, -33.32

 

CMYK 0 / 83 / 38 / 20

HEX #CD237F

RGB 205 35 127

HSL 327.53, 0.71%, 0.47%

LAB 46.6, 69.13, -8.63

 

CMYK 52 / 83 / 0 / 20

HEX #6323CD

RGB 99 35 205

HSL 262.59, 0.71%, 0.47%

LAB 34.52, 62.64, -75.45

 

CMYK 74 / 83 / 0 / 20

HEX #3523CD

RGB 53 35 205

HSL 246.35, 0.71%, 0.47%

LAB 30.32, 58.55, -82.54

 

CMYK 83 / 83 / 0 / 20

HEX #2323CD

RGB 35 35 205

HSL 240, 0.71%, 0.47%

LAB 29.33, 57.61, -84.21

 

CMYK 52 / 83 / 0 / 20

HEX #6323CD

RGB 99 35 205

HSL 262.59, 0.71%, 0.47%

LAB 34.52, 62.64, -75.45

 

CMYK 58 / 93 / 0 / 12

HEX #5E0FE0

RGB 94 15 224

HSL 262.68, 0.87%, 0.47%

LAB 34.2, 72.04, -86.99

 

CMYK 52 / 83 / 0 / 20

HEX #6323CD

RGB 99 35 205

HSL 262.59, 0.71%, 0.47%

LAB 34.52, 62.64, -75.45

 

CMYK 44 / 71 / 0 / 27

HEX #6836BA

RGB 104 54 186

HSL 262.73, 0.55%, 0.47%

LAB 36.23, 50.33, -61.51

 

CMYK 34 / 55 / 0 / 35

HEX #6D4AA6

RGB 109 74 166

HSL 262.83, 0.38%, 0.47%

LAB 39.41, 35.12, -44.47

 

CMYK 23 / 37 / 0 / 42

HEX #715D93

RGB 113 93 147

HSL 262.22, 0.23%, 0.47%

LAB 43.43, 19.87, -26.74

 

CMYK 7 / 12 / 0 / 50

HEX #76707F

RGB 118 112 127

HSL 264, 0.06%, 0.47%

LAB 48.22, 5.41, -7.43

 

CMYK 83 / 69 / 0 / 20

HEX #233FCD

RGB 35 63 205

HSL 230.12, 0.71%, 0.47%

LAB 34.64, 42.53, -75.42

 

CMYK 75 / 83 / 0 / 20

HEX #3423CD

RGB 52 35 205

HSL 246, 0.71%, 0.47%

LAB 30.25, 58.49, -82.65

 

CMYK 53 / 83 / 0 / 20

HEX #6123CD

RGB 97 35 205

HSL 261.88, 0.71%, 0.47%

LAB 34.3, 62.41, -75.84

 

CMYK 30 / 83 / 0 / 20

HEX #8F23CD

RGB 143 35 205

HSL 278.12, 0.71%, 0.47%

LAB 40.33, 68.55, -65.71

 

CMYK 8 / 83 / 0 / 20

HEX #BC23CD

RGB 188 35 205

HSL 294, 0.71%, 0.47%

LAB 47.37, 76, -53.98

 

CMYK 51 / 83 / 0 / 47

HEX #411786

RGB 65 23 134

HSL 262.7, 0.71%, 0.31%

LAB 21.79, 44.57, -53.72

 

CMYK 52 / 83 / 0 / 33

HEX #521DAA

RGB 82 29 170

HSL 262.55, 0.71%, 0.39%

LAB 28.31, 53.94, -65.04

 

CMYK 52 / 83 / 0 / 20

HEX #6323CD

RGB 99 35 205

HSL 262.59, 0.71%, 0.47%

LAB 34.52, 62.64, -75.45

 

CMYK 45 / 73 / 0 / 13

HEX #793BDE

RGB 121 59 222

HSL 262.82, 0.71%, 0.55%

LAB 41.95, 60.14, -72.97

 

CMYK 36 / 59 / 0 / 11

HEX #915EE4

RGB 145 94 228

HSL 262.84, 0.71%, 0.63%

LAB 51.41, 48.66, -60.89

 

CMYK 52 / 83 / 0 / 19

HEX #6423CF

RGB 100 35 207

HSL 262.67, 0.71%, 0.47%

LAB 34.84, 63.25, -76.1

 

CMYK 0 / 83 / 47 / 20

HEX #CD236D

RGB 205 35 109

HSL 333.88, 0.71%, 0.47%

LAB 46.02, 67.47, 1.58

 

CMYK 80 / 0 / 83 / 20

HEX #28CD23

RGB 40 205 35

HSL 118.24, 0.71%, 0.47%

LAB 72.39, -69.35, 65.54

 

CMYK 52 / 83 / 0 / 19

HEX #6423CF

RGB 100 35 207

HSL 262.67, 0.71%, 0.47%

LAB 34.84, 63.25, -76.1

 

CMYK 0 / 53 / 83 / 20

HEX #CD6123

RGB 205 97 35

HSL 21.88, 0.71%, 0.47%

LAB 53.65, 39.27, 52.51

 

CMYK 83 / 0 / 53 / 20

HEX #23CD61

RGB 35 205 97

HSL 141.88, 0.71%, 0.47%

LAB 72.81, -63.83, 42.01

 

CMYK 52 / 83 / 0 / 19

HEX #6423CF

RGB 100 35 207

HSL 262.67, 0.71%, 0.47%

LAB 34.84, 63.25, -76.1

 

CMYK 0 / 83 / 47 / 20

HEX #CD236D

RGB 205 35 109

HSL 333.88, 0.71%, 0.47%

LAB 46.02, 67.47, 1.58

 

CMYK 30 / 0 / 83 / 20

HEX #8FCD23

RGB 143 205 35

HSL 81.88, 0.71%, 0.47%

LAB 75.84, -42.8, 69.93

 

CMYK 83 / 0 / 36 / 20

HEX #23CD83

RGB 35 205 131

HSL 153.88, 0.71%, 0.47%

LAB 73.32, -57.88, 25.5

 

CMYK 52 / 83 / 0 / 19

HEX #6423CF

RGB 100 35 207

HSL 262.67, 0.71%, 0.47%

LAB 34.84, 63.25, -76.1

 

CMYK 0 / 83 / 72 / 20

HEX #CD2339

RGB 205 35 57

HSL 352.24, 0.71%, 0.47%

LAB 44.91, 64.17, 32.14

 

CMYK 30 / 0 / 83 / 20

HEX #8FCD23

RGB 143 205 35

HSL 81.88, 0.71%, 0.47%

LAB 75.84, -42.8, 69.93

 

CMYK 83 / 0 / 11 / 20

HEX #23CDB6

RGB 35 205 182

HSL 171.88, 0.71%, 0.47%

LAB 74.44, -45.79, -0.17

 

Description

Color code: HEX #6423CF | qconv.com Color code: HEX #6423CF | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 35 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 35 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 83 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 83% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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