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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #641D90 it is the complementary color #9BE26F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #641D90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #641D90 shade: #691D8B, #7A2F9E, #8B41B1, #9C53C4 and #AD65D7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #641D90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #641D90 shade: #641D90, #530B7D, #42006A, #310057 and #200044

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #641D90 shade: #641D90, #831D90, #901D7E, #901D5F and #901D40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #641D90 shade: #641D90, #451D90, #261D90 and #1D1D90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #641D90 shade matches the following richer shades: #641D90, #670F9E and #6B01AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #641D90 shade: #641D90, #612C82, #5E3A74, #5A4866 and #575658

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #641D90 shade: #271D90, #461D90, #641D90, #831D90 and #901D7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #641D90 shade: #340F4B, #4C166E, #641D90, #7C24B2 and #942CD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #641D90 shade: #641D90, #901D32 and #1D9036

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #641D90 shade: #641D90, #90641D and #1D9064

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #641D90 shade: #641D90, #901D32, #49901D and #1D907B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #641D90 shade: #641D90, #902B1D, #49901D and #1D8390

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 80 / 0 / 44

HEX #641D90

RGB 100 29 144

HSL 277.04, 0.66%, 0.34%

LAB 28.38, 50.33, -48.97

 

Complementary color

CMYK 31 / 0 / 51 / 11

HEX #9BE26F

RGB 155 226 111

HSL 97.04, 0.66%, 0.66%

LAB 83.18, -41.95, 48.85

 

CMYK 24 / 79 / 0 / 45

HEX #691D8B

RGB 105 29 139

HSL 281.45, 0.65%, 0.33%

LAB 28.76, 50.17, -45.22

 

CMYK 23 / 70 / 0 / 38

HEX #7A2F9E

RGB 122 47 158

HSL 280.54, 0.54%, 0.4%

LAB 35.28, 50.45, -46.22

 

CMYK 21 / 63 / 0 / 31

HEX #8B41B1

RGB 139 65 177

HSL 279.64, 0.46%, 0.47%

LAB 41.91, 50.1, -46.79

 

CMYK 20 / 58 / 0 / 23

HEX #9C53C4

RGB 156 83 196

HSL 278.76, 0.49%, 0.55%

LAB 48.56, 49.46, -47.14

 

CMYK 20 / 53 / 0 / 16

HEX #AD65D7

RGB 173 101 215

HSL 277.89, 0.59%, 0.62%

LAB 55.17, 48.69, -47.36

 

CMYK 31 / 80 / 0 / 44

HEX #641D90

RGB 100 29 144

HSL 277.04, 0.66%, 0.34%

LAB 28.38, 50.33, -48.97

 

CMYK 34 / 91 / 0 / 51

HEX #530B7D

RGB 83 11 125

HSL 277.89, 0.84%, 0.27%

LAB 22.16, 48.92, -47.33

 

CMYK 38 / 100 / 0 / 58

HEX #42006A

RGB 66 0 106

HSL 277.36, 1%, 0.21%

LAB 16.5, 45.36, -44.44

 

CMYK 44 / 100 / 0 / 66

HEX #310057

RGB 49 0 87

HSL 273.79, 1%, 0.17%

LAB 11.56, 38.99, -39.98

 

CMYK 53 / 100 / 0 / 73

HEX #200044

RGB 32 0 68

HSL 268.24, 1%, 0.13%

LAB 6.54, 32.01, -35.16

 

CMYK 31 / 80 / 0 / 44

HEX #641D90

RGB 100 29 144

HSL 277.04, 0.66%, 0.34%

LAB 28.38, 50.33, -48.97

 

CMYK 9 / 80 / 0 / 44

HEX #831D90

RGB 131 29 144

HSL 293.22, 0.66%, 0.34%

LAB 33.39, 56.32, -40.64

 

CMYK 0 / 80 / 13 / 44

HEX #901D7E

RGB 144 29 126

HSL 309.39, 0.66%, 0.34%

LAB 34.63, 56.15, -27.37

 

CMYK 0 / 80 / 34 / 44

HEX #901D5F

RGB 144 29 95

HSL 325.57, 0.66%, 0.34%

LAB 33.21, 51.99, -9.86

 

CMYK 0 / 80 / 56 / 44

HEX #901D40

RGB 144 29 64

HSL 341.74, 0.66%, 0.34%

LAB 32.21, 48.93, 8.93

 

CMYK 31 / 80 / 0 / 44

HEX #641D90

RGB 100 29 144

HSL 277.04, 0.66%, 0.34%

LAB 28.38, 50.33, -48.97

 

CMYK 52 / 80 / 0 / 44

HEX #451D90

RGB 69 29 144

HSL 260.87, 0.66%, 0.34%

LAB 24.19, 45.25, -56.01

 

CMYK 74 / 80 / 0 / 44

HEX #261D90

RGB 38 29 144

HSL 244.7, 0.66%, 0.34%

LAB 21.22, 41.61, -60.99

 

CMYK 80 / 80 / 0 / 44

HEX #1D1D90

RGB 29 29 144

HSL 240, 0.66%, 0.34%

LAB 20.65, 40.9, -61.96

 

CMYK 31 / 80 / 0 / 44

HEX #641D90

RGB 100 29 144

HSL 277.04, 0.66%, 0.34%

LAB 28.38, 50.33, -48.97

 

CMYK 35 / 91 / 0 / 38

HEX #670F9E

RGB 103 15 158

HSL 276.92, 0.83%, 0.34%

LAB 28.63, 58.03, -57.15

 

CMYK 38 / 99 / 0 / 33

HEX #6B01AC

RGB 107 1 172

HSL 277.19, 0.99%, 0.34%

LAB 29.73, 63.9, -63.8

 

CMYK 31 / 80 / 0 / 44

HEX #641D90

RGB 100 29 144

HSL 277.04, 0.66%, 0.34%

LAB 28.38, 50.33, -48.97

 

CMYK 25 / 66 / 0 / 49

HEX #612C82

RGB 97 44 130

HSL 276.98, 0.49%, 0.34%

LAB 29.3, 39.69, -38.81

 

CMYK 19 / 50 / 0 / 55

HEX #5E3A74

RGB 94 58 116

HSL 277.24, 0.33%, 0.34%

LAB 31.04, 27.51, -27.27

 

CMYK 12 / 29 / 0 / 60

HEX #5A4866

RGB 90 72 102

HSL 276, 0.17%, 0.34%

LAB 33.49, 13.98, -14.64

 

CMYK 1 / 2 / 0 / 65

HEX #575658

RGB 87 86 88

HSL 270, 0.01%, 0.34%

LAB 36.72, 0.83, -1.02

 

CMYK 73 / 80 / 0 / 44

HEX #271D90

RGB 39 29 144

HSL 245.22, 0.66%, 0.34%

LAB 21.3, 41.7, -60.87

 

CMYK 51 / 80 / 0 / 44

HEX #461D90

RGB 70 29 144

HSL 261.39, 0.66%, 0.34%

LAB 24.3, 45.39, -55.81

 

CMYK 31 / 80 / 0 / 44

HEX #641D90

RGB 100 29 144

HSL 277.04, 0.66%, 0.34%

LAB 28.38, 50.33, -48.97

 

CMYK 9 / 80 / 0 / 44

HEX #831D90

RGB 131 29 144

HSL 293.22, 0.66%, 0.34%

LAB 33.39, 56.32, -40.64

 

CMYK 0 / 80 / 12 / 44

HEX #901D7F

RGB 144 29 127

HSL 308.87, 0.66%, 0.34%

LAB 34.68, 56.3, -27.91

 

CMYK 31 / 80 / 0 / 71

HEX #340F4B

RGB 52 15 75

HSL 277, 0.67%, 0.18%

LAB 13.11, 30.01, -29.21

 

CMYK 31 / 80 / 0 / 57

HEX #4C166E

RGB 76 22 110

HSL 276.82, 0.67%, 0.26%

LAB 20.97, 40.65, -39.69

 

CMYK 31 / 80 / 0 / 44

HEX #641D90

RGB 100 29 144

HSL 277.04, 0.66%, 0.34%

LAB 28.38, 50.33, -48.97

 

CMYK 30 / 80 / 0 / 30

HEX #7C24B2

RGB 124 36 178

HSL 277.18, 0.66%, 0.42%

LAB 35.52, 59.53, -57.81

 

CMYK 30 / 79 / 0 / 17

HEX #942CD4

RGB 148 44 212

HSL 277.14, 0.66%, 0.5%

LAB 42.54, 68.03, -66.13

 

CMYK 31 / 80 / 0 / 44

HEX #641D90

RGB 100 29 144

HSL 277.04, 0.66%, 0.34%

LAB 28.38, 50.33, -48.97

 

CMYK 0 / 80 / 65 / 44

HEX #901D32

RGB 144 29 50

HSL 349.04, 0.66%, 0.34%

LAB 31.89, 47.94, 17.7

 

CMYK 80 / 0 / 63 / 44

HEX #1D9036

RGB 29 144 54

HSL 133.04, 0.66%, 0.34%

LAB 52.37, -49.96, 38.32

 

CMYK 31 / 80 / 0 / 44

HEX #641D90

RGB 100 29 144

HSL 277.04, 0.66%, 0.34%

LAB 28.38, 50.33, -48.97

 

CMYK 0 / 31 / 80 / 44

HEX #90641D

RGB 144 100 29

HSL 37.04, 0.66%, 0.34%

LAB 45.81, 11.24, 44.7

 

CMYK 80 / 0 / 31 / 44

HEX #1D9064

RGB 29 144 100

HSL 157.04, 0.66%, 0.34%

LAB 53.09, -41.64, 14.78

 

CMYK 31 / 80 / 0 / 44

HEX #641D90

RGB 100 29 144

HSL 277.04, 0.66%, 0.34%

LAB 28.38, 50.33, -48.97

 

CMYK 0 / 80 / 65 / 44

HEX #901D32

RGB 144 29 50

HSL 349.04, 0.66%, 0.34%

LAB 31.89, 47.94, 17.7

 

CMYK 49 / 0 / 80 / 44

HEX #49901D

RGB 73 144 29

HSL 97.04, 0.66%, 0.34%

LAB 53.44, -42.08, 49.96

 

CMYK 80 / 0 / 15 / 44

HEX #1D907B

RGB 29 144 123

HSL 169.04, 0.66%, 0.34%

LAB 53.64, -35.77, 2.4

 

CMYK 31 / 80 / 0 / 44

HEX #641D90

RGB 100 29 144

HSL 277.04, 0.66%, 0.34%

LAB 28.38, 50.33, -48.97

 

CMYK 0 / 70 / 80 / 44

HEX #902B1D

RGB 144 43 29

HSL 7.3, 0.66%, 0.34%

LAB 33.45, 41.72, 32.54

 

CMYK 49 / 0 / 80 / 44

HEX #49901D

RGB 73 144 29

HSL 97.04, 0.66%, 0.34%

LAB 53.44, -42.08, 49.96

 

CMYK 80 / 9 / 0 / 44

HEX #1D8390

RGB 29 131 144

HSL 186.78, 0.66%, 0.34%

LAB 50.11, -23.05, -15.05

 

Description

Color code: HEX #641D90 | qconv.com Color code: HEX #641D90 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 29 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 29 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 80 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 80% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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