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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6417F7 it is the complementary color #9BE808. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6417F7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6417F7 shade: #6917F2, #7A29FF, #8B3BFF, #9C4DFF and #AD5FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6417F7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6417F7 shade: #6417F7, #5305E4, #4200D1, #3100BE and #2000AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6417F7 shade: #6418F7, #A018F7, #DD18F7, #F718D5 and #F71898

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6417F7 shade: #6418F7, #2818F7 and #1818F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6417F7 shade matches the following richer shades: #6418F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6417F7 shade: #6418F7, #6A2BE3, #703ED0, #7752BC and #7D65A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6417F7 shade: #1844F7, #2718F7, #6218F7, #9D18F7 and #D918F7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6417F7 shade: #4307B5, #5108DD, #6418F7, #7F40F8 and #9A67F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6417F7 shade: #6417F7, #F71880 and #27F718

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6417F7 shade: #6417F7, #F76218 and #18F762

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6417F7 shade: #6417F7, #F71880, #ACF718 and #18F78F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6417F7 shade: #6417F7, #F7183D, #ACF718 and #18F7D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 91 / 0 / 3

HEX #6417F7

RGB 100 23 247

HSL 260.63, 0.93%, 0.53%

LAB 37.91, 76.25, -93.88

 

Complementary color

CMYK 33 / 0 / 97 / 9

HEX #9BE808

RGB 155 232 8

HSL 80.63, 0.93%, 0.47%

LAB 84.33, -50.35, 81.32

 

CMYK 57 / 90 / 0 / 5

HEX #6917F2

RGB 105 23 242

HSL 262.47, 0.89%, 0.52%

LAB 37.89, 75.45, -91.08

 

CMYK 52 / 84 / 0 / 0

HEX #7A29FF

RGB 122 41 255

HSL 262.71, 1%, 0.58%

LAB 42.68, 75.23, -90.4

 

CMYK 45 / 77 / 0 / 0

HEX #8B3BFF

RGB 139 59 255

HSL 264.49, 1%, 0.62%

LAB 46.76, 70.9, -83.62

 

CMYK 39 / 70 / 0 / 0

HEX #9C4DFF

RGB 156 77 255

HSL 266.63, 1%, 0.65%

LAB 51.38, 65.95, -75.99

 

CMYK 32 / 63 / 0 / 0

HEX #AD5FFF

RGB 173 95 255

HSL 269.25, 1%, 0.69%

LAB 56.38, 60.77, -67.8

 

CMYK 60 / 91 / 0 / 3

HEX #6417F7

RGB 100 23 247

HSL 260.63, 0.93%, 0.53%

LAB 37.91, 76.25, -93.88

 

CMYK 64 / 98 / 0 / 11

HEX #5305E4

RGB 83 5 228

HSL 260.99, 0.96%, 0.46%

LAB 33.03, 73.81, -91.26

 

CMYK 68 / 100 / 0 / 18

HEX #4200D1

RGB 66 0 209

HSL 258.95, 1%, 0.41%

LAB 28.8, 69.39, -87.36

 

CMYK 74 / 100 / 0 / 25

HEX #3100BE

RGB 49 0 190

HSL 255.47, 1%, 0.37%

LAB 24.86, 64.25, -82.82

 

CMYK 81 / 100 / 0 / 33

HEX #2000AB

RGB 32 0 171

HSL 251.23, 1%, 0.34%

LAB 21.01, 59.11, -77.91

 

CMYK 60 / 90 / 0 / 3

HEX #6418F7

RGB 100 24 247

HSL 260.45, 0.93%, 0.53%

LAB 37.98, 76.03, -93.76

 

CMYK 35 / 90 / 0 / 3

HEX #A018F7

RGB 160 24 247

HSL 276.59, 0.93%, 0.53%

LAB 45.42, 81.7, -81.24

 

CMYK 11 / 90 / 0 / 3

HEX #DD18F7

RGB 221 24 247

HSL 293, 0.93%, 0.53%

LAB 54.8, 90.01, -65.56

 

CMYK 0 / 90 / 14 / 3

HEX #F718D5

RGB 247 24 213

HSL 309.15, 0.93%, 0.53%

LAB 57.3, 89.54, -42.15

 

CMYK 0 / 90 / 38 / 3

HEX #F71898

RGB 247 24 152

HSL 325.56, 0.93%, 0.53%

LAB 54.76, 82.83, -10.63

 

CMYK 60 / 90 / 0 / 3

HEX #6418F7

RGB 100 24 247

HSL 260.45, 0.93%, 0.53%

LAB 37.98, 76.03, -93.76

 

CMYK 84 / 90 / 0 / 3

HEX #2818F7

RGB 40 24 247

HSL 244.3, 0.93%, 0.53%

LAB 33.6, 73.27, -101.16

 

CMYK 90 / 90 / 0 / 3

HEX #1818F7

RGB 24 24 247

HSL 240, 0.93%, 0.53%

LAB 33.06, 72.96, -102.09

 

CMYK 60 / 90 / 0 / 3

HEX #6418F7

RGB 100 24 247

HSL 260.45, 0.93%, 0.53%

LAB 37.98, 76.03, -93.76

 

CMYK 60 / 90 / 0 / 3

HEX #6418F7

RGB 100 24 247

HSL 260.45, 0.93%, 0.53%

LAB 37.98, 76.03, -93.76

 

CMYK 53 / 81 / 0 / 11

HEX #6A2BE3

RGB 106 43 227

HSL 260.54, 0.77%, 0.53%

LAB 38.44, 66.03, -81.64

 

CMYK 46 / 70 / 0 / 18

HEX #703ED0

RGB 112 62 208

HSL 260.55, 0.61%, 0.53%

LAB 40.32, 53.6, -67.63

 

CMYK 37 / 56 / 0 / 26

HEX #7752BC

RGB 119 82 188

HSL 260.94, 0.44%, 0.53%

LAB 43.64, 38.86, -50.61

 

CMYK 26 / 40 / 0 / 34

HEX #7D65A9

RGB 125 101 169

HSL 261.18, 0.28%, 0.53%

LAB 47.66, 24.32, -33.06

 

CMYK 90 / 72 / 0 / 3

HEX #1844F7

RGB 24 68 247

HSL 228.16, 0.93%, 0.53%

LAB 39.65, 53.65, -91.12

 

CMYK 84 / 90 / 0 / 3

HEX #2718F7

RGB 39 24 247

HSL 244.04, 0.93%, 0.53%

LAB 33.56, 73.24, -101.23

 

CMYK 60 / 90 / 0 / 3

HEX #6218F7

RGB 98 24 247

HSL 259.91, 0.93%, 0.53%

LAB 37.78, 75.89, -94.1

 

CMYK 36 / 90 / 0 / 3

HEX #9D18F7

RGB 157 24 247

HSL 275.78, 0.93%, 0.53%

LAB 44.99, 81.35, -81.96

 

CMYK 12 / 90 / 0 / 3

HEX #D918F7

RGB 217 24 247

HSL 291.93, 0.93%, 0.53%

LAB 54.15, 89.4, -66.64

 

CMYK 63 / 96 / 0 / 29

HEX #4307B5

RGB 67 7 181

HSL 260.69, 0.93%, 0.37%

LAB 25.81, 61.46, -75.84

 

CMYK 63 / 96 / 0 / 13

HEX #5108DD

RGB 81 8 221

HSL 260.56, 0.93%, 0.45%

LAB 32.13, 71.64, -88.73

 

CMYK 60 / 90 / 0 / 3

HEX #6418F7

RGB 100 24 247

HSL 260.45, 0.93%, 0.53%

LAB 37.98, 76.03, -93.76

 

CMYK 49 / 74 / 0 / 3

HEX #7F40F8

RGB 127 64 248

HSL 260.54, 0.93%, 0.61%

LAB 45.57, 65.41, -81.7

 

CMYK 38 / 59 / 0 / 2

HEX #9A67F9

RGB 154 103 249

HSL 260.96, 0.92%, 0.69%

LAB 55.49, 51.16, -66.01

 

CMYK 60 / 91 / 0 / 3

HEX #6417F7

RGB 100 23 247

HSL 260.63, 0.93%, 0.53%

LAB 37.91, 76.25, -93.88

 

CMYK 0 / 90 / 48 / 3

HEX #F71880

RGB 247 24 128

HSL 332.02, 0.93%, 0.53%

LAB 54.01, 80.81, 2.61

 

CMYK 84 / 0 / 90 / 3

HEX #27F718

RGB 39 247 24

HSL 115.96, 0.93%, 0.53%

LAB 85.51, -81.71, 79.15

 

CMYK 60 / 91 / 0 / 3

HEX #6417F7

RGB 100 23 247

HSL 260.63, 0.93%, 0.53%

LAB 37.91, 76.25, -93.88

 

CMYK 0 / 60 / 90 / 3

HEX #F76218

RGB 247 98 24

HSL 19.91, 0.93%, 0.53%

LAB 60.41, 54.18, 64.59

 

CMYK 90 / 0 / 60 / 3

HEX #18F762

RGB 24 247 98

HSL 139.91, 0.93%, 0.53%

LAB 85.8, -77.58, 56.91

 

CMYK 60 / 91 / 0 / 3

HEX #6417F7

RGB 100 23 247

HSL 260.63, 0.93%, 0.53%

LAB 37.91, 76.25, -93.88

 

CMYK 0 / 90 / 48 / 3

HEX #F71880

RGB 247 24 128

HSL 332.02, 0.93%, 0.53%

LAB 54.01, 80.81, 2.61

 

CMYK 30 / 0 / 90 / 3

HEX #ACF718

RGB 172 247 24

HSL 80.18, 0.93%, 0.53%

LAB 89.56, -50.2, 84.15

 

CMYK 90 / 0 / 42 / 3

HEX #18F78F

RGB 24 247 143

HSL 152.02, 0.93%, 0.53%

LAB 86.35, -70.93, 36.64

 

CMYK 60 / 91 / 0 / 3

HEX #6417F7

RGB 100 23 247

HSL 260.63, 0.93%, 0.53%

LAB 37.91, 76.25, -93.88

 

CMYK 0 / 90 / 75 / 3

HEX #F7183D

RGB 247 24 61

HSL 350.04, 0.93%, 0.53%

LAB 52.69, 77.13, 40.92

 

CMYK 30 / 0 / 90 / 3

HEX #ACF718

RGB 172 247 24

HSL 80.18, 0.93%, 0.53%

LAB 89.56, -50.2, 84.15

 

CMYK 90 / 0 / 15 / 3

HEX #18F7D1

RGB 24 247 209

HSL 169.78, 0.93%, 0.53%

LAB 87.64, -56.6, 4.68

 

Description

Color code: HEX #6417F7 | qconv.com Color code: HEX #6417F7 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 23 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 23 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 91 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 91% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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